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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 141 115 29 it is the complementary color RGB 114 140 226. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 141 115 29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 141 115 29: RGB 146 115 24, RGB 163 133 43, RGB 180 151 62, RGB 197 169 81 and RGB 214 187 100

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 141 115 29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 141 115 29: RGB 141 115 29, RGB 124 97 10, RGB 107 79 0, RGB 90 61 0 and RGB 73 43 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 79 / 45

HEX #8D731D

RGB 141 115 29

HSL 46.07, 0.66%, 0.33%

LAB 49.51, 1.18, 48.02

 

Complementary color

CMYK 50 / 38 / 0 / 11

HEX #728CE2

RGB 114 140 226

HSL 226.07, 0.66%, 0.67%

LAB 59.73, 14.18, -46.64

 

CMYK 0 / 21 / 84 / 43

HEX #927318

RGB 146 115 24

HSL 44.75, 0.72%, 0.33%

LAB 50.02, 3.34, 50.45

 

CMYK 0 / 18 / 74 / 36

HEX #A3852B

RGB 163 133 43

HSL 45, 0.58%, 0.4%

LAB 56.82, 1.84, 50.3

 

CMYK 0 / 16 / 66 / 29

HEX #B4973E

RGB 180 151 62

HSL 45.25, 0.49%, 0.47%

LAB 63.49, 0.63, 49.46

 

CMYK 0 / 14 / 59 / 23

HEX #C5A951

RGB 197 169 81

HSL 45.52, 0.5%, 0.55%

LAB 70.06, -0.38, 48.34

 

CMYK 0 / 13 / 53 / 16

HEX #D6BB64

RGB 214 187 100

HSL 45.79, 0.58%, 0.62%

LAB 76.53, -1.22, 47.12

 

CMYK 0 / 18 / 79 / 45

HEX #8D731D

RGB 141 115 29

HSL 46.07, 0.66%, 0.33%

LAB 49.51, 1.18, 48.02

 

CMYK 0 / 22 / 92 / 51

HEX #7C610A

RGB 124 97 10

HSL 45.79, 0.85%, 0.26%

LAB 42.55, 2.87, 47.29

 

CMYK 0 / 26 / 100 / 58

HEX #6B4F00

RGB 107 79 0

HSL 44.3, 1%, 0.21%

LAB 35.44, 5, 43.98

 

CMYK 0 / 32 / 100 / 65

HEX #5A3D00

RGB 90 61 0

HSL 40.67, 1%, 0.18%

LAB 28.14, 7.53, 37.75

 

CMYK 0 / 41 / 100 / 71

HEX #492B00

RGB 73 43 0

HSL 35.34, 1%, 0.14%

LAB 20.61, 10.28, 29.58

 

CMYK 0 / 18 / 79 / 45

HEX #8D731D

RGB 141 115 29

HSL 46.07, 0.66%, 0.33%

LAB 49.51, 1.18, 48.02

 

CMYK 0 / 5 / 80 / 45

HEX #8B841C

RGB 139 132 28

HSL 56.22, 0.66%, 0.33%

LAB 54.11, -9.28, 52.49

 

CMYK 8 / 0 / 80 / 45

HEX #808B1C

RGB 128 139 28

HSL 65.95, 0.66%, 0.33%

LAB 55.21, -18.01, 53.14

 

CMYK 21 / 0 / 80 / 45

HEX #6E8B1C

RGB 110 139 28

HSL 75.68, 0.66%, 0.33%

LAB 53.88, -25.87, 51.43

 

CMYK 35 / 0 / 80 / 45

HEX #5B8B1C

RGB 91 139 28

HSL 85.95, 0.66%, 0.33%

LAB 52.7, -33.6, 49.9

 

CMYK 0 / 18 / 79 / 45

HEX #8D731D

RGB 141 115 29

HSL 46.07, 0.66%, 0.33%

LAB 49.51, 1.18, 48.02

 

CMYK 0 / 18 / 80 / 25

HEX #C09D27

RGB 192 157 39

HSL 46.27, 0.66%, 0.45%

LAB 66.11, 1.57, 61.58

 

CMYK 0 / 19 / 79 / 5

HEX #F3C632

RGB 243 198 50

HSL 46.01, 0.89%, 0.57%

LAB 81.66, 2.49, 73.86

 

CMYK 0 / 18 / 79 / 85

HEX #272008

RGB 39 32 8

HSL 46.45, 0.66%, 0.09%

LAB 12.49, -0.33, 15.21

 

CMYK 0 / 19 / 79 / 65

HEX #5A4913

RGB 90 73 19

HSL 45.63, 0.65%, 0.21%

LAB 31.77, 0.79, 33.28

 

CMYK 0 / 18 / 79 / 45

HEX #8D731D

RGB 141 115 29

HSL 46.07, 0.66%, 0.33%

LAB 49.51, 1.18, 48.02

 

CMYK 77 / 0 / 80 / 45

HEX #208B1C

RGB 32 139 28

HSL 117.84, 0.66%, 0.33%

LAB 50.52, -50.38, 47.06

 

CMYK 50 / 80 / 0 / 45

HEX #451C8B

RGB 69 28 139

HSL 262.16, 0.66%, 0.33%

LAB 23.54, 44.32, -53.96

 

CMYK 0 / 18 / 79 / 45

HEX #8D731D

RGB 141 115 29

HSL 46.07, 0.66%, 0.33%

LAB 49.51, 1.18, 48.02

 

CMYK 80 / 0 / 19 / 45

HEX #1C8B71

RGB 28 139 113

HSL 165.95, 0.66%, 0.33%

LAB 51.73, -36.37, 5.41

 

CMYK 19 / 80 / 0 / 45

HEX #711C8B

RGB 113 28 139

HSL 285.95, 0.66%, 0.33%

LAB 29.92, 52.08, -43.28

 

CMYK 0 / 18 / 79 / 45

HEX #8D731D

RGB 141 115 29

HSL 46.07, 0.66%, 0.33%

LAB 49.51, 1.18, 48.02

 

CMYK 77 / 0 / 80 / 45

HEX #208B1C

RGB 32 139 28

HSL 117.84, 0.66%, 0.33%

LAB 50.52, -50.38, 47.06

 

CMYK 80 / 61 / 0 / 45

HEX #1C368B

RGB 28 54 139

HSL 225.95, 0.66%, 0.33%

LAB 26.01, 22.96, -50.04

 

CMYK 3 / 80 / 0 / 45

HEX #871C8B

RGB 135 28 139

HSL 297.84, 0.66%, 0.33%

LAB 33.66, 56.56, -37.09

 

CMYK 0 / 18 / 79 / 45

HEX #8D731D

RGB 141 115 29

HSL 46.07, 0.66%, 0.33%

LAB 49.51, 1.18, 48.02

 

CMYK 80 / 0 / 58 / 45

HEX #1C8B3A

RGB 28 139 58

HSL 136.22, 0.66%, 0.33%

LAB 50.71, -47.81, 34.43

 

CMYK 80 / 61 / 0 / 45

HEX #1C368B

RGB 28 54 139

HSL 225.95, 0.66%, 0.33%

LAB 26.01, 22.96, -50.04

 

CMYK 0 / 80 / 21 / 45

HEX #8B1C6E

RGB 139 28 110

HSL 315.68, 0.66%, 0.33%

LAB 32.8, 52.94, -20.2

 

Description

Color code: RGB 141 115 29 | qconv.com Color code: RGB 141 115 29 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 115 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 115 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 79 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 79% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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