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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 142 218.2 172 it is the complementary color RGB 113 36.8 83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 142 218.2 172. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 142 218.2 172 shade: RGB 147 218.2 167, RGB 164 236.2 186, RGB 181 254.2 205, RGB 198 255 224 and RGB 215 255 243

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 142 218.2 172. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 142 218.2 172 shade: RGB 142 218.2 172, RGB 125 200.2 153, RGB 108 182.2 134, RGB 91 164.2 115 and RGB 74 146.2 96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 142 218.2 172 shade: RGB 143 219 173, RGB 143 219 153, RGB 154 219 143, RGB 175 219 143 and RGB 195 219 143

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 142 218.2 172 shade: RGB 143 219 173, RGB 143 219 193, RGB 143 219 214, RGB 143 203 219 and RGB 143 183 219

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 142 218.2 172 shade matches the following richer shades: RGB 143 219 173, RGB 131 231 170, RGB 119 243 168 and RGB 107 255 165

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 142 218.2 172 shade: RGB 143 219 173, RGB 155 207 176, RGB 167 195 178, RGB 179 183 181 and RGB 191 171 183

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 142 218.2 172 shade: RGB 155 219 143, RGB 143 219 152, RGB 143 219 172, RGB 143 219 192 and RGB 143 219 212

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 142 218.2 172 shade: RGB 81 199 127, RGB 112 209 150, RGB 143 219 173, RGB 174 229 196 and RGB 206 239 219

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 142 218.2 172 shade: RGB 142 218.2 172, RGB 143 175 219 and RGB 219 143 145

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 142 218.2 172 shade: RGB 142 218.2 172, RGB 172 143 219 and RGB 219 172 143

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 142 218.2 172 shade: RGB 142 218.2 172, RGB 143 175 219, RGB 219 143 190 and RGB 219 187 143

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 142 218.2 172 shade: RGB 142 218.2 172, RGB 143 152 219, RGB 219 143 190 and RGB 219 210 143

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 21 / 14

HEX #8EDAAC

RGB 142 218.2 172

HSL 143.62, 0.51%, 0.71%

LAB 81.28, -33.32, 15.39

 

Complementary color

CMYK 0 / 67 / 27 / 56

HEX #712453

RGB 113 36.8 83

HSL 323.62, 0.51%, 0.29%

LAB 27.97, 38.6, -10.53

 

CMYK 33 / 0 / 23 / 14

HEX #93DAA7

RGB 147 218.2 167

HSL 136.85, 0.49%, 0.72%

LAB 81.42, -32.75, 18.26

 

CMYK 31 / 0 / 21 / 7

HEX #A4ECBA

RGB 164 236.2 186

HSL 138.28, 0.66%, 0.78%

LAB 87.75, -32.5, 17.31

 

CMYK 29 / 0 / 19 / 0

HEX #B5FECD

RGB 181 254.2 205

HSL 139.67, 0.98%, 0.85%

LAB 93.99, -32.26, 16.4

 

CMYK 22 / 0 / 12 / 0

HEX #C6FFE0

RGB 198 255 224

HSL 147.37, 1%, 0.89%

LAB 95.54, -23.93, 8.99

 

CMYK 16 / 0 / 5 / 0

HEX #D7FFF3

RGB 215 255 243

HSL 162, 1%, 0.92%

LAB 97, -15.05, 1.45

 

CMYK 35 / 0 / 21 / 14

HEX #8EDAAC

RGB 142 218.2 172

HSL 143.62, 0.51%, 0.71%

LAB 81.28, -33.32, 15.39

 

CMYK 38 / 0 / 24 / 21

HEX #7DC899

RGB 125 200.2 153

HSL 142.34, 0.41%, 0.64%

LAB 74.86, -33.59, 16.38

 

CMYK 41 / 0 / 26 / 29

HEX #6CB686

RGB 108 182.2 134

HSL 141.02, 0.34%, 0.57%

LAB 68.35, -33.85, 17.44

 

CMYK 45 / 0 / 30 / 36

HEX #5BA473

RGB 91 164.2 115

HSL 139.67, 0.29%, 0.5%

LAB 61.73, -34.11, 18.58

 

CMYK 49 / 0 / 34 / 43

HEX #4A9260

RGB 74 146.2 96

HSL 138.28, 0.33%, 0.43%

LAB 54.99, -34.32, 19.83

 

