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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 142 102 209 it is the complementary color RGB 113 153 46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 142 102 209. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 142 102 209 shade: RGB 147 102 204, RGB 164 120 223, RGB 181 138 242, RGB 198 156 255 and RGB 215 174 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 142 102 209. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 142 102 209 shade: RGB 142 102 209, RGB 125 84 190, RGB 108 66 171, RGB 91 48 152 and RGB 74 30 133

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 142 102 209 shade: RGB 142 102 209, RGB 171 102 209, RGB 200 102 209, RGB 209 102 190 and RGB 209 102 161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 142 102 209 shade: RGB 142 102 209, RGB 113 102 209 and RGB 102 102 209

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 142 102 209 shade matches the following richer shades: RGB 142 102 209, RGB 138 86 225 and RGB 134 70 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 142 102 209 shade: RGB 142 102 209, RGB 146 118 193, RGB 150 134 177, RGB 154 150 161 and RGB 158 166 145

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 142 102 209 shade: RGB 102 120 209, RGB 113 102 209, RGB 141 102 209, RGB 170 102 209 and RGB 199 102 209

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 142 102 209 shade: RGB 99 53 176, RGB 119 70 200, RGB 142 102 209, RGB 165 134 219 and RGB 189 165 228

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 142 102 209 shade: RGB 142 102 209, RGB 209 102 148 and RGB 105 209 102

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 142 102 209 shade: RGB 142 102 209, RGB 209 141 102 and RGB 102 209 141

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 142 102 209 shade: RGB 142 102 209, RGB 209 102 148, RGB 170 209 102 and RGB 102 209 163

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 142 102 209 shade: RGB 142 102 209, RGB 209 102 116, RGB 170 209 102 and RGB 102 209 195

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 51 / 0 / 18

HEX #8E66D1

RGB 142 102 209

HSL 262.43, 0.54%, 0.61%

LAB 51.68, 38.66, -49.72

 

Complementary color

CMYK 26 / 0 / 70 / 40

HEX #71992E

RGB 113 153 46

HSL 82.43, 0.54%, 0.39%

LAB 58.5, -30.34, 49.44

 

CMYK 28 / 50 / 0 / 20

HEX #9366CC

RGB 147 102 204

HSL 266.47, 0.5%, 0.6%

LAB 51.91, 38.71, -46.46

 

CMYK 26 / 46 / 0 / 13

HEX #A478DF

RGB 164 120 223

HSL 265.63, 0.62%, 0.67%

LAB 58.65, 37.78, -46.41

 

CMYK 25 / 43 / 0 / 5

HEX #B58AF2

RGB 181 138 242

HSL 264.81, 0.8%, 0.75%

LAB 65.29, 36.91, -46.37

 

CMYK 22 / 39 / 0 / 0

HEX #C69CFF

RGB 198 156 255

HSL 265.45, 1%, 0.81%

LAB 71.56, 34.73, -43.51

 

CMYK 16 / 32 / 0 / 0

HEX #D7AEFF

RGB 215 174 255

HSL 270.37, 1%, 0.84%

LAB 77.24, 29.87, -34.55

 

CMYK 32 / 51 / 0 / 18

HEX #8E66D1

RGB 142 102 209

HSL 262.43, 0.54%, 0.61%

LAB 51.68, 38.66, -49.72

 

CMYK 34 / 56 / 0 / 25

HEX #7D54BE

RGB 125 84 190

HSL 263.21, 0.45%, 0.54%

LAB 44.83, 39.71, -49.83

 

CMYK 37 / 61 / 0 / 33

HEX #6C42AB

RGB 108 66 171

HSL 264, 0.44%, 0.46%

LAB 37.89, 40.8, -49.91

 

CMYK 40 / 68 / 0 / 40

HEX #5B3098

RGB 91 48 152

HSL 264.81, 0.52%, 0.39%

LAB 30.89, 41.84, -49.87

 

CMYK 44 / 77 / 0 / 48

HEX #4A1E85

RGB 74 30 133

HSL 265.63, 0.63%, 0.32%

LAB 23.93, 42.57, -49.54

 

