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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 142 100 65 it is the complementary color RGB 113 155 190. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 142 100 65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 142 100 65 shade: RGB 147 100 60, RGB 164 118 79, RGB 181 136 98, RGB 198 154 117 and RGB 215 172 136

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 142 100 65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 142 100 65 shade: RGB 142 100 65, RGB 125 82 46, RGB 108 64 27, RGB 91 46 8 and RGB 74 28 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 142 100 65 shade: RGB 143 101 66, RGB 143 80 66 and RGB 143 66 66

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 142 100 65 shade: RGB 143 101 66, RGB 143 122 66, RGB 143 143 66, RGB 123 143 66 and RGB 102 143 66

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 142 100 65 shade matches the following richer shades: RGB 143 101 66, RGB 160 99 49, RGB 177 98 32 and RGB 194 96 15

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 142 100 65 shade: RGB 143 101 66, RGB 126 103 83, RGB 109 104 100, RGB 92 106 117 and RGB 76 107 134

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 142 100 65 shade: RGB 143 66 72, RGB 143 80 66, RGB 143 101 66, RGB 143 121 66 and RGB 143 142 66

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 142 100 65 shade: RGB 87 61 40, RGB 115 81 53, RGB 143 101 66, RGB 171 121 79 and RGB 186 142 105

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 142 100 65 shade: RGB 142 100 65, RGB 93 143 66 and RGB 70 66 143

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 142 100 65 shade: RGB 142 100 65, RGB 66 143 101 and RGB 101 66 143

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 142 100 65 shade: RGB 142 100 65, RGB 93 143 66, RGB 66 108 143 and RGB 116 66 143

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 142 100 65 shade: RGB 142 100 65, RGB 70 143 66, RGB 66 108 143 and RGB 139 66 143

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 54 / 44

HEX #8E6441

RGB 142 100 65

HSL 27.27, 0.37%, 0.41%

LAB 45.97, 12.75, 26.48

 

Complementary color

CMYK 41 / 18 / 0 / 25

HEX #719BBE

RGB 113 155 190

HSL 207.27, 0.37%, 0.59%

LAB 62.23, -5.19, -22.62

 

CMYK 0 / 32 / 59 / 42

HEX #93643C

RGB 147 100 60

HSL 27.59, 0.42%, 0.41%

LAB 46.5, 14.52, 30.09

 

CMYK 0 / 28 / 52 / 36

HEX #A4764F

RGB 164 118 79

HSL 27.53, 0.35%, 0.48%

LAB 53.4, 13.34, 28.5

 

CMYK 0 / 25 / 46 / 29

HEX #B58862

RGB 181 136 98

HSL 27.47, 0.36%, 0.55%

LAB 60.17, 12.35, 27.05

 

CMYK 0 / 22 / 41 / 22

HEX #C69A75

RGB 198 154 117

HSL 27.41, 0.42%, 0.62%

LAB 66.83, 11.51, 25.71

 

CMYK 0 / 20 / 37 / 16

HEX #D7AC88

RGB 215 172 136

HSL 27.34, 0.5%, 0.69%

LAB 73.37, 10.79, 24.48

 

CMYK 0 / 30 / 54 / 44

HEX #8E6441

RGB 142 100 65

HSL 27.27, 0.37%, 0.41%

LAB 45.97, 12.75, 26.48

 

CMYK 0 / 34 / 63 / 51

HEX #7D522E

RGB 125 82 46

HSL 27.34, 0.46%, 0.34%

LAB 38.88, 14.04, 28.15

 

CMYK 0 / 41 / 75 / 58

HEX #6C401B

RGB 108 64 27

HSL 27.41, 0.6%, 0.26%

LAB 31.66, 15.66, 29.91

 

CMYK 0 / 49 / 91 / 64

HEX #5B2E08

RGB 91 46 8

HSL 27.47, 0.84%, 0.19%

LAB 24.31, 17.7, 31.06

 

CMYK 0 / 62 / 100 / 71

HEX #4A1C00

RGB 74 28 0

HSL 22.7, 1%, 0.15%

LAB 16.92, 20.2, 25.31

 