CMYK 35 / 0 / 21 / 14

HEX #8FDBAD

RGB 143 219 173

HSL 143.68, 0.51%, 0.71%

LAB 81.58, -33.21, 15.29

 

CMYK 35 / 0 / 30 / 14

HEX #8FDB99

RGB 143 219 153

HSL 127.89, 0.51%, 0.71%

LAB 81.18, -36.82, 25.22

 

CMYK 30 / 0 / 35 / 14

HEX #9ADB8F

RGB 154 219 143

HSL 111.32, 0.51%, 0.71%

LAB 81.57, -34.92, 31

 

CMYK 20 / 0 / 35 / 14

HEX #AFDB8F

RGB 175 219 143

HSL 94.74, 0.51%, 0.71%

LAB 82.79, -27.72, 32.82

 

CMYK 11 / 0 / 35 / 14

HEX #C3DB8F

RGB 195 219 143

HSL 78.95, 0.51%, 0.71%

LAB 84.09, -20.43, 34.79

 

CMYK 35 / 0 / 21 / 14

HEX #8FDBAD

RGB 143 219 173

HSL 143.68, 0.51%, 0.71%

LAB 81.58, -33.21, 15.29

 

CMYK 35 / 0 / 12 / 14

HEX #8FDBC1

RGB 143 219 193

HSL 159.47, 0.51%, 0.71%

LAB 82.03, -29.17, 5.36

 

CMYK 35 / 0 / 2 / 14

HEX #8FDBD6

RGB 143 219 214

HSL 176.05, 0.51%, 0.71%

LAB 82.57, -24.51, -5.01

 

CMYK 35 / 7 / 0 / 14

HEX #8FCBDB

RGB 143 203 219

HSL 192.63, 0.51%, 0.71%

LAB 78.27, -15.27, -14.09

 

CMYK 35 / 16 / 0 / 14

HEX #8FB7DB

RGB 143 183 219

HSL 208.42, 0.51%, 0.71%

LAB 72.77, -4.71, -22.39

 

CMYK 35 / 0 / 21 / 14

HEX #8FDBAD

RGB 143 219 173

HSL 143.68, 0.51%, 0.71%

LAB 81.58, -33.21, 15.29

 

CMYK 43 / 0 / 26 / 9

HEX #83E7AA

RGB 131 231 170

HSL 143.4, 0.68%, 0.71%

LAB 84.42, -42.6, 20.74

 

CMYK 51 / 0 / 31 / 5

HEX #77F3A8

RGB 119 243 168

HSL 143.71, 0.84%, 0.71%

LAB 87.41, -51.12, 25.81

 

CMYK 58 / 0 / 35 / 0

HEX #6BFFA5

RGB 107 255 165

HSL 143.51, 1%, 0.71%

LAB 90.49, -59.14, 31.42

 

CMYK 35 / 0 / 21 / 14

HEX #8FDBAD

RGB 143 219 173

HSL 143.68, 0.51%, 0.71%

LAB 81.58, -33.21, 15.29

 

CMYK 25 / 0 / 15 / 19

HEX #9BCFB0

RGB 155 207 176

HSL 144.23, 0.35%, 0.71%

LAB 78.88, -23.18, 9.98

 

CMYK 14 / 0 / 9 / 24

HEX #A7C3B2

RGB 167 195 178

HSL 143.57, 0.19%, 0.71%

LAB 76.35, -12.78, 5.37

 

CMYK 2 / 0 / 1 / 28

HEX #B3B7B5

RGB 179 183 181

HSL 150, 0.03%, 0.71%

LAB 74.05, -1.77, 0.52

 

CMYK 0 / 10 / 4 / 25

HEX #BFABB7

RGB 191 171 183

HSL 324, 0.14%, 0.71%

LAB 71.97, 9.33, -3.51

 

CMYK 29 / 0 / 35 / 14

HEX #9BDB8F

RGB 155 219 143

HSL 110.53, 0.51%, 0.71%

LAB 81.63, -34.59, 31.08

 

CMYK 35 / 0 / 31 / 14

HEX #8FDB98

RGB 143 219 152

HSL 127.11, 0.51%, 0.71%

LAB 81.16, -36.99, 25.71

 

CMYK 35 / 0 / 21 / 14

HEX #8FDBAC

RGB 143 219 172

HSL 142.89, 0.51%, 0.71%

LAB 81.56, -33.4, 15.79

 

