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Color name
RGB 142 124 37

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 142 124 37 it is the complementary color RGB 113 131 218. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 142 124 37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 142 124 37 shade: RGB 147 124 32, RGB 164 142 51, RGB 181 160 70, RGB 198 178 89 and RGB 215 196 108

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 142 124 37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 142 124 37 shade: RGB 142 124 37, RGB 125 106 18, RGB 108 88 0, RGB 91 70 0 and RGB 74 52 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 142 124 37 shade: RGB 142 124 37, RGB 142 95 37, RGB 142 67 37, RGB 142 39 37 and RGB 142 37 37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 142 124 37 shade: RGB 142 124 37, RGB 132 142 37, RGB 103 142 37, RGB 75 142 37 and RGB 46 142 37

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 142 124 37 shade matches the following richer shades: RGB 142 124 37, RGB 156 133 22 and RGB 171 143 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 142 124 37 shade: RGB 142 124 37, RGB 127 114 51, RGB 113 105 65, RGB 99 95 80 and RGB 84 86 94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 142 124 37 shade: RGB 142 66 37, RGB 142 95 37, RGB 142 123 37, RGB 133 142 37 and RGB 105 142 37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 142 124 37 shade: RGB 76 67 20, RGB 109 95 28, RGB 142 124 37, RGB 175 152 45 and RGB 204 179 57

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 142 124 37 shade: RGB 142 124 37, RGB 37 142 38 and RGB 80 37 142

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 142 124 37 shade: RGB 142 124 37, RGB 37 142 123 and RGB 123 37 142

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 142 124 37 shade: RGB 142 124 37, RGB 37 142 38, RGB 37 56 142 and RGB 142 37 140

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 142 124 37 shade: RGB 142 124 37, RGB 37 142 70, RGB 37 56 142 and RGB 142 37 109

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 74 / 44

HEX #8E7C25

RGB 142 124 37

HSL 49.71, 0.59%, 0.35%

LAB 52.17, -3.06, 47.47

 

Complementary color

CMYK 48 / 40 / 0 / 15

HEX #7183DA

RGB 113 131 218

HSL 229.71, 0.59%, 0.65%

LAB 56.89, 16.87, -46.67

 

CMYK 0 / 16 / 78 / 42

HEX #937C20

RGB 147 124 32

HSL 48, 0.64%, 0.35%

LAB 52.64, -0.98, 50.04

 

CMYK 0 / 13 / 69 / 36

HEX #A48E33

RGB 164 142 51

HSL 48.32, 0.53%, 0.42%

LAB 59.41, -2.24, 49.57

 

CMYK 0 / 12 / 61 / 29

HEX #B5A046

RGB 181 160 70

HSL 48.65, 0.44%, 0.49%

LAB 66.06, -3.26, 48.62

 

CMYK 0 / 10 / 55 / 22

HEX #C6B259

RGB 198 178 89

HSL 48.99, 0.49%, 0.56%

LAB 72.61, -4.1, 47.47

 

CMYK 0 / 9 / 50 / 16

HEX #D7C46C

RGB 215 196 108

HSL 49.35, 0.57%, 0.63%

LAB 79.05, -4.79, 46.26

 

CMYK 0 / 13 / 74 / 44

HEX #8E7C25

RGB 142 124 37

HSL 49.71, 0.59%, 0.35%

LAB 52.17, -3.06, 47.47

 

CMYK 0 / 15 / 86 / 51

HEX #7D6A12

RGB 125 106 18

HSL 49.35, 0.75%, 0.28%

LAB 45.24, -1.66, 47.34

 

CMYK 0 / 19 / 100 / 58

HEX #6C5800

RGB 108 88 0

HSL 48.89, 1%, 0.21%

LAB 38.14, 0.08, 45.91

 

CMYK 0 / 23 / 100 / 64

HEX #5B4600

RGB 91 70 0

HSL 46.15, 1%, 0.18%

LAB 30.89, 2.41, 39.93

 

CMYK 0 / 30 / 100 / 71

HEX #4A3400

RGB 74 52 0

HSL 42.16, 1%, 0.15%

LAB 23.38, 4.94, 32.56

 

