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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 141 146.6 160.6 it is the complementary color RGB 114 108.4 94.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 141 146.6 160.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 141 146.6 160.6 shade: RGB 146 146.6 155.6, RGB 163 164.6 174.6, RGB 180 182.6 193.6, RGB 197 200.6 212.6 and RGB 214 218.6 231.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 141 146.6 160.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 141 146.6 160.6 shade: RGB 141 146.6 160.6, RGB 124 128.6 141.6, RGB 107 110.6 122.6, RGB 90 92.6 103.6 and RGB 73 74.6 84.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 141 146.6 160.6 shade: RGB 141 146 160, RGB 141 141 160, RGB 146 141 160, RGB 151 141 160 and RGB 156 141 160

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 141 146.6 160.6 shade: RGB 141 146 160 and RGB 141 141 160

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 141 146.6 160.6 shade matches the following richer shades: RGB 141 146 160, RGB 124 139 177, RGB 107 132 194, RGB 90 125 211 and RGB 73 117 228

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 141 146.6 160.6 shade: RGB 141 146 160, RGB 158 154 143, RGB 175 161 126, RGB 192 168 109 and RGB 209 175 92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 141 146.6 160.6 shade: RGB 141 157 160, RGB 141 152 160, RGB 141 147 160, RGB 141 142 160 and RGB 145 141 160

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 141 146.6 160.6 shade: RGB 99 105 119, RGB 119 125 141, RGB 141 146 160, RGB 164 168 179 and RGB 186 189 197

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 141 146.6 160.6 shade: RGB 141 146.6 160.6, RGB 158 141 160 and RGB 154 160 141

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 141 146.6 160.6 shade: RGB 141 146.6 160.6, RGB 160 141 147 and RGB 147 160 141

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 141 146.6 160.6 shade: RGB 141 146.6 160.6, RGB 158 141 160, RGB 160 154 141 and RGB 143 160 141

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 141 146.6 160.6 shade: RGB 141 146.6 160.6, RGB 160 141 156, RGB 160 154 141 and RGB 141 160 145

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 9 / 0 / 37

HEX #8D92A0

RGB 141 146.6 160.6

HSL 222.86, 0.09%, 0.59%

LAB 60.75, 0.89, -8.06

 

Complementary color

CMYK 0 / 5 / 17 / 55

HEX #726C5E

RGB 114 108.4 94.4

HSL 42.86, 0.09%, 0.41%

LAB 45.91, -0.41, 8.61

 

CMYK 6 / 6 / 0 / 39

HEX #92929B

RGB 146 146.6 155.6

HSL 236.25, 0.05%, 0.59%

LAB 60.99, 1.58, -4.82

 

CMYK 7 / 6 / 0 / 32

HEX #A3A4AE

RGB 163 164.6 174.6

HSL 231.72, 0.07%, 0.66%

LAB 67.75, 1.4, -5.36

 

CMYK 7 / 6 / 0 / 24

HEX #B4B6C1

RGB 180 182.6 193.6

HSL 228.53, 0.1%, 0.73%

LAB 74.37, 1.23, -5.88

 

CMYK 7 / 6 / 0 / 17

HEX #C5C8D4

RGB 197 200.6 212.6

HSL 226.15, 0.16%, 0.8%

LAB 80.87, 1.06, -6.4

 

CMYK 8 / 6 / 0 / 9

HEX #D6DAE7

RGB 214 218.6 231.6

HSL 224.32, 0.27%, 0.87%

LAB 87.27, 0.9, -6.9

 

CMYK 12 / 9 / 0 / 37

HEX #8D92A0

RGB 141 146.6 160.6

HSL 222.86, 0.09%, 0.59%

LAB 60.75, 0.89, -8.06

 

CMYK 12 / 9 / 0 / 44

HEX #7C808D

RGB 124 128.6 141.6

HSL 224.32, 0.07%, 0.52%

LAB 53.84, 1.07, -7.59

 

CMYK 13 / 10 / 0 / 52

HEX #6B6E7A

RGB 107 110.6 122.6

HSL 226.15, 0.07%, 0.45%

LAB 46.75, 1.26, -7.11

 

CMYK 13 / 11 / 0 / 59

HEX #5A5C67

RGB 90 92.6 103.6

HSL 228.53, 0.07%, 0.38%

LAB 39.45, 1.46, -6.62

 