CMYK 35 / 0 / 12 / 14

HEX #8FDBC0

RGB 143 219 192

HSL 158.68, 0.51%, 0.71%

LAB 82.01, -29.38, 5.85

 

CMYK 35 / 0 / 3 / 14

HEX #8FDBD4

RGB 143 219 212

HSL 174.47, 0.51%, 0.71%

LAB 82.52, -24.97, -4.03

 

CMYK 59 / 0 / 36 / 22

HEX #51C77F

RGB 81 199 127

HSL 143.39, 0.51%, 0.55%

LAB 72.31, -49.37, 26.4

 

CMYK 46 / 0 / 28 / 18

HEX #70D196

RGB 112 209 150

HSL 143.51, 0.51%, 0.63%

LAB 76.83, -41.78, 20.61

 

CMYK 35 / 0 / 21 / 14

HEX #8FDBAD

RGB 143 219 173

HSL 143.68, 0.51%, 0.71%

LAB 81.58, -33.21, 15.29

 

CMYK 24 / 0 / 14 / 10

HEX #AEE5C4

RGB 174 229 196

HSL 144, 0.51%, 0.79%

LAB 86.52, -24.12, 10.42

 

CMYK 14 / 0 / 8 / 6

HEX #CEEFDB

RGB 206 239 219

HSL 143.64, 0.51%, 0.87%

LAB 91.67, -14.5, 6.07

 

CMYK 35 / 0 / 21 / 14

HEX #8EDAAC

RGB 142 218.2 172

HSL 143.62, 0.51%, 0.71%

LAB 81.28, -33.32, 15.39

 

CMYK 35 / 20 / 0 / 14

HEX #8FAFDB

RGB 143 175 219

HSL 214.74, 0.51%, 0.71%

LAB 70.6, -0.34, -25.71

 

CMYK 0 / 35 / 34 / 14

HEX #DB8F91

RGB 219 143 145

HSL 358.42, 0.51%, 0.71%

LAB 67.09, 29.08, 10.9

 

CMYK 35 / 0 / 21 / 14

HEX #8EDAAC

RGB 142 218.2 172

HSL 143.62, 0.51%, 0.71%

LAB 81.28, -33.32, 15.39

 

CMYK 21 / 35 / 0 / 14

HEX #AC8FDB

RGB 172 143 219

HSL 262.89, 0.51%, 0.71%

LAB 64.59, 26.15, -34.81

 

CMYK 0 / 21 / 35 / 14

HEX #DBAC8F

RGB 219 172 143

HSL 22.89, 0.51%, 0.71%

LAB 73.9, 13.21, 21.49

 

CMYK 35 / 0 / 21 / 14

HEX #8EDAAC

RGB 142 218.2 172

HSL 143.62, 0.51%, 0.71%

LAB 81.28, -33.32, 15.39

 

CMYK 35 / 20 / 0 / 14

HEX #8FAFDB

RGB 143 175 219

HSL 214.74, 0.51%, 0.71%

LAB 70.6, -0.34, -25.71

 

CMYK 0 / 35 / 13 / 14

HEX #DB8FBE

RGB 219 143 190

HSL 322.89, 0.51%, 0.71%

LAB 68.33, 35.59, -12.5

 

CMYK 0 / 15 / 35 / 14

HEX #DBBB8F

RGB 219 187 143

HSL 34.74, 0.51%, 0.71%

LAB 77.63, 5.21, 26.55

 

CMYK 35 / 0 / 21 / 14

HEX #8EDAAC

RGB 142 218.2 172

HSL 143.62, 0.51%, 0.71%

LAB 81.28, -33.32, 15.39

 

CMYK 35 / 31 / 0 / 14

HEX #8F98DB

RGB 143 152 219

HSL 232.89, 0.51%, 0.71%

LAB 64.49, 12.6, -35.14

 

CMYK 0 / 35 / 13 / 14

HEX #DB8FBE

RGB 219 143 190

HSL 322.89, 0.51%, 0.71%

LAB 68.33, 35.59, -12.5

 

CMYK 0 / 4 / 35 / 14

HEX #DBD28F

RGB 219 210 143

HSL 52.89, 0.51%, 0.71%

LAB 83.51, -6.76, 34.37

 

Description

Color code: RGB 142 218.2 172 | qconv.com Color code: RGB 142 218.2 172 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 218.2 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 218.2 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 21 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 21% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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