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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 142 53 76 it is the complementary color RGB 113 202 179. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 142 53 76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 142 53 76 shade: RGB 147 53 71, RGB 164 71 90, RGB 181 89 109, RGB 198 107 128 and RGB 215 125 147

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 142 53 76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 142 53 76 shade: RGB 142 53 76, RGB 125 35 57, RGB 108 17 38, RGB 91 0 19 and RGB 74 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 142 53 76 shade: RGB 141 52 75 and RGB 141 52 52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 142 53 76 shade: RGB 141 52 75, RGB 141 52 99, RGB 141 52 123, RGB 135 52 141 and RGB 111 52 141

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 142 53 76 shade matches the following richer shades: RGB 141 52 75, RGB 157 37 68, RGB 173 21 60 and RGB 189 5 53

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 142 53 76 shade: RGB 141 52 75, RGB 126 68 83, RGB 110 84 91, RGB 94 99 98 and RGB 79 115 106

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 142 53 76 shade: RGB 141 52 124, RGB 141 52 100, RGB 141 52 76, RGB 141 52 52 and RGB 141 76 52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 142 53 76 shade: RGB 81 30 43, RGB 111 41 59, RGB 141 52 75, RGB 172 63 91 and RGB 192 84 112

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 142 53 76 shade: RGB 142 53 76, RGB 141 136 52 and RGB 52 112 141

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 142 53 76 shade: RGB 142 53 76, RGB 76 141 52 and RGB 52 76 141

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 142 53 76 shade: RGB 142 53 76, RGB 141 136 52, RGB 52 141 118 and RGB 52 58 141

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 142 53 76 shade: RGB 142 53 76, RGB 121 141 52, RGB 52 141 118 and RGB 73 52 141

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 46 / 44

HEX #8E354C

RGB 142 53 76

HSL 344.49, 0.46%, 0.38%

LAB 35.63, 39.81, 5.9

 

Complementary color

CMYK 44 / 0 / 11 / 21

HEX #71CAB3

RGB 113 202 179

HSL 164.49, 0.46%, 0.62%

LAB 75.46, -32.22, 3.17

 

CMYK 0 / 64 / 52 / 42

HEX #933547

RGB 147 53 71

HSL 348.51, 0.47%, 0.39%

LAB 36.37, 41.06, 10.27

 

CMYK 0 / 57 / 45 / 36

HEX #A4475A

RGB 164 71 90

HSL 347.74, 0.4%, 0.46%

LAB 42.97, 40.26, 8

 

CMYK 0 / 51 / 40 / 29

HEX #B5596D

RGB 181 89 109

HSL 346.96, 0.38%, 0.53%

LAB 49.58, 39.32, 6.19

 

CMYK 0 / 46 / 35 / 22

HEX #C66B80

RGB 198 107 128

HSL 346.15, 0.44%, 0.6%

LAB 56.17, 38.37, 4.7

 

CMYK 0 / 42 / 32 / 16

HEX #D77D93

RGB 215 125 147

HSL 345.33, 0.53%, 0.67%

LAB 62.69, 37.44, 3.42

 

CMYK 0 / 63 / 46 / 44

HEX #8E354C

RGB 142 53 76

HSL 344.49, 0.46%, 0.38%

LAB 35.63, 39.81, 5.9

 

CMYK 0 / 72 / 54 / 51

HEX #7D2339

RGB 125 35 57

HSL 345.33, 0.56%, 0.31%

LAB 29.05, 40.25, 8.6

 

CMYK 0 / 84 / 65 / 58

HEX #6C1126

RGB 108 17 38

HSL 346.15, 0.73%, 0.25%

LAB 22.75, 39.86, 12.36

 

CMYK 0 / 100 / 79 / 64

HEX #5B0013

RGB 91 0 19

HSL 347.47, 1%, 0.18%

LAB 16.85, 38.37, 17.31

 

CMYK 0 / 100 / 100 / 71

HEX #4A0000

RGB 74 0 0

HSL 0, 1%, 0.15%

LAB 12.32, 32.77, 19.36

 