CMYK 14 / 12 / 0 / 67

HEX #494A54

RGB 73 74.6 84.6

HSL 231.72, 0.07%, 0.31%

LAB 31.91, 1.69, -6.14

 

CMYK 12 / 9 / 0 / 37

HEX #8D92A0

RGB 141 146 160

HSL 224.21, 0.09%, 0.59%

LAB 60.57, 1.1, -7.99

RGB 141 146 160

CMYK 12 / 12 / 0 / 37

HEX #8D8DA0

RGB 141 141 160

HSL 240, 0.09%, 0.59%

LAB 59.21, 3.93, -10.03

RGB 141 141 160

CMYK 9 / 12 / 0 / 37

HEX #928DA0

RGB 146 141 160

HSL 255.79, 0.09%, 0.59%

LAB 59.62, 5.67, -9.37

RGB 146 141 160

CMYK 6 / 12 / 0 / 37

HEX #978DA0

RGB 151 141 160

HSL 271.58, 0.09%, 0.59%

LAB 60.04, 7.42, -8.7

RGB 151 141 160

CMYK 2 / 12 / 0 / 37

HEX #9C8DA0

RGB 156 141 160

HSL 287.37, 0.09%, 0.59%

LAB 60.48, 9.2, -8

RGB 156 141 160

CMYK 12 / 9 / 0 / 37

HEX #8D92A0

RGB 141 146 160

HSL 224.21, 0.09%, 0.59%

LAB 60.57, 1.1, -7.99

RGB 141 146 160

CMYK 12 / 12 / 0 / 37

HEX #8D8DA0

RGB 141 141 160

HSL 240, 0.09%, 0.59%

LAB 59.21, 3.93, -10.03

RGB 141 141 160

CMYK 12 / 9 / 0 / 37

HEX #8D92A0

RGB 141 146 160

HSL 224.21, 0.09%, 0.59%

LAB 60.57, 1.1, -7.99

RGB 141 146 160

CMYK 30 / 21 / 0 / 31

HEX #7C8BB1

RGB 124 139 177

HSL 223.02, 0.25%, 0.59%

LAB 57.97, 3.58, -21.73

RGB 124 139 177

CMYK 45 / 32 / 0 / 24

HEX #6B84C2

RGB 107 132 194

HSL 222.76, 0.42%, 0.59%

LAB 55.61, 7.61, -35.15

RGB 107 132 194

CMYK 57 / 41 / 0 / 17

HEX #5A7DD3

RGB 90 125 211

HSL 222.64, 0.58%, 0.59%

LAB 53.54, 13.22, -48.12

RGB 90 125 211

CMYK 68 / 49 / 0 / 11

HEX #4975E4

RGB 73 117 228

HSL 222.97, 0.74%, 0.59%

LAB 51.54, 20.95, -60.95

RGB 73 117 228

CMYK 12 / 9 / 0 / 37

HEX #8D92A0

RGB 141 146 160

HSL 224.21, 0.09%, 0.59%

LAB 60.57, 1.1, -7.99

RGB 141 146 160

CMYK 0 / 3 / 9 / 38

HEX #9E9A8F

RGB 158 154 143

HSL 44, 0.07%, 0.59%

LAB 63.64, -0.55, 6.28

RGB 158 154 143

CMYK 0 / 8 / 28 / 31

HEX #AFA17E

RGB 175 161 126

HSL 42.86, 0.23%, 0.59%

LAB 66.6, -0.46, 20.11

RGB 175 161 126

CMYK 0 / 13 / 43 / 25

HEX #C0A86D

RGB 192 168 109

HSL 42.65, 0.4%, 0.59%

LAB 69.69, 0.58, 33.64

RGB 192 168 109

CMYK 0 / 16 / 56 / 18

HEX #D1AF5C

RGB 209 175 92

HSL 42.56, 0.56%, 0.59%

LAB 72.88, 2.36, 46.59

RGB 209 175 92

CMYK 12 / 2 / 0 / 37

HEX #8D9DA0

RGB 141 157 160

HSL 189.47, 0.09%, 0.59%

LAB 63.6, -5.02, -3.5

 

CMYK 12 / 5 / 0 / 37

HEX #8D98A0

RGB 141 152 160

HSL 205.26, 0.09%, 0.59%

LAB 62.22, -2.26, -5.55

 

CMYK 12 / 8 / 0 / 37

HEX #8D93A0

RGB 141 147 160

HSL 221.05, 0.09%, 0.59%

LAB 60.84, 0.54, -7.59

 

