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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 142.9 110.2 20 it is the complementary color RGB 112.1 144.8 235. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 142.9 110.2 20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 142.9 110.2 20 shade: RGB 147.9 110.2 15, RGB 164.9 128.2 34, RGB 181.9 146.2 53, RGB 198.9 164.2 72 and RGB 215.9 182.2 91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 142.9 110.2 20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 142.9 110.2 20 shade: RGB 142.9 110.2 20, RGB 125.9 92.2 1, RGB 108.9 74.2 0, RGB 91.9 56.2 0 and RGB 74.9 38.2 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 142.9 110.2 20 shade: RGB 142 110 20, RGB 142 77 20, RGB 142 44 20 and RGB 142 20 20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 142.9 110.2 20 shade: RGB 142 110 20, RGB 142 142 20, RGB 109 142 20, RGB 76 142 20 and RGB 43 142 20

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 142.9 110.2 20 shade matches the following richer shades: RGB 142 110 20 and RGB 156 116 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 142.9 110.2 20 shade: RGB 142 110 20, RGB 129 104 33, RGB 116 97 46, RGB 103 91 60 and RGB 89 85 73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 142.9 110.2 20 shade: RGB 142 44 20, RGB 142 77 20, RGB 142 110 20, RGB 142 142 20 and RGB 110 142 20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 142.9 110.2 20 shade: RGB 70 54 10, RGB 106 82 15, RGB 142 110 20, RGB 178 138 25 and RGB 215 165 30

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 142.9 110.2 20 shade: RGB 142.9 110.2 20, RGB 28 142 20 and RGB 61 20 142

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 142.9 110.2 20 shade: RGB 142.9 110.2 20, RGB 20 142 110 and RGB 110 20 142

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 142.9 110.2 20 shade: RGB 142.9 110.2 20, RGB 28 142 20, RGB 20 53 142 and RGB 134 20 142

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 142.9 110.2 20 shade: RGB 142.9 110.2 20, RGB 20 142 48, RGB 20 53 142 and RGB 142 20 114

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 86 / 44

HEX #8E6E14

RGB 142.9 110.2 20

HSL 44.04, 0.75%, 0.32%

LAB 48.36, 4.51, 50.15

 

Complementary color

CMYK 52 / 38 / 0 / 8

HEX #7090EB

RGB 112.1 144.8 235

HSL 224.04, 0.75%, 0.68%

LAB 61.34, 13.69, -49.09

 

CMYK 0 / 25 / 90 / 42

HEX #936E0F

RGB 147.9 110.2 15

HSL 42.98, 0.82%, 0.32%

LAB 48.9, 6.73, 52.24

 

CMYK 0 / 22 / 79 / 35

HEX #A48022

RGB 164.9 128.2 34

HSL 43.18, 0.66%, 0.39%

LAB 55.68, 4.99, 52.8

 

CMYK 0 / 20 / 71 / 29

HEX #B59235

RGB 181.9 146.2 53

HSL 43.38, 0.55%, 0.46%

LAB 62.35, 3.56, 52.29

 

CMYK 0 / 17 / 64 / 22

HEX #C6A448

RGB 198.9 164.2 72

HSL 43.59, 0.53%, 0.53%

LAB 68.91, 2.38, 51.32

 

CMYK 0 / 16 / 58 / 15

HEX #D7B65B

RGB 215.9 182.2 91

HSL 43.81, 0.61%, 0.6%

LAB 75.37, 1.38, 50.15

 

CMYK 0 / 23 / 86 / 44

HEX #8E6E14

RGB 142.9 110.2 20

HSL 44.04, 0.75%, 0.32%

LAB 48.36, 4.51, 50.15

 

CMYK 0 / 27 / 99 / 51

HEX #7D5C01

RGB 125.9 92.2 1

HSL 43.81, 0.98%, 0.25%

LAB 41.4, 6.42, 48.87

 

CMYK 0 / 32 / 100 / 57

HEX #6C4A00

RGB 108.9 74.2 0

HSL 40.88, 1%, 0.21%

LAB 34.33, 8.87, 43.35

 

CMYK 0 / 39 / 100 / 64

HEX #5B3800

RGB 91.9 56.2 0

HSL 36.69, 1%, 0.18%

LAB 27.07, 11.52, 36.93

 

