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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 141 8 251 it is the complementary color RGB 114 247 4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 141 8 251. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 141 8 251 shade: RGB 146 8 246, RGB 163 26 255, RGB 180 44 255, RGB 197 62 255 and RGB 214 80 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 141 8 251. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 141 8 251 shade: RGB 141 8 251, RGB 124 0 232, RGB 107 0 213, RGB 90 0 194 and RGB 73 0 175

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 141 8 251 shade: RGB 142 9 251, RGB 207 9 251, RGB 251 9 230, RGB 251 9 165 and RGB 251 9 100

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 141 8 251 shade: RGB 142 9 251, RGB 76 9 251, RGB 11 9 251 and RGB 9 9 251

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 141 8 251 shade matches the following richer shades: RGB 142 9 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 141 8 251 shade: RGB 142 9 251, RGB 140 29 231, RGB 138 49 211, RGB 136 69 191 and RGB 134 90 170

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 141 8 251 shade: RGB 9 9 251, RGB 73 9 251, RGB 138 9 251, RGB 203 9 251 and RGB 251 9 235

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 141 8 251 shade: RGB 97 3 175, RGB 119 3 216, RGB 142 9 251, RGB 160 49 252 and RGB 179 90 252

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 141 8 251 shade: RGB 141 8 251, RGB 251 9 73 and RGB 9 251 41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 141 8 251 shade: RGB 141 8 251, RGB 251 138 9 and RGB 9 251 138

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 141 8 251 shade: RGB 141 8 251, RGB 251 9 73, RGB 122 251 9 and RGB 9 251 187

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 141 8 251 shade: RGB 141 8 251, RGB 251 17 9, RGB 122 251 9 and RGB 9 243 251

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 97 / 0 / 2

HEX #8D08FB

RGB 141 8 251

HSL 272.84, 0.97%, 0.51%

LAB 42.46, 82.6, -88.44

 

Complementary color

CMYK 54 / 0 / 98 / 3

HEX #72F704

RGB 114 247 4

HSL 92.84, 0.97%, 0.49%

LAB 87.05, -68.79, 83.06

 

CMYK 41 / 97 / 0 / 4

HEX #9208F6

RGB 146 8 246

HSL 274.79, 0.94%, 0.5%

LAB 42.67, 82.07, -85.27

 

CMYK 36 / 90 / 0 / 0

HEX #A31AFF

RGB 163 26 255

HSL 275.9, 1%, 0.55%

LAB 46.64, 83.28, -83.7

 

CMYK 29 / 83 / 0 / 0

HEX #B42CFF

RGB 180 44 255

HSL 278.67, 1%, 0.59%

LAB 50.36, 81.56, -77.51

 

CMYK 23 / 76 / 0 / 0

HEX #C53EFF

RGB 197 62 255

HSL 281.97, 1%, 0.62%

LAB 54.59, 78.97, -70.54

 

CMYK 16 / 69 / 0 / 0

HEX #D650FF

RGB 214 80 255

HSL 285.94, 1%, 0.66%

LAB 59.21, 75.79, -62.97

 

CMYK 44 / 97 / 0 / 2

HEX #8D08FB

RGB 141 8 251

HSL 272.84, 0.97%, 0.51%

LAB 42.46, 82.6, -88.44

 

CMYK 47 / 100 / 0 / 9

HEX #7C00E8

RGB 124 0 232

HSL 272.07, 1%, 0.45%

LAB 38.04, 78.09, -85.08

 

CMYK 50 / 100 / 0 / 16

HEX #6B00D5

RGB 107 0 213

HSL 270.14, 1%, 0.42%

LAB 33.84, 72.71, -81.2

 

CMYK 54 / 100 / 0 / 24

HEX #5A00C2

RGB 90 0 194

HSL 267.84, 1%, 0.38%

LAB 29.59, 67.28, -77.21

 

CMYK 58 / 100 / 0 / 31

HEX #4900AF

RGB 73 0 175

HSL 265.03, 1%, 0.34%

LAB 25.3, 61.81, -73.08

 

