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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 142 174 151 it is the complementary color RGB 113 81 104. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 142 174 151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 142 174 151 shade: RGB 147 174 146, RGB 164 192 165, RGB 181 210 184, RGB 198 228 203 and RGB 215 246 222

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 142 174 151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 142 174 151 shade: RGB 142 174 151, RGB 125 156 132, RGB 108 138 113, RGB 91 120 94 and RGB 74 102 75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 142 174 151 shade: RGB 142 173 151, RGB 142 173 142, RGB 150 173 142, RGB 158 173 142 and RGB 167 173 142

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 142 174 151 shade: RGB 142 173 151, RGB 142 173 159, RGB 142 173 168, RGB 142 170 173 and RGB 142 162 173

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 142 174 151 shade matches the following richer shades: RGB 142 173 151, RGB 126 189 144, RGB 111 204 137, RGB 95 220 130 and RGB 79 236 123

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 142 174 151 shade: RGB 142 173 151, RGB 158 157 158, RGB 173 142 165, RGB 189 126 171 and RGB 205 110 178

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 142 174 151 shade: RGB 150 173 142, RGB 142 173 142, RGB 142 173 150, RGB 142 173 159 and RGB 142 173 167

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 142 174 151 shade: RGB 98 135 108, RGB 118 156 129, RGB 142 173 151, RGB 166 190 173 and RGB 190 208 195

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 142 174 151 shade: RGB 142 174 151, RGB 142 159 173 and RGB 173 142 146

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 142 174 151 shade: RGB 142 174 151, RGB 150 142 173 and RGB 173 150 142

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 142 174 151 shade: RGB 142 174 151, RGB 142 159 173, RGB 173 142 165 and RGB 173 157 142

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 142 174 151 shade: RGB 142 174 151, RGB 142 149 173, RGB 173 142 165 and RGB 173 166 142

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 13 / 32

HEX #8EAE97

RGB 142 174 151

HSL 136.88, 0.16%, 0.62%

LAB 68.21, -15.58, 8.21

 

Complementary color

CMYK 0 / 28 / 8 / 56

HEX #715168

RGB 113 81 104

HSL 316.88, 0.16%, 0.38%

LAB 38.54, 17.47, -7.99

 

CMYK 16 / 0 / 16 / 32

HEX #93AE92

RGB 147 174 146

HSL 117.86, 0.15%, 0.63%

LAB 68.42, -14.77, 11.31

 

CMYK 15 / 0 / 14 / 25

HEX #A4C0A5

RGB 164 192 165

HSL 122.14, 0.18%, 0.7%

LAB 75.02, -14.68, 10.46

 

CMYK 14 / 0 / 12 / 18

HEX #B5D2B8

RGB 181 210 184

HSL 126.21, 0.24%, 0.77%

LAB 81.5, -14.61, 9.66

 

CMYK 13 / 0 / 11 / 11

HEX #C6E4CB

RGB 198 228 203

HSL 130, 0.36%, 0.84%

LAB 87.87, -14.54, 8.9

 

CMYK 13 / 0 / 10 / 4

HEX #D7F6DE

RGB 215 246 222

HSL 133.55, 0.63%, 0.9%

LAB 94.16, -14.49, 8.16

 

CMYK 18 / 0 / 13 / 32

HEX #8EAE97

RGB 142 174 151

HSL 136.88, 0.16%, 0.62%

LAB 68.21, -15.58, 8.21

 

CMYK 20 / 0 / 15 / 39

HEX #7D9C84

RGB 125 156 132

HSL 133.55, 0.14%, 0.55%

LAB 61.48, -15.73, 9.05

 

CMYK 22 / 0 / 18 / 46

HEX #6C8A71

RGB 108 138 113

HSL 130, 0.12%, 0.48%

LAB 54.61, -15.9, 9.96

 

CMYK 24 / 0 / 22 / 53

HEX #5B785E

RGB 91 120 94

HSL 126.21, 0.14%, 0.41%

LAB 47.58, -16.09, 10.94

 

CMYK 27 / 0 / 26 / 60

HEX #4A664B

RGB 74 102 75

HSL 122.14, 0.16%, 0.35%

LAB 40.36, -16.33, 12.01

 

CMYK 18 / 0 / 13 / 32

HEX #8EAD97

RGB 142 173 151

HSL 137.42, 0.16%, 0.62%

LAB 67.93, -15.06, 7.8

 

