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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 142 210 215 it is the complementary color RGB 113 45 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 142 210 215. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 142 210 215 shade: RGB 147 210 210, RGB 164 228 229, RGB 181 246 248, RGB 198 255 255 and RGB 215 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 142 210 215. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 142 210 215 shade: RGB 142 210 215, RGB 125 192 196, RGB 108 174 177, RGB 91 156 158 and RGB 74 138 139

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 142 210 215 shade: RGB 142 210 215, RGB 142 190 215, RGB 142 171 215, RGB 142 151 215 and RGB 153 142 215

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 142 210 215 shade: RGB 142 210 215, RGB 142 190 215, RGB 142 171 215, RGB 142 151 215 and RGB 142 142 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 142 210 215 shade matches the following richer shades: RGB 142 210 215, RGB 129 221 228, RGB 117 232 240 and RGB 105 242 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 142 210 215 shade: RGB 142 210 215, RGB 154 200 203, RGB 167 189 190, RGB 179 178 178 and RGB 191 167 166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 142 210 215 shade: RGB 142 215 181, RGB 142 215 201, RGB 142 210 215, RGB 142 191 215 and RGB 142 171 215

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 142 210 215 shade: RGB 81 186 194, RGB 111 198 204, RGB 142 210 215, RGB 172 222 226 and RGB 203 234 237

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 142 210 215 shade: RGB 142 210 215, RGB 161 142 215 and RGB 215 191 142

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 142 210 215 shade: RGB 142 210 215, RGB 215 142 210 and RGB 210 215 142

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 142 210 215 shade: RGB 142 210 215, RGB 161 142 215, RGB 215 147 142 and RGB 196 215 142

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 142 210 215 shade: RGB 142 210 215, RGB 183 142 215, RGB 215 147 142 and RGB 174 215 142

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 2 / 0 / 16

HEX #8ED2D7

RGB 142 210 215

HSL 184.11, 0.48%, 0.7%

LAB 80.04, -20.07, -9.3

 

Complementary color

CMYK 0 / 60 / 65 / 56

HEX #712D28

RGB 113 45 40

HSL 4.11, 0.48%, 0.3%

LAB 28.22, 29.7, 18.3

 

CMYK 30 / 0 / 0 / 18

HEX #93D2D2

RGB 147 210 210

HSL 180, 0.41%, 0.7%

LAB 80.15, -19.87, -6.43

 

CMYK 28 / 0 / 0 / 10

HEX #A4E4E5

RGB 164 228 229

HSL 180.92, 0.56%, 0.77%

LAB 86.52, -19.78, -6.99

 

CMYK 27 / 1 / 0 / 3

HEX #B5F6F8

RGB 181 246 248

HSL 181.79, 0.83%, 0.84%

LAB 92.8, -19.69, -7.53

 

CMYK 22 / 0 / 0 / 0

HEX #C6FFFF

RGB 198 255 255

HSL 180, 1%, 0.89%

LAB 96.31, -17.77, -5.86

 

CMYK 16 / 0 / 0 / 0

HEX #D7FFFF

RGB 215 255 255

HSL 180, 1%, 0.92%

LAB 97.3, -12.71, -4.28

 

CMYK 34 / 2 / 0 / 16

HEX #8ED2D7

RGB 142 210 215

HSL 184.11, 0.48%, 0.7%

LAB 80.04, -20.07, -9.3

 

CMYK 36 / 2 / 0 / 23

HEX #7DC0C4

RGB 125 192 196

HSL 183.38, 0.38%, 0.63%

LAB 73.57, -20.13, -8.75

 

CMYK 39 / 2 / 0 / 31

HEX #6CAEB1

RGB 108 174 177

HSL 182.61, 0.31%, 0.56%

LAB 67, -20.17, -8.18

 

CMYK 42 / 1 / 0 / 38

HEX #5B9C9E

RGB 91 156 158

HSL 181.79, 0.27%, 0.49%

LAB 60.31, -20.2, -7.57

 

CMYK 47 / 1 / 0 / 45

HEX #4A8A8B

RGB 74 138 139

HSL 180.92, 0.31%, 0.42%

LAB 53.49, -20.19, -6.92

 

CMYK 34 / 2 / 0 / 16

HEX #8ED2D7

RGB 142 210 215

HSL 184.11, 0.48%, 0.7%

LAB 80.04, -20.07, -9.3

 