CMYK 43 / 96 / 0 / 2

HEX #8E09FB

RGB 142 9 251

HSL 272.98, 0.97%, 0.51%

LAB 42.63, 82.6, -88.16

 

CMYK 18 / 96 / 0 / 2

HEX #CF09FB

RGB 207 9 251

HSL 289.09, 0.97%, 0.51%

LAB 52.32, 90.09, -71.93

 

CMYK 0 / 96 / 8 / 2

HEX #FB09E6

RGB 251 9 230

HSL 305.21, 0.97%, 0.51%

LAB 58.43, 93.71, -49.94

 

CMYK 0 / 96 / 34 / 2

HEX #FB09A5

RGB 251 9 165

HSL 321.32, 0.97%, 0.51%

LAB 55.5, 86.26, -17.11

 

CMYK 0 / 96 / 60 / 2

HEX #FB0964

RGB 251 9 100

HSL 337.44, 0.97%, 0.51%

LAB 53.63, 81.27, 19.08

 

CMYK 43 / 96 / 0 / 2

HEX #8E09FB

RGB 142 9 251

HSL 272.98, 0.97%, 0.51%

LAB 42.63, 82.6, -88.16

 

CMYK 70 / 96 / 0 / 2

HEX #4C09FB

RGB 76 9 251

HSL 256.61, 0.97%, 0.51%

LAB 35.39, 78.28, -100.37

 

CMYK 96 / 96 / 0 / 2

HEX #0B09FB

RGB 11 9 251

HSL 240.5, 0.97%, 0.51%

LAB 32.33, 76.94, -105.57

 

CMYK 96 / 96 / 0 / 2

HEX #0909FB

RGB 9 9 251

HSL 240, 0.97%, 0.51%

LAB 32.3, 76.93, -105.62

 

CMYK 43 / 96 / 0 / 2

HEX #8E09FB

RGB 142 9 251

HSL 272.98, 0.97%, 0.51%

LAB 42.63, 82.6, -88.16

 

CMYK 43 / 96 / 0 / 2

HEX #8E09FB

RGB 142 9 251

HSL 272.98, 0.97%, 0.51%

LAB 42.63, 82.6, -88.16

 

CMYK 39 / 87 / 0 / 9

HEX #8C1DE7

RGB 140 29 231

HSL 272.97, 0.81%, 0.51%

LAB 41.57, 75.09, -78.62

 

CMYK 35 / 77 / 0 / 17

HEX #8A31D3

RGB 138 49 211

HSL 272.96, 0.65%, 0.51%

LAB 41.69, 64.41, -66.98

 

CMYK 29 / 64 / 0 / 25

HEX #8845BF

RGB 136 69 191

HSL 272.95, 0.49%, 0.51%

LAB 43.14, 50.61, -53.06

 

CMYK 21 / 47 / 0 / 33

HEX #865AAA

RGB 134 90 170

HSL 273, 0.32%, 0.51%

LAB 46.02, 33.71, -36.17

 

CMYK 96 / 96 / 0 / 2

HEX #0909FB

RGB 9 9 251

HSL 240, 0.97%, 0.51%

LAB 32.3, 76.93, -105.62

 

CMYK 71 / 96 / 0 / 2

HEX #4909FB

RGB 73 9 251

HSL 255.87, 0.97%, 0.51%

LAB 35.16, 78.17, -100.78

 

CMYK 45 / 96 / 0 / 2

HEX #8A09FB

RGB 138 9 251

HSL 271.98, 0.97%, 0.51%

LAB 42.1, 82.24, -89.06

 

CMYK 19 / 96 / 0 / 2

HEX #CB09FB

RGB 203 9 251

HSL 288.1, 0.97%, 0.51%

LAB 51.68, 89.55, -73

 

CMYK 0 / 96 / 6 / 2

HEX #FB09EB

RGB 251 9 235

HSL 303.97, 0.97%, 0.51%

LAB 58.7, 94.37, -52.32

 

