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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 142 162.8 31.4 it is the complementary color RGB 113 92.2 223.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 142 162.8 31.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 142 162.8 31.4 shade: RGB 147 162.8 26.4, RGB 164 180.8 45.4, RGB 181 198.8 64.4, RGB 198 216.8 83.4 and RGB 215 234.8 102.4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 142 162.8 31.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 142 162.8 31.4 shade: RGB 142 162.8 31.4, RGB 125 144.8 12.4, RGB 108 126.8 0, RGB 91 108.8 0 and RGB 74 90.8 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 142 162.8 31.4 shade: RGB 142 163 31, RGB 163 148 31, RGB 163 113 31, RGB 163 77 31 and RGB 163 42 31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 142 162.8 31.4 shade: RGB 142 163 31, RGB 106 163 31, RGB 71 163 31, RGB 35 163 31 and RGB 31 163 62

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 142 162.8 31.4 shade matches the following richer shades: RGB 142 163 31 and RGB 153 178 15

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 142 162.8 31.4 shade: RGB 142 163 31, RGB 131 147 47, RGB 120 131 62, RGB 110 116 78 and RGB 99 100 94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 142 162.8 31.4 shade: RGB 163 112 31, RGB 163 147 31, RGB 143 163 31, RGB 108 163 31 and RGB 73 163 31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 142 162.8 31.4 shade: RGB 81 93 18, RGB 112 128 24, RGB 142 163 31, RGB 172 197 38 and RGB 192 218 59

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 142 162.8 31.4 shade: RGB 142 162.8 31.4, RGB 31 163 77 and RGB 130 31 163

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 142 162.8 31.4 shade: RGB 142 162.8 31.4, RGB 31 143 163 and RGB 163 31 143

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 142 162.8 31.4 shade: RGB 142 162.8 31.4, RGB 31 163 77, RGB 51 31 163 and RGB 163 31 117

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 142 162.8 31.4 shade: RGB 142 162.8 31.4, RGB 31 163 117, RGB 51 31 163 and RGB 163 31 77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 81 / 36

HEX #8EA21F

RGB 142 162.8 31.4

HSL 69.5, 0.68%, 0.38%

LAB 63.32, -23.83, 59.79

 

Complementary color

CMYK 49 / 59 / 0 / 12

HEX #715CDF

RGB 113 92.2 223.6

HSL 249.5, 0.68%, 0.62%

LAB 47.7, 41.7, -64.55

 

CMYK 10 / 0 / 84 / 36

HEX #93A21A

RGB 147 162.8 26.4

HSL 66.95, 0.72%, 0.37%

LAB 63.67, -21.85, 61.59

 

CMYK 9 / 0 / 75 / 29

HEX #A4B42D

RGB 164 180.8 45.4

HSL 67.44, 0.6%, 0.44%

LAB 70.21, -22.78, 62.35

 

CMYK 9 / 0 / 68 / 22

HEX #B5C640

RGB 181 198.8 64.4

HSL 67.95, 0.54%, 0.52%

LAB 76.65, -23.51, 62.24

 

CMYK 9 / 0 / 62 / 15

HEX #C6D853

RGB 198 216.8 83.4

HSL 68.46, 0.64%, 0.59%

LAB 83, -24.09, 61.64

 

CMYK 8 / 0 / 56 / 8

HEX #D7EA66

RGB 215 234.8 102.4

HSL 68.97, 0.77%, 0.66%

LAB 89.26, -24.57, 60.79

 

CMYK 13 / 0 / 81 / 36

HEX #8EA21F

RGB 142 162.8 31.4

HSL 69.5, 0.68%, 0.38%

LAB 63.32, -23.83, 59.79

 

CMYK 14 / 0 / 91 / 43

HEX #7D900C

RGB 125 144.8 12.4

HSL 68.97, 0.84%, 0.31%

LAB 56.66, -22.8, 58.12

 

CMYK 15 / 0 / 100 / 50

HEX #6C7E00

RGB 108 126.8 0

HSL 68.9, 1%, 0.25%

LAB 49.88, -21.49, 54.47

 

CMYK 16 / 0 / 100 / 57

HEX #5B6C00

RGB 91 108.8 0

HSL 69.82, 1%, 0.21%

LAB 42.94, -19.91, 48.7

 

