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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 141 219 221 it is the complementary color RGB 114 36 34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 141 219 221. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 141 219 221 shade: RGB 146 219 216, RGB 163 237 235, RGB 180 255 254, RGB 197 255 255 and RGB 214 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 141 219 221. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 141 219 221 shade: RGB 141 219 221, RGB 124 201 202, RGB 107 183 183, RGB 90 165 164 and RGB 73 147 145

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 141 219 221 shade: RGB 141 218 220, RGB 141 197 220, RGB 141 175 220, RGB 141 154 220 and RGB 149 141 220

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 141 219 221 shade: RGB 141 218 220, RGB 141 197 220, RGB 141 175 220, RGB 141 154 220 and RGB 141 141 220

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 141 219 221 shade matches the following richer shades: RGB 141 218 220, RGB 129 230 232 and RGB 117 241 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 141 219 221 shade: RGB 141 218 220, RGB 153 207 209, RGB 165 196 197, RGB 177 184 185 and RGB 188 173 173

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 141 219 221 shade: RGB 141 220 179, RGB 141 220 201, RGB 141 219 220, RGB 141 198 220 and RGB 141 177 220

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 141 219 221 shade: RGB 77 198 202, RGB 109 208 211, RGB 141 218 220, RGB 172 229 230 and RGB 204 239 239

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 141 219 221 shade: RGB 141 219 221, RGB 158 141 220 and RGB 220 190 141

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 141 219 221 shade: RGB 141 219 221, RGB 220 141 219 and RGB 219 220 141

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 141 219 221 shade: RGB 141 219 221, RGB 158 141 220, RGB 220 142 141 and RGB 203 220 141

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 141 219 221 shade: RGB 141 219 221, RGB 182 141 220, RGB 220 142 141 and RGB 179 220 141

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 1 / 0 / 13

HEX #8DDBDD

RGB 141 219 221

HSL 181.5, 0.54%, 0.71%

LAB 82.67, -23.39, -8.59

 

Complementary color

CMYK 0 / 68 / 70 / 55

HEX #722422

RGB 114 36 34

HSL 1.5, 0.54%, 0.29%

LAB 26.61, 34.18, 20.2

 

CMYK 33 / 0 / 1 / 14

HEX #92DBD8

RGB 146 219 216

HSL 177.53, 0.5%, 0.72%

LAB 82.77, -23.24, -5.76

 

CMYK 31 / 0 / 1 / 7

HEX #A3EDEB

RGB 163 237 235

HSL 178.38, 0.67%, 0.78%

LAB 89.09, -23.14, -6.35

 

CMYK 29 / 0 / 0 / 0

HEX #B4FFFE

RGB 180 255 254

HSL 179.2, 1%, 0.85%

LAB 95.32, -23.04, -6.91

 

CMYK 23 / 0 / 0 / 0

HEX #C5FFFF

RGB 197 255 255

HSL 180, 1%, 0.89%

LAB 96.25, -18.06, -5.95

 

CMYK 16 / 0 / 0 / 0

HEX #D6FFFF

RGB 214 255 255

HSL 180, 1%, 0.92%

LAB 97.24, -13.01, -4.38

 

CMYK 36 / 1 / 0 / 13

HEX #8DDBDD

RGB 141 219 221

HSL 181.5, 0.54%, 0.71%

LAB 82.67, -23.39, -8.59

 

CMYK 39 / 0 / 0 / 21

HEX #7CC9CA

RGB 124 201 202

HSL 180.77, 0.42%, 0.64%

LAB 76.27, -23.45, -8.01

 

CMYK 42 / 0 / 0 / 28

HEX #6BB7B7

RGB 107 183 183

HSL 180, 0.35%, 0.57%

LAB 69.76, -23.49, -7.39

 

CMYK 45 / 0 / 1 / 35

HEX #5AA5A4

RGB 90 165 164

HSL 179.2, 0.29%, 0.5%

LAB 63.15, -23.5, -6.74

 

CMYK 50 / 0 / 1 / 42

HEX #499391

RGB 73 147 145

HSL 178.38, 0.34%, 0.43%

LAB 56.41, -23.46, -6.04

 

