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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 142 31 127 it is the complementary color RGB 113 224 128. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 142 31 127. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 142 31 127 shade: RGB 147 31 122, RGB 164 49 141, RGB 181 67 160, RGB 198 85 179 and RGB 215 103 198

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 142 31 127. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 142 31 127 shade: RGB 142 31 127, RGB 125 13 108, RGB 108 0 89, RGB 91 0 70 and RGB 74 0 51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 142 31 127 shade: RGB 142 31 127, RGB 142 31 97, RGB 142 31 67, RGB 142 31 37 and RGB 142 31 31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 142 31 127 shade: RGB 142 31 127, RGB 127 31 142, RGB 97 31 142, RGB 67 31 142 and RGB 37 31 142

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 142 31 127 shade matches the following richer shades: RGB 142 31 127, RGB 156 17 137 and RGB 170 3 147

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 142 31 127 shade: RGB 142 31 127, RGB 128 45 116, RGB 114 59 106, RGB 100 73 96 and RGB 86 87 86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 142 31 127 shade: RGB 97 31 142, RGB 127 31 142, RGB 142 31 127, RGB 142 31 97 and RGB 142 31 68

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 142 31 127 shade: RGB 74 16 66, RGB 108 23 96, RGB 142 31 127, RGB 176 38 157 and RGB 209 46 187

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 142 31 127 shade: RGB 142 31 127, RGB 142 68 31 and RGB 31 142 112

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 142 31 127 shade: RGB 142 31 127, RGB 127 142 31 and RGB 31 127 142

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 142 31 127 shade: RGB 142 31 127, RGB 142 68 31, RGB 31 142 46 and RGB 31 105 142

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 142 31 127 shade: RGB 142 31 127, RGB 142 101 31, RGB 31 142 46 and RGB 31 71 142

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 11 / 44

HEX #8E1F7F

RGB 142 31 127

HSL 308.11, 0.64%, 0.34%

LAB 34.52, 55.25, -28.18

 

Complementary color

CMYK 50 / 0 / 43 / 12

HEX #71E080

RGB 113 224 128

HSL 128.11, 0.64%, 0.66%

LAB 80.95, -51.62, 37.42

 

CMYK 0 / 79 / 17 / 42

HEX #931F7A

RGB 147 31 122

HSL 312.93, 0.65%, 0.35%

LAB 35.18, 55.68, -23.96

 

CMYK 0 / 70 / 14 / 36

HEX #A4318D

RGB 164 49 141

HSL 312, 0.54%, 0.42%

LAB 41.24, 56.6, -26.03

 

CMYK 0 / 63 / 12 / 29

HEX #B543A0

RGB 181 67 160

HSL 311.05, 0.46%, 0.49%

LAB 47.46, 56.78, -27.55

 

CMYK 0 / 57 / 10 / 22

HEX #C655B3

RGB 198 85 179

HSL 310.09, 0.5%, 0.55%

LAB 53.77, 56.54, -28.71

 

CMYK 0 / 52 / 8 / 16

HEX #D767C6

RGB 215 103 198

HSL 309.11, 0.58%, 0.62%

LAB 60.09, 56.06, -29.62

 

CMYK 0 / 78 / 11 / 44

HEX #8E1F7F

RGB 142 31 127

HSL 308.11, 0.64%, 0.34%

LAB 34.52, 55.25, -28.18

 

CMYK 0 / 90 / 14 / 51

HEX #7D0D6C

RGB 125 13 108

HSL 309.11, 0.81%, 0.27%

LAB 28.72, 53.15, -25.49

 

CMYK 0 / 100 / 18 / 58

HEX #6C0059

RGB 108 0 89

HSL 310.56, 1%, 0.21%

LAB 23.37, 49.31, -21.7

 

CMYK 0 / 100 / 23 / 64

HEX #5B0046

RGB 91 0 70

HSL 313.85, 1%, 0.18%

LAB 18.65, 43.08, -16.46

 

CMYK 0 / 100 / 31 / 71

HEX #4A0033

RGB 74 0 51

HSL 318.65, 1%, 0.15%

LAB 13.8, 36.66, -10.85

 