CMYK 18 / 0 / 18 / 32

HEX #8EAD8E

RGB 142 173 142

HSL 120, 0.16%, 0.62%

LAB 67.72, -16.75, 12.47

 

CMYK 13 / 0 / 18 / 32

HEX #96AD8E

RGB 150 173 142

HSL 104.52, 0.16%, 0.62%

LAB 68.26, -13.89, 13.31

 

CMYK 9 / 0 / 18 / 32

HEX #9EAD8E

RGB 158 173 142

HSL 89.03, 0.16%, 0.62%

LAB 68.83, -10.97, 14.19

 

CMYK 3 / 0 / 18 / 32

HEX #A7AD8E

RGB 167 173 142

HSL 71.61, 0.16%, 0.62%

LAB 69.51, -7.61, 15.24

 

CMYK 18 / 0 / 13 / 32

HEX #8EAD97

RGB 142 173 151

HSL 137.42, 0.16%, 0.62%

LAB 67.93, -15.06, 7.8

 

CMYK 18 / 0 / 8 / 32

HEX #8EAD9F

RGB 142 173 159

HSL 152.9, 0.16%, 0.62%

LAB 68.12, -13.48, 3.67

 

CMYK 18 / 0 / 3 / 32

HEX #8EADA8

RGB 142 173 168

HSL 170.32, 0.16%, 0.62%

LAB 68.36, -11.62, -0.97

 

CMYK 18 / 2 / 0 / 32

HEX #8EAAAD

RGB 142 170 173

HSL 185.81, 0.16%, 0.62%

LAB 67.66, -8.94, -4.77

 

CMYK 18 / 6 / 0 / 32

HEX #8EA2AD

RGB 142 162 173

HSL 201.29, 0.16%, 0.62%

LAB 65.44, -4.6, -8.06

 

CMYK 18 / 0 / 13 / 32

HEX #8EAD97

RGB 142 173 151

HSL 137.42, 0.16%, 0.62%

LAB 67.93, -15.06, 7.8

 

CMYK 33 / 0 / 24 / 26

HEX #7EBD90

RGB 126 189 144

HSL 137.14, 0.32%, 0.62%

LAB 71.45, -29.7, 16.46

 

CMYK 46 / 0 / 33 / 20

HEX #6FCC89

RGB 111 204 137

HSL 136.77, 0.48%, 0.62%

LAB 75.06, -42.27, 25.03

 

CMYK 57 / 0 / 41 / 14

HEX #5FDC82

RGB 95 220 130

HSL 136.8, 0.64%, 0.62%

LAB 79.17, -54.11, 34

 

CMYK 67 / 0 / 48 / 7

HEX #4FEC7B

RGB 79 236 123

HSL 136.82, 0.81%, 0.62%

LAB 83.49, -64.41, 42.88

 

CMYK 18 / 0 / 13 / 32

HEX #8EAD97

RGB 142 173 151

HSL 137.42, 0.16%, 0.62%

LAB 67.93, -15.06, 7.8

 

CMYK 0 / 1 / 0 / 38

HEX #9E9D9E

RGB 158 157 158

HSL 300, 0.01%, 0.62%

LAB 64.84, 0.56, -0.4

 

CMYK 0 / 18 / 5 / 32

HEX #AD8EA5

RGB 173 142 165

HSL 315.48, 0.16%, 0.62%

LAB 62.46, 15.68, -7.71

 

CMYK 0 / 33 / 10 / 26

HEX #BD7EAB

RGB 189 126 171

HSL 317.14, 0.32%, 0.62%

LAB 60.5, 31.35, -13.9

 

CMYK 0 / 46 / 13 / 20

HEX #CD6EB2

RGB 205 110 178

HSL 317.05, 0.49%, 0.62%

LAB 59.29, 46.34, -19.55

 

CMYK 13 / 0 / 18 / 32

HEX #96AD8E

RGB 150 173 142

HSL 104.52, 0.16%, 0.62%

LAB 68.26, -13.89, 13.31

 

CMYK 18 / 0 / 18 / 32

HEX #8EAD8E

RGB 142 173 142

HSL 120, 0.16%, 0.62%

LAB 67.72, -16.75, 12.47

 

CMYK 18 / 0 / 13 / 32

HEX #8EAD96

RGB 142 173 150

HSL 135.48, 0.16%, 0.62%

LAB 67.9, -15.25, 8.32

 

