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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 142 148 188 it is the complementary color RGB 113 107 67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 142 148 188. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 142 148 188 shade: RGB 147 148 183, RGB 164 166 202, RGB 181 184 221, RGB 198 202 240 and RGB 215 220 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 142 148 188. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 142 148 188 shade: RGB 142 148 188, RGB 125 130 169, RGB 108 112 150, RGB 91 94 131 and RGB 74 76 112

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 142 148 188 shade: RGB 142 148 188, RGB 149 142 188, RGB 161 142 188, RGB 174 142 188 and RGB 186 142 188

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 142 148 188 shade: RGB 142 148 188 and RGB 142 142 188

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 142 148 188 shade matches the following richer shades: RGB 142 148 188, RGB 128 137 203, RGB 113 127 217, RGB 99 116 232 and RGB 84 105 246

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 142 148 188 shade: RGB 142 148 188, RGB 156 159 174, RGB 171 169 160, RGB 185 180 145 and RGB 200 191 131

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 142 148 188 shade: RGB 142 173 188, RGB 142 161 188, RGB 142 148 188, RGB 148 142 188 and RGB 161 142 188

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 142 148 188 shade: RGB 92 100 156, RGB 116 124 173, RGB 142 148 188, RGB 168 173 204 and RGB 194 197 219

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 142 148 188 shade: RGB 142 148 188, RGB 188 142 185 and RGB 167 188 142

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 142 148 188 shade: RGB 142 148 188, RGB 188 142 148 and RGB 148 188 142

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 142 148 188 shade: RGB 142 148 188, RGB 188 142 185, RGB 188 182 142 and RGB 142 188 145

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 142 148 188 shade: RGB 142 148 188, RGB 188 142 171, RGB 188 182 142 and RGB 142 188 159

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 21 / 0 / 26

HEX #8E94BC

RGB 142 148 188

HSL 232.17, 0.26%, 0.65%

LAB 62.14, 6.72, -21.47

 

Complementary color

CMYK 0 / 5 / 41 / 56

HEX #716B43

RGB 113 107 67

HSL 52.17, 0.26%, 0.35%

LAB 44.85, -4.12, 23.26

 

CMYK 20 / 19 / 0 / 28

HEX #9394B7

RGB 147 148 183

HSL 238.33, 0.2%, 0.65%

LAB 62.34, 7.13, -18.3

 

CMYK 19 / 18 / 0 / 21

HEX #A4A6CA

RGB 164 166 202

HSL 236.84, 0.26%, 0.72%

LAB 69.06, 6.82, -18.58

 

CMYK 18 / 17 / 0 / 13

HEX #B5B8DD

RGB 181 184 221

HSL 235.5, 0.37%, 0.79%

LAB 75.65, 6.54, -18.87

 

CMYK 18 / 16 / 0 / 6

HEX #C6CAF0

RGB 198 202 240

HSL 234.29, 0.58%, 0.86%

LAB 82.13, 6.27, -19.17

 

CMYK 16 / 14 / 0 / 0

HEX #D7DCFF

RGB 215 220 255

HSL 232.5, 1%, 0.92%

LAB 88.38, 5.19, -17.56

 

CMYK 24 / 21 / 0 / 26

HEX #8E94BC

RGB 142 148 188

HSL 232.17, 0.26%, 0.65%

LAB 62.14, 6.72, -21.47

 

CMYK 26 / 23 / 0 / 34

HEX #7D82A9

RGB 125 130 169

HSL 233.18, 0.2%, 0.58%

LAB 55.27, 7.08, -21.28

 

CMYK 28 / 25 / 0 / 41

HEX #6C7096

RGB 108 112 150

HSL 234.29, 0.17%, 0.51%

LAB 48.23, 7.49, -21.12

 

CMYK 31 / 28 / 0 / 49

HEX #5B5E83

RGB 91 94 131

HSL 235.5, 0.18%, 0.44%

LAB 41.01, 7.97, -21.01

 

CMYK 34 / 32 / 0 / 56

HEX #4A4C70

RGB 74 76 112

HSL 236.84, 0.2%, 0.36%

LAB 33.55, 8.54, -20.97

 

