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Color name
RGB 142 232 23

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 142 232 23 it is the complementary color RGB 113 23 232. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 142 232 23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 142 232 23 shade: RGB 147 232 18, RGB 164 250 37, RGB 181 255 56, RGB 198 255 75 and RGB 215 255 94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 142 232 23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 142 232 23 shade: RGB 142 232 23, RGB 125 214 4, RGB 108 196 0, RGB 91 178 0 and RGB 74 160 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 142 232 23 shade: RGB 142 232 23, RGB 198 232 23, RGB 232 209 23, RGB 232 153 23 and RGB 232 97 23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 142 232 23 shade: RGB 142 232 23, RGB 86 232 23, RGB 29 232 23, RGB 23 232 73 and RGB 23 232 129

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 142 232 23 shade matches the following richer shades: RGB 142 232 23 and RGB 145 253 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 142 232 23 shade: RGB 142 232 23, RGB 139 211 44, RGB 136 191 64, RGB 133 170 85 and RGB 131 150 105

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 142 232 23 shade: RGB 232 208 23, RGB 201 232 23, RGB 145 232 23, RGB 89 232 23 and RGB 33 232 23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 142 232 23 shade: RGB 96 157 16, RGB 119 195 19, RGB 142 232 23, RGB 160 236 60 and RGB 179 239 98

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 142 232 23 shade: RGB 142 232 23, RGB 23 232 152 and RGB 232 23 229

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 142 232 23 shade: RGB 142 232 23, RGB 23 145 232 and RGB 232 23 145

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 142 232 23 shade: RGB 142 232 23, RGB 23 232 152, RGB 110 23 232 and RGB 232 23 103

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 142 232 23 shade: RGB 142 232 23, RGB 23 232 215, RGB 110 23 232 and RGB 232 23 40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 90 / 9

HEX #8EE817

RGB 142 232 23

HSL 85.84, 0.82%, 0.5%

LAB 83.72, -54.61, 78.91

 

Complementary color

CMYK 51 / 90 / 0 / 9

HEX #7117E8

RGB 113 23 232

HSL 265.84, 0.82%, 0.5%

LAB 37.75, 73.82, -85.6

 

CMYK 37 / 0 / 92 / 9

HEX #93E812

RGB 147 232 18

HSL 83.83, 0.86%, 0.49%

LAB 83.94, -53.01, 79.86

 

CMYK 34 / 0 / 85 / 2

HEX #A4FA25

RGB 164 250 37

HSL 84.23, 0.96%, 0.56%

LAB 90.04, -53.92, 82.2

 

CMYK 29 / 0 / 78 / 0

HEX #B5FF38

RGB 181 255 56

HSL 82.31, 1%, 0.61%

LAB 92.41, -49.3, 80.14

 

CMYK 22 / 0 / 71 / 0

HEX #C6FF4B

RGB 198 255 75

HSL 79, 1%, 0.65%

LAB 93.47, -42.16, 75.62

 

CMYK 16 / 0 / 63 / 0

HEX #D7FF5E

RGB 215 255 94

HSL 74.91, 1%, 0.68%

LAB 94.64, -34.58, 70.17

 

CMYK 39 / 0 / 90 / 9

HEX #8EE817

RGB 142 232 23

HSL 85.84, 0.82%, 0.5%

LAB 83.72, -54.61, 78.91

 

CMYK 42 / 0 / 98 / 16

HEX #7DD604

RGB 125 214 4

HSL 85.43, 0.96%, 0.43%

LAB 77.56, -53.53, 75.74

 

CMYK 45 / 0 / 100 / 23

HEX #6CC400

RGB 108 196 0

HSL 86.94, 1%, 0.38%

LAB 71.33, -52.16, 70.95

 

CMYK 49 / 0 / 100 / 30

HEX #5BB200

RGB 91 178 0

HSL 89.33, 1%, 0.35%

LAB 65.01, -50.64, 65.71

 

CMYK 54 / 0 / 100 / 37

HEX #4AA000

RGB 74 160 0

HSL 92.25, 1%, 0.31%

LAB 58.6, -49, 60.39

 

