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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 141 20 250 it is the complementary color RGB 114 235 5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 141 20 250. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 141 20 250 shade: RGB 146 20 245, RGB 163 38 255, RGB 180 56 255, RGB 197 74 255 and RGB 214 92 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 141 20 250. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 141 20 250 shade: RGB 141 20 250, RGB 124 2 231, RGB 107 0 212, RGB 90 0 193 and RGB 73 0 174

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 141 20 250 shade: RGB 141 20 250, RGB 203 20 250, RGB 250 20 235, RGB 250 20 173 and RGB 250 20 111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 141 20 250 shade: RGB 141 20 250, RGB 79 20 250 and RGB 20 20 250

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 141 20 250 shade matches the following richer shades: RGB 141 20 250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 141 20 250 shade: RGB 141 20 250, RGB 140 39 231, RGB 139 59 211, RGB 138 78 192 and RGB 137 98 173

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 141 20 250 shade: RGB 20 24 250, RGB 78 20 250, RGB 139 20 250, RGB 200 20 250 and RGB 250 20 239

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 141 20 250 shade: RGB 99 4 184, RGB 120 5 224, RGB 141 20 250, RGB 161 61 251 and RGB 180 101 252

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 141 20 250 shade: RGB 141 20 250, RGB 250 20 85 and RGB 20 250 47

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 141 20 250 shade: RGB 141 20 250, RGB 250 139 20 and RGB 20 250 139

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 141 20 250 shade: RGB 141 20 250, RGB 250 20 85, RGB 131 250 20 and RGB 20 250 185

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 141 20 250 shade: RGB 141 20 250, RGB 250 24 20, RGB 131 250 20 and RGB 20 246 250

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 92 / 0 / 2

HEX #8D14FA

RGB 141 20 250

HSL 271.57, 0.96%, 0.53%

LAB 42.86, 80.91, -87.22

 

Complementary color

CMYK 51 / 0 / 98 / 8

HEX #72EB05

RGB 114 235 5

HSL 91.57, 0.96%, 0.47%

LAB 83.45, -64.63, 80.12

 

CMYK 40 / 92 / 0 / 4

HEX #9214F5

RGB 146 20 245

HSL 273.6, 0.92%, 0.52%

LAB 43.07, 80.39, -84.05

 

CMYK 36 / 85 / 0 / 0

HEX #A326FF

RGB 163 38 255

HSL 274.56, 1%, 0.57%

LAB 47.49, 80.76, -82.31

 

CMYK 29 / 78 / 0 / 0

HEX #B438FF

RGB 180 56 255

HSL 277.39, 1%, 0.61%

LAB 51.56, 78.08, -75.57

 

CMYK 23 / 71 / 0 / 0

HEX #C54AFF

RGB 197 74 255

HSL 280.77, 1%, 0.65%

LAB 56.08, 74.72, -68.14

 

CMYK 16 / 64 / 0 / 0

HEX #D65CFF

RGB 214 92 255

HSL 284.91, 1%, 0.68%

LAB 60.93, 70.97, -60.21

 

CMYK 44 / 92 / 0 / 2

HEX #8D14FA

RGB 141 20 250

HSL 271.57, 0.96%, 0.53%

LAB 42.86, 80.91, -87.22

 

CMYK 46 / 99 / 0 / 9

HEX #7C02E7

RGB 124 2 231

HSL 271.97, 0.98%, 0.46%

LAB 38.02, 77.64, -84.55

 

CMYK 50 / 100 / 0 / 17

HEX #6B00D4

RGB 107 0 212

HSL 270.28, 1%, 0.42%

LAB 33.73, 72.5, -80.79

 

CMYK 53 / 100 / 0 / 24

HEX #5A00C1

RGB 90 0 193

HSL 267.98, 1%, 0.38%

LAB 29.47, 67.06, -76.8

 