CMYK 18 / 0 / 8 / 32

HEX #8EAD9F

RGB 142 173 159

HSL 152.9, 0.16%, 0.62%

LAB 68.12, -13.48, 3.67

 

CMYK 18 / 0 / 3 / 32

HEX #8EADA7

RGB 142 173 167

HSL 168.39, 0.16%, 0.62%

LAB 68.33, -11.83, -0.45

 

CMYK 27 / 0 / 20 / 47

HEX #62876C

RGB 98 135 108

HSL 136.22, 0.16%, 0.46%

LAB 52.96, -18.83, 10.41

 

CMYK 24 / 0 / 17 / 39

HEX #769C81

RGB 118 156 129

HSL 137.37, 0.16%, 0.54%

LAB 60.97, -18.74, 9.95

 

CMYK 18 / 0 / 13 / 32

HEX #8EAD97

RGB 142 173 151

HSL 137.42, 0.16%, 0.62%

LAB 67.93, -15.06, 7.8

 

CMYK 13 / 0 / 9 / 25

HEX #A6BEAD

RGB 166 190 173

HSL 137.5, 0.16%, 0.7%

LAB 74.79, -11.48, 5.83

 

CMYK 9 / 0 / 6 / 18

HEX #BED0C3

RGB 190 208 195

HSL 136.67, 0.16%, 0.78%

LAB 81.84, -8.52, 4.37

 

CMYK 18 / 0 / 13 / 32

HEX #8EAE97

RGB 142 174 151

HSL 136.88, 0.16%, 0.62%

LAB 68.21, -15.58, 8.21

 

CMYK 18 / 8 / 0 / 32

HEX #8E9FAD

RGB 142 159 173

HSL 207.1, 0.16%, 0.62%

LAB 64.62, -2.95, -9.29

 

CMYK 0 / 18 / 16 / 32

HEX #AD8E92

RGB 173 142 146

HSL 352.26, 0.16%, 0.62%

LAB 61.92, 12.33, 2.27

 

CMYK 18 / 0 / 13 / 32

HEX #8EAE97

RGB 142 174 151

HSL 136.88, 0.16%, 0.62%

LAB 68.21, -15.58, 8.21

 

CMYK 13 / 18 / 0 / 32

HEX #968EAD

RGB 150 142 173

HSL 255.48, 0.16%, 0.62%

LAB 60.65, 9.28, -15.19

 

CMYK 0 / 13 / 18 / 32

HEX #AD968E

RGB 173 150 142

HSL 15.48, 0.16%, 0.62%

LAB 63.88, 7.21, 7.36

 

CMYK 18 / 0 / 13 / 32

HEX #8EAE97

RGB 142 174 151

HSL 136.88, 0.16%, 0.62%

LAB 68.21, -15.58, 8.21

 

CMYK 18 / 8 / 0 / 32

HEX #8E9FAD

RGB 142 159 173

HSL 207.1, 0.16%, 0.62%

LAB 64.62, -2.95, -9.29

 

CMYK 0 / 18 / 5 / 32

HEX #AD8EA5

RGB 173 142 165

HSL 315.48, 0.16%, 0.62%

LAB 62.46, 15.68, -7.71

 

CMYK 0 / 9 / 18 / 32

HEX #AD9D8E

RGB 173 157 142

HSL 29.03, 0.16%, 0.62%

LAB 65.71, 3.34, 9.97

 

CMYK 18 / 0 / 13 / 32

HEX #8EAE97

RGB 142 174 151

HSL 136.88, 0.16%, 0.62%

LAB 68.21, -15.58, 8.21

 

CMYK 18 / 14 / 0 / 32

HEX #8E95AD

RGB 142 149 173

HSL 226.45, 0.16%, 0.62%

LAB 61.88, 2.63, -13.39

 

CMYK 0 / 18 / 5 / 32

HEX #AD8EA5

RGB 173 142 165

HSL 315.48, 0.16%, 0.62%

LAB 62.46, 15.68, -7.71

 

CMYK 0 / 4 / 18 / 32

HEX #ADA68E

RGB 173 166 142

HSL 46.45, 0.16%, 0.62%

LAB 68.1, -1.57, 13.34

 

Description

Color code: RGB 142 174 151 | qconv.com Color code: RGB 142 174 151 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 174 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 174 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 13 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 13% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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