CMYK 39 / 0 / 90 / 9

HEX #8EE817

RGB 142 232 23

HSL 85.84, 0.82%, 0.5%

LAB 83.72, -54.61, 78.91

 

CMYK 15 / 0 / 90 / 9

HEX #C6E817

RGB 198 232 23

HSL 69.76, 0.82%, 0.5%

LAB 86.89, -33.76, 82.79

 

CMYK 0 / 10 / 90 / 9

HEX #E8D117

RGB 232 209 23

HSL 53.4, 0.82%, 0.5%

LAB 83.35, -8.47, 81.14

 

CMYK 0 / 34 / 90 / 9

HEX #E89917

RGB 232 153 23

HSL 37.32, 0.82%, 0.5%

LAB 69.47, 20.79, 70.55

 

CMYK 0 / 58 / 90 / 9

HEX #E86117

RGB 232 97 23

HSL 21.24, 0.82%, 0.5%

LAB 57.82, 49.23, 61.93

 

CMYK 39 / 0 / 90 / 9

HEX #8EE817

RGB 142 232 23

HSL 85.84, 0.82%, 0.5%

LAB 83.72, -54.61, 78.91

 

CMYK 63 / 0 / 90 / 9

HEX #56E817

RGB 86 232 23

HSL 101.91, 0.82%, 0.5%

LAB 81.7, -70.25, 76.41

 

CMYK 88 / 0 / 90 / 9

HEX #1DE817

RGB 29 232 23

HSL 118.28, 0.82%, 0.5%

LAB 80.76, -78.47, 75.24

 

CMYK 90 / 0 / 69 / 9

HEX #17E849

RGB 23 232 73

HSL 134.35, 0.82%, 0.5%

LAB 80.95, -75.89, 61.68

 

CMYK 90 / 0 / 44 / 9

HEX #17E881

RGB 23 232 129

HSL 150.43, 0.82%, 0.5%

LAB 81.55, -68.46, 37.34

 

CMYK 39 / 0 / 90 / 9

HEX #8EE817

RGB 142 232 23

HSL 85.84, 0.82%, 0.5%

LAB 83.72, -54.61, 78.91

 

CMYK 43 / 0 / 99 / 1

HEX #91FD02

RGB 145 253 2

HSL 85.82, 0.98%, 0.5%

LAB 89.99, -61.98, 86.02

 

CMYK 39 / 0 / 90 / 9

HEX #8EE817

RGB 142 232 23

HSL 85.84, 0.82%, 0.5%

LAB 83.72, -54.61, 78.91

 

CMYK 34 / 0 / 79 / 17

HEX #8BD32C

RGB 139 211 44

HSL 85.87, 0.65%, 0.5%

LAB 77.44, -46.43, 68.93

 

CMYK 29 / 0 / 66 / 25

HEX #88BF40

RGB 136 191 64

HSL 85.98, 0.5%, 0.5%

LAB 71.46, -37.67, 56.1

 

CMYK 22 / 0 / 50 / 33

HEX #85AA55

RGB 133 170 85

HSL 86.12, 0.33%, 0.5%

LAB 65.27, -27.04, 39.47

 

CMYK 13 / 0 / 30 / 41

HEX #839669

RGB 131 150 105

HSL 85.33, 0.18%, 0.5%

LAB 59.58, -15.02, 21.57

 

CMYK 0 / 10 / 90 / 9

HEX #E8D017

RGB 232 208 23

HSL 53.11, 0.82%, 0.5%

LAB 83.09, -7.97, 80.94

 

CMYK 13 / 0 / 90 / 9

HEX #C9E817

RGB 201 232 23

HSL 68.9, 0.82%, 0.5%

LAB 87.09, -32.56, 83.04

 

CMYK 38 / 0 / 90 / 9

HEX #91E817

RGB 145 232 23

HSL 84.98, 0.82%, 0.5%

LAB 83.86, -53.59, 79.08

 

CMYK 62 / 0 / 90 / 9

HEX #59E817

RGB 89 232 23

HSL 101.05, 0.82%, 0.5%

LAB 81.78, -69.59, 76.51

 