CMYK 36 / 1 / 0 / 14

HEX #8DDADC

RGB 141 218 220

HSL 181.52, 0.53%, 0.71%

LAB 82.36, -23.14, -8.51

 

CMYK 36 / 10 / 0 / 14

HEX #8DC5DC

RGB 141 197 220

HSL 197.47, 0.53%, 0.71%

LAB 76.53, -12.45, -17.24

 

CMYK 36 / 20 / 0 / 14

HEX #8DAFDC

RGB 141 175 220

HSL 214.18, 0.53%, 0.71%

LAB 70.52, -0.64, -26.4

 

CMYK 36 / 30 / 0 / 14

HEX #8D9ADC

RGB 141 154 220

HSL 230.13, 0.53%, 0.71%

LAB 64.92, 11.16, -35.05

 

CMYK 32 / 36 / 0 / 14

HEX #958DDC

RGB 149 141 220

HSL 246.08, 0.53%, 0.71%

LAB 62.17, 20.87, -39.28

 

CMYK 36 / 1 / 0 / 14

HEX #8DDADC

RGB 141 218 220

HSL 181.52, 0.53%, 0.71%

LAB 82.36, -23.14, -8.51

 

CMYK 36 / 10 / 0 / 14

HEX #8DC5DC

RGB 141 197 220

HSL 197.47, 0.53%, 0.71%

LAB 76.53, -12.45, -17.24

 

CMYK 36 / 20 / 0 / 14

HEX #8DAFDC

RGB 141 175 220

HSL 214.18, 0.53%, 0.71%

LAB 70.52, -0.64, -26.4

 

CMYK 36 / 30 / 0 / 14

HEX #8D9ADC

RGB 141 154 220

HSL 230.13, 0.53%, 0.71%

LAB 64.92, 11.16, -35.05

 

CMYK 36 / 36 / 0 / 14

HEX #8D8DDC

RGB 141 141 220

HSL 240, 0.53%, 0.71%

LAB 61.55, 18.66, -40.31

 

CMYK 36 / 1 / 0 / 14

HEX #8DDADC

RGB 141 218 220

HSL 181.52, 0.53%, 0.71%

LAB 82.36, -23.14, -8.51

 

CMYK 44 / 1 / 0 / 9

HEX #81E6E8

RGB 129 230 232

HSL 181.17, 0.69%, 0.71%

LAB 85.55, -28.99, -10.19

 

CMYK 52 / 1 / 0 / 4

HEX #75F1F4

RGB 117 241 244

HSL 181.42, 0.85%, 0.71%

LAB 88.55, -33.71, -12.05

 

CMYK 36 / 1 / 0 / 14

HEX #8DDADC

RGB 141 218 220

HSL 181.52, 0.53%, 0.71%

LAB 82.36, -23.14, -8.51

 

CMYK 27 / 1 / 0 / 18

HEX #99CFD1

RGB 153 207 209

HSL 182.14, 0.38%, 0.71%

LAB 79.61, -16.86, -6.65

 

CMYK 16 / 1 / 0 / 23

HEX #A5C4C5

RGB 165 196 197

HSL 181.88, 0.22%, 0.71%

LAB 76.99, -10.14, -3.99

 

CMYK 4 / 1 / 0 / 27

HEX #B1B8B9

RGB 177 184 185

HSL 187.5, 0.05%, 0.71%

LAB 74.27, -2.24, -1.36

 

CMYK 0 / 8 / 8 / 26

HEX #BCADAD

RGB 188 173 173

HSL 0, 0.1%, 0.71%

LAB 71.96, 5.38, 1.94

 

CMYK 36 / 0 / 19 / 14

HEX #8DDCB3

RGB 141 220 179

HSL 148.86, 0.53%, 0.71%

LAB 81.89, -33.09, 12.56

 

CMYK 36 / 0 / 9 / 14

HEX #8DDCC9

RGB 141 220 201

HSL 165.57, 0.53%, 0.71%

LAB 82.41, -28.47, 1.66

 

CMYK 36 / 0 / 0 / 14

HEX #8DDBDC

RGB 141 219 220

HSL 180.76, 0.53%, 0.71%

LAB 82.64, -23.63, -8.1

 

CMYK 36 / 10 / 0 / 14

HEX #8DC6DC

RGB 141 198 220

HSL 196.71, 0.53%, 0.71%

LAB 76.81, -12.97, -16.82

 