CMYK 0 / 78 / 11 / 44

HEX #8E1F7F

RGB 142 31 127

HSL 308.11, 0.64%, 0.34%

LAB 34.52, 55.25, -28.18

 

CMYK 0 / 78 / 32 / 44

HEX #8E1F61

RGB 142 31 97

HSL 324.32, 0.64%, 0.34%

LAB 33.12, 51.08, -11.32

 

CMYK 0 / 78 / 53 / 44

HEX #8E1F43

RGB 142 31 67

HSL 340.54, 0.64%, 0.34%

LAB 32.11, 47.95, 6.76

 

CMYK 0 / 78 / 74 / 44

HEX #8E1F25

RGB 142 31 37

HSL 356.76, 0.64%, 0.34%

LAB 31.5, 45.96, 25.47

 

CMYK 0 / 78 / 78 / 44

HEX #8E1F1F

RGB 142 31 31

HSL 0, 0.64%, 0.34%

LAB 31.42, 45.7, 29.09

 

CMYK 0 / 78 / 11 / 44

HEX #8E1F7F

RGB 142 31 127

HSL 308.11, 0.64%, 0.34%

LAB 34.52, 55.25, -28.18

 

CMYK 11 / 78 / 0 / 44

HEX #7F1F8E

RGB 127 31 142

HSL 291.89, 0.64%, 0.34%

LAB 32.8, 54.5, -40.39

 

CMYK 32 / 78 / 0 / 44

HEX #611F8E

RGB 97 31 142

HSL 275.68, 0.64%, 0.34%

LAB 28.05, 48.55, -48.31

 

CMYK 53 / 78 / 0 / 44

HEX #431F8E

RGB 67 31 142

HSL 259.46, 0.64%, 0.34%

LAB 24.08, 43.45, -54.94

 

CMYK 74 / 78 / 0 / 44

HEX #251F8E

RGB 37 31 142

HSL 243.24, 0.64%, 0.34%

LAB 21.31, 39.77, -59.62

 

CMYK 0 / 78 / 11 / 44

HEX #8E1F7F

RGB 142 31 127

HSL 308.11, 0.64%, 0.34%

LAB 34.52, 55.25, -28.18

 

CMYK 0 / 89 / 12 / 39

HEX #9C1189

RGB 156 17 137

HSL 308.2, 0.8%, 0.34%

LAB 36.51, 63.05, -31.09

 

CMYK 0 / 98 / 14 / 33

HEX #AA0393

RGB 170 3 147

HSL 308.26, 0.97%, 0.34%

LAB 39.1, 68.92, -32.96

 

CMYK 0 / 78 / 11 / 44

HEX #8E1F7F

RGB 142 31 127

HSL 308.11, 0.64%, 0.34%

LAB 34.52, 55.25, -28.18

 

CMYK 0 / 65 / 9 / 50

HEX #802D74

RGB 128 45 116

HSL 308.67, 0.48%, 0.34%

LAB 33.41, 44.6, -23.2

 

CMYK 0 / 48 / 7 / 55

HEX #723B6A

RGB 114 59 106

HSL 308.73, 0.32%, 0.34%

LAB 33.45, 31.3, -16.98

 

CMYK 0 / 27 / 4 / 61

HEX #644960

RGB 100 73 96

HSL 308.89, 0.16%, 0.34%

LAB 34.64, 15.78, -9

 

CMYK 1 / 0 / 1 / 66

HEX #565756

RGB 86 87 86

HSL 120, 0.01%, 0.34%

LAB 36.87, -0.61, 0.43

 

CMYK 32 / 78 / 0 / 44

HEX #611F8E

RGB 97 31 142

HSL 275.68, 0.64%, 0.34%

LAB 28.05, 48.55, -48.31

 

CMYK 11 / 78 / 0 / 44

HEX #7F1F8E

RGB 127 31 142

HSL 291.89, 0.64%, 0.34%

LAB 32.8, 54.5, -40.39

 

CMYK 0 / 78 / 11 / 44

HEX #8E1F7F

RGB 142 31 127

HSL 308.11, 0.64%, 0.34%

LAB 34.52, 55.25, -28.18

 

CMYK 0 / 78 / 32 / 44

HEX #8E1F61

RGB 142 31 97

HSL 324.32, 0.64%, 0.34%

LAB 33.12, 51.08, -11.32

 