CMYK 32 / 51 / 0 / 18

HEX #8E66D1

RGB 142 102 209

HSL 262.43, 0.54%, 0.61%

LAB 51.68, 38.66, -49.72

 

CMYK 18 / 51 / 0 / 18

HEX #AB66D1

RGB 171 102 209

HSL 278.69, 0.54%, 0.61%

LAB 54.83, 46.32, -44.52

 

CMYK 4 / 51 / 0 / 18

HEX #C866D1

RGB 200 102 209

HSL 294.95, 0.54%, 0.61%

LAB 58.4, 54.25, -38.64

 

CMYK 0 / 51 / 9 / 18

HEX #D166BE

RGB 209 102 190

HSL 310.65, 0.54%, 0.61%

LAB 58.77, 53.49, -27.18

 

CMYK 0 / 51 / 23 / 18

HEX #D166A1

RGB 209 102 161

HSL 326.92, 0.54%, 0.61%

LAB 57.69, 49.04, -12.13

 

CMYK 32 / 51 / 0 / 18

HEX #8E66D1

RGB 142 102 209

HSL 262.43, 0.54%, 0.61%

LAB 51.68, 38.66, -49.72

 

CMYK 46 / 51 / 0 / 18

HEX #7166D1

RGB 113 102 209

HSL 246.17, 0.54%, 0.61%

LAB 49.03, 31.6, -54.1

 

CMYK 51 / 51 / 0 / 18

HEX #6666D1

RGB 102 102 209

HSL 240, 0.54%, 0.61%

LAB 48.17, 29.17, -55.52

 

CMYK 32 / 51 / 0 / 18

HEX #8E66D1

RGB 142 102 209

HSL 262.43, 0.54%, 0.61%

LAB 51.68, 38.66, -49.72

 

CMYK 39 / 62 / 0 / 12

HEX #8A56E1

RGB 138 86 225

HSL 262.45, 0.7%, 0.61%

LAB 48.88, 50.65, -63.32

 

CMYK 44 / 71 / 0 / 5

HEX #8646F1

RGB 134 70 241

HSL 262.46, 0.86%, 0.61%

LAB 46.71, 61.99, -75.89

 

CMYK 32 / 51 / 0 / 18

HEX #8E66D1

RGB 142 102 209

HSL 262.43, 0.54%, 0.61%

LAB 51.68, 38.66, -49.72

 

CMYK 24 / 39 / 0 / 24

HEX #9276C1

RGB 146 118 193

HSL 262.4, 0.38%, 0.61%

LAB 54.99, 26.54, -35.33

 

CMYK 15 / 24 / 0 / 31

HEX #9686B1

RGB 150 134 177

HSL 262.33, 0.22%, 0.61%

LAB 58.7, 14.76, -20.42

 

CMYK 4 / 7 / 0 / 37

HEX #9A96A1

RGB 154 150 161

HSL 261.82, 0.06%, 0.61%

LAB 62.72, 3.61, -5.25

 

CMYK 5 / 0 / 13 / 35

HEX #9EA691

RGB 158 166 145

HSL 82.86, 0.11%, 0.61%

LAB 66.97, -6.73, 9.91

 

CMYK 51 / 43 / 0 / 18

HEX #6678D1

RGB 102 120 209

HSL 229.91, 0.54%, 0.61%

LAB 52.8, 18.19, -48.13

 

CMYK 46 / 51 / 0 / 18

HEX #7166D1

RGB 113 102 209

HSL 246.17, 0.54%, 0.61%

LAB 49.03, 31.6, -54.1

 

CMYK 33 / 51 / 0 / 18

HEX #8D66D1

RGB 141 102 209

HSL 261.87, 0.54%, 0.61%

LAB 51.57, 38.4, -49.88

 

CMYK 19 / 51 / 0 / 18

HEX #AA66D1

RGB 170 102 209

HSL 278.13, 0.54%, 0.61%

LAB 54.71, 46.05, -44.71

 

