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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 141 206 225 it is the complementary color RGB 114 49 30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 141 206 225. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 141 206 225 shade: RGB 146 206 220, RGB 163 224 239, RGB 180 242 255, RGB 197 255 255 and RGB 214 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 141 206 225. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 141 206 225 shade: RGB 141 206 225, RGB 124 188 206, RGB 107 170 187, RGB 90 152 168 and RGB 73 134 149

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 141 206 225 shade: RGB 142 206 225, RGB 142 184 225, RGB 142 162 225, RGB 145 142 225 and RGB 167 142 225

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 141 206 225 shade: RGB 142 206 225, RGB 142 184 225, RGB 142 162 225 and RGB 142 142 225

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 141 206 225 shade matches the following richer shades: RGB 142 206 225, RGB 131 213 237 and RGB 119 219 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 141 206 225 shade: RGB 142 206 225, RGB 154 200 213, RGB 165 194 202, RGB 177 187 190 and RGB 188 181 179

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 141 206 225 shade: RGB 142 225 199, RGB 142 225 221, RGB 142 207 225, RGB 142 185 225 and RGB 142 163 225

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 141 206 225 shade: RGB 77 178 208, RGB 110 192 216, RGB 142 206 225, RGB 175 220 234 and RGB 207 234 242

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 141 206 225 shade: RGB 141 206 225, RGB 177 142 225 and RGB 225 210 142

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 141 206 225 shade: RGB 141 206 225, RGB 225 142 207 and RGB 207 225 142

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 141 206 225 shade: RGB 141 206 225, RGB 177 142 225, RGB 225 160 142 and RGB 191 225 142

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 141 206 225 shade: RGB 141 206 225, RGB 202 142 225, RGB 225 160 142 and RGB 166 225 142

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 8 / 0 / 12

HEX #8DCEE1

RGB 141 206 225

HSL 193.57, 0.58%, 0.72%

LAB 79.18, -15.87, -15.94

 

Complementary color

CMYK 0 / 57 / 74 / 55

HEX #72311E

RGB 114 49 30

HSL 13.57, 0.58%, 0.28%

LAB 29.08, 27.28, 25.62

 

CMYK 34 / 6 / 0 / 14

HEX #92CEDC

RGB 146 206 220

HSL 191.35, 0.51%, 0.72%

LAB 79.28, -15.75, -13.08

 

CMYK 32 / 6 / 0 / 6

HEX #A3E0EF

RGB 163 224 239

HSL 191.84, 0.7%, 0.79%

LAB 85.67, -15.75, -13.53

 

CMYK 29 / 5 / 0 / 0

HEX #B4F2FF

RGB 180 242 255

HSL 190.4, 1%, 0.85%

LAB 91.88, -16.43, -12.55

 

CMYK 23 / 0 / 0 / 0

HEX #C5FFFF

RGB 197 255 255

HSL 180, 1%, 0.89%

LAB 96.25, -18.06, -5.95

 

CMYK 16 / 0 / 0 / 0

HEX #D6FFFF

RGB 214 255 255

HSL 180, 1%, 0.92%

LAB 97.24, -13.01, -4.38

 

CMYK 37 / 8 / 0 / 12

HEX #8DCEE1

RGB 141 206 225

HSL 193.57, 0.58%, 0.72%

LAB 79.18, -15.87, -15.94

 

CMYK 40 / 9 / 0 / 19

HEX #7CBCCE

RGB 124 188 206

HSL 193.17, 0.46%, 0.65%

LAB 72.7, -15.81, -15.52

 

CMYK 43 / 9 / 0 / 27

HEX #6BAABB

RGB 107 170 187

HSL 192.75, 0.37%, 0.58%

LAB 66.11, -15.73, -15.07

 

CMYK 46 / 10 / 0 / 34

HEX #5A98A8

RGB 90 152 168

HSL 192.31, 0.31%, 0.51%

LAB 59.4, -15.62, -14.62

 

CMYK 51 / 10 / 0 / 42

HEX #498695

RGB 73 134 149

HSL 191.84, 0.34%, 0.44%

LAB 52.55, -15.44, -14.14

 

