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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 141 228 87 it is the complementary color RGB 114 27 168. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 141 228 87. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 141 228 87 shade: RGB 146 228 82, RGB 163 246 101, RGB 180 255 120, RGB 197 255 139 and RGB 214 255 158

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 141 228 87. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 141 228 87 shade: RGB 141 228 87, RGB 124 210 68, RGB 107 192 49, RGB 90 174 30 and RGB 73 156 11

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 141 228 87 shade: RGB 141 227 88, RGB 179 227 88, RGB 217 227 88, RGB 227 201 88 and RGB 227 163 88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 141 228 87 shade: RGB 141 227 88, RGB 104 227 88, RGB 88 227 110, RGB 88 227 147 and RGB 88 227 185

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 141 228 87 shade matches the following richer shades: RGB 141 227 88 and RGB 138 243 72

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 141 228 87 shade: RGB 141 227 88, RGB 145 212 104, RGB 149 196 119, RGB 152 180 135 and RGB 156 165 151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 141 228 87 shade: RGB 216 227 88, RGB 179 227 88, RGB 141 227 88, RGB 104 227 88 and RGB 88 227 109

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 141 228 87 shade: RGB 97 200 32, RGB 117 222 52, RGB 141 227 88, RGB 165 233 123 and RGB 189 239 159

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 141 228 87 shade: RGB 141 228 87, RGB 88 227 202 and RGB 227 88 197

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 141 228 87 shade: RGB 141 228 87, RGB 88 141 227 and RGB 227 88 141

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 141 228 87 shade: RGB 141 228 87, RGB 88 227 202, RGB 174 88 227 and RGB 227 88 113

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 141 228 87 shade: RGB 141 228 87, RGB 88 211 227, RGB 174 88 227 and RGB 227 104 88

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 62 / 11

HEX #8DE457

RGB 141 228 87

HSL 97.02, 0.72%, 0.62%

LAB 82.83, -49.89, 58.98

 

Complementary color

CMYK 32 / 84 / 0 / 34

HEX #721BA8

RGB 114 27 168

HSL 277.02, 0.72%, 0.38%

LAB 32.23, 58.65, -57.25

 

CMYK 36 / 0 / 64 / 11

HEX #92E452

RGB 146 228 82

HSL 93.7, 0.73%, 0.61%

LAB 83.02, -48.66, 61.33

 

CMYK 34 / 0 / 59 / 4

HEX #A3F665

RGB 163 246 101

HSL 94.34, 0.89%, 0.68%

LAB 89.22, -48.82, 60.5

 

CMYK 29 / 0 / 53 / 0

HEX #B4FF78

RGB 180 255 120

HSL 93.33, 1%, 0.74%

LAB 92.83, -45.06, 56.56

 

CMYK 23 / 0 / 45 / 0

HEX #C5FF8B

RGB 197 255 139

HSL 90, 1%, 0.77%

LAB 93.99, -37.13, 49.4

 

CMYK 16 / 0 / 38 / 0

HEX #D6FF9E

RGB 214 255 158

HSL 85.36, 1%, 0.81%

LAB 95.28, -28.85, 42.1

 

CMYK 38 / 0 / 62 / 11

HEX #8DE457

RGB 141 228 87

HSL 97.02, 0.72%, 0.62%

LAB 82.83, -49.89, 58.98

 

CMYK 41 / 0 / 68 / 18

HEX #7CD244

RGB 124 210 68

HSL 96.34, 0.61%, 0.55%

LAB 76.56, -49.66, 59.69

 

CMYK 44 / 0 / 74 / 25

HEX #6BC031

RGB 107 192 49

HSL 95.66, 0.59%, 0.47%

LAB 70.21, -49.25, 59.97

 

CMYK 48 / 0 / 83 / 32

HEX #5AAE1E

RGB 90 174 30

HSL 95, 0.71%, 0.4%

LAB 63.79, -48.57, 59.49

 

CMYK 53 / 0 / 93 / 39

HEX #499C0B

RGB 73 156 11

HSL 94.34, 0.87%, 0.33%

LAB 57.29, -47.52, 57.68

 

