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Color name
RGB 142 103 11

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 142 103 11 it is the complementary color RGB 113 152 244. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 142 103 11. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 142 103 11 shade: RGB 147 103 6, RGB 164 121 25, RGB 181 139 44, RGB 198 157 63 and RGB 215 175 82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 142 103 11. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 142 103 11 shade: RGB 142 103 11, RGB 125 85 0, RGB 108 67 0, RGB 91 49 0 and RGB 74 31 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 142 103 11 shade: RGB 142 103 11, RGB 142 68 11, RGB 142 32 11 and RGB 142 11 11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 142 103 11 shade: RGB 142 103 11, RGB 142 139 11, RGB 110 142 11, RGB 75 142 11 and RGB 40 142 11

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 142 103 11 shade matches the following richer shades: RGB 142 103 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 142 103 11 shade: RGB 142 103 11, RGB 130 98 23, RGB 118 93 35, RGB 105 88 48 and RGB 93 83 60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 142 103 11 shade: RGB 142 33 11, RGB 142 68 11, RGB 142 103 11, RGB 142 138 11 and RGB 112 142 11

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 142 103 11 shade: RGB 66 48 5, RGB 104 75 8, RGB 142 103 11, RGB 181 131 14 and RGB 219 159 16

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 142 103 11 shade: RGB 142 103 11, RGB 24 142 11 and RGB 50 11 142

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 142 103 11 shade: RGB 142 103 11, RGB 11 142 103 and RGB 103 11 142

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 142 103 11 shade: RGB 142 103 11, RGB 24 142 11, RGB 11 50 142 and RGB 129 11 142

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 142 103 11 shade: RGB 142 103 11, RGB 11 142 37, RGB 11 50 142 and RGB 142 11 116

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 92 / 44

HEX #8E670B

RGB 142 103 11

HSL 42.14, 0.86%, 0.3%

LAB 46.28, 8.01, 50.86

 

Complementary color

CMYK 54 / 38 / 0 / 4

HEX #7198F4

RGB 113 152 244

HSL 222.14, 0.86%, 0.7%

LAB 63.75, 12.45, -50.23

 

CMYK 0 / 30 / 96 / 42

HEX #936706

RGB 147 103 6

HSL 41.28, 0.92%, 0.3%

LAB 46.86, 10.28, 52.68

 

CMYK 0 / 26 / 85 / 36

HEX #A47919

RGB 164 121 25

HSL 41.44, 0.74%, 0.37%

LAB 53.64, 8.32, 54.03

 

CMYK 0 / 23 / 76 / 29

HEX #B58B2C

RGB 181 139 44

HSL 41.61, 0.61%, 0.44%

LAB 60.31, 6.68, 53.96

 

CMYK 0 / 21 / 68 / 22

HEX #C69D3F

RGB 198 157 63

HSL 41.78, 0.54%, 0.51%

LAB 66.88, 5.32, 53.17

 

CMYK 0 / 19 / 62 / 16

HEX #D7AF52

RGB 215 175 82

HSL 41.95, 0.62%, 0.58%

LAB 73.36, 4.17, 52.08

 

CMYK 0 / 27 / 92 / 44

HEX #8E670B

RGB 142 103 11

HSL 42.14, 0.86%, 0.3%

LAB 46.28, 8.01, 50.86

 

CMYK 0 / 32 / 100 / 51

HEX #7D5500

RGB 125 85 0

HSL 40.8, 1%, 0.25%

LAB 39.34, 10.24, 47.7

 

CMYK 0 / 38 / 100 / 58

HEX #6C4300

RGB 108 67 0

HSL 37.22, 1%, 0.21%

LAB 32.26, 12.83, 41.92

 

CMYK 0 / 46 / 100 / 64

HEX #5B3100

RGB 91 49 0

HSL 32.31, 1%, 0.18%

LAB 25.02, 15.57, 35.01

 