CMYK 0 / 49 / 100 / 71

HEX #4A2600

RGB 74.9 38.2 0

HSL 30.6, 1%, 0.15%

LAB 19.6, 14.36, 28.52

 

CMYK 0 / 23 / 86 / 44

HEX #8E6E14

RGB 142 110 20

HSL 44.26, 0.75%, 0.32%

LAB 48.2, 4.2, 49.98

 

CMYK 0 / 46 / 86 / 44

HEX #8E4D14

RGB 142 77 20

HSL 28.03, 0.75%, 0.32%

LAB 39.76, 23.29, 42.75

 

CMYK 0 / 69 / 86 / 44

HEX #8E2C14

RGB 142 44 20

HSL 11.8, 0.75%, 0.32%

LAB 33.14, 40.28, 36.92

 

CMYK 0 / 86 / 86 / 44

HEX #8E1414

RGB 142 20 20

HSL 0, 0.75%, 0.32%

LAB 30.16, 48.56, 34.23

 

CMYK 0 / 23 / 86 / 44

HEX #8E6E14

RGB 142 110 20

HSL 44.26, 0.75%, 0.32%

LAB 48.2, 4.2, 49.98

 

CMYK 0 / 0 / 86 / 44

HEX #8E8E14

RGB 142 142 20

HSL 60, 0.75%, 0.32%

LAB 57.22, -13.54, 57.55

 

CMYK 23 / 0 / 86 / 44

HEX #6D8E14

RGB 109 142 20

HSL 76.23, 0.75%, 0.32%

LAB 54.71, -28.09, 54.42

 

CMYK 46 / 0 / 86 / 44

HEX #4C8E14

RGB 76 142 20

HSL 92.46, 0.75%, 0.32%

LAB 52.88, -40.73, 52.11

 

CMYK 70 / 0 / 86 / 44

HEX #2B8E14

RGB 43 142 20

HSL 108.69, 0.75%, 0.32%

LAB 51.74, -49.82, 50.66

 

CMYK 0 / 23 / 86 / 44

HEX #8E6E14

RGB 142 110 20

HSL 44.26, 0.75%, 0.32%

LAB 48.2, 4.2, 49.98

 

CMYK 0 / 26 / 96 / 39

HEX #9C7407

RGB 156 116 7

HSL 43.89, 0.91%, 0.32%

LAB 51.35, 7.05, 56.22

 

CMYK 0 / 23 / 86 / 44

HEX #8E6E14

RGB 142 110 20

HSL 44.26, 0.75%, 0.32%

LAB 48.2, 4.2, 49.98

 

CMYK 0 / 19 / 74 / 49

HEX #816821

RGB 129 104 33

HSL 44.38, 0.59%, 0.32%

LAB 45.19, 2.05, 41.79

 

CMYK 0 / 16 / 60 / 55

HEX #74612E

RGB 116 97 46

HSL 43.71, 0.43%, 0.32%

LAB 41.94, 0.89, 31.47

 

CMYK 0 / 12 / 42 / 60

HEX #675B3C

RGB 103 91 60

HSL 43.26, 0.26%, 0.32%

LAB 39.06, -0.09, 19.66

 

CMYK 0 / 4 / 18 / 65

HEX #595549

RGB 89 85 73

HSL 45, 0.1%, 0.32%

LAB 36.18, -0.7, 7.59

 

CMYK 0 / 69 / 86 / 44

HEX #8E2C14

RGB 142 44 20

HSL 11.8, 0.75%, 0.32%

LAB 33.14, 40.28, 36.92

 

CMYK 0 / 46 / 86 / 44

HEX #8E4D14

RGB 142 77 20

HSL 28.03, 0.75%, 0.32%

LAB 39.76, 23.29, 42.75

 

CMYK 0 / 23 / 86 / 44

HEX #8E6E14

RGB 142 110 20

HSL 44.26, 0.75%, 0.32%

LAB 48.2, 4.2, 49.98

 

CMYK 0 / 0 / 86 / 44

HEX #8E8E14

RGB 142 142 20

HSL 60, 0.75%, 0.32%

LAB 57.22, -13.54, 57.55

 