CMYK 37 / 8 / 0 / 12

HEX #8ECEE1

RGB 142 206 225

HSL 193.73, 0.58%, 0.72%

LAB 79.23, -15.6, -15.86

 

CMYK 37 / 18 / 0 / 12

HEX #8EB8E1

RGB 142 184 225

HSL 209.64, 0.58%, 0.72%

LAB 73.2, -3.98, -25.01

 

CMYK 37 / 28 / 0 / 12

HEX #8EA2E1

RGB 142 162 225

HSL 225.54, 0.58%, 0.72%

LAB 67.3, 8.22, -34.1

 

CMYK 36 / 37 / 0 / 12

HEX #918EE1

RGB 145 142 225

HSL 242.17, 0.58%, 0.72%

LAB 62.34, 20.51, -41.83

 

CMYK 26 / 37 / 0 / 12

HEX #A78EE1

RGB 167 142 225

HSL 258.07, 0.58%, 0.72%

LAB 64.16, 26.67, -38.85

 

CMYK 37 / 8 / 0 / 12

HEX #8ECEE1

RGB 142 206 225

HSL 193.73, 0.58%, 0.72%

LAB 79.23, -15.6, -15.86

 

CMYK 37 / 18 / 0 / 12

HEX #8EB8E1

RGB 142 184 225

HSL 209.64, 0.58%, 0.72%

LAB 73.2, -3.98, -25.01

 

CMYK 37 / 28 / 0 / 12

HEX #8EA2E1

RGB 142 162 225

HSL 225.54, 0.58%, 0.72%

LAB 67.3, 8.22, -34.1

 

CMYK 37 / 37 / 0 / 12

HEX #8E8EE1

RGB 142 142 225

HSL 240, 0.58%, 0.72%

LAB 62.11, 19.7, -42.2

 

CMYK 37 / 8 / 0 / 12

HEX #8ECEE1

RGB 142 206 225

HSL 193.73, 0.58%, 0.72%

LAB 79.23, -15.6, -15.86

 

CMYK 45 / 10 / 0 / 7

HEX #83D5ED

RGB 131 213 237

HSL 193.58, 0.75%, 0.72%

LAB 81.03, -18.85, -19.61

 

CMYK 52 / 12 / 0 / 3

HEX #77DBF8

RGB 119 219 248

HSL 193.49, 0.9%, 0.72%

LAB 82.57, -21.57, -23.16

 

CMYK 37 / 8 / 0 / 12

HEX #8ECEE1

RGB 142 206 225

HSL 193.73, 0.58%, 0.72%

LAB 79.23, -15.6, -15.86

 

CMYK 28 / 6 / 0 / 16

HEX #9AC8D5

RGB 154 200 213

HSL 193.22, 0.41%, 0.72%

LAB 77.86, -12.05, -11.4

 

CMYK 18 / 4 / 0 / 21

HEX #A5C2CA

RGB 165 194 202

HSL 192.97, 0.26%, 0.72%

LAB 76.59, -8.03, -7.29

 

CMYK 7 / 2 / 0 / 25

HEX #B1BBBE

RGB 177 187 190

HSL 193.85, 0.09%, 0.72%

LAB 75.21, -2.86, -2.72

 

CMYK 0 / 4 / 5 / 26

HEX #BCB5B3

RGB 188 181 179

HSL 13.33, 0.06%, 0.72%

LAB 74.19, 2.12, 1.89

 

CMYK 37 / 0 / 12 / 12

HEX #8EE1C7

RGB 142 225 199

HSL 161.2, 0.58%, 0.72%

LAB 83.82, -31.02, 4.76

 

CMYK 37 / 0 / 2 / 12

HEX #8EE1DD

RGB 142 225 221

HSL 177.11, 0.58%, 0.72%

LAB 84.39, -26.07, -6.04

 

CMYK 37 / 8 / 0 / 12

HEX #8ECFE1

RGB 142 207 225

HSL 193.01, 0.58%, 0.72%

LAB 79.51, -16.12, -15.45

 

CMYK 37 / 18 / 0 / 12

HEX #8EB9E1

RGB 142 185 225

HSL 208.92, 0.58%, 0.72%

LAB 73.47, -4.53, -24.6

 