CMYK 12 / 11 / 0 / 37

HEX #8D8EA0

RGB 141 142 160

HSL 236.84, 0.09%, 0.59%

LAB 59.48, 3.36, -9.62

 

CMYK 9 / 12 / 0 / 37

HEX #918DA0

RGB 145 141 160

HSL 252.63, 0.09%, 0.59%

LAB 59.53, 5.32, -9.51

 

CMYK 17 / 12 / 0 / 53

HEX #636977

RGB 99 105 119

HSL 222, 0.09%, 0.43%

LAB 44.36, 0.88, -8.59

 

CMYK 16 / 11 / 0 / 45

HEX #777D8D

RGB 119 125 141

HSL 223.64, 0.09%, 0.51%

LAB 52.41, 1.27, -9.41

 

CMYK 12 / 9 / 0 / 37

HEX #8D92A0

RGB 141 146 160

HSL 224.21, 0.09%, 0.59%

LAB 60.57, 1.1, -7.99

RGB 141 146 160

CMYK 8 / 6 / 0 / 30

HEX #A4A8B3

RGB 164 168 179

HSL 224, 0.09%, 0.67%

LAB 68.86, 0.77, -6.15

RGB 164 168 179

CMYK 6 / 4 / 0 / 23

HEX #BABDC5

RGB 186 189 197

HSL 223.64, 0.09%, 0.75%

LAB 76.6, 0.49, -4.39

RGB 186 189 197

CMYK 12 / 9 / 0 / 37

HEX #8D92A0

RGB 141 146.6 160.6

HSL 222.86, 0.09%, 0.59%

LAB 60.75, 0.89, -8.06

 

CMYK 1 / 12 / 0 / 37

HEX #9E8DA0

RGB 158 141 160

HSL 293.68, 0.09%, 0.59%

LAB 60.66, 9.91, -7.71

 

CMYK 4 / 0 / 12 / 37

HEX #9AA08D

RGB 154 160 141

HSL 78.95, 0.09%, 0.59%

LAB 64.91, -5.67, 9.17

 

CMYK 12 / 9 / 0 / 37

HEX #8D92A0

RGB 141 146.6 160.6

HSL 222.86, 0.09%, 0.59%

LAB 60.75, 0.89, -8.06

 

CMYK 0 / 12 / 8 / 37

HEX #A08D93

RGB 160 141 147

HSL 341.05, 0.09%, 0.59%

LAB 60.45, 8.18, -0.58

 

CMYK 8 / 0 / 12 / 37

HEX #93A08D

RGB 147 160 141

HSL 101.05, 0.09%, 0.59%

LAB 64.38, -8.26, 8.34

 

CMYK 12 / 9 / 0 / 37

HEX #8D92A0

RGB 141 146.6 160.6

HSL 222.86, 0.09%, 0.59%

LAB 60.75, 0.89, -8.06

 

CMYK 1 / 12 / 0 / 37

HEX #9E8DA0

RGB 158 141 160

HSL 293.68, 0.09%, 0.59%

LAB 60.66, 9.91, -7.71

 

CMYK 0 / 4 / 12 / 37

HEX #A09A8D

RGB 160 154 141

HSL 41.05, 0.09%, 0.59%

LAB 63.76, -0.14, 7.6

 

CMYK 11 / 0 / 12 / 37

HEX #8FA08D

RGB 143 160 141

HSL 113.68, 0.09%, 0.59%

LAB 64.08, -9.72, 7.88

 

CMYK 12 / 9 / 0 / 37

HEX #8D92A0

RGB 141 146.6 160.6

HSL 222.86, 0.09%, 0.59%

LAB 60.75, 0.89, -8.06

 

CMYK 0 / 12 / 2 / 37

HEX #A08D9C

RGB 160 141 156

HSL 312.63, 0.09%, 0.59%

LAB 60.71, 9.85, -5.33

 

CMYK 0 / 4 / 12 / 37

HEX #A09A8D

RGB 160 154 141

HSL 41.05, 0.09%, 0.59%

LAB 63.76, -0.14, 7.6

 

CMYK 12 / 0 / 9 / 37

HEX #8DA091

RGB 141 160 145

HSL 132.63, 0.09%, 0.59%

LAB 64.04, -9.68, 5.56

 

Description

Color code: RGB 141 146.6 160.6 | qconv.com Color code: RGB 141 146.6 160.6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 146.6 green and 160.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 146.6 160.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 9 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 9% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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