CMYK 0 / 13 / 74 / 44

HEX #8E7C25

RGB 142 124 37

HSL 49.71, 0.59%, 0.35%

LAB 52.17, -3.06, 47.47

 

CMYK 0 / 33 / 74 / 44

HEX #8E5F25

RGB 142 95 37

HSL 33.14, 0.59%, 0.35%

LAB 44.33, 13.6, 39.56

 

CMYK 0 / 53 / 74 / 44

HEX #8E4325

RGB 142 67 37

HSL 17.14, 0.59%, 0.35%

LAB 37.66, 29.56, 32.45

 

CMYK 0 / 73 / 74 / 44

HEX #8E2725

RGB 142 39 37

HSL 1.14, 0.59%, 0.35%

LAB 32.56, 43.02, 26.71

 

CMYK 0 / 74 / 74 / 44

HEX #8E2525

RGB 142 37 37

HSL 0, 0.59%, 0.35%

LAB 32.27, 43.8, 26.38

 

CMYK 0 / 13 / 74 / 44

HEX #8E7C25

RGB 142 124 37

HSL 49.71, 0.59%, 0.35%

LAB 52.17, -3.06, 47.47

 

CMYK 7 / 0 / 74 / 44

HEX #848E25

RGB 132 142 37

HSL 65.71, 0.59%, 0.35%

LAB 56.47, -17.37, 51.34

 

CMYK 27 / 0 / 74 / 44

HEX #678E25

RGB 103 142 37

HSL 82.29, 0.59%, 0.35%

LAB 54.41, -29.73, 48.63

 

CMYK 47 / 0 / 74 / 44

HEX #4B8E25

RGB 75 142 37

HSL 98.29, 0.59%, 0.35%

LAB 52.92, -40.07, 46.65

 

CMYK 68 / 0 / 74 / 44

HEX #2E8E25

RGB 46 142 37

HSL 114.86, 0.59%, 0.35%

LAB 51.91, -48.05, 45.29

 

CMYK 0 / 13 / 74 / 44

HEX #8E7C25

RGB 142 124 37

HSL 49.71, 0.59%, 0.35%

LAB 52.17, -3.06, 47.47

 

CMYK 0 / 15 / 86 / 39

HEX #9C8516

RGB 156 133 22

HSL 49.7, 0.75%, 0.35%

LAB 55.99, -2.18, 56.54

 

CMYK 0 / 16 / 95 / 33

HEX #AB8F08

RGB 171 143 8

HSL 49.69, 0.91%, 0.35%

LAB 60.18, -1.05, 63.28

 

CMYK 0 / 13 / 74 / 44

HEX #8E7C25

RGB 142 124 37

HSL 49.71, 0.59%, 0.35%

LAB 52.17, -3.06, 47.47

 

CMYK 0 / 10 / 60 / 50

HEX #7F7233

RGB 127 114 51

HSL 49.74, 0.43%, 0.35%

LAB 47.99, -3.43, 36.12

 

CMYK 0 / 7 / 42 / 56

HEX #716941

RGB 113 105 65

HSL 50, 0.27%, 0.35%

LAB 44.23, -3.2, 23.62

 

CMYK 0 / 4 / 19 / 61

HEX #635F50

RGB 99 95 80

HSL 47.37, 0.11%, 0.35%

LAB 40.27, -1.24, 9.17

 

CMYK 11 / 9 / 0 / 63

HEX #54565E

RGB 84 86 94

HSL 228, 0.06%, 0.35%

LAB 36.65, 1.01, -4.9

 

CMYK 0 / 54 / 74 / 44

HEX #8E4225

RGB 142 66 37

HSL 16.57, 0.59%, 0.35%

LAB 37.45, 30.1, 32.22

 

CMYK 0 / 33 / 74 / 44

HEX #8E5F25

RGB 142 95 37

HSL 33.14, 0.59%, 0.35%

LAB 44.33, 13.6, 39.56

 

CMYK 0 / 13 / 74 / 44

HEX #8E7B25

RGB 142 123 37

HSL 49.14, 0.59%, 0.35%

LAB 51.89, -2.5, 47.19

 

