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Color name
RGB 142 56.2 15.6

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 142 56.2 15.6 it is the complementary color RGB 113 198.8 239.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 142 56.2 15.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 142 56.2 15.6 shade: RGB 147 56.2 10.6, RGB 164 74.2 29.6, RGB 181 92.2 48.6, RGB 198 110.2 67.6 and RGB 215 128.2 86.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 142 56.2 15.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 142 56.2 15.6 shade: RGB 142 56.2 15.6, RGB 125 38.2 0, RGB 108 20.2 0, RGB 91 2.2 0 and RGB 74 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 142 56.2 15.6 shade: RGB 142 56 16, RGB 142 22 16 and RGB 142 16 16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 142 56.2 15.6 shade: RGB 142 56 16, RGB 142 91 16, RGB 142 125 16, RGB 126 142 16 and RGB 92 142 16

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 142 56.2 15.6 shade matches the following richer shades: RGB 142 56 16 and RGB 155 52 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 142 56.2 15.6 shade: RGB 142 56 16, RGB 129 61 29, RGB 117 66 41, RGB 104 70 54 and RGB 91 75 67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 142 56.2 15.6 shade: RGB 142 16 43, RGB 142 22 16, RGB 142 56 16, RGB 142 90 16 and RGB 142 123 16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 142 56.2 15.6 shade: RGB 68 27 8, RGB 105 42 12, RGB 142 56 16, RGB 179 71 20 and RGB 217 86 24

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 142 56.2 15.6 shade: RGB 142 56.2 15.6, RGB 77 142 16 and RGB 16 26 142

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 142 56.2 15.6 shade: RGB 142 56.2 15.6, RGB 16 142 56 and RGB 56 16 142

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 142 56.2 15.6 shade: RGB 142 56.2 15.6, RGB 77 142 16, RGB 16 102 142 and RGB 81 16 142

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 142 56.2 15.6 shade: RGB 142 56.2 15.6, RGB 39 142 16, RGB 16 102 142 and RGB 119 16 142

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 89 / 44

HEX #8E380F

RGB 142 56.2 15.6

HSL 19.27, 0.8%, 0.31%

LAB 35.27, 34.42, 40.74

 

Complementary color

CMYK 53 / 17 / 0 / 6

HEX #71C6EF

RGB 113 198.8 239.4

HSL 199.27, 0.8%, 0.69%

LAB 76.39, -14.9, -28.04

 

CMYK 0 / 62 / 93 / 42

HEX #93380A

RGB 147 56.2 10.6

HSL 20.06, 0.87%, 0.31%

LAB 36.13, 36.29, 43.65

 

CMYK 0 / 55 / 82 / 36

HEX #A44A1D

RGB 164 74.2 29.6

HSL 19.91, 0.69%, 0.38%

LAB 42.63, 34.44, 42.44

 

CMYK 0 / 49 / 73 / 29

HEX #B55C30

RGB 181 92.2 48.6

HSL 19.76, 0.58%, 0.45%

LAB 49.17, 32.68, 40.51

 

CMYK 0 / 44 / 66 / 22

HEX #C66E43

RGB 198 110.2 67.6

HSL 19.6, 0.53%, 0.52%

LAB 55.7, 31.07, 38.52

 

CMYK 0 / 40 / 60 / 16

HEX #D78056

RGB 215 128.2 86.6

HSL 19.44, 0.62%, 0.59%

LAB 62.18, 29.63, 36.66

 

CMYK 0 / 60 / 89 / 44

HEX #8E380F

RGB 142 56.2 15.6

HSL 19.27, 0.8%, 0.31%

LAB 35.27, 34.42, 40.74

 

CMYK 0 / 69 / 100 / 51

HEX #7D2600

RGB 125 38.2 0

HSL 18.34, 1%, 0.25%

LAB 28.8, 36.13, 40.65

 

CMYK 0 / 81 / 100 / 58

HEX #6C1400

RGB 108 20.2 0

HSL 11.22, 1%, 0.21%

LAB 22.64, 37.27, 33.68

 