CMYK 58 / 100 / 0 / 32

HEX #4900AE

RGB 73 0 174

HSL 265.17, 1%, 0.34%

LAB 25.18, 61.57, -72.68

 

CMYK 44 / 92 / 0 / 2

HEX #8D14FA

RGB 141 20 250

HSL 271.57, 0.96%, 0.53%

LAB 42.86, 80.91, -87.22

 

CMYK 19 / 92 / 0 / 2

HEX #CB14FA

RGB 203 20 250

HSL 287.74, 0.96%, 0.53%

LAB 51.95, 88.36, -71.99

 

CMYK 0 / 92 / 6 / 2

HEX #FA14EB

RGB 250 20 235

HSL 303.91, 0.96%, 0.53%

LAB 58.81, 93.37, -52.16

 

CMYK 0 / 92 / 31 / 2

HEX #FA14AD

RGB 250 20 173

HSL 320.09, 0.96%, 0.53%

LAB 55.93, 85.96, -21.17

 

CMYK 0 / 92 / 56 / 2

HEX #FA146F

RGB 250 20 111

HSL 336.26, 0.96%, 0.53%

LAB 54, 80.76, 12.91

 

CMYK 44 / 92 / 0 / 2

HEX #8D14FA

RGB 141 20 250

HSL 271.57, 0.96%, 0.53%

LAB 42.86, 80.91, -87.22

 

CMYK 68 / 92 / 0 / 2

HEX #4F14FA

RGB 79 20 250

HSL 255.39, 0.96%, 0.53%

LAB 36.11, 76.36, -98.62

 

CMYK 92 / 92 / 0 / 2

HEX #1414FA

RGB 20 20 250

HSL 240, 0.96%, 0.53%

LAB 33.03, 74.7, -103.83

 

CMYK 44 / 92 / 0 / 2

HEX #8D14FA

RGB 141 20 250

HSL 271.57, 0.96%, 0.53%

LAB 42.86, 80.91, -87.22

 

CMYK 44 / 92 / 0 / 2

HEX #8D14FA

RGB 141 20 250

HSL 271.57, 0.96%, 0.53%

LAB 42.86, 80.91, -87.22

 

CMYK 39 / 83 / 0 / 9

HEX #8C27E7

RGB 140 39 231

HSL 271.56, 0.8%, 0.53%

LAB 42.45, 72.47, -77.17

 

CMYK 34 / 72 / 0 / 17

HEX #8B3BD3

RGB 139 59 211

HSL 271.58, 0.63%, 0.53%

LAB 43.24, 60.54, -64.46

 

CMYK 28 / 59 / 0 / 25

HEX #8A4EC0

RGB 138 78 192

HSL 271.58, 0.48%, 0.53%

LAB 45.16, 46.68, -50.38

 

CMYK 21 / 43 / 0 / 32

HEX #8962AD

RGB 137 98 173

HSL 271.2, 0.31%, 0.53%

LAB 48.35, 30.68, -34.25

 

CMYK 92 / 90 / 0 / 2

HEX #1418FA

RGB 20 24 250

HSL 238.96, 0.96%, 0.53%

LAB 33.36, 73.69, -103.28

 

CMYK 69 / 92 / 0 / 2

HEX #4E14FA

RGB 78 20 250

HSL 255.13, 0.96%, 0.53%

LAB 36.03, 76.32, -98.75

 

CMYK 44 / 92 / 0 / 2

HEX #8B14FA

RGB 139 20 250

HSL 271.04, 0.96%, 0.53%

LAB 42.6, 80.71, -87.66

 

CMYK 20 / 92 / 0 / 2

HEX #C814FA

RGB 200 20 250

HSL 286.96, 0.96%, 0.53%

LAB 51.48, 87.94, -72.78

 

CMYK 0 / 92 / 4 / 2

HEX #FA14EF

RGB 250 20 239

HSL 302.87, 0.96%, 0.53%

LAB 59.03, 93.91, -54.05

 