CMYK 36 / 20 / 0 / 14

HEX #8DB1DC

RGB 141 177 220

HSL 212.66, 0.53%, 0.71%

LAB 71.06, -1.74, -25.57

 

CMYK 62 / 2 / 0 / 21

HEX #4DC6CA

RGB 77 198 202

HSL 181.92, 0.54%, 0.55%

LAB 73.69, -31.97, -12.02

 

CMYK 48 / 1 / 0 / 17

HEX #6DD0D3

RGB 109 208 211

HSL 181.76, 0.54%, 0.63%

LAB 77.91, -28.18, -10.47

 

CMYK 36 / 1 / 0 / 14

HEX #8DDADC

RGB 141 218 220

HSL 181.52, 0.53%, 0.71%

LAB 82.36, -23.14, -8.51

 

CMYK 25 / 0 / 0 / 10

HEX #ACE5E6

RGB 172 229 230

HSL 181.03, 0.54%, 0.79%

LAB 87.25, -17.77, -6.38

 

CMYK 15 / 0 / 0 / 6

HEX #CCEFEF

RGB 204 239 239

HSL 180, 0.52%, 0.87%

LAB 92.04, -11.29, -3.82

 

CMYK 36 / 1 / 0 / 13

HEX #8DDBDD

RGB 141 219 221

HSL 181.5, 0.54%, 0.71%

LAB 82.67, -23.39, -8.59

 

CMYK 28 / 36 / 0 / 14

HEX #9E8DDC

RGB 158 141 220

HSL 252.91, 0.53%, 0.71%

LAB 62.92, 23.42, -38.07

 

CMYK 0 / 14 / 36 / 14

HEX #DCBE8D

RGB 220 190 141

HSL 37.22, 0.53%, 0.71%

LAB 78.44, 3.78, 28.71

 

CMYK 36 / 1 / 0 / 13

HEX #8DDBDD

RGB 141 219 221

HSL 181.5, 0.54%, 0.71%

LAB 82.67, -23.39, -8.59

 

CMYK 0 / 36 / 0 / 14

HEX #DC8DDB

RGB 220 141 219

HSL 300.76, 0.53%, 0.71%

LAB 69.03, 41.99, -27.56

 

CMYK 0 / 0 / 36 / 14

HEX #DBDC8D

RGB 219 220 141

HSL 60.76, 0.53%, 0.71%

LAB 86.09, -12.05, 38.74

 

CMYK 36 / 1 / 0 / 13

HEX #8DDBDD

RGB 141 219 221

HSL 181.5, 0.54%, 0.71%

LAB 82.67, -23.39, -8.59

 

CMYK 28 / 36 / 0 / 14

HEX #9E8DDC

RGB 158 141 220

HSL 252.91, 0.53%, 0.71%

LAB 62.92, 23.42, -38.07

 

CMYK 0 / 35 / 36 / 14

HEX #DC8E8D

RGB 220 142 141

HSL 0.76, 0.53%, 0.71%

LAB 66.89, 29.5, 12.88

 

CMYK 8 / 0 / 36 / 14

HEX #CBDC8D

RGB 203 220 141

HSL 72.91, 0.53%, 0.71%

LAB 84.9, -18.17, 36.96

 

CMYK 36 / 1 / 0 / 13

HEX #8DDBDD

RGB 141 219 221

HSL 181.5, 0.54%, 0.71%

LAB 82.67, -23.39, -8.59

 

CMYK 17 / 36 / 0 / 14

HEX #B68DDC

RGB 182 141 220

HSL 271.14, 0.53%, 0.71%

LAB 65.09, 30.5, -34.51

 

CMYK 0 / 35 / 36 / 14

HEX #DC8E8D

RGB 220 142 141

HSL 0.76, 0.53%, 0.71%

LAB 66.89, 29.5, 12.88

 

CMYK 19 / 0 / 36 / 14

HEX #B3DC8D

RGB 179 220 141

HSL 91.14, 0.53%, 0.71%

LAB 83.28, -27.04, 34.54

 

Description

Color code: RGB 141 219 221 | qconv.com Color code: RGB 141 219 221 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 219 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 219 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 1 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 1% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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