CMYK 86 / 0 / 90 / 9

HEX #21E817

RGB 33 232 23

HSL 117.13, 0.82%, 0.5%

LAB 80.79, -78.15, 75.28

 

CMYK 39 / 0 / 90 / 38

HEX #609D10

RGB 96 157 16

HSL 85.96, 0.82%, 0.34%

LAB 58.64, -40.14, 58.34

 

CMYK 39 / 0 / 90 / 24

HEX #77C313

RGB 119 195 19

HSL 85.91, 0.82%, 0.42%

LAB 71.55, -47.73, 69.04

 

CMYK 39 / 0 / 90 / 9

HEX #8EE817

RGB 142 232 23

HSL 85.84, 0.82%, 0.5%

LAB 83.72, -54.61, 78.91

 

CMYK 32 / 0 / 75 / 7

HEX #A0EC3C

RGB 160 236 60

HSL 85.91, 0.82%, 0.58%

LAB 85.9, -48.65, 72.46

 

CMYK 25 / 0 / 59 / 6

HEX #B3EF62

RGB 179 239 98

HSL 85.53, 0.82%, 0.66%

LAB 88.06, -40.5, 60.71

 

CMYK 39 / 0 / 90 / 9

HEX #8EE817

RGB 142 232 23

HSL 85.84, 0.82%, 0.5%

LAB 83.72, -54.61, 78.91

 

CMYK 90 / 0 / 34 / 9

HEX #17E898

RGB 23 232 152

HSL 157.03, 0.82%, 0.5%

LAB 81.93, -64.13, 26.22

 

CMYK 0 / 90 / 1 / 9

HEX #E817E5

RGB 232 23 229

HSL 300.86, 0.82%, 0.5%

LAB 55.51, 89.19, -54.23

 

CMYK 39 / 0 / 90 / 9

HEX #8EE817

RGB 142 232 23

HSL 85.84, 0.82%, 0.5%

LAB 83.72, -54.61, 78.91

 

CMYK 90 / 38 / 0 / 9

HEX #1791E8

RGB 23 145 232

HSL 204.98, 0.82%, 0.5%

LAB 58.28, 0.37, -52.47

 

CMYK 0 / 90 / 38 / 9

HEX #E81791

RGB 232 23 145

HSL 324.98, 0.82%, 0.5%

LAB 51.63, 79.09, -11.45

 

CMYK 39 / 0 / 90 / 9

HEX #8EE817

RGB 142 232 23

HSL 85.84, 0.82%, 0.5%

LAB 83.72, -54.61, 78.91

 

CMYK 90 / 0 / 34 / 9

HEX #17E898

RGB 23 232 152

HSL 157.03, 0.82%, 0.5%

LAB 81.93, -64.13, 26.22

 

CMYK 53 / 90 / 0 / 9

HEX #6E17E8

RGB 110 23 232

HSL 264.98, 0.82%, 0.5%

LAB 37.4, 73.55, -86.2

 

CMYK 0 / 90 / 56 / 9

HEX #E81767

RGB 232 23 103

HSL 337.03, 0.82%, 0.5%

LAB 50.39, 75.71, 12.21

 

CMYK 39 / 0 / 90 / 9

HEX #8EE817

RGB 142 232 23

HSL 85.84, 0.82%, 0.5%

LAB 83.72, -54.61, 78.91

 

CMYK 90 / 0 / 7 / 9

HEX #17E8D7

RGB 23 232 215

HSL 175.12, 0.82%, 0.5%

LAB 83.34, -48.93, -4.75

 

CMYK 53 / 90 / 0 / 9

HEX #6E17E8

RGB 110 23 232

HSL 264.98, 0.82%, 0.5%

LAB 37.4, 73.55, -86.2

 

CMYK 0 / 90 / 83 / 9

HEX #E81728

RGB 232 23 40

HSL 355.12, 0.82%, 0.5%

LAB 49.4, 72.92, 48.12

 

Description

Color code: RGB 142 232 23 | qconv.com Color code: RGB 142 232 23 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 232 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 232 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 90 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 90% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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