CMYK 5 / 51 / 0 / 18

HEX #C766D1

RGB 199 102 209

HSL 294.39, 0.54%, 0.61%

LAB 58.27, 53.97, -38.86

 

CMYK 44 / 70 / 0 / 31

HEX #6335B0

RGB 99 53 176

HSL 262.44, 0.54%, 0.45%

LAB 34.67, 47.26, -58.15

 

CMYK 41 / 65 / 0 / 22

HEX #7746C8

RGB 119 70 200

HSL 262.62, 0.54%, 0.53%

LAB 41.96, 48.68, -60.3

 

CMYK 32 / 51 / 0 / 18

HEX #8E66D1

RGB 142 102 209

HSL 262.43, 0.54%, 0.61%

LAB 51.68, 38.66, -49.72

 

CMYK 25 / 39 / 0 / 14

HEX #A586DB

RGB 165 134 219

HSL 261.88, 0.54%, 0.69%

LAB 61.8, 29.19, -39.22

 

CMYK 17 / 28 / 0 / 11

HEX #BDA5E4

RGB 189 165 228

HSL 262.86, 0.54%, 0.77%

LAB 71.78, 21.04, -28.53

 

CMYK 32 / 51 / 0 / 18

HEX #8E66D1

RGB 142 102 209

HSL 262.43, 0.54%, 0.61%

LAB 51.68, 38.66, -49.72

 

CMYK 0 / 51 / 29 / 18

HEX #D16694

RGB 209 102 148

HSL 334.21, 0.54%, 0.61%

LAB 57.27, 47.27, -5.2

 

CMYK 50 / 0 / 51 / 18

HEX #69D166

RGB 105 209 102

HSL 118.32, 0.54%, 0.61%

LAB 75.8, -51.43, 43.64

 

CMYK 32 / 51 / 0 / 18

HEX #8E66D1

RGB 142 102 209

HSL 262.43, 0.54%, 0.61%

LAB 51.68, 38.66, -49.72

 

CMYK 0 / 33 / 51 / 18

HEX #D18D66

RGB 209 141 102

HSL 21.87, 0.54%, 0.61%

LAB 64.62, 21.56, 31.22

 

CMYK 51 / 0 / 33 / 18

HEX #66D18D

RGB 102 209 141

HSL 141.87, 0.54%, 0.61%

LAB 76.28, -46.04, 24.53

 

CMYK 32 / 51 / 0 / 18

HEX #8E66D1

RGB 142 102 209

HSL 262.43, 0.54%, 0.61%

LAB 51.68, 38.66, -49.72

 

CMYK 0 / 51 / 29 / 18

HEX #D16694

RGB 209 102 148

HSL 334.21, 0.54%, 0.61%

LAB 57.27, 47.27, -5.2

 

CMYK 19 / 0 / 51 / 18

HEX #AAD166

RGB 170 209 102

HSL 81.87, 0.54%, 0.61%

LAB 79.1, -29.76, 48.41

 

CMYK 51 / 0 / 22 / 18

HEX #66D1A3

RGB 102 209 163

HSL 154.21, 0.54%, 0.61%

LAB 76.72, -41.65, 13.51

 

CMYK 32 / 51 / 0 / 18

HEX #8E66D1

RGB 142 102 209

HSL 262.43, 0.54%, 0.61%

LAB 51.68, 38.66, -49.72

 

CMYK 0 / 51 / 44 / 18

HEX #D16674

RGB 209 102 116

HSL 352.15, 0.54%, 0.61%

LAB 56.41, 43.53, 12.27

 

CMYK 19 / 0 / 51 / 18

HEX #AAD166

RGB 170 209 102

HSL 81.87, 0.54%, 0.61%

LAB 79.1, -29.76, 48.41

 

CMYK 51 / 0 / 7 / 18

HEX #66D1C3

RGB 102 209 195

HSL 172.15, 0.54%, 0.61%

LAB 77.5, -34.25, -2.51

 

Description

Color code: RGB 142 102 209 | qconv.com Color code: RGB 142 102 209 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 102 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 102 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 51 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 51% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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