CMYK 0 / 63 / 47 / 45

HEX #8D344B

RGB 141 52 75

HSL 344.49, 0.46%, 0.38%

LAB 35.26, 39.84, 5.98

 

CMYK 0 / 63 / 63 / 45

HEX #8D3434

RGB 141 52 52

HSL 0, 0.46%, 0.38%

LAB 34.74, 37.82, 19.97

 

CMYK 0 / 63 / 47 / 45

HEX #8D344B

RGB 141 52 75

HSL 344.49, 0.46%, 0.38%

LAB 35.26, 39.84, 5.98

 

CMYK 0 / 63 / 30 / 45

HEX #8D3463

RGB 141 52 99

HSL 328.31, 0.46%, 0.38%

LAB 36.02, 42.72, -8.24

 

CMYK 0 / 63 / 13 / 45

HEX #8D347B

RGB 141 52 123

HSL 312.13, 0.46%, 0.38%

LAB 37.02, 46.32, -21.8

 

CMYK 4 / 63 / 0 / 45

HEX #87348D

RGB 135 52 141

HSL 295.96, 0.46%, 0.38%

LAB 36.99, 47.85, -33.03

 

CMYK 21 / 63 / 0 / 45

HEX #6F348D

RGB 111 52 141

HSL 279.78, 0.46%, 0.38%

LAB 33.47, 41.63, -38.83

 

CMYK 0 / 63 / 47 / 45

HEX #8D344B

RGB 141 52 75

HSL 344.49, 0.46%, 0.38%

LAB 35.26, 39.84, 5.98

 

CMYK 0 / 76 / 57 / 38

HEX #9D2544

RGB 157 37 68

HSL 344.5, 0.62%, 0.38%

LAB 35.81, 50.5, 11.7

 

CMYK 0 / 88 / 65 / 32

HEX #AD153C

RGB 173 21 60

HSL 344.61, 0.78%, 0.38%

LAB 37.38, 58.71, 19.52

 

CMYK 0 / 97 / 72 / 26

HEX #BD0535

RGB 189 5 53

HSL 344.35, 0.95%, 0.38%

LAB 39.89, 64.61, 27.81

 

CMYK 0 / 63 / 47 / 45

HEX #8D344B

RGB 141 52 75

HSL 344.49, 0.46%, 0.38%

LAB 35.26, 39.84, 5.98

 

CMYK 0 / 46 / 34 / 51

HEX #7E4453

RGB 126 68 83

HSL 344.48, 0.3%, 0.38%

LAB 36.36, 26.77, 2.15

 

CMYK 0 / 24 / 17 / 57

HEX #6E545B

RGB 110 84 91

HSL 343.85, 0.13%, 0.38%

LAB 38.57, 12, 0.09

 

CMYK 5 / 0 / 1 / 61

HEX #5E6362

RGB 94 99 98

HSL 168, 0.03%, 0.38%

LAB 41.51, -2.15, -0.11

 

CMYK 31 / 0 / 8 / 55

HEX #4F736A

RGB 79 115 106

HSL 165, 0.19%, 0.38%

LAB 45.59, -14.92, 0.88

 

CMYK 0 / 63 / 12 / 45

HEX #8D347C

RGB 141 52 124

HSL 311.46, 0.46%, 0.38%

LAB 37.07, 46.48, -22.35

 

CMYK 0 / 63 / 29 / 45

HEX #8D3464

RGB 141 52 100

HSL 327.64, 0.46%, 0.38%

LAB 36.06, 42.85, -8.82

 

CMYK 0 / 63 / 46 / 45

HEX #8D344C

RGB 141 52 76

HSL 343.82, 0.46%, 0.38%

LAB 35.28, 39.94, 5.38

 

CMYK 0 / 63 / 63 / 45

HEX #8D3434

RGB 141 52 52

HSL 0, 0.46%, 0.38%

LAB 34.74, 37.82, 19.97

 