CMYK 0 / 58 / 100 / 71

HEX #4A1F00

RGB 74 31 0

HSL 25.14, 1%, 0.15%

LAB 17.63, 18.41, 26.16

 

CMYK 0 / 27 / 92 / 44

HEX #8E670B

RGB 142 103 11

HSL 42.14, 0.86%, 0.3%

LAB 46.28, 8.01, 50.86

 

CMYK 0 / 52 / 92 / 44

HEX #8E440B

RGB 142 68 11

HSL 26.11, 0.86%, 0.3%

LAB 37.68, 28.1, 44.3

 

CMYK 0 / 77 / 92 / 44

HEX #8E200B

RGB 142 32 11

HSL 9.62, 0.86%, 0.3%

LAB 31.37, 44.79, 39.61

 

CMYK 0 / 92 / 92 / 44

HEX #8E0B0B

RGB 142 11 11

HSL 0, 0.86%, 0.3%

LAB 29.45, 50.22, 38.19

 

CMYK 0 / 27 / 92 / 44

HEX #8E670B

RGB 142 103 11

HSL 42.14, 0.86%, 0.3%

LAB 46.28, 8.01, 50.86

 

CMYK 0 / 2 / 92 / 44

HEX #8E8B0B

RGB 142 139 11

HSL 58.63, 0.86%, 0.3%

LAB 56.33, -12.16, 58.68

 

CMYK 23 / 0 / 92 / 44

HEX #6E8E0B

RGB 110 142 11

HSL 74.66, 0.86%, 0.3%

LAB 54.75, -27.93, 56.37

 

CMYK 47 / 0 / 92 / 44

HEX #4B8E0B

RGB 75 142 11

HSL 90.69, 0.86%, 0.3%

LAB 52.8, -41.38, 53.97

 

CMYK 72 / 0 / 92 / 44

HEX #288E0B

RGB 40 142 11

HSL 106.72, 0.86%, 0.3%

LAB 51.63, -50.79, 52.52

 

CMYK 0 / 27 / 92 / 44

HEX #8E670B

RGB 142 103 11

HSL 42.14, 0.86%, 0.3%

LAB 46.28, 8.01, 50.86

 

CMYK 0 / 27 / 92 / 44

HEX #8E670B

RGB 142 103 11

HSL 42.14, 0.86%, 0.3%

LAB 46.28, 8.01, 50.86

 

CMYK 0 / 25 / 82 / 49

HEX #826217

RGB 130 98 23

HSL 42.06, 0.7%, 0.3%

LAB 43.57, 5.57, 44.38

 

CMYK 0 / 21 / 70 / 54

HEX #765D23

RGB 118 93 35

HSL 41.93, 0.54%, 0.3%

LAB 40.9, 3.39, 36.05

 

CMYK 0 / 16 / 54 / 59

HEX #695830

RGB 105 88 48

HSL 42.11, 0.37%, 0.3%

LAB 38.19, 1.26, 25.62

 

CMYK 0 / 11 / 35 / 64

HEX #5D533C

RGB 93 83 60

HSL 41.82, 0.22%, 0.3%

LAB 35.67, 0.19, 15

 

CMYK 0 / 77 / 92 / 44

HEX #8E210B

RGB 142 33 11

HSL 10.08, 0.86%, 0.3%

LAB 31.49, 44.44, 39.7

 

CMYK 0 / 52 / 92 / 44

HEX #8E440B

RGB 142 68 11

HSL 26.11, 0.86%, 0.3%

LAB 37.68, 28.1, 44.3

 

CMYK 0 / 27 / 92 / 44

HEX #8E670B

RGB 142 103 11

HSL 42.14, 0.86%, 0.3%

LAB 46.28, 8.01, 50.86

 

CMYK 0 / 3 / 92 / 44

HEX #8E8A0B

RGB 142 138 11

HSL 58.17, 0.86%, 0.3%

LAB 56.04, -11.62, 58.45

 

CMYK 21 / 0 / 92 / 44

HEX #708E0B

RGB 112 142 11

HSL 73.74, 0.86%, 0.3%

LAB 54.88, -27.08, 56.54

 

