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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 142 151 239 it is the complementary color RGB 113 104 16. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 142 151 239. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 142 151 239 shade: RGB 147 151 234, RGB 164 169 253, RGB 181 187 255, RGB 198 205 255 and RGB 215 223 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 142 151 239. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 142 151 239 shade: RGB 142 151 239, RGB 125 133 220, RGB 108 115 201, RGB 91 97 182 and RGB 74 79 163

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 142 151 239 shade: RGB 143 152 239, RGB 160 143 239, RGB 186 143 239, RGB 211 143 239 and RGB 237 143 239

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 142 151 239 shade: RGB 143 152 239 and RGB 143 143 239

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 142 151 239 shade matches the following richer shades: RGB 143 152 239 and RGB 133 143 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 142 151 239 shade: RGB 143 152 239, RGB 153 160 228, RGB 164 169 218, RGB 174 177 208 and RGB 184 185 197

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 142 151 239 shade: RGB 143 204 239, RGB 143 178 239, RGB 143 153 239, RGB 159 143 239 and RGB 184 143 239

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 142 151 239 shade: RGB 71 85 228, RGB 107 119 233, RGB 143 152 239, RGB 179 185 244 and RGB 215 218 249

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 142 151 239 shade: RGB 142 151 239, RGB 239 143 229 and RGB 191 239 143

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 142 151 239 shade: RGB 142 151 239, RGB 239 143 152 and RGB 153 239 143

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 142 151 239 shade: RGB 142 151 239, RGB 239 143 229, RGB 239 229 143 and RGB 143 239 153

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 142 151 239 shade: RGB 142 151 239, RGB 239 143 200, RGB 239 229 143 and RGB 143 239 181

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 37 / 0 / 6

HEX #8E97EF

RGB 142 151 239

HSL 234.43, 0.75%, 0.75%

LAB 65.05, 18.33, -45.31

 

Complementary color

CMYK 0 / 8 / 86 / 56

HEX #716810

RGB 113 104 16

HSL 54.43, 0.75%, 0.25%

LAB 43.43, -6.36, 45.92

 

CMYK 37 / 35 / 0 / 8

HEX #9397EA

RGB 147 151 234

HSL 237.24, 0.67%, 0.75%

LAB 65.18, 18.26, -42.33

 

CMYK 35 / 33 / 0 / 1

HEX #A4A9FD

RGB 164 169 253

HSL 236.63, 0.96%, 0.82%

LAB 71.8, 17.58, -42.25

 

CMYK 29 / 27 / 0 / 0

HEX #B5BBFF

RGB 181 187 255

HSL 235.14, 1%, 0.85%

LAB 77.63, 12.77, -34.18

 

CMYK 22 / 20 / 0 / 0

HEX #C6CDFF

RGB 198 205 255

HSL 232.63, 1%, 0.89%

LAB 83.38, 7.96, -25.24

 

CMYK 16 / 13 / 0 / 0

HEX #D7DFFF

RGB 215 223 255

HSL 228, 1%, 0.92%

LAB 89.13, 3.61, -16.43

 

CMYK 41 / 37 / 0 / 6

HEX #8E97EF

RGB 142 151 239

HSL 234.43, 0.75%, 0.75%

LAB 65.05, 18.33, -45.31

 

CMYK 43 / 40 / 0 / 14

HEX #7D85DC

RGB 125 133 220

HSL 234.95, 0.58%, 0.68%

LAB 58.32, 19.18, -45.47

 

CMYK 46 / 43 / 0 / 21

HEX #6C73C9

RGB 108 115 201

HSL 235.48, 0.46%, 0.61%

LAB 51.46, 20.17, -45.68

 

CMYK 50 / 47 / 0 / 29

HEX #5B61B6

RGB 91 97 182

HSL 236.04, 0.38%, 0.54%

LAB 44.45, 21.34, -45.95

 