CMYK 0 / 46 / 63 / 45

HEX #8D4C34

RGB 141 76 52

HSL 16.18, 0.46%, 0.38%

LAB 39.71, 25.09, 26.2

 

CMYK 0 / 63 / 47 / 68

HEX #511E2B

RGB 81 30 43

HSL 344.71, 0.46%, 0.22%

LAB 19.44, 25.3, 3.44

 

CMYK 0 / 63 / 47 / 56

HEX #6F293B

RGB 111 41 59

HSL 344.57, 0.46%, 0.3%

LAB 27.52, 32.78, 4.74

 

CMYK 0 / 63 / 47 / 45

HEX #8D344B

RGB 141 52 75

HSL 344.49, 0.46%, 0.38%

LAB 35.26, 39.84, 5.98

 

CMYK 0 / 63 / 47 / 33

HEX #AC3F5B

RGB 172 63 91

HSL 344.59, 0.46%, 0.46%

LAB 42.89, 46.91, 7.45

 

CMYK 0 / 56 / 42 / 25

HEX #C05470

RGB 192 84 112

HSL 344.44, 0.46%, 0.54%

LAB 50.35, 46.02, 5.72

 

CMYK 0 / 63 / 46 / 44

HEX #8E354C

RGB 142 53 76

HSL 344.49, 0.46%, 0.38%

LAB 35.63, 39.81, 5.9

 

CMYK 0 / 4 / 63 / 45

HEX #8D8834

RGB 141 136 52

HSL 56.63, 0.46%, 0.38%

LAB 55.6, -9.23, 44.44

 

CMYK 63 / 21 / 0 / 45

HEX #34708D

RGB 52 112 141

HSL 199.55, 0.46%, 0.38%

LAB 44.58, -10.15, -21.69

 

CMYK 0 / 63 / 46 / 44

HEX #8E354C

RGB 142 53 76

HSL 344.49, 0.46%, 0.38%

LAB 35.63, 39.81, 5.9

 

CMYK 46 / 0 / 63 / 45

HEX #4C8D34

RGB 76 141 52

HSL 103.82, 0.46%, 0.38%

LAB 52.77, -37.97, 40.09

 

CMYK 63 / 46 / 0 / 45

HEX #344C8D

RGB 52 76 141

HSL 223.82, 0.46%, 0.38%

LAB 33.61, 12.43, -38.93

 

CMYK 0 / 63 / 46 / 44

HEX #8E354C

RGB 142 53 76

HSL 344.49, 0.46%, 0.38%

LAB 35.63, 39.81, 5.9

 

CMYK 0 / 4 / 63 / 45

HEX #8D8834

RGB 141 136 52

HSL 56.63, 0.46%, 0.38%

LAB 55.6, -9.23, 44.44

 

CMYK 63 / 0 / 16 / 45

HEX #348D76

RGB 52 141 118

HSL 164.49, 0.46%, 0.38%

LAB 53.05, -32.23, 4.49

 

CMYK 63 / 59 / 0 / 45

HEX #343A8D

RGB 52 58 141

HSL 235.96, 0.46%, 0.38%

LAB 28.59, 24.5, -47.02

 

CMYK 0 / 63 / 46 / 44

HEX #8E354C

RGB 142 53 76

HSL 344.49, 0.46%, 0.38%

LAB 35.63, 39.81, 5.9

 

CMYK 14 / 0 / 63 / 45

HEX #798D34

RGB 121 141 52

HSL 73.48, 0.46%, 0.38%

LAB 55.44, -20.66, 43.8

 

CMYK 63 / 0 / 16 / 45

HEX #348D76

RGB 52 141 118

HSL 164.49, 0.46%, 0.38%

LAB 53.05, -32.23, 4.49

 

CMYK 48 / 63 / 0 / 45

HEX #49348D

RGB 73 52 141

HSL 254.16, 0.46%, 0.38%

LAB 28.89, 32.56, -46.45

 

Description

Color code: RGB 142 53 76 | qconv.com Color code: RGB 142 53 76 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 53 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 53 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 46 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 46% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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