CMYK 0 / 29 / 54 / 44

HEX #8F6542

RGB 143 101 66

HSL 27.27, 0.37%, 0.41%

LAB 46.37, 12.7, 26.43

 

CMYK 0 / 44 / 54 / 44

HEX #8F5042

RGB 143 80 66

HSL 10.91, 0.37%, 0.41%

LAB 41.17, 24.86, 19.75

 

CMYK 0 / 54 / 54 / 44

HEX #8F4242

RGB 143 66 66

HSL 0, 0.37%, 0.41%

LAB 38.07, 32.6, 15.64

 

CMYK 0 / 29 / 54 / 44

HEX #8F6542

RGB 143 101 66

HSL 27.27, 0.37%, 0.41%

LAB 46.37, 12.7, 26.43

 

CMYK 0 / 15 / 54 / 44

HEX #8F7A42

RGB 143 122 66

HSL 43.64, 0.37%, 0.41%

LAB 52.01, 0.59, 33.39

 

CMYK 0 / 0 / 54 / 44

HEX #8F8F42

RGB 143 143 66

HSL 60, 0.37%, 0.41%

LAB 57.92, -11.01, 40.38

 

CMYK 14 / 0 / 54 / 44

HEX #7B8F42

RGB 123 143 66

HSL 75.58, 0.37%, 0.41%

LAB 56.34, -19.57, 38.13

 

CMYK 29 / 0 / 54 / 44

HEX #668F42

RGB 102 143 66

HSL 91.95, 0.37%, 0.41%

LAB 54.93, -28.03, 36.12

 

CMYK 0 / 29 / 54 / 44

HEX #8F6542

RGB 143 101 66

HSL 27.27, 0.37%, 0.41%

LAB 46.37, 12.7, 26.43

 

CMYK 0 / 38 / 69 / 37

HEX #A06331

RGB 160 99 49

HSL 27.03, 0.53%, 0.41%

LAB 47.78, 20.07, 37.94

 

CMYK 0 / 45 / 82 / 31

HEX #B16220

RGB 177 98 32

HSL 27.31, 0.69%, 0.41%

LAB 49.72, 27.21, 48.67

 

CMYK 0 / 51 / 92 / 24

HEX #C2600F

RGB 194 96 15

HSL 27.15, 0.86%, 0.41%

LAB 51.69, 34.95, 57.05

 

CMYK 0 / 29 / 54 / 44

HEX #8F6542

RGB 143 101 66

HSL 27.27, 0.37%, 0.41%

LAB 46.37, 12.7, 26.43

 

CMYK 0 / 18 / 34 / 51

HEX #7E6753

RGB 126 103 83

HSL 27.91, 0.21%, 0.41%

LAB 45.3, 6.05, 14.74

 

CMYK 0 / 5 / 8 / 57

HEX #6D6864

RGB 109 104 100

HSL 26.67, 0.04%, 0.41%

LAB 44.34, 1.18, 2.94

 

CMYK 21 / 9 / 0 / 54

HEX #5C6A75

RGB 92 106 117

HSL 206.4, 0.12%, 0.41%

LAB 44.04, -2.66, -7.91

 

CMYK 43 / 20 / 0 / 47

HEX #4C6B86

RGB 76 107 134

HSL 207.93, 0.28%, 0.41%

LAB 43.91, -3.67, -18.45

 

CMYK 0 / 54 / 50 / 44

HEX #8F4248

RGB 143 66 72

HSL 355.32, 0.37%, 0.41%

LAB 38.21, 33.18, 12.06

 

CMYK 0 / 44 / 54 / 44

HEX #8F5042

RGB 143 80 66

HSL 10.91, 0.37%, 0.41%

LAB 41.17, 24.86, 19.75

 

CMYK 0 / 29 / 54 / 44

HEX #8F6542

RGB 143 101 66

HSL 27.27, 0.37%, 0.41%

LAB 46.37, 12.7, 26.43

 

CMYK 0 / 15 / 54 / 44

HEX #8F7942

RGB 143 121 66

HSL 42.86, 0.37%, 0.41%

LAB 51.73, 1.16, 33.06

 