CMYK 0 / 98 / 100 / 64

HEX #5B0200

RGB 91 2.2 0

HSL 1.45, 1%, 0.18%

LAB 16.85, 37.08, 26.06

 

CMYK 0 / 100 / 100 / 71

HEX #4A0000

RGB 74 0 0

HSL 0, 1%, 0.15%

LAB 12.32, 32.77, 19.36

 

CMYK 0 / 61 / 89 / 44

HEX #8E3810

RGB 142 56 16

HSL 19.05, 0.8%, 0.31%

LAB 35.24, 34.53, 40.54

 

CMYK 0 / 85 / 89 / 44

HEX #8E1610

RGB 142 22 16

HSL 2.86, 0.8%, 0.31%

LAB 30.31, 47.95, 36.47

 

CMYK 0 / 89 / 89 / 44

HEX #8E1010

RGB 142 16 16

HSL 0, 0.8%, 0.31%

LAB 29.81, 49.37, 36.06

 

CMYK 0 / 61 / 89 / 44

HEX #8E3810

RGB 142 56 16

HSL 19.05, 0.8%, 0.31%

LAB 35.24, 34.53, 40.54

 

CMYK 0 / 36 / 89 / 44

HEX #8E5B10

RGB 142 91 16

HSL 35.71, 0.8%, 0.31%

LAB 43.17, 15.11, 47.04

 

CMYK 0 / 12 / 89 / 44

HEX #8E7D10

RGB 142 125 16

HSL 51.9, 0.8%, 0.31%

LAB 52.35, -4.41, 54.5

 

CMYK 11 / 0 / 89 / 44

HEX #7E8E10

RGB 126 142 16

HSL 67.62, 0.8%, 0.31%

LAB 55.91, -20.85, 56.83

 

CMYK 35 / 0 / 89 / 44

HEX #5C8E10

RGB 92 142 16

HSL 83.81, 0.8%, 0.31%

LAB 53.66, -35.09, 54.05

 

CMYK 0 / 61 / 89 / 44

HEX #8E3810

RGB 142 56 16

HSL 19.05, 0.8%, 0.31%

LAB 35.24, 34.53, 40.54

 

CMYK 0 / 66 / 98 / 39

HEX #9B3403

RGB 155 52 3

HSL 19.34, 0.96%, 0.31%

LAB 36.8, 41.17, 47.43

 

CMYK 0 / 61 / 89 / 44

HEX #8E3810

RGB 142 56 16

HSL 19.05, 0.8%, 0.31%

LAB 35.24, 34.53, 40.54

 

CMYK 0 / 53 / 78 / 49

HEX #813D1D

RGB 129 61 29

HSL 19.2, 0.63%, 0.31%

LAB 34.18, 26.97, 32.47

 

CMYK 0 / 44 / 65 / 54

HEX #754229

RGB 117 66 41

HSL 19.74, 0.48%, 0.31%

LAB 33.64, 19.55, 24.52

 

CMYK 0 / 33 / 48 / 59

HEX #684636

RGB 104 70 54

HSL 19.2, 0.32%, 0.31%

LAB 33.11, 12.47, 15.51

 

CMYK 0 / 18 / 26 / 64

HEX #5B4B43

RGB 91 75 67

HSL 20, 0.15%, 0.31%

LAB 33.27, 5.32, 7.28

 

CMYK 0 / 89 / 70 / 44

HEX #8E102B

RGB 142 16 43

HSL 347.14, 0.8%, 0.31%

LAB 30.15, 50.36, 19.97

 

CMYK 0 / 85 / 89 / 44

HEX #8E1610

RGB 142 22 16

HSL 2.86, 0.8%, 0.31%

LAB 30.31, 47.95, 36.47

 

CMYK 0 / 61 / 89 / 44

HEX #8E3810

RGB 142 56 16

HSL 19.05, 0.8%, 0.31%

LAB 35.24, 34.53, 40.54

 

CMYK 0 / 37 / 89 / 44

HEX #8E5A10

RGB 142 90 16

HSL 35.24, 0.8%, 0.31%

LAB 42.91, 15.69, 46.83

 

