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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 141 10 37 it is the complementary color RGB 114 245 218. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 141 10 37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 141 10 37 shade: RGB 146 10 32, RGB 163 28 51, RGB 180 46 70, RGB 197 64 89 and RGB 214 82 108

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 141 10 37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 141 10 37 shade: RGB 141 10 37, RGB 124 0 18, RGB 107 0 0, RGB 90 0 0 and RGB 73 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 141 10 37 shade: RGB 143 10 37 and RGB 143 10 10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 141 10 37 shade: RGB 143 10 37, RGB 143 10 73, RGB 143 10 109, RGB 141 10 143 and RGB 105 10 143

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 141 10 37 shade matches the following richer shades: RGB 143 10 37

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 141 10 37 shade: RGB 143 10 37, RGB 131 22 45, RGB 118 35 52, RGB 106 47 59 and RGB 94 59 66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 141 10 37 shade: RGB 143 10 110, RGB 143 10 74, RGB 143 10 39, RGB 143 17 10 and RGB 143 52 10

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 141 10 37 shade: RGB 66 5 17, RGB 104 7 27, RGB 143 10 37, RGB 182 13 47 and RGB 220 15 58

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 141 10 37 shade: RGB 141 10 37, RGB 143 141 10 and RGB 10 92 143

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 141 10 37 shade: RGB 141 10 37, RGB 39 143 10 and RGB 10 39 143

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 141 10 37 shade: RGB 141 10 37, RGB 143 141 10, RGB 10 143 114 and RGB 10 12 143

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 141 10 37 shade: RGB 141 10 37, RGB 105 143 10, RGB 10 143 114 and RGB 48 10 143

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 74 / 45

HEX #8D0A25

RGB 141 10 37

HSL 347.63, 0.87%, 0.3%

LAB 29.45, 50.89, 23

 

Complementary color

CMYK 53 / 0 / 11 / 4

HEX #72F5DA

RGB 114 245 218

HSL 167.63, 0.87%, 0.7%

LAB 88.9, -42.55, 2.02

 

CMYK 0 / 93 / 78 / 43

HEX #920A20

RGB 146 10 32

HSL 350.29, 0.87%, 0.31%

LAB 30.48, 52.04, 27.68

 

CMYK 0 / 83 / 69 / 36

HEX #A31C33

RGB 163 28 51

HSL 349.78, 0.71%, 0.37%

LAB 35.71, 53.88, 22.71

 

CMYK 0 / 74 / 61 / 29

HEX #B42E46

RGB 180 46 70

HSL 349.25, 0.59%, 0.44%

LAB 41.37, 54.51, 18.69

 

CMYK 0 / 68 / 55 / 23

HEX #C54059

RGB 197 64 89

HSL 348.72, 0.53%, 0.51%

LAB 47.31, 54.41, 15.49

 

CMYK 0 / 62 / 50 / 16

HEX #D6526C

RGB 214 82 108

HSL 348.18, 0.62%, 0.58%

LAB 53.4, 53.9, 12.9

 

CMYK 0 / 93 / 74 / 45

HEX #8D0A25

RGB 141 10 37

HSL 347.63, 0.87%, 0.3%

LAB 29.45, 50.89, 23

 

CMYK 0 / 100 / 85 / 51

HEX #7C0012

RGB 124 0 18

HSL 351.29, 1%, 0.24%

LAB 24.73, 47.34, 28.85

 

CMYK 0 / 100 / 100 / 58

HEX #6B0000

RGB 107 0 0

HSL 0, 1%, 0.21%

LAB 20.54, 42.28, 31.36

 

CMYK 0 / 100 / 100 / 65

HEX #5A0000

RGB 90 0 0

HSL 0, 1%, 0.18%

LAB 16.37, 37.46, 25.41

 

CMYK 0 / 100 / 100 / 71

HEX #490000

RGB 73 0 0

HSL 0, 1%, 0.14%

LAB 12.07, 32.48, 18.97

 

CMYK 0 / 93 / 74 / 44

HEX #8F0A25

RGB 143 10 37

HSL 347.82, 0.87%, 0.3%

LAB 29.89, 51.43, 23.63

 

CMYK 0 / 93 / 93 / 44

HEX #8F0A0A

RGB 143 10 10

HSL 0, 0.87%, 0.3%

LAB 29.61, 50.64, 38.83

 

CMYK 0 / 93 / 74 / 44

HEX #8F0A25

RGB 143 10 37

HSL 347.82, 0.87%, 0.3%

LAB 29.89, 51.43, 23.63

 

CMYK 0 / 93 / 49 / 44

HEX #8F0A49

RGB 143 10 73

HSL 331.58, 0.87%, 0.3%

LAB 30.73, 53.78, 0.84

 

CMYK 0 / 93 / 24 / 44

HEX #8F0A6D

RGB 143 10 109

HSL 315.34, 0.87%, 0.3%

LAB 32.17, 57.66, -20.47

 

CMYK 1 / 93 / 0 / 44

HEX #8D0A8F

RGB 141 10 143

HSL 299.1, 0.87%, 0.3%

LAB 33.7, 62.16, -39.44

 

CMYK 27 / 93 / 0 / 44

HEX #690A8F

RGB 105 10 143

HSL 282.86, 0.87%, 0.3%

LAB 27.31, 56.2, -50.07

 

CMYK 0 / 93 / 74 / 44

HEX #8F0A25

RGB 143 10 37

HSL 347.82, 0.87%, 0.3%

LAB 29.89, 51.43, 23.63

 

CMYK 0 / 93 / 74 / 44

HEX #8F0A25

RGB 143 10 37

HSL 347.82, 0.87%, 0.3%

LAB 29.89, 51.43, 23.63

 