CMYK 38 / 0 / 61 / 11

HEX #8DE358

RGB 141 227 88

HSL 97.12, 0.71%, 0.62%

LAB 82.54, -49.39, 58.24

 

CMYK 21 / 0 / 61 / 11

HEX #B3E358

RGB 179 227 88

HSL 80.72, 0.71%, 0.62%

LAB 84.6, -35.95, 61.1

 

CMYK 4 / 0 / 61 / 11

HEX #D9E358

RGB 217 227 88

HSL 64.32, 0.71%, 0.62%

LAB 87.19, -21.06, 64.66

 

CMYK 0 / 11 / 61 / 11

HEX #E3C958

RGB 227 201 88

HSL 48.78, 0.71%, 0.62%

LAB 81.19, -3.96, 58.37

 

CMYK 0 / 28 / 61 / 11

HEX #E3A358

RGB 227 163 88

HSL 32.37, 0.71%, 0.62%

LAB 71.71, 16.02, 47.65

 

CMYK 38 / 0 / 61 / 11

HEX #8DE358

RGB 141 227 88

HSL 97.12, 0.71%, 0.62%

LAB 82.54, -49.39, 58.24

 

CMYK 54 / 0 / 61 / 11

HEX #68E358

RGB 104 227 88

HSL 113.09, 0.71%, 0.62%

LAB 81.06, -60.2, 56.18

 

CMYK 61 / 0 / 52 / 11

HEX #58E36E

RGB 88 227 110

HSL 129.5, 0.71%, 0.62%

LAB 80.82, -61.3, 45.83

 

CMYK 61 / 0 / 35 / 11

HEX #58E393

RGB 88 227 147

HSL 145.47, 0.71%, 0.62%

LAB 81.36, -55.35, 28.19

 

CMYK 61 / 0 / 19 / 11

HEX #58E3B9

RGB 88 227 185

HSL 161.87, 0.71%, 0.62%

LAB 82.12, -47.45, 9.45

 

CMYK 38 / 0 / 61 / 11

HEX #8DE358

RGB 141 227 88

HSL 97.12, 0.71%, 0.62%

LAB 82.54, -49.39, 58.24

 

CMYK 43 / 0 / 70 / 5

HEX #8AF348

RGB 138 243 72

HSL 96.84, 0.88%, 0.62%

LAB 86.98, -57.98, 69.16

 

CMYK 38 / 0 / 61 / 11

HEX #8DE358

RGB 141 227 88

HSL 97.12, 0.71%, 0.62%

LAB 82.54, -49.39, 58.24

 

CMYK 32 / 0 / 51 / 17

HEX #91D468

RGB 145 212 104

HSL 97.22, 0.56%, 0.62%

LAB 78.52, -40, 46.41

 

CMYK 24 / 0 / 39 / 23

HEX #95C477

RGB 149 196 119

HSL 96.62, 0.39%, 0.62%

LAB 74.32, -29.34, 33.75

 

CMYK 16 / 0 / 25 / 29

HEX #98B487

RGB 152 180 135

HSL 97.33, 0.23%, 0.62%

LAB 70.22, -17.96, 19.87

 

CMYK 5 / 0 / 8 / 35

HEX #9CA597

RGB 156 165 151

HSL 98.57, 0.07%, 0.62%

LAB 66.68, -5.85, 6.15

 

CMYK 5 / 0 / 61 / 11

HEX #D8E358

RGB 216 227 88

HSL 64.75, 0.71%, 0.62%

LAB 87.12, -21.47, 64.56

 

CMYK 21 / 0 / 61 / 11

HEX #B3E358

RGB 179 227 88

HSL 80.72, 0.71%, 0.62%

LAB 84.6, -35.95, 61.1

 

CMYK 38 / 0 / 61 / 11

HEX #8DE358

RGB 141 227 88

HSL 97.12, 0.71%, 0.62%

LAB 82.54, -49.39, 58.24

 

CMYK 54 / 0 / 61 / 11

HEX #68E358

RGB 104 227 88

HSL 113.09, 0.71%, 0.62%

LAB 81.06, -60.2, 56.18

 