CMYK 0 / 78 / 52 / 44

HEX #8E1F44

RGB 142 31 68

HSL 340, 0.64%, 0.34%

LAB 32.14, 48.03, 6.14

 

CMYK 0 / 78 / 11 / 71

HEX #4A1042

RGB 74 16 66

HSL 308.28, 0.64%, 0.18%

LAB 16.6, 33.29, -17.15

 

CMYK 0 / 79 / 11 / 58

HEX #6C1760

RGB 108 23 96

HSL 308.47, 0.65%, 0.26%

LAB 25.7, 44.75, -22.67

 

CMYK 0 / 78 / 11 / 44

HEX #8E1F7F

RGB 142 31 127

HSL 308.11, 0.64%, 0.34%

LAB 34.52, 55.25, -28.18

 

CMYK 0 / 78 / 11 / 31

HEX #B0269D

RGB 176 38 157

HSL 308.26, 0.64%, 0.42%

LAB 42.84, 65.38, -33.05

 

CMYK 0 / 78 / 11 / 18

HEX #D12EBB

RGB 209 46 187

HSL 308.1, 0.64%, 0.5%

LAB 50.8, 74.64, -37.87

 

CMYK 0 / 78 / 11 / 44

HEX #8E1F7F

RGB 142 31 127

HSL 308.11, 0.64%, 0.34%

LAB 34.52, 55.25, -28.18

 

CMYK 0 / 52 / 78 / 44

HEX #8E441F

RGB 142 68 31

HSL 20, 0.64%, 0.34%

LAB 37.81, 28.73, 35.84

 

CMYK 78 / 0 / 21 / 44

HEX #1F8E70

RGB 31 142 112

HSL 163.78, 0.64%, 0.34%

LAB 52.74, -37.6, 7.44

 

CMYK 0 / 78 / 11 / 44

HEX #8E1F7F

RGB 142 31 127

HSL 308.11, 0.64%, 0.34%

LAB 34.52, 55.25, -28.18

 

CMYK 11 / 0 / 78 / 44

HEX #7F8E1F

RGB 127 142 31

HSL 68.11, 0.64%, 0.34%

LAB 56.04, -19.87, 52.9

 

CMYK 78 / 11 / 0 / 44

HEX #1F7F8E

RGB 31 127 142

HSL 188.11, 0.64%, 0.34%

LAB 48.79, -21.4, -15.88

 

CMYK 0 / 78 / 11 / 44

HEX #8E1F7F

RGB 142 31 127

HSL 308.11, 0.64%, 0.34%

LAB 34.52, 55.25, -28.18

 

CMYK 0 / 52 / 78 / 44

HEX #8E441F

RGB 142 68 31

HSL 20, 0.64%, 0.34%

LAB 37.81, 28.73, 35.84

 

CMYK 78 / 0 / 68 / 44

HEX #1F8E2E

RGB 31 142 46

HSL 128.11, 0.64%, 0.34%

LAB 51.65, -49.93, 41.18

 

CMYK 78 / 26 / 0 / 44

HEX #1F698E

RGB 31 105 142

HSL 200, 0.64%, 0.34%

LAB 41.76, -9.07, -26.71

 

CMYK 0 / 78 / 11 / 44

HEX #8E1F7F

RGB 142 31 127

HSL 308.11, 0.64%, 0.34%

LAB 34.52, 55.25, -28.18

 

CMYK 0 / 29 / 78 / 44

HEX #8E651F

RGB 142 101 31

HSL 37.84, 0.64%, 0.34%

LAB 45.85, 9.81, 43.81

 

CMYK 78 / 0 / 68 / 44

HEX #1F8E2E

RGB 31 142 46

HSL 128.11, 0.64%, 0.34%

LAB 51.65, -49.93, 41.18

 

CMYK 78 / 50 / 0 / 44

HEX #1F478E

RGB 31 71 142

HSL 218.38, 0.64%, 0.34%

LAB 31.23, 12.77, -43.42

 

Description

Color code: RGB 142 31 127 | qconv.com Color code: RGB 142 31 127 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 31 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 31 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 11 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 11% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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