CMYK 0 / 83 / 66 / 49

HEX #83162D

RGB 131 22 45

HSL 347.34, 0.71%, 0.3%

LAB 28.35, 45.83, 15.87

 

CMYK 0 / 70 / 56 / 54

HEX #762334

RGB 118 35 52

HSL 347.71, 0.54%, 0.3%

LAB 27.58, 37.43, 9.69

 

CMYK 0 / 56 / 44 / 58

HEX #6A2F3B

RGB 106 47 59

HSL 347.8, 0.39%, 0.3%

LAB 27.88, 27.67, 5.13

 

CMYK 0 / 37 / 30 / 63

HEX #5E3B42

RGB 94 59 66

HSL 348, 0.23%, 0.3%

LAB 29.16, 16.54, 2.11

 

CMYK 0 / 93 / 23 / 44

HEX #8F0A6E

RGB 143 10 110

HSL 314.89, 0.87%, 0.3%

LAB 32.22, 57.79, -21.04

 

CMYK 0 / 93 / 48 / 44

HEX #8F0A4A

RGB 143 10 74

HSL 331.13, 0.87%, 0.3%

LAB 30.76, 53.87, 0.22

 

CMYK 0 / 93 / 73 / 44

HEX #8F0A27

RGB 143 10 39

HSL 346.92, 0.87%, 0.3%

LAB 29.92, 51.52, 22.37

 

CMYK 0 / 88 / 93 / 44

HEX #8F110A

RGB 143 17 10

HSL 3.16, 0.87%, 0.3%

LAB 30.07, 49.34, 39.17

 

CMYK 0 / 64 / 93 / 44

HEX #8F340A

RGB 143 52 10

HSL 18.95, 0.87%, 0.3%

LAB 34.64, 36.76, 42.45

 

CMYK 0 / 92 / 74 / 74

HEX #420511

RGB 66 5 17

HSL 348.2, 0.86%, 0.14%

LAB 11.33, 28.95, 10.14

 

CMYK 0 / 93 / 74 / 59

HEX #68071B

RGB 104 7 27

HSL 347.63, 0.87%, 0.22%

LAB 20.73, 40.58, 17.22

 

CMYK 0 / 93 / 74 / 44

HEX #8F0A25

RGB 143 10 37

HSL 347.82, 0.87%, 0.3%

LAB 29.89, 51.43, 23.63

 

CMYK 0 / 93 / 74 / 29

HEX #B60D2F

RGB 182 13 47

HSL 347.93, 0.87%, 0.38%

LAB 38.62, 61.72, 29.67

 

CMYK 0 / 93 / 74 / 14

HEX #DC0F3A

RGB 220 15 58

HSL 347.41, 0.87%, 0.46%

LAB 46.79, 71.46, 34.51

 

CMYK 0 / 93 / 74 / 45

HEX #8D0A25

RGB 141 10 37

HSL 347.63, 0.87%, 0.3%

LAB 29.45, 50.89, 23

 

CMYK 0 / 1 / 93 / 44

HEX #8F8D0A

RGB 143 141 10

HSL 59.1, 0.87%, 0.3%

LAB 56.99, -12.78, 59.39

 

CMYK 93 / 36 / 0 / 44

HEX #0A5C8F

RGB 10 92 143

HSL 203.01, 0.87%, 0.3%

LAB 37.3, -2.61, -34.35

 

CMYK 0 / 93 / 74 / 45

HEX #8D0A25

RGB 141 10 37

HSL 347.63, 0.87%, 0.3%

LAB 29.45, 50.89, 23

 

CMYK 73 / 0 / 93 / 44

HEX #278F0A

RGB 39 143 10

HSL 106.92, 0.87%, 0.3%

LAB 51.95, -51.35, 52.95

 

CMYK 93 / 73 / 0 / 44

HEX #0A278F

RGB 10 39 143

HSL 226.92, 0.87%, 0.3%

LAB 21.94, 33.41, -59.23

 

CMYK 0 / 93 / 74 / 45

HEX #8D0A25

RGB 141 10 37

HSL 347.63, 0.87%, 0.3%

LAB 29.45, 50.89, 23

 

CMYK 0 / 1 / 93 / 44

HEX #8F8D0A

RGB 143 141 10

HSL 59.1, 0.87%, 0.3%

LAB 56.99, -12.78, 59.39

 

CMYK 93 / 0 / 20 / 44

HEX #0A8F72

RGB 10 143 114

HSL 166.92, 0.87%, 0.3%

LAB 52.87, -39.32, 6.44

 

CMYK 93 / 92 / 0 / 44

HEX #0A0C8F

RGB 10 12 143

HSL 239.1, 0.87%, 0.3%

LAB 17.04, 47.58, -67.37

 

CMYK 0 / 93 / 74 / 45

HEX #8D0A25

RGB 141 10 37

HSL 347.63, 0.87%, 0.3%

LAB 29.45, 50.89, 23

 

CMYK 27 / 0 / 93 / 44

HEX #698F0A

RGB 105 143 10

HSL 77.14, 0.87%, 0.3%

LAB 54.73, -30.52, 56.39

 

CMYK 93 / 0 / 20 / 44

HEX #0A8F72

RGB 10 143 114

HSL 166.92, 0.87%, 0.3%

LAB 52.87, -39.32, 6.44

 

CMYK 66 / 93 / 0 / 44

HEX #300A8F

RGB 48 10 143

HSL 257.14, 0.87%, 0.3%

LAB 19.34, 49.85, -63.46

 

Description

Color code: RGB 141 10 37 | qconv.com Color code: RGB 141 10 37 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 10 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 10 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 74 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 74% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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