CMYK 23 / 0 / 86 / 44

HEX #6E8E14

RGB 110 142 20

HSL 75.74, 0.75%, 0.32%

LAB 54.77, -27.67, 54.5

 

CMYK 0 / 23 / 86 / 73

HEX #46360A

RGB 70 54 10

HSL 44, 0.75%, 0.16%

LAB 23.55, 1.99, 28.49

 

CMYK 0 / 23 / 86 / 58

HEX #6A520F

RGB 106 82 15

HSL 44.18, 0.75%, 0.24%

LAB 36.24, 3.13, 39.71

 

CMYK 0 / 23 / 86 / 44

HEX #8E6E14

RGB 142 110 20

HSL 44.26, 0.75%, 0.32%

LAB 48.2, 4.2, 49.98

 

CMYK 0 / 22 / 86 / 30

HEX #B28A19

RGB 178 138 25

HSL 44.31, 0.75%, 0.4%

LAB 59.63, 5.22, 59.68

 

CMYK 0 / 23 / 86 / 16

HEX #D7A51E

RGB 215 165 30

HSL 43.78, 0.76%, 0.48%

LAB 70.49, 7.17, 68.89

 

CMYK 0 / 23 / 86 / 44

HEX #8E6E14

RGB 142.9 110.2 20

HSL 44.04, 0.75%, 0.32%

LAB 48.36, 4.51, 50.15

 

CMYK 80 / 0 / 86 / 44

HEX #1C8E14

RGB 28 142 20

HSL 116.07, 0.75%, 0.32%

LAB 51.43, -52.44, 50.27

 

CMYK 57 / 86 / 0 / 44

HEX #3D148E

RGB 61 20 142

HSL 260.16, 0.75%, 0.32%

LAB 21.75, 47.45, -58.82

 

CMYK 0 / 23 / 86 / 44

HEX #8E6E14

RGB 142.9 110.2 20

HSL 44.04, 0.75%, 0.32%

LAB 48.36, 4.51, 50.15

 

CMYK 86 / 0 / 23 / 44

HEX #148E6E

RGB 20 142 110

HSL 164.26, 0.75%, 0.32%

LAB 52.53, -39.27, 8.27

 

CMYK 23 / 86 / 0 / 44

HEX #6E148E

RGB 110 20 142

HSL 284.26, 0.75%, 0.32%

LAB 28.82, 54.56, -46.95

 

CMYK 0 / 23 / 86 / 44

HEX #8E6E14

RGB 142.9 110.2 20

HSL 44.04, 0.75%, 0.32%

LAB 48.36, 4.51, 50.15

 

CMYK 80 / 0 / 86 / 44

HEX #1C8E14

RGB 28 142 20

HSL 116.07, 0.75%, 0.32%

LAB 51.43, -52.44, 50.27

 

CMYK 86 / 63 / 0 / 44

HEX #14358E

RGB 20 53 142

HSL 223.77, 0.75%, 0.32%

LAB 25.71, 24.11, -52.41

 

CMYK 6 / 86 / 0 / 44

HEX #86148E

RGB 134 20 142

HSL 296.07, 0.75%, 0.32%

LAB 32.97, 58.93, -40.06

 

CMYK 0 / 23 / 86 / 44

HEX #8E6E14

RGB 142.9 110.2 20

HSL 44.04, 0.75%, 0.32%

LAB 48.36, 4.51, 50.15

 

CMYK 86 / 0 / 66 / 44

HEX #148E30

RGB 20 142 48

HSL 133.77, 0.75%, 0.32%

LAB 51.51, -51.1, 40.08

 

CMYK 86 / 63 / 0 / 44

HEX #14358E

RGB 20 53 142

HSL 223.77, 0.75%, 0.32%

LAB 25.71, 24.11, -52.41

 

CMYK 0 / 86 / 20 / 44

HEX #8E1472

RGB 142 20 114

HSL 313.77, 0.75%, 0.32%

LAB 32.85, 56.27, -22.63

 

Description

Color code: RGB 142.9 110.2 20 | qconv.com Color code: RGB 142.9 110.2 20 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142.9 red, 110.2 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142.9 110.2 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 86 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 86% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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