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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 141 135 127 it is the complementary color RGB 114 120 128. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 141 135 127. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 141 135 127: RGB 146 135 122, RGB 163 153 141, RGB 180 171 160, RGB 197 189 179 and RGB 214 207 198

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 141 135 127. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 141 135 127: RGB 141 135 127, RGB 124 117 108, RGB 107 99 89, RGB 90 81 70 and RGB 73 63 51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 10 / 45

HEX #8D877F

RGB 141 135 127

HSL 34.29, 0.06%, 0.53%

LAB 56.61, 0.76, 5.09

 

Complementary color

CMYK 11 / 6 / 0 / 50

HEX #727880

RGB 114 120 128

HSL 214.29, 0.06%, 0.47%

LAB 50.18, -0.52, -5.15

 

CMYK 0 / 8 / 16 / 43

HEX #92877A

RGB 146 135 122

HSL 32.5, 0.1%, 0.53%

LAB 56.92, 1.84, 8.48

 

CMYK 0 / 6 / 13 / 36

HEX #A3998D

RGB 163 153 141

HSL 32.73, 0.11%, 0.6%

LAB 63.75, 1.55, 7.61

 

CMYK 0 / 5 / 11 / 29

HEX #B4ABA0

RGB 180 171 160

HSL 33, 0.12%, 0.67%

LAB 70.43, 1.3, 6.81

 

CMYK 0 / 4 / 9 / 23

HEX #C5BDB3

RGB 197 189 179

HSL 33.33, 0.13%, 0.74%

LAB 76.99, 1.07, 6.04

 

CMYK 0 / 3 / 7 / 16

HEX #D6CFC6

RGB 214 207 198

HSL 33.75, 0.16%, 0.81%

LAB 83.44, 0.85, 5.32

 

CMYK 0 / 4 / 10 / 45

HEX #8D877F

RGB 141 135 127

HSL 34.29, 0.06%, 0.53%

LAB 56.61, 0.76, 5.09

 

CMYK 0 / 6 / 13 / 51

HEX #7C756C

RGB 124 117 108

HSL 33.75, 0.07%, 0.45%

LAB 49.61, 1.02, 5.92

 

CMYK 0 / 7 / 17 / 58

HEX #6B6359

RGB 107 99 89

HSL 33.33, 0.09%, 0.38%

LAB 42.42, 1.31, 6.82

 

CMYK 0 / 10 / 22 / 65

HEX #5A5146

RGB 90 81 70

HSL 33, 0.13%, 0.31%

LAB 35, 1.66, 7.82

 

CMYK 0 / 14 / 30 / 71

HEX #493F33

RGB 73 63 51

HSL 32.73, 0.18%, 0.24%

LAB 27.33, 2.12, 8.96

 

CMYK 0 / 4 / 10 / 45

HEX #8D877F

RGB 141 135 127

HSL 34.29, 0.06%, 0.53%

LAB 56.61, 0.76, 5.09

 

CMYK 0 / 3 / 11 / 44

HEX #8E8A7F

RGB 142 138 127

HSL 44, 0.06%, 0.53%

LAB 57.52, -0.54, 6.41

 

CMYK 0 / 1 / 11 / 44

HEX #8E8C7F

RGB 142 140 127

HSL 52, 0.06%, 0.53%

LAB 58.07, -1.67, 7.2

 

CMYK 1 / 0 / 11 / 44

HEX #8D8E7F

RGB 141 142 127

HSL 64, 0.06%, 0.53%

LAB 58.55, -3.17, 7.87

 

CMYK 3 / 0 / 11 / 44

HEX #8A8E7F

RGB 138 142 127

HSL 76, 0.06%, 0.53%

LAB 58.3, -4.31, 7.49

 

CMYK 0 / 4 / 10 / 45

HEX #8D877F

RGB 141 135 127

HSL 34.29, 0.06%, 0.53%

LAB 56.61, 0.76, 5.09

 

CMYK 0 / 4 / 10 / 25

HEX #C0B8AD

RGB 192 184 173

HSL 34.74, 0.13%, 0.72%

LAB 75.14, 0.91, 6.58

 

CMYK 0 / 4 / 10 / 5

HEX #F3E9DB

RGB 243 233 219

HSL 35, 0.5%, 0.91%

LAB 92.77, 1.04, 7.99

 

CMYK 0 / 5 / 10 / 85

HEX #272523

RGB 39 37 35

HSL 30, 0.05%, 0.15%

LAB 14.82, 0.46, 1.66

 

CMYK 0 / 4 / 10 / 65

HEX #5A5651

RGB 90 86 81

HSL 33.33, 0.05%, 0.34%

LAB 36.79, 0.62, 3.48

 

CMYK 0 / 4 / 10 / 45

HEX #8D877F

RGB 141 135 127

HSL 34.29, 0.06%, 0.53%

LAB 56.61, 0.76, 5.09

 

CMYK 8 / 0 / 11 / 44

HEX #838E7F

RGB 131 142 127

HSL 104, 0.06%, 0.53%

LAB 57.75, -6.95, 6.63

 

CMYK 8 / 11 / 0 / 44

HEX #827F8E

RGB 130 127 142

HSL 252, 0.06%, 0.53%

LAB 53.9, 4.21, -7.68

 

CMYK 0 / 4 / 10 / 45

HEX #8D877F

RGB 141 135 127

HSL 34.29, 0.06%, 0.53%

LAB 56.61, 0.76, 5.09

 

CMYK 11 / 0 / 4 / 44

HEX #7F8E88

RGB 127 142 136

HSL 156, 0.06%, 0.53%

LAB 57.69, -6.64, 1.35

 

CMYK 4 / 11 / 0 / 44

HEX #887F8E

RGB 136 127 142

HSL 276, 0.06%, 0.53%

LAB 54.41, 6.37, -6.86

 

CMYK 0 / 4 / 10 / 45

HEX #8D877F

RGB 141 135 127

HSL 34.29, 0.06%, 0.53%

LAB 56.61, 0.76, 5.09

 

CMYK 8 / 0 / 11 / 44

HEX #838E7F

RGB 131 142 127

HSL 104, 0.06%, 0.53%

LAB 57.75, -6.95, 6.63

 

CMYK 11 / 6 / 0 / 44

HEX #7F868E

RGB 127 134 142

HSL 212, 0.06%, 0.53%

LAB 55.6, -0.88, -5.18

 

CMYK 3 / 11 / 0 / 44

HEX #8A7F8E

RGB 138 127 142

HSL 284, 0.06%, 0.53%

LAB 54.59, 7.1, -6.57

 

CMYK 0 / 4 / 10 / 45

HEX #8D877F

RGB 141 135 127

HSL 34.29, 0.06%, 0.53%

LAB 56.61, 0.76, 5.09

 

CMYK 11 / 0 / 10 / 44

HEX #7F8E80

RGB 127 142 128

HSL 124, 0.06%, 0.53%

LAB 57.48, -8.24, 5.62

 

CMYK 11 / 6 / 0 / 44

HEX #7F868E

RGB 127 134 142

HSL 212, 0.06%, 0.53%

LAB 55.6, -0.88, -5.18

 

CMYK 0 / 11 / 1 / 44

HEX #8E7F8D

RGB 142 127 141

HSL 304, 0.06%, 0.53%

LAB 54.92, 8.36, -5.46

 

Description

Color code: RGB 141 135 127 | qconv.com Color code: RGB 141 135 127 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 135 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 135 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 10 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 10% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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