CMYK 37 / 28 / 0 / 12

HEX #8EA3E1

RGB 142 163 225

HSL 224.82, 0.58%, 0.72%

LAB 67.56, 7.65, -33.69

 

CMYK 63 / 14 / 0 / 18

HEX #4DB2D0

RGB 77 178 208

HSL 193.74, 0.58%, 0.56%

LAB 68, -20.26, -23.92

 

CMYK 49 / 11 / 0 / 15

HEX #6EC0D8

RGB 110 192 216

HSL 193.58, 0.58%, 0.64%

LAB 73.53, -18.61, -19.77

 

CMYK 37 / 8 / 0 / 12

HEX #8ECEE1

RGB 142 206 225

HSL 193.73, 0.58%, 0.72%

LAB 79.23, -15.6, -15.86

 

CMYK 25 / 6 / 0 / 8

HEX #AFDCEA

RGB 175 220 234

HSL 194.24, 0.58%, 0.8%

LAB 85.12, -11.46, -11.64

 

CMYK 14 / 3 / 0 / 5

HEX #CFEAF2

RGB 207 234 242

HSL 193.71, 0.57%, 0.88%

LAB 91.02, -7.22, -6.87

 

CMYK 37 / 8 / 0 / 12

HEX #8DCEE1

RGB 141 206 225

HSL 193.57, 0.58%, 0.72%

LAB 79.18, -15.87, -15.94

 

CMYK 21 / 37 / 0 / 12

HEX #B18EE1

RGB 177 142 225

HSL 265.3, 0.58%, 0.72%

LAB 65.07, 29.58, -37.36

 

CMYK 0 / 7 / 37 / 12

HEX #E1D28E

RGB 225 210 142

HSL 49.16, 0.58%, 0.72%

LAB 83.99, -4.53, 35.6

 

CMYK 37 / 8 / 0 / 12

HEX #8DCEE1

RGB 141 206 225

HSL 193.57, 0.58%, 0.72%

LAB 79.18, -15.87, -15.94

 

CMYK 0 / 37 / 8 / 12

HEX #E18ECF

RGB 225 142 207

HSL 313.01, 0.58%, 0.72%

LAB 69.37, 40.94, -20.33

 

CMYK 8 / 0 / 37 / 12

HEX #CFE18E

RGB 207 225 142

HSL 73.01, 0.58%, 0.72%

LAB 86.54, -19, 38.63

 

CMYK 37 / 8 / 0 / 12

HEX #8DCEE1

RGB 141 206 225

HSL 193.57, 0.58%, 0.72%

LAB 79.18, -15.87, -15.94

 

CMYK 21 / 37 / 0 / 12

HEX #B18EE1

RGB 177 142 225

HSL 265.3, 0.58%, 0.72%

LAB 65.07, 29.58, -37.36

 

CMYK 0 / 29 / 37 / 12

HEX #E1A08E

RGB 225 160 142

HSL 13.01, 0.58%, 0.72%

LAB 71.62, 21.87, 19

 

CMYK 15 / 0 / 37 / 12

HEX #BFE18E

RGB 191 225 142

HSL 84.58, 0.58%, 0.72%

LAB 85.44, -24.95, 37

 

CMYK 37 / 8 / 0 / 12

HEX #8DCEE1

RGB 141 206 225

HSL 193.57, 0.58%, 0.72%

LAB 79.18, -15.87, -15.94

 

CMYK 10 / 37 / 0 / 12

HEX #CA8EE1

RGB 202 142 225

HSL 283.37, 0.58%, 0.72%

LAB 67.53, 37.08, -33.34

 

CMYK 0 / 29 / 37 / 12

HEX #E1A08E

RGB 225 160 142

HSL 13.01, 0.58%, 0.72%

LAB 71.62, 21.87, 19

 

CMYK 26 / 0 / 37 / 12

HEX #A6E18E

RGB 166 225 142

HSL 102.65, 0.58%, 0.72%

LAB 83.92, -33.81, 34.72

 

Description

Color code: RGB 141 206 225 | qconv.com Color code: RGB 141 206 225 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 206 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 206 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 8 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 8% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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