CMYK 61 / 0 / 52 / 11

HEX #58E36D

RGB 88 227 109

HSL 129.06, 0.71%, 0.62%

LAB 80.8, -61.44, 46.29

 

CMYK 52 / 0 / 84 / 22

HEX #61C820

RGB 97 200 32

HSL 96.79, 0.72%, 0.45%

LAB 72.2, -56.24, 66.63

 

CMYK 47 / 0 / 77 / 13

HEX #75DE34

RGB 117 222 52

HSL 97.06, 0.72%, 0.54%

LAB 79.77, -57.59, 68.4

 

CMYK 38 / 0 / 61 / 11

HEX #8DE358

RGB 141 227 88

HSL 97.12, 0.71%, 0.62%

LAB 82.54, -49.39, 58.24

 

CMYK 29 / 0 / 47 / 9

HEX #A5E97B

RGB 165 233 123

HSL 97.09, 0.71%, 0.7%

LAB 85.86, -40.24, 46.55

 

CMYK 21 / 0 / 33 / 6

HEX #BDEF9F

RGB 189 239 159

HSL 97.5, 0.71%, 0.78%

LAB 89.42, -30.02, 33.64

 

CMYK 38 / 0 / 62 / 11

HEX #8DE457

RGB 141 228 87

HSL 97.02, 0.72%, 0.62%

LAB 82.83, -49.89, 58.98

 

CMYK 61 / 0 / 11 / 11

HEX #58E3CA

RGB 88 227 202

HSL 169.21, 0.71%, 0.62%

LAB 82.53, -43.38, 1.06

 

CMYK 0 / 61 / 13 / 11

HEX #E358C5

RGB 227 88 197

HSL 312.95, 0.71%, 0.62%

LAB 59.29, 65.89, -30.16

 

CMYK 38 / 0 / 62 / 11

HEX #8DE457

RGB 141 228 87

HSL 97.02, 0.72%, 0.62%

LAB 82.83, -49.89, 58.98

 

CMYK 61 / 38 / 0 / 11

HEX #588DE3

RGB 88 141 227

HSL 217.12, 0.71%, 0.62%

LAB 58.67, 8.51, -48.97

 

CMYK 0 / 61 / 38 / 11

HEX #E3588D

RGB 227 88 141

HSL 337.12, 0.71%, 0.62%

LAB 57.3, 58.66, -0.74

 

CMYK 38 / 0 / 62 / 11

HEX #8DE457

RGB 141 228 87

HSL 97.02, 0.72%, 0.62%

LAB 82.83, -49.89, 58.98

 

CMYK 61 / 0 / 11 / 11

HEX #58E3CA

RGB 88 227 202

HSL 169.21, 0.71%, 0.62%

LAB 82.53, -43.38, 1.06

 

CMYK 23 / 61 / 0 / 11

HEX #AE58E3

RGB 174 88 227

HSL 277.12, 0.71%, 0.62%

LAB 53.52, 58.09, -56.76

 

CMYK 0 / 61 / 50 / 11

HEX #E35871

RGB 227 88 113

HSL 349.21, 0.71%, 0.62%

LAB 56.59, 55.95, 14.7

 

CMYK 38 / 0 / 62 / 11

HEX #8DE457

RGB 141 228 87

HSL 97.02, 0.72%, 0.62%

LAB 82.83, -49.89, 58.98

 

CMYK 61 / 7 / 0 / 11

HEX #58D3E3

RGB 88 211 227

HSL 186.91, 0.71%, 0.62%

LAB 78.58, -29.33, -18.12

 

CMYK 23 / 61 / 0 / 11

HEX #AE58E3

RGB 174 88 227

HSL 277.12, 0.71%, 0.62%

LAB 53.52, 58.09, -56.76

 

CMYK 0 / 54 / 61 / 11

HEX #E36858

RGB 227 104 88

HSL 6.91, 0.71%, 0.62%

LAB 58.92, 46.69, 32.2

 

Description

Color code: RGB 141 228 87 | qconv.com Color code: RGB 141 228 87 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 228 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 228 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 62 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 62% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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