CMYK 24 / 21 / 0 / 26

HEX #8E94BC

RGB 142 148 188

HSL 232.17, 0.26%, 0.65%

LAB 62.14, 6.72, -21.47

 

CMYK 21 / 24 / 0 / 26

HEX #958EBC

RGB 149 142 188

HSL 249.13, 0.26%, 0.65%

LAB 61.1, 12.36, -23

 

CMYK 14 / 24 / 0 / 26

HEX #A18EBC

RGB 161 142 188

HSL 264.78, 0.26%, 0.65%

LAB 62.13, 16.24, -21.34

 

CMYK 7 / 24 / 0 / 26

HEX #AE8EBC

RGB 174 142 188

HSL 281.74, 0.26%, 0.65%

LAB 63.32, 20.54, -19.41

 

CMYK 1 / 24 / 0 / 26

HEX #BA8EBC

RGB 186 142 188

HSL 297.39, 0.26%, 0.65%

LAB 64.5, 24.58, -17.52

 

CMYK 24 / 21 / 0 / 26

HEX #8E94BC

RGB 142 148 188

HSL 232.17, 0.26%, 0.65%

LAB 62.14, 6.72, -21.47

 

CMYK 24 / 24 / 0 / 26

HEX #8E8EBC

RGB 142 142 188

HSL 240, 0.26%, 0.65%

LAB 60.54, 10.16, -23.91

 

CMYK 24 / 21 / 0 / 26

HEX #8E94BC

RGB 142 148 188

HSL 232.17, 0.26%, 0.65%

LAB 62.14, 6.72, -21.47

 

CMYK 37 / 33 / 0 / 20

HEX #8089CB

RGB 128 137 203

HSL 232.8, 0.42%, 0.65%

LAB 58.78, 12.82, -35.18

 

CMYK 48 / 41 / 0 / 15

HEX #717FD9

RGB 113 127 217

HSL 231.92, 0.58%, 0.65%

LAB 55.79, 18.95, -47.85

 

CMYK 57 / 50 / 0 / 9

HEX #6374E8

RGB 99 116 232

HSL 232.33, 0.74%, 0.65%

LAB 52.92, 27.34, -60.91

 

CMYK 66 / 57 / 0 / 4

HEX #5469F6

RGB 84 105 246

HSL 232.22, 0.9%, 0.65%

LAB 50.27, 36.19, -73.06

 

CMYK 24 / 21 / 0 / 26

HEX #8E94BC

RGB 142 148 188

HSL 232.17, 0.26%, 0.65%

LAB 62.14, 6.72, -21.47

 

CMYK 10 / 9 / 0 / 32

HEX #9C9FAE

RGB 156 159 174

HSL 230, 0.1%, 0.65%

LAB 65.69, 1.96, -8.14

 

CMYK 0 / 1 / 6 / 33

HEX #ABA9A0

RGB 171 169 160

HSL 49.09, 0.06%, 0.65%

LAB 69.16, -0.93, 4.88

 

CMYK 0 / 3 / 22 / 27

HEX #B9B491

RGB 185 180 145

HSL 52.5, 0.22%, 0.65%

LAB 72.89, -4.02, 18.53

 

CMYK 0 / 5 / 35 / 22

HEX #C8BF83

RGB 200 191 131

HSL 52.17, 0.39%, 0.65%

LAB 76.79, -5.83, 31.45

 

CMYK 24 / 8 / 0 / 26

HEX #8EADBC

RGB 142 173 188

HSL 199.57, 0.26%, 0.65%

LAB 68.95, -7.16, -11.17

 

CMYK 24 / 14 / 0 / 26

HEX #8EA1BC

RGB 142 161 188

HSL 215.22, 0.26%, 0.65%

LAB 65.65, -0.59, -16.13

 

CMYK 24 / 21 / 0 / 26

HEX #8E94BC

RGB 142 148 188

HSL 232.17, 0.26%, 0.65%

LAB 62.14, 6.72, -21.47

 

CMYK 21 / 24 / 0 / 26

HEX #948EBC

RGB 148 142 188

HSL 247.83, 0.26%, 0.65%

LAB 61.02, 12.05, -23.13

 