CMYK 0 / 1 / 54 / 44

HEX #8F8E42

RGB 143 142 66

HSL 59.22, 0.37%, 0.41%

LAB 57.64, -10.47, 40.05

 

CMYK 0 / 30 / 54 / 66

HEX #573D28

RGB 87 61 40

HSL 26.81, 0.37%, 0.25%

LAB 28.16, 8.55, 17.41

 

CMYK 0 / 30 / 54 / 55

HEX #735135

RGB 115 81 53

HSL 27.1, 0.37%, 0.33%

LAB 37.46, 10.67, 22.03

 

CMYK 0 / 29 / 54 / 44

HEX #8F6542

RGB 143 101 66

HSL 27.27, 0.37%, 0.41%

LAB 46.37, 12.7, 26.43

 

CMYK 0 / 29 / 54 / 33

HEX #AB794F

RGB 171 121 79

HSL 27.39, 0.37%, 0.49%

LAB 54.97, 14.65, 30.65

 

CMYK 0 / 24 / 44 / 27

HEX #BA8E69

RGB 186 142 105

HSL 27.41, 0.37%, 0.57%

LAB 62.34, 11.86, 26.13

 

CMYK 0 / 30 / 54 / 44

HEX #8E6441

RGB 142 100 65

HSL 27.27, 0.37%, 0.41%

LAB 45.97, 12.75, 26.48

 

CMYK 35 / 0 / 54 / 44

HEX #5D8F42

RGB 93 143 66

HSL 98.96, 0.37%, 0.41%

LAB 54.41, -31.39, 35.38

 

CMYK 51 / 54 / 0 / 44

HEX #46428F

RGB 70 66 143

HSL 243.12, 0.37%, 0.41%

LAB 32.22, 23.65, -42.32

 

CMYK 0 / 30 / 54 / 44

HEX #8E6441

RGB 142 100 65

HSL 27.27, 0.37%, 0.41%

LAB 45.97, 12.75, 26.48

 

CMYK 54 / 0 / 29 / 44

HEX #428F65

RGB 66 143 101

HSL 147.27, 0.37%, 0.41%

LAB 53.75, -34, 15.28

 

CMYK 29 / 54 / 0 / 44

HEX #65428F

RGB 101 66 143

HSL 267.27, 0.37%, 0.41%

LAB 35.29, 31.62, -37.23

 

CMYK 0 / 30 / 54 / 44

HEX #8E6441

RGB 142 100 65

HSL 27.27, 0.37%, 0.41%

LAB 45.97, 12.75, 26.48

 

CMYK 35 / 0 / 54 / 44

HEX #5D8F42

RGB 93 143 66

HSL 98.96, 0.37%, 0.41%

LAB 54.41, -31.39, 35.38

 

CMYK 54 / 24 / 0 / 44

HEX #426C8F

RGB 66 108 143

HSL 207.27, 0.37%, 0.41%

LAB 44.04, -4.07, -23.67

 

CMYK 19 / 54 / 0 / 44

HEX #74428F

RGB 116 66 143

HSL 278.96, 0.37%, 0.41%

LAB 37.1, 35.86, -34.24

 

CMYK 0 / 30 / 54 / 44

HEX #8E6441

RGB 142 100 65

HSL 27.27, 0.37%, 0.41%

LAB 45.97, 12.75, 26.48

 

CMYK 51 / 0 / 54 / 44

HEX #468F42

RGB 70 143 66

HSL 116.88, 0.37%, 0.41%

LAB 53.32, -39.01, 33.8

 

CMYK 54 / 24 / 0 / 44

HEX #426C8F

RGB 66 108 143

HSL 207.27, 0.37%, 0.41%

LAB 44.04, -4.07, -23.67

 

CMYK 3 / 54 / 0 / 44

HEX #8B428F

RGB 139 66 143

HSL 296.88, 0.37%, 0.41%

LAB 40.19, 42.52, -29.16

 

Description

Color code: RGB 142 100 65 | qconv.com Color code: RGB 142 100 65 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 100 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 100 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 54 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 54% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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