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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 142 136 137 it is the complementary color RGB 113 119 118. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 142 136 137. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 142 136 137: RGB 147 136 132, RGB 164 154 151, RGB 181 172 170, RGB 198 190 189 and RGB 215 208 208

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 142 136 137. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 142 136 137: RGB 142 136 137, RGB 125 118 118, RGB 108 100 99, RGB 91 82 80 and RGB 74 64 61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 4 / 44

HEX #8E8889

RGB 142 136 137

HSL 350, 0.03%, 0.55%

LAB 57.24, 2.43, 0.26

 

Complementary color

CMYK 5 / 0 / 1 / 53

HEX #717776

RGB 113 119 118

HSL 170, 0.03%, 0.45%

LAB 49.51, -2.46, -0.24

 

CMYK 0 / 7 / 10 / 42

HEX #938884

RGB 147 136 132

HSL 16, 0.06%, 0.55%

LAB 57.54, 3.39, 3.62

 

CMYK 0 / 6 / 8 / 36

HEX #A49A97

RGB 164 154 151

HSL 13.85, 0.07%, 0.62%

LAB 64.35, 3.11, 2.88

 

CMYK 0 / 5 / 6 / 29

HEX #B5ACAA

RGB 181 172 170

HSL 10.91, 0.07%, 0.69%

LAB 71.03, 2.86, 2.17

 

CMYK 0 / 4 / 5 / 22

HEX #C6BEBD

RGB 198 190 189

HSL 6.67, 0.07%, 0.76%

LAB 77.58, 2.63, 1.49

 

CMYK 0 / 3 / 3 / 16

HEX #D7D0D0

RGB 215 208 208

HSL 0, 0.08%, 0.83%

LAB 84.02, 2.41, 0.85

 

CMYK 0 / 4 / 4 / 44

HEX #8E8889

RGB 142 136 137

HSL 350, 0.03%, 0.55%

LAB 57.24, 2.43, 0.26

 

CMYK 0 / 6 / 6 / 51

HEX #7D7676

RGB 125 118 118

HSL 0, 0.03%, 0.48%

LAB 50.25, 2.68, 0.95

 

CMYK 0 / 7 / 8 / 58

HEX #6C6463

RGB 108 100 99

HSL 6.67, 0.04%, 0.41%

LAB 43.07, 2.97, 1.7

 

CMYK 0 / 10 / 12 / 64

HEX #5B5250

RGB 91 82 80

HSL 10.91, 0.06%, 0.34%

LAB 35.67, 3.3, 2.51

 

CMYK 0 / 14 / 18 / 71

HEX #4A403D

RGB 74 64 61

HSL 13.85, 0.1%, 0.26%

LAB 28.01, 3.71, 3.41

 

CMYK 0 / 4 / 4 / 44

HEX #8E8889

RGB 142 136 137

HSL 350, 0.03%, 0.55%

LAB 57.24, 2.43, 0.26

 

CMYK 0 / 5 / 5 / 44

HEX #8F8888

RGB 143 136 136

HSL 0, 0.03%, 0.55%

LAB 57.29, 2.61, 0.93

 

CMYK 0 / 4 / 5 / 44

HEX #8F8988

RGB 143 137 136

HSL 8.57, 0.03%, 0.55%

LAB 57.57, 2.05, 1.32

 

CMYK 0 / 3 / 5 / 44

HEX #8F8B88

RGB 143 139 136

HSL 25.71, 0.03%, 0.55%

LAB 58.12, 0.92, 2.12

 

CMYK 0 / 2 / 5 / 44

HEX #8F8C88

RGB 143 140 136

HSL 34.29, 0.03%, 0.55%

LAB 58.39, 0.35, 2.52

 

CMYK 0 / 4 / 4 / 44

HEX #8E8889

RGB 142 136 137

HSL 350, 0.03%, 0.55%

LAB 57.24, 2.43, 0.26

 

CMYK 0 / 4 / 4 / 24

HEX #C1B9BA

RGB 193 185 186

HSL 352.5, 0.06%, 0.74%

LAB 75.81, 3, 0.49

 

CMYK 0 / 4 / 4 / 4

HEX #F4EAEB

RGB 244 234 235

HSL 354, 0.31%, 0.94%

LAB 93.48, 3.54, 0.71

 

CMYK 0 / 5 / 2 / 84

HEX #282627

RGB 40 38 39

HSL 330, 0.03%, 0.15%

LAB 15.4, 1.16, -0.34

 

CMYK 0 / 4 / 3 / 64

HEX #5B5758

RGB 91 87 88

HSL 345, 0.02%, 0.35%

LAB 37.38, 1.82, -0.01

 

CMYK 0 / 4 / 4 / 44

HEX #8E8889

RGB 142 136 137

HSL 350, 0.03%, 0.55%

LAB 57.24, 2.43, 0.26

 

CMYK 0 / 0 / 5 / 44

HEX #8F8F88

RGB 143 143 136

HSL 60, 0.03%, 0.55%

LAB 59.22, -1.33, 3.71

 

CMYK 5 / 2 / 0 / 44

HEX #888C8F

RGB 136 140 143

HSL 205.71, 0.03%, 0.55%

LAB 58.01, -0.85, -2.11

 

CMYK 0 / 4 / 4 / 44

HEX #8E8889

RGB 142 136 137

HSL 350, 0.03%, 0.55%

LAB 57.24, 2.43, 0.26

 

CMYK 4 / 0 / 5 / 44

HEX #898F88

RGB 137 143 136

HSL 111.43, 0.03%, 0.55%

LAB 58.73, -3.56, 2.96

 

CMYK 5 / 4 / 0 / 44

HEX #88898F

RGB 136 137 143

HSL 231.43, 0.03%, 0.55%

LAB 57.18, 0.84, -3.34

 

CMYK 0 / 4 / 4 / 44

HEX #8E8889

RGB 142 136 137

HSL 350, 0.03%, 0.55%

LAB 57.24, 2.43, 0.26

 

CMYK 0 / 0 / 5 / 44

HEX #8F8F88

RGB 143 143 136

HSL 60, 0.03%, 0.55%

LAB 59.22, -1.33, 3.71

 

CMYK 5 / 0 / 1 / 44

HEX #888F8E

RGB 136 143 142

HSL 171.43, 0.03%, 0.55%

LAB 58.82, -2.74, -0.36

 

CMYK 4 / 5 / 0 / 44

HEX #89888F

RGB 137 136 143

HSL 248.57, 0.03%, 0.55%

LAB 56.99, 1.77, -3.61

 

CMYK 0 / 4 / 4 / 44

HEX #8E8889

RGB 142 136 137

HSL 350, 0.03%, 0.55%

LAB 57.24, 2.43, 0.26

 

CMYK 1 / 0 / 5 / 44

HEX #8D8F88

RGB 141 143 136

HSL 77.14, 0.03%, 0.55%

LAB 59.05, -2.08, 3.46

 

CMYK 5 / 0 / 1 / 44

HEX #888F8E

RGB 136 143 142

HSL 171.43, 0.03%, 0.55%

LAB 58.82, -2.74, -0.36

 

CMYK 3 / 5 / 0 / 44

HEX #8B888F

RGB 139 136 143

HSL 265.71, 0.03%, 0.55%

LAB 57.15, 2.5, -3.35

 

Description

Color code: RGB 142 136 137 | qconv.com Color code: RGB 142 136 137 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 136 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 136 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 4 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 4% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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