CMYK 19 / 0 / 100 / 64

HEX #4A5A00

RGB 74 90.8 0

HSL 71.1, 1%, 0.18%

LAB 35.8, -18.3, 42.75

 

CMYK 13 / 0 / 81 / 36

HEX #8EA31F

RGB 142 163 31

HSL 69.55, 0.68%, 0.38%

LAB 63.38, -23.94, 59.96

 

CMYK 0 / 9 / 81 / 36

HEX #A3941F

RGB 163 148 31

HSL 53.18, 0.68%, 0.38%

LAB 60.84, -6.87, 58.37

 

CMYK 0 / 31 / 81 / 36

HEX #A3711F

RGB 163 113 31

HSL 37.27, 0.68%, 0.38%

LAB 51.49, 12.59, 50

 

CMYK 0 / 53 / 81 / 36

HEX #A34D1F

RGB 163 77 31

HSL 20.91, 0.68%, 0.38%

LAB 43.05, 32.62, 42.13

 

CMYK 0 / 74 / 81 / 36

HEX #A32A1F

RGB 163 42 31

HSL 5, 0.68%, 0.38%

LAB 37.01, 48.63, 36.22

 

CMYK 13 / 0 / 81 / 36

HEX #8EA31F

RGB 142 163 31

HSL 69.55, 0.68%, 0.38%

LAB 63.38, -23.94, 59.96

 

CMYK 35 / 0 / 81 / 36

HEX #6AA31F

RGB 106 163 31

HSL 85.91, 0.68%, 0.38%

LAB 61.1, -38.48, 57.04

 

CMYK 56 / 0 / 81 / 36

HEX #47A31F

RGB 71 163 31

HSL 101.82, 0.68%, 0.38%

LAB 59.56, -49.92, 55.06

 

CMYK 79 / 0 / 81 / 36

HEX #23A31F

RGB 35 163 31

HSL 118.18, 0.68%, 0.38%

LAB 58.65, -57.47, 53.89

 

CMYK 81 / 0 / 62 / 36

HEX #1FA33E

RGB 31 163 62

HSL 134.09, 0.68%, 0.38%

LAB 58.82, -55.14, 41.97

 

CMYK 13 / 0 / 81 / 36

HEX #8EA31F

RGB 142 163 31

HSL 69.55, 0.68%, 0.38%

LAB 63.38, -23.94, 59.96

 

CMYK 14 / 0 / 92 / 30

HEX #99B20F

RGB 153 178 15

HSL 69.2, 0.84%, 0.38%

LAB 68.5, -27.04, 68.02

 

CMYK 13 / 0 / 81 / 36

HEX #8EA31F

RGB 142 163 31

HSL 69.55, 0.68%, 0.38%

LAB 63.38, -23.94, 59.96

 

CMYK 11 / 0 / 68 / 42

HEX #83932F

RGB 131 147 47

HSL 69.6, 0.52%, 0.38%

LAB 57.94, -19.8, 48.85

 

CMYK 8 / 0 / 53 / 49

HEX #78833E

RGB 120 131 62

HSL 69.57, 0.36%, 0.38%

LAB 52.48, -14.95, 35.55

 

CMYK 5 / 0 / 33 / 55

HEX #6E744E

RGB 110 116 78

HSL 69.47, 0.2%, 0.38%

LAB 47.44, -9.06, 20.29

 

CMYK 1 / 0 / 6 / 61

HEX #63645E

RGB 99 100 94

HSL 70, 0.03%, 0.38%

LAB 42.12, -1.61, 3.26

 

CMYK 0 / 31 / 81 / 36

HEX #A3701F

RGB 163 112 31

HSL 36.82, 0.68%, 0.38%

LAB 51.24, 13.15, 49.77

 

CMYK 0 / 10 / 81 / 36

HEX #A3931F

RGB 163 147 31

HSL 52.73, 0.68%, 0.38%

LAB 60.56, -6.33, 58.13

 

CMYK 12 / 0 / 81 / 36

HEX #8FA31F

RGB 143 163 31

HSL 69.09, 0.68%, 0.38%

LAB 63.45, -23.52, 60.05

 

CMYK 34 / 0 / 81 / 36

HEX #6CA31F

RGB 108 163 31

HSL 85, 0.68%, 0.38%

LAB 61.2, -37.74, 57.18

 