CMYK 6 / 0 / 74 / 44

HEX #858E25

RGB 133 142 37

HSL 65.14, 0.59%, 0.35%

LAB 56.55, -16.92, 51.45

 

CMYK 26 / 0 / 74 / 44

HEX #698E25

RGB 105 142 37

HSL 81.14, 0.59%, 0.35%

LAB 54.54, -28.92, 48.79

 

CMYK 0 / 12 / 74 / 70

HEX #4C4314

RGB 76 67 20

HSL 50.36, 0.58%, 0.19%

LAB 28.38, -2.55, 28.86

 

CMYK 0 / 13 / 74 / 57

HEX #6D5F1C

RGB 109 95 28

HSL 49.63, 0.59%, 0.27%

LAB 40.44, -2.55, 38.54

 

CMYK 0 / 13 / 74 / 44

HEX #8E7C25

RGB 142 124 37

HSL 49.71, 0.59%, 0.35%

LAB 52.17, -3.06, 47.47

 

CMYK 0 / 13 / 74 / 31

HEX #AF982D

RGB 175 152 45

HSL 49.38, 0.59%, 0.43%

LAB 63.14, -3.06, 56.09

 

CMYK 0 / 12 / 72 / 20

HEX #CCB339

RGB 204 179 57

HSL 49.8, 0.59%, 0.51%

LAB 73.14, -4.1, 62.18

 

CMYK 0 / 13 / 74 / 44

HEX #8E7C25

RGB 142 124 37

HSL 49.71, 0.59%, 0.35%

LAB 52.17, -3.06, 47.47

 

CMYK 74 / 0 / 73 / 44

HEX #258E26

RGB 37 142 38

HSL 120.57, 0.59%, 0.35%

LAB 51.7, -49.74, 44.62

 

CMYK 44 / 74 / 0 / 44

HEX #50258E

RGB 80 37 142

HSL 264.57, 0.59%, 0.35%

LAB 26.68, 42.67, -50.63

 

CMYK 0 / 13 / 74 / 44

HEX #8E7C25

RGB 142 124 37

HSL 49.71, 0.59%, 0.35%

LAB 52.17, -3.06, 47.47

 

CMYK 74 / 0 / 13 / 44

HEX #258E7B

RGB 37 142 123

HSL 169.14, 0.59%, 0.35%

LAB 53.13, -33.86, 1.68

 

CMYK 13 / 74 / 0 / 44

HEX #7B258E

RGB 123 37 142

HSL 289.14, 0.59%, 0.35%

LAB 32.89, 51.5, -40.28

 

CMYK 0 / 13 / 74 / 44

HEX #8E7C25

RGB 142 124 37

HSL 49.71, 0.59%, 0.35%

LAB 52.17, -3.06, 47.47

 

CMYK 74 / 0 / 73 / 44

HEX #258E26

RGB 37 142 38

HSL 120.57, 0.59%, 0.35%

LAB 51.7, -49.74, 44.62

 

CMYK 74 / 61 / 0 / 44

HEX #25388E

RGB 37 56 142

HSL 229.14, 0.59%, 0.35%

LAB 27.23, 23.85, -49.9

 

CMYK 0 / 74 / 1 / 44

HEX #8E258C

RGB 142 37 140

HSL 301.14, 0.59%, 0.35%

LAB 35.92, 55.41, -34.03

 

CMYK 0 / 13 / 74 / 44

HEX #8E7C25

RGB 142 124 37

HSL 49.71, 0.59%, 0.35%

LAB 52.17, -3.06, 47.47

 

CMYK 74 / 0 / 51 / 44

HEX #258E46

RGB 37 142 70

HSL 138.86, 0.59%, 0.35%

LAB 52.04, -45.69, 29.93

 

CMYK 74 / 61 / 0 / 44

HEX #25388E

RGB 37 56 142

HSL 229.14, 0.59%, 0.35%

LAB 27.23, 23.85, -49.9

 

CMYK 0 / 74 / 23 / 44

HEX #8E256D

RGB 142 37 109

HSL 318.86, 0.59%, 0.35%

LAB 34.35, 50.61, -17.12

 

Description

Color code: RGB 142 124 37 | qconv.com Color code: RGB 142 124 37 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 124 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 124 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 74 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 74% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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