CMYK 55 / 52 / 0 / 36

HEX #4A4FA3

RGB 74 79 163

HSL 236.63, 0.38%, 0.46%

LAB 37.28, 22.76, -46.27

 

CMYK 40 / 36 / 0 / 6

HEX #8F98EF

RGB 143 152 239

HSL 234.38, 0.75%, 0.75%

LAB 65.38, 18.01, -44.79

 

CMYK 33 / 40 / 0 / 6

HEX #A08FEF

RGB 160 143 239

HSL 250.63, 0.75%, 0.75%

LAB 64.44, 27.64, -46.17

 

CMYK 22 / 40 / 0 / 6

HEX #BA8FEF

RGB 186 143 239

HSL 266.88, 0.75%, 0.75%

LAB 66.76, 34.84, -42.37

 

CMYK 12 / 40 / 0 / 6

HEX #D38FEF

RGB 211 143 239

HSL 282.5, 0.75%, 0.75%

LAB 69.27, 42.08, -38.26

 

CMYK 1 / 40 / 0 / 6

HEX #ED8FEF

RGB 237 143 239

HSL 298.75, 0.75%, 0.75%

LAB 72.15, 49.74, -33.57

 

CMYK 40 / 36 / 0 / 6

HEX #8F98EF

RGB 143 152 239

HSL 234.38, 0.75%, 0.75%

LAB 65.38, 18.01, -44.79

 

CMYK 40 / 40 / 0 / 6

HEX #8F8FEF

RGB 143 143 239

HSL 240, 0.75%, 0.75%

LAB 63.11, 23.21, -48.37

 

CMYK 40 / 36 / 0 / 6

HEX #8F98EF

RGB 143 152 239

HSL 234.38, 0.75%, 0.75%

LAB 65.38, 18.01, -44.79

 

CMYK 47 / 43 / 0 / 2

HEX #858FF9

RGB 133 143 249

HSL 234.83, 0.91%, 0.75%

LAB 62.9, 23.64, -54.24

 

CMYK 40 / 36 / 0 / 6

HEX #8F98EF

RGB 143 152 239

HSL 234.38, 0.75%, 0.75%

LAB 65.38, 18.01, -44.79

 

CMYK 33 / 30 / 0 / 11

HEX #99A0E4

RGB 153 160 228

HSL 234.4, 0.58%, 0.75%

LAB 67.66, 13.18, -35.13

 

CMYK 25 / 22 / 0 / 15

HEX #A4A9DA

RGB 164 169 218

HSL 234.44, 0.42%, 0.75%

LAB 70.41, 8.86, -25.33

 

CMYK 16 / 15 / 0 / 18

HEX #AEB1D0

RGB 174 177 208

HSL 234.71, 0.27%, 0.75%

LAB 72.89, 5.29, -16.01

 

CMYK 7 / 6 / 0 / 23

HEX #B8B9C5

RGB 184 185 197

HSL 235.38, 0.1%, 0.75%

LAB 75.4, 1.96, -6.18

 

CMYK 40 / 15 / 0 / 6

HEX #8FCCEF

RGB 143 204 239

HSL 201.88, 0.75%, 0.75%

LAB 79.19, -10.75, -23.42

 

CMYK 40 / 26 / 0 / 6

HEX #8FB2EF

RGB 143 178 239

HSL 218.13, 0.75%, 0.75%

LAB 72.17, 3.28, -34.19

 

CMYK 40 / 36 / 0 / 6

HEX #8F99EF

RGB 143 153 239

HSL 233.75, 0.75%, 0.75%

LAB 65.63, 17.43, -44.39

 

CMYK 33 / 40 / 0 / 6

HEX #9F8FEF

RGB 159 143 239

HSL 250, 0.75%, 0.75%

LAB 64.36, 27.37, -46.31

 

CMYK 23 / 40 / 0 / 6

HEX #B88FEF

RGB 184 143 239

HSL 265.63, 0.75%, 0.75%

LAB 66.57, 34.28, -42.68

 