CMYK 0 / 13 / 89 / 44

HEX #8E7B10

RGB 142 123 16

HSL 50.95, 0.8%, 0.31%

LAB 51.79, -3.29, 54.04

 

CMYK 0 / 60 / 88 / 73

HEX #441B08

RGB 68 27 8

HSL 19, 0.79%, 0.15%

LAB 15.65, 18.38, 20.21

 

CMYK 0 / 60 / 89 / 59

HEX #692A0C

RGB 105 42 12

HSL 19.35, 0.79%, 0.23%

LAB 25.82, 26.49, 31.67

 

CMYK 0 / 61 / 89 / 44

HEX #8E3810

RGB 142 56 16

HSL 19.05, 0.8%, 0.31%

LAB 35.24, 34.53, 40.54

 

CMYK 0 / 60 / 89 / 30

HEX #B34714

RGB 179 71 20

HSL 19.25, 0.8%, 0.39%

LAB 44.43, 41.64, 49.02

 

CMYK 0 / 60 / 89 / 15

HEX #D95618

RGB 217 86 24

HSL 19.27, 0.8%, 0.47%

LAB 53.46, 48.81, 57.3

 

CMYK 0 / 60 / 89 / 44

HEX #8E380F

RGB 142 56.2 15.6

HSL 19.27, 0.8%, 0.31%

LAB 35.27, 34.42, 40.74

 

CMYK 46 / 0 / 89 / 44

HEX #4D8E10

RGB 77 142 16

HSL 90.95, 0.8%, 0.31%

LAB 52.91, -40.54, 53.1

 

CMYK 89 / 82 / 0 / 44

HEX #101A8E

RGB 16 26 142

HSL 235.24, 0.8%, 0.31%

LAB 19.23, 41.13, -63.09

 

CMYK 0 / 60 / 89 / 44

HEX #8E380F

RGB 142 56.2 15.6

HSL 19.27, 0.8%, 0.31%

LAB 35.27, 34.42, 40.74

 

CMYK 89 / 0 / 61 / 44

HEX #108E38

RGB 16 142 56

HSL 139.05, 0.8%, 0.31%

LAB 51.54, -50.46, 36.36

 

CMYK 61 / 89 / 0 / 44

HEX #38108E

RGB 56 16 142

HSL 259.05, 0.8%, 0.31%

LAB 20.69, 48.38, -60.58

 

CMYK 0 / 60 / 89 / 44

HEX #8E380F

RGB 142 56.2 15.6

HSL 19.27, 0.8%, 0.31%

LAB 35.27, 34.42, 40.74

 

CMYK 46 / 0 / 89 / 44

HEX #4D8E10

RGB 77 142 16

HSL 90.95, 0.8%, 0.31%

LAB 52.91, -40.54, 53.1

 

CMYK 89 / 28 / 0 / 44

HEX #10668E

RGB 16 102 142

HSL 199.05, 0.8%, 0.31%

LAB 40.52, -8.77, -28.68

 

CMYK 43 / 89 / 0 / 44

HEX #51108E

RGB 81 16 142

HSL 270.95, 0.8%, 0.31%

LAB 23.91, 51.22, -55.16

 

CMYK 0 / 60 / 89 / 44

HEX #8E380F

RGB 142 56.2 15.6

HSL 19.27, 0.8%, 0.31%

LAB 35.27, 34.42, 40.74

 

CMYK 73 / 0 / 89 / 44

HEX #278E10

RGB 39 142 16

HSL 109.05, 0.8%, 0.31%

LAB 51.63, -50.8, 51.49

 

CMYK 89 / 28 / 0 / 44

HEX #10668E

RGB 16 102 142

HSL 199.05, 0.8%, 0.31%

LAB 40.52, -8.77, -28.68

 

CMYK 16 / 89 / 0 / 44

HEX #77108E

RGB 119 16 142

HSL 289.05, 0.8%, 0.31%

LAB 30.02, 57.08, -44.93

 

Description

Color code: RGB 142 56.2 15.6 | qconv.com Color code: RGB 142 56.2 15.6 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 56.2 green and 15.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 56.2 15.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 89 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 89% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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