CMYK 46 / 98 / 0 / 28

HEX #6304B8

RGB 99 4 184

HSL 271.67, 0.96%, 0.37%

LAB 29.91, 65.16, -70.71

 

CMYK 46 / 98 / 0 / 12

HEX #7805E0

RGB 120 5 224

HSL 271.51, 0.96%, 0.45%

LAB 36.9, 75.48, -82.42

 

CMYK 44 / 92 / 0 / 2

HEX #8D14FA

RGB 141 20 250

HSL 271.57, 0.96%, 0.53%

LAB 42.86, 80.91, -87.22

 

CMYK 36 / 76 / 0 / 2

HEX #A13DFB

RGB 161 61 251

HSL 271.58, 0.96%, 0.61%

LAB 49.35, 72.49, -77.05

 

CMYK 29 / 60 / 0 / 1

HEX #B465FC

RGB 180 101 252

HSL 271.39, 0.96%, 0.69%

LAB 58.07, 58.65, -63.37

 

CMYK 44 / 92 / 0 / 2

HEX #8D14FA

RGB 141 20 250

HSL 271.57, 0.96%, 0.53%

LAB 42.86, 80.91, -87.22

 

CMYK 0 / 92 / 66 / 2

HEX #FA1455

RGB 250 20 85

HSL 343.04, 0.96%, 0.53%

LAB 53.47, 79.31, 27.88

 

CMYK 92 / 0 / 81 / 2

HEX #14FA2F

RGB 20 250 47

HSL 127.04, 0.96%, 0.53%

LAB 86.37, -82.9, 75.29

 

CMYK 44 / 92 / 0 / 2

HEX #8D14FA

RGB 141 20 250

HSL 271.57, 0.96%, 0.53%

LAB 42.86, 80.91, -87.22

 

CMYK 0 / 44 / 92 / 2

HEX #FA8B14

RGB 250 139 20

HSL 31.04, 0.96%, 0.53%

LAB 68.64, 35.52, 71.6

 

CMYK 92 / 0 / 44 / 2

HEX #14FA8B

RGB 20 250 139

HSL 151.04, 0.96%, 0.53%

LAB 87.18, -72.79, 39.67

 

CMYK 44 / 92 / 0 / 2

HEX #8D14FA

RGB 141 20 250

HSL 271.57, 0.96%, 0.53%

LAB 42.86, 80.91, -87.22

 

CMYK 0 / 92 / 66 / 2

HEX #FA1455

RGB 250 20 85

HSL 343.04, 0.96%, 0.53%

LAB 53.47, 79.31, 27.88

 

CMYK 48 / 0 / 92 / 2

HEX #83FA14

RGB 131 250 20

HSL 91.04, 0.96%, 0.53%

LAB 88.57, -64.89, 83.09

 

CMYK 92 / 0 / 26 / 2

HEX #14FAB9

RGB 20 250 185

HSL 163.04, 0.96%, 0.53%

LAB 87.98, -63.66, 17.6

 

CMYK 44 / 92 / 0 / 2

HEX #8D14FA

RGB 141 20 250

HSL 271.57, 0.96%, 0.53%

LAB 42.86, 80.91, -87.22

 

CMYK 0 / 90 / 92 / 2

HEX #FA1814

RGB 250 24 20

HSL 1.04, 0.96%, 0.53%

LAB 52.98, 76.98, 61.2

 

CMYK 48 / 0 / 92 / 2

HEX #83FA14

RGB 131 250 20

HSL 91.04, 0.96%, 0.53%

LAB 88.57, -64.89, 83.09

 

CMYK 92 / 2 / 0 / 2

HEX #14F6FA

RGB 20 246 250

HSL 181.04, 0.96%, 0.53%

LAB 88.43, -45.16, -15.56

 

Description

Color code: RGB 141 20 250 | qconv.com Color code: RGB 141 20 250 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 20 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 20 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 92 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 92% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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