CMYK 69 / 63 / 0 / 11

HEX #4755E4

RGB 71 85 228

HSL 234.65, 0.74%, 0.59%

LAB 43.42, 40.55, -74.15

 

CMYK 54 / 49 / 0 / 9

HEX #6B77E9

RGB 107 119 233

HSL 234.29, 0.74%, 0.67%

LAB 54.24, 27.41, -59.32

 

CMYK 40 / 36 / 0 / 6

HEX #8F98EF

RGB 143 152 239

HSL 234.38, 0.75%, 0.75%

LAB 65.38, 18.01, -44.79

 

CMYK 27 / 24 / 0 / 4

HEX #B3B9F4

RGB 179 185 244

HSL 234.46, 0.75%, 0.83%

LAB 76.57, 10.65, -29.92

 

CMYK 14 / 12 / 0 / 2

HEX #D7DAF9

RGB 215 218 249

HSL 234.71, 0.74%, 0.91%

LAB 87.69, 5, -15.44

 

CMYK 41 / 37 / 0 / 6

HEX #8E97EF

RGB 142 151 239

HSL 234.43, 0.75%, 0.75%

LAB 65.05, 18.33, -45.31

 

CMYK 0 / 40 / 4 / 6

HEX #EF8FE5

RGB 239 143 229

HSL 306.25, 0.75%, 0.75%

LAB 72, 48.58, -28.31

 

CMYK 20 / 0 / 40 / 6

HEX #BFEF8F

RGB 191 239 143

HSL 90, 0.75%, 0.75%

LAB 89.3, -31.45, 41.47

 

CMYK 41 / 37 / 0 / 6

HEX #8E97EF

RGB 142 151 239

HSL 234.43, 0.75%, 0.75%

LAB 65.05, 18.33, -45.31

 

CMYK 0 / 40 / 36 / 6

HEX #EF8F98

RGB 239 143 152

HSL 354.38, 0.75%, 0.75%

LAB 69.66, 37.32, 10.96

 

CMYK 36 / 0 / 40 / 6

HEX #99EF8F

RGB 153 239 143

HSL 113.75, 0.75%, 0.75%

LAB 87.24, -44.17, 38.41

 

CMYK 41 / 37 / 0 / 6

HEX #8E97EF

RGB 142 151 239

HSL 234.43, 0.75%, 0.75%

LAB 65.05, 18.33, -45.31

 

CMYK 0 / 40 / 4 / 6

HEX #EF8FE5

RGB 239 143 229

HSL 306.25, 0.75%, 0.75%

LAB 72, 48.58, -28.31

 

CMYK 0 / 4 / 40 / 6

HEX #EFE58F

RGB 239 229 143

HSL 53.75, 0.75%, 0.75%

LAB 90.03, -8.59, 43.11

 

CMYK 40 / 0 / 36 / 6

HEX #8FEF99

RGB 143 239 153

HSL 126.25, 0.75%, 0.75%

LAB 86.93, -45.67, 32.94

 

CMYK 41 / 37 / 0 / 6

HEX #8E97EF

RGB 142 151 239

HSL 234.43, 0.75%, 0.75%

LAB 65.05, 18.33, -45.31

 

CMYK 0 / 40 / 16 / 6

HEX #EF8FC8

RGB 239 143 200

HSL 324.38, 0.75%, 0.75%

LAB 70.99, 43.84, -13.85

 

CMYK 0 / 4 / 40 / 6

HEX #EFE58F

RGB 239 229 143

HSL 53.75, 0.75%, 0.75%

LAB 90.03, -8.59, 43.11

 

CMYK 40 / 0 / 24 / 6

HEX #8FEFB5

RGB 143 239 181

HSL 143.75, 0.75%, 0.75%

LAB 87.44, -40.8, 19.32

 

Description

Color code: RGB 142 151 239 | qconv.com Color code: RGB 142 151 239 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 151 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 151 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 37 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 37% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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