CMYK 34 / 12 / 0 / 16

HEX #8EBED7

RGB 142 190 215

HSL 200.55, 0.48%, 0.7%

LAB 74.5, -9.74, -17.6

 

CMYK 34 / 20 / 0 / 16

HEX #8EABD7

RGB 142 171 215

HSL 216.16, 0.48%, 0.7%

LAB 69.31, 0.56, -25.49

 

CMYK 34 / 30 / 0 / 16

HEX #8E97D7

RGB 142 151 215

HSL 232.6, 0.48%, 0.7%

LAB 63.99, 11.84, -33.71

 

CMYK 29 / 34 / 0 / 16

HEX #998ED7

RGB 153 142 215

HSL 249.04, 0.48%, 0.7%

LAB 62.53, 20.16, -35.92

 

CMYK 34 / 2 / 0 / 16

HEX #8ED2D7

RGB 142 210 215

HSL 184.11, 0.48%, 0.7%

LAB 80.04, -20.07, -9.3

 

CMYK 34 / 12 / 0 / 16

HEX #8EBED7

RGB 142 190 215

HSL 200.55, 0.48%, 0.7%

LAB 74.5, -9.74, -17.6

 

CMYK 34 / 20 / 0 / 16

HEX #8EABD7

RGB 142 171 215

HSL 216.16, 0.48%, 0.7%

LAB 69.31, 0.56, -25.49

 

CMYK 34 / 30 / 0 / 16

HEX #8E97D7

RGB 142 151 215

HSL 232.6, 0.48%, 0.7%

LAB 63.99, 11.84, -33.71

 

CMYK 34 / 34 / 0 / 16

HEX #8E8ED7

RGB 142 142 215

HSL 240, 0.48%, 0.7%

LAB 61.66, 17.03, -37.34

 

CMYK 34 / 2 / 0 / 16

HEX #8ED2D7

RGB 142 210 215

HSL 184.11, 0.48%, 0.7%

LAB 80.04, -20.07, -9.3

 

CMYK 43 / 3 / 0 / 11

HEX #81DDE4

RGB 129 221 228

HSL 184.24, 0.65%, 0.7%

LAB 82.9, -25.63, -12.02

 

CMYK 51 / 3 / 0 / 6

HEX #75E8F0

RGB 117 232 240

HSL 183.9, 0.8%, 0.7%

LAB 85.9, -30.49, -13.93

 

CMYK 58 / 4 / 0 / 1

HEX #69F2FC

RGB 105 242 252

HSL 184.08, 0.96%, 0.7%

LAB 88.7, -34.27, -16.05

 

CMYK 34 / 2 / 0 / 16

HEX #8ED2D7

RGB 142 210 215

HSL 184.11, 0.48%, 0.7%

LAB 80.04, -20.07, -9.3

 

CMYK 24 / 1 / 0 / 20

HEX #9AC8CB

RGB 154 200 203

HSL 183.67, 0.32%, 0.7%

LAB 77.57, -14.33, -6.44

 

CMYK 12 / 1 / 0 / 25

HEX #A7BDBE

RGB 167 189 190

HSL 182.61, 0.15%, 0.7%

LAB 75.03, -7.27, -3.06

 

CMYK 0 / 1 / 1 / 30

HEX #B3B2B2

RGB 179 178 178

HSL 0, 0.01%, 0.7%

LAB 72.65, 0.36, 0.12

 

CMYK 0 / 13 / 13 / 25

HEX #BFA7A6

RGB 191 167 166

HSL 2.4, 0.16%, 0.7%

LAB 70.5, 8.55, 3.72

 

CMYK 34 / 0 / 16 / 16

HEX #8ED7B5

RGB 142 215 181

HSL 152.05, 0.48%, 0.7%

LAB 80.56, -30.04, 9.62

 

CMYK 34 / 0 / 7 / 16

HEX #8ED7C9

RGB 142 215 201

HSL 168.49, 0.48%, 0.7%

LAB 81.05, -25.78, -0.32

 

CMYK 34 / 2 / 0 / 16

HEX #8ED2D7

RGB 142 210 215

HSL 184.11, 0.48%, 0.7%

LAB 80.04, -20.07, -9.3

 