CMYK 45 / 98 / 0 / 31

HEX #6103AF

RGB 97 3 175

HSL 272.79, 0.97%, 0.35%

LAB 28.65, 63.18, -67.43

 

CMYK 45 / 99 / 0 / 15

HEX #7703D8

RGB 119 3 216

HSL 272.68, 0.97%, 0.43%

LAB 35.88, 73.96, -79.51

 

CMYK 43 / 96 / 0 / 2

HEX #8E09FB

RGB 142 9 251

HSL 272.98, 0.97%, 0.51%

LAB 42.63, 82.6, -88.16

 

CMYK 37 / 81 / 0 / 1

HEX #A031FC

RGB 160 49 252

HSL 272.81, 0.97%, 0.59%

LAB 47.88, 76.68, -80.01

 

CMYK 29 / 64 / 0 / 1

HEX #B35AFC

RGB 179 90 252

HSL 272.96, 0.96%, 0.67%

LAB 56.01, 63.73, -66.69

 

CMYK 44 / 97 / 0 / 2

HEX #8D08FB

RGB 141 8 251

HSL 272.84, 0.97%, 0.51%

LAB 42.46, 82.6, -88.44

 

CMYK 0 / 96 / 71 / 2

HEX #FB0949

RGB 251 9 73

HSL 344.13, 0.97%, 0.51%

LAB 53.15, 79.98, 34.68

 

CMYK 96 / 0 / 84 / 2

HEX #09FB29

RGB 9 251 41

HSL 127.93, 0.97%, 0.51%

LAB 86.61, -83.86, 76.91

 

CMYK 44 / 97 / 0 / 2

HEX #8D08FB

RGB 141 8 251

HSL 272.84, 0.97%, 0.51%

LAB 42.46, 82.6, -88.44

 

CMYK 0 / 45 / 96 / 2

HEX #FB8A09

RGB 251 138 9

HSL 31.98, 0.97%, 0.51%

LAB 68.54, 36.32, 73.42

 

CMYK 96 / 0 / 45 / 2

HEX #09FB8A

RGB 9 251 138

HSL 151.98, 0.97%, 0.51%

LAB 87.43, -73.65, 40.47

 

CMYK 44 / 97 / 0 / 2

HEX #8D08FB

RGB 141 8 251

HSL 272.84, 0.97%, 0.51%

LAB 42.46, 82.6, -88.44

 

CMYK 0 / 96 / 71 / 2

HEX #FB0949

RGB 251 9 73

HSL 344.13, 0.97%, 0.51%

LAB 53.15, 79.98, 34.68

 

CMYK 51 / 0 / 96 / 2

HEX #7AFB09

RGB 122 251 9

HSL 91.98, 0.97%, 0.51%

LAB 88.52, -67.96, 83.96

 

CMYK 96 / 0 / 25 / 2

HEX #09FBBB

RGB 9 251 187

HSL 164.13, 0.97%, 0.51%

LAB 88.28, -63.91, 16.98

 

CMYK 44 / 97 / 0 / 2

HEX #8D08FB

RGB 141 8 251

HSL 272.84, 0.97%, 0.51%

LAB 42.46, 82.6, -88.44

 

CMYK 0 / 93 / 96 / 2

HEX #FB1109

RGB 251 17 9

HSL 1.98, 0.97%, 0.51%

LAB 52.87, 77.93, 64.37

 

CMYK 51 / 0 / 96 / 2

HEX #7AFB09

RGB 122 251 9

HSL 91.98, 0.97%, 0.51%

LAB 88.52, -67.96, 83.96

 

CMYK 96 / 3 / 0 / 2

HEX #09F3FB

RGB 9 243 251

HSL 181.98, 0.97%, 0.51%

LAB 87.55, -43.83, -17.41

 

Description

Color code: RGB 141 8 251 | qconv.com Color code: RGB 141 8 251 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 8 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 8 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 97 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 97% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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