CMYK 55 / 0 / 81 / 36

HEX #49A31F

RGB 73 163 31

HSL 100.91, 0.68%, 0.38%

LAB 59.63, -49.37, 55.15

 

CMYK 13 / 0 / 81 / 64

HEX #515D12

RGB 81 93 18

HSL 69.6, 0.68%, 0.22%

LAB 37.15, -15.45, 38.54

 

CMYK 13 / 0 / 81 / 50

HEX #708018

RGB 112 128 24

HSL 69.23, 0.68%, 0.3%

LAB 50.63, -19.62, 49.78

 

CMYK 13 / 0 / 81 / 36

HEX #8EA31F

RGB 142 163 31

HSL 69.55, 0.68%, 0.38%

LAB 63.38, -23.94, 59.96

 

CMYK 13 / 0 / 81 / 23

HEX #ACC526

RGB 172 197 38

HSL 69.43, 0.68%, 0.46%

LAB 75.35, -27.6, 69.45

 

CMYK 12 / 0 / 73 / 15

HEX #C0DA3B

RGB 192 218 59

HSL 69.81, 0.68%, 0.54%

LAB 82.73, -28.52, 70.43

 

CMYK 13 / 0 / 81 / 36

HEX #8EA21F

RGB 142 162.8 31.4

HSL 69.5, 0.68%, 0.38%

LAB 63.32, -23.83, 59.79

 

CMYK 81 / 0 / 53 / 36

HEX #1FA34D

RGB 31 163 77

HSL 140.91, 0.68%, 0.38%

LAB 58.99, -53.04, 34.91

 

CMYK 20 / 81 / 0 / 36

HEX #821FA3

RGB 130 31 163

HSL 285, 0.68%, 0.38%

LAB 34.74, 59.11, -50.05

 

CMYK 13 / 0 / 81 / 36

HEX #8EA21F

RGB 142 162.8 31.4

HSL 69.5, 0.68%, 0.38%

LAB 63.32, -23.83, 59.79

 

CMYK 81 / 12 / 0 / 36

HEX #1F8FA3

RGB 31 143 163

HSL 189.09, 0.68%, 0.38%

LAB 54.64, -22.77, -19.16

 

CMYK 0 / 81 / 12 / 36

HEX #A31F8F

RGB 163 31 143

HSL 309.09, 0.68%, 0.38%

LAB 39.16, 62.37, -30.52

 

CMYK 13 / 0 / 81 / 36

HEX #8EA21F

RGB 142 162.8 31.4

HSL 69.5, 0.68%, 0.38%

LAB 63.32, -23.83, 59.79

 

CMYK 81 / 0 / 53 / 36

HEX #1FA34D

RGB 31 163 77

HSL 140.91, 0.68%, 0.38%

LAB 58.99, -53.04, 34.91

 

CMYK 69 / 81 / 0 / 36

HEX #331FA3

RGB 51 31 163

HSL 249.09, 0.68%, 0.38%

LAB 24.73, 47.75, -66.83

 

CMYK 0 / 81 / 28 / 36

HEX #A31F75

RGB 163 31 117

HSL 320.91, 0.68%, 0.38%

LAB 37.93, 58.88, -16.32

 

CMYK 13 / 0 / 81 / 36

HEX #8EA21F

RGB 142 162.8 31.4

HSL 69.5, 0.68%, 0.38%

LAB 63.32, -23.83, 59.79

 

CMYK 81 / 0 / 28 / 36

HEX #1FA375

RGB 31 163 117

HSL 159.09, 0.68%, 0.38%

LAB 59.68, -45.2, 14.38

 

CMYK 69 / 81 / 0 / 36

HEX #331FA3

RGB 51 31 163

HSL 249.09, 0.68%, 0.38%

LAB 24.73, 47.75, -66.83

 

CMYK 0 / 81 / 53 / 36

HEX #A31F4D

RGB 163 31 77

HSL 339.09, 0.68%, 0.38%

LAB 36.56, 54.8, 7.12

 

Description

Color code: RGB 142 162.8 31.4 | qconv.com Color code: RGB 142 162.8 31.4 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 162.8 green and 31.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 162.8 31.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 81 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 81% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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