CMYK 14 / 24 / 0 / 26

HEX #A18EBC

RGB 161 142 188

HSL 264.78, 0.26%, 0.65%

LAB 62.13, 16.24, -21.34

 

CMYK 41 / 36 / 0 / 39

HEX #5C649C

RGB 92 100 156

HSL 232.5, 0.26%, 0.49%

LAB 43.93, 11.71, -31.45

 

CMYK 33 / 28 / 0 / 32

HEX #747CAD

RGB 116 124 173

HSL 231.58, 0.26%, 0.57%

LAB 53.11, 8.9, -26.97

 

CMYK 24 / 21 / 0 / 26

HEX #8E94BC

RGB 142 148 188

HSL 232.17, 0.26%, 0.65%

LAB 62.14, 6.72, -21.47

 

CMYK 18 / 15 / 0 / 20

HEX #A8ADCC

RGB 168 173 204

HSL 231.67, 0.26%, 0.73%

LAB 71.26, 4.68, -16.32

 

CMYK 11 / 10 / 0 / 14

HEX #C2C5DB

RGB 194 197 219

HSL 232.8, 0.26%, 0.81%

LAB 79.91, 3.27, -11.29

 

CMYK 24 / 21 / 0 / 26

HEX #8E94BC

RGB 142 148 188

HSL 232.17, 0.26%, 0.65%

LAB 62.14, 6.72, -21.47

 

CMYK 0 / 24 / 2 / 26

HEX #BC8EB9

RGB 188 142 185

HSL 303.91, 0.26%, 0.65%

LAB 64.6, 24.69, -15.66

 

CMYK 11 / 0 / 24 / 26

HEX #A7BC8E

RGB 167 188 142

HSL 87.39, 0.26%, 0.65%

LAB 73.63, -15.43, 20.95

 

CMYK 24 / 21 / 0 / 26

HEX #8E94BC

RGB 142 148 188

HSL 232.17, 0.26%, 0.65%

LAB 62.14, 6.72, -21.47

 

CMYK 0 / 24 / 21 / 26

HEX #BC8E94

RGB 188 142 148

HSL 352.17, 0.26%, 0.65%

LAB 63.49, 18.33, 3.6

 

CMYK 21 / 0 / 24 / 26

HEX #94BC8E

RGB 148 188 142

HSL 112.17, 0.26%, 0.65%

LAB 72.37, -22.26, 19.01

 

CMYK 24 / 21 / 0 / 26

HEX #8E94BC

RGB 142 148 188

HSL 232.17, 0.26%, 0.65%

LAB 62.14, 6.72, -21.47

 

CMYK 0 / 24 / 2 / 26

HEX #BC8EB9

RGB 188 142 185

HSL 303.91, 0.26%, 0.65%

LAB 64.6, 24.69, -15.66

 

CMYK 0 / 3 / 24 / 26

HEX #BCB68E

RGB 188 182 142

HSL 52.17, 0.26%, 0.65%

LAB 73.61, -4.36, 21.17

 

CMYK 24 / 0 / 23 / 26

HEX #8EBC91

RGB 142 188 145

HSL 123.91, 0.26%, 0.65%

LAB 72.07, -23.81, 16.92

 

CMYK 24 / 21 / 0 / 26

HEX #8E94BC

RGB 142 148 188

HSL 232.17, 0.26%, 0.65%

LAB 62.14, 6.72, -21.47

 

CMYK 0 / 24 / 9 / 26

HEX #BC8EAB

RGB 188 142 171

HSL 322.17, 0.26%, 0.65%

LAB 64.14, 22.13, -8.45

 

CMYK 0 / 3 / 24 / 26

HEX #BCB68E

RGB 188 182 142

HSL 52.17, 0.26%, 0.65%

LAB 73.61, -4.36, 21.17

 

CMYK 24 / 0 / 15 / 26

HEX #8EBC9F

RGB 142 188 159

HSL 142.17, 0.26%, 0.65%

LAB 72.38, -21.2, 9.77

 

Description

Color code: RGB 142 148 188 | qconv.com Color code: RGB 142 148 188 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 148 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 148 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 21 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 21% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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