CMYK 0 / 27 / 92 / 74

HEX #423005

RGB 66 48 5

HSL 42.3, 0.86%, 0.14%

LAB 21.14, 3.52, 27.85

 

CMYK 0 / 28 / 92 / 59

HEX #684B08

RGB 104 75 8

HSL 41.88, 0.86%, 0.22%

LAB 33.97, 6.17, 40.01

 

CMYK 0 / 27 / 92 / 44

HEX #8E670B

RGB 142 103 11

HSL 42.14, 0.86%, 0.3%

LAB 46.28, 8.01, 50.86

 

CMYK 0 / 28 / 92 / 29

HEX #B5830E

RGB 181 131 14

HSL 42.04, 0.86%, 0.38%

LAB 58.12, 10.22, 61.23

 

CMYK 0 / 27 / 93 / 14

HEX #DB9F10

RGB 219 159 16

HSL 42.27, 0.86%, 0.46%

LAB 69.39, 11.87, 71.16

 

CMYK 0 / 27 / 92 / 44

HEX #8E670B

RGB 142 103 11

HSL 42.14, 0.86%, 0.3%

LAB 46.28, 8.01, 50.86

 

CMYK 83 / 0 / 92 / 44

HEX #188E0B

RGB 24 142 11

HSL 114.05, 0.86%, 0.3%

LAB 51.34, -53.36, 52.15

 

CMYK 65 / 92 / 0 / 44

HEX #320B8E

RGB 50 11 142

HSL 257.86, 0.86%, 0.3%

LAB 19.52, 49.45, -62.54

 

CMYK 0 / 27 / 92 / 44

HEX #8E670B

RGB 142 103 11

HSL 42.14, 0.86%, 0.3%

LAB 46.28, 8.01, 50.86

 

CMYK 92 / 0 / 27 / 44

HEX #0B8E67

RGB 11 142 103

HSL 162.14, 0.86%, 0.3%

LAB 52.28, -41.7, 11.92

 

CMYK 27 / 92 / 0 / 44

HEX #670B8E

RGB 103 11 142

HSL 282.14, 0.86%, 0.3%

LAB 26.95, 55.51, -50.05

 

CMYK 0 / 27 / 92 / 44

HEX #8E670B

RGB 142 103 11

HSL 42.14, 0.86%, 0.3%

LAB 46.28, 8.01, 50.86

 

CMYK 83 / 0 / 92 / 44

HEX #188E0B

RGB 24 142 11

HSL 114.05, 0.86%, 0.3%

LAB 51.34, -53.36, 52.15

 

CMYK 92 / 65 / 0 / 44

HEX #0B328E

RGB 11 50 142

HSL 222.14, 0.86%, 0.3%

LAB 24.66, 25.61, -54.14

 

CMYK 9 / 92 / 0 / 44

HEX #810B8E

RGB 129 11 142

HSL 294.05, 0.86%, 0.3%

LAB 31.48, 59.73, -42.49

 

CMYK 0 / 27 / 92 / 44

HEX #8E670B

RGB 142 103 11

HSL 42.14, 0.86%, 0.3%

LAB 46.28, 8.01, 50.86

 

CMYK 92 / 0 / 74 / 44

HEX #0B8E25

RGB 11 142 37

HSL 131.91, 0.86%, 0.3%

LAB 51.33, -53.02, 44.51

 

CMYK 92 / 65 / 0 / 44

HEX #0B328E

RGB 11 50 142

HSL 222.14, 0.86%, 0.3%

LAB 24.66, 25.61, -54.14

 

CMYK 0 / 92 / 18 / 44

HEX #8E0B74

RGB 142 11 116

HSL 311.91, 0.86%, 0.3%

LAB 32.37, 58.22, -24.64

 

Description

Color code: RGB 142 103 11 | qconv.com Color code: RGB 142 103 11 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 103 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 103 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 92 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 92% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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