CMYK 34 / 11 / 0 / 16

HEX #8EBFD7

RGB 142 191 215

HSL 199.73, 0.48%, 0.7%

LAB 74.77, -10.27, -17.19

 

CMYK 34 / 20 / 0 / 16

HEX #8EABD7

RGB 142 171 215

HSL 216.16, 0.48%, 0.7%

LAB 69.31, 0.56, -25.49

 

CMYK 58 / 4 / 0 / 24

HEX #51BAC2

RGB 81 186 194

HSL 184.25, 0.48%, 0.54%

LAB 70.01, -27.71, -13.17

 

CMYK 46 / 3 / 0 / 20

HEX #6FC6CC

RGB 111 198 204

HSL 183.87, 0.48%, 0.62%

LAB 74.91, -24.63, -11.18

 

CMYK 34 / 2 / 0 / 16

HEX #8ED2D7

RGB 142 210 215

HSL 184.11, 0.48%, 0.7%

LAB 80.04, -20.07, -9.3

 

CMYK 24 / 2 / 0 / 11

HEX #ACDEE2

RGB 172 222 226

HSL 184.44, 0.48%, 0.78%

LAB 85.25, -15.13, -7.23

 

CMYK 14 / 1 / 0 / 7

HEX #CBEAED

RGB 203 234 237

HSL 185.29, 0.49%, 0.86%

LAB 90.62, -9.48, -4.87

 

CMYK 34 / 2 / 0 / 16

HEX #8ED2D7

RGB 142 210 215

HSL 184.11, 0.48%, 0.7%

LAB 80.04, -20.07, -9.3

 

CMYK 25 / 34 / 0 / 16

HEX #A18ED7

RGB 161 142 215

HSL 255.62, 0.48%, 0.7%

LAB 63.2, 22.5, -34.82

 

CMYK 0 / 11 / 34 / 16

HEX #D7BF8E

RGB 215 191 142

HSL 40.27, 0.48%, 0.7%

LAB 78.26, 1.41, 27.87

 

CMYK 34 / 2 / 0 / 16

HEX #8ED2D7

RGB 142 210 215

HSL 184.11, 0.48%, 0.7%

LAB 80.04, -20.07, -9.3

 

CMYK 0 / 34 / 2 / 16

HEX #D78ED2

RGB 215 142 210

HSL 304.11, 0.48%, 0.7%

LAB 68.35, 38.25, -23.66

 

CMYK 2 / 0 / 34 / 16

HEX #D2D78E

RGB 210 215 142

HSL 64.11, 0.48%, 0.7%

LAB 84.1, -12.89, 35.51

 

CMYK 34 / 2 / 0 / 16

HEX #8ED2D7

RGB 142 210 215

HSL 184.11, 0.48%, 0.7%

LAB 80.04, -20.07, -9.3

 

CMYK 25 / 34 / 0 / 16

HEX #A18ED7

RGB 161 142 215

HSL 255.62, 0.48%, 0.7%

LAB 63.2, 22.5, -34.82

 

CMYK 0 / 32 / 34 / 16

HEX #D7938E

RGB 215 147 142

HSL 4.11, 0.48%, 0.7%

LAB 67.48, 25.03, 13.07

 

CMYK 9 / 0 / 34 / 16

HEX #C4D78E

RGB 196 215 142

HSL 75.62, 0.48%, 0.7%

LAB 83.07, -18.21, 33.96

 

CMYK 34 / 2 / 0 / 16

HEX #8ED2D7

RGB 142 210 215

HSL 184.11, 0.48%, 0.7%

LAB 80.04, -20.07, -9.3

 

CMYK 15 / 34 / 0 / 16

HEX #B78ED7

RGB 183 142 215

HSL 273.7, 0.48%, 0.7%

LAB 65.22, 29.15, -31.54

 

CMYK 0 / 32 / 34 / 16

HEX #D7938E

RGB 215 147 142

HSL 4.11, 0.48%, 0.7%

LAB 67.48, 25.03, 13.07

 

CMYK 19 / 0 / 34 / 16

HEX #AED78E

RGB 174 215 142

HSL 93.7, 0.48%, 0.7%

LAB 81.59, -26.29, 31.75

 

Description

Color code: RGB 142 210 215 | qconv.com Color code: RGB 142 210 215 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 210 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 210 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 2 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 2% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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