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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 141 107 26 it is the complementary color RGB 114 148 229. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 141 107 26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 141 107 26 shade: RGB 146 107 21, RGB 163 125 40, RGB 180 143 59, RGB 197 161 78 and RGB 214 179 97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 141 107 26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 141 107 26 shade: RGB 141 107 26, RGB 124 89 7, RGB 107 71 0, RGB 90 53 0 and RGB 73 35 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 141 107 26 shade: RGB 142 107 26, RGB 142 76 26, RGB 142 45 26 and RGB 142 26 26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 141 107 26 shade: RGB 142 107 26, RGB 142 139 26, RGB 113 142 26, RGB 82 142 26 and RGB 51 142 26

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 141 107 26 shade matches the following richer shades: RGB 142 107 26 and RGB 155 113 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 141 107 26 shade: RGB 142 107 26, RGB 128 102 39, RGB 114 96 53, RGB 101 91 66 and RGB 87 85 80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 141 107 26 shade: RGB 142 45 26, RGB 142 76 26, RGB 142 107 26, RGB 142 138 26 and RGB 115 142 26

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 141 107 26 shade: RGB 72 54 13, RGB 107 81 19, RGB 142 107 26, RGB 177 134 32 and RGB 211 160 38

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 141 107 26 shade: RGB 141 107 26, RGB 37 142 26 and RGB 60 26 142

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 141 107 26 shade: RGB 141 107 26, RGB 26 142 107 and RGB 107 26 142

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 141 107 26 shade: RGB 141 107 26, RGB 37 142 26, RGB 26 60 142 and RGB 130 26 142

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 141 107 26 shade: RGB 141 107 26, RGB 26 142 49, RGB 26 60 142 and RGB 142 26 118

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 82 / 45

HEX #8D6B1A

RGB 141 107 26

HSL 42.26, 0.69%, 0.33%

LAB 47.3, 5.66, 47.12

 

Complementary color

CMYK 50 / 35 / 0 / 10

HEX #7294E5

RGB 114 148 229

HSL 222.26, 0.69%, 0.67%

LAB 62.01, 10.39, -44.71

 

CMYK 0 / 27 / 86 / 43

HEX #926B15

RGB 146 107 21

HSL 41.28, 0.75%, 0.33%

LAB 47.85, 7.83, 49.55

 

CMYK 0 / 23 / 75 / 36

HEX #A37D28

RGB 163 125 40

HSL 41.46, 0.61%, 0.4%

LAB 54.67, 6.18, 49.42

 

CMYK 0 / 21 / 67 / 29

HEX #B48F3B

RGB 180 143 59

HSL 41.65, 0.51%, 0.47%

LAB 61.36, 4.82, 48.54

 

CMYK 0 / 18 / 60 / 23

HEX #C5A14E

RGB 197 161 78

HSL 41.85, 0.51%, 0.54%

LAB 67.95, 3.69, 47.37

 

CMYK 0 / 16 / 55 / 16

HEX #D6B361

RGB 214 179 97

HSL 42.05, 0.59%, 0.61%

LAB 74.44, 2.74, 46.11

 

CMYK 0 / 24 / 82 / 45

HEX #8D6B1A

RGB 141 107 26

HSL 42.26, 0.69%, 0.33%

LAB 47.3, 5.66, 47.12

 

CMYK 0 / 28 / 94 / 51

HEX #7C5907

RGB 124 89 7

HSL 42.05, 0.89%, 0.26%

LAB 40.32, 7.53, 46.33

 

CMYK 0 / 34 / 100 / 58

HEX #6B4700

RGB 107 71 0

HSL 39.81, 1%, 0.21%

LAB 33.21, 9.89, 42.47

 

CMYK 0 / 41 / 100 / 65

HEX #5A3500

RGB 90 53 0

HSL 35.33, 1%, 0.18%

LAB 25.92, 12.58, 35.8

 

CMYK 0 / 52 / 100 / 71

HEX #492300

RGB 73 35 0

HSL 28.77, 1%, 0.14%

LAB 18.45, 15.44, 27.1

 

CMYK 0 / 25 / 82 / 44

HEX #8E6B1A

RGB 142 107 26

HSL 41.9, 0.69%, 0.33%

LAB 47.42, 6.13, 47.26

 

CMYK 0 / 46 / 82 / 44

HEX #8E4C1A

RGB 142 76 26

HSL 25.86, 0.69%, 0.33%

LAB 39.57, 24.06, 40.01

 

CMYK 0 / 68 / 82 / 44

HEX #8E2D1A

RGB 142 45 26

HSL 9.83, 0.69%, 0.33%

LAB 33.35, 40.03, 33.99

 

CMYK 0 / 82 / 82 / 44

HEX #8E1A1A

RGB 142 26 26

HSL 0, 0.69%, 0.33%

LAB 30.79, 47.11, 31.42

 

CMYK 0 / 25 / 82 / 44

HEX #8E6B1A

RGB 142 107 26

HSL 41.9, 0.69%, 0.33%

LAB 47.42, 6.13, 47.26

 

CMYK 0 / 2 / 82 / 44

HEX #8E8B1A

RGB 142 139 26

HSL 58.45, 0.69%, 0.33%

LAB 56.38, -11.76, 55.23

 

CMYK 20 / 0 / 82 / 44

HEX #718E1A

RGB 113 142 26

HSL 75, 0.69%, 0.33%

LAB 55, -26.17, 53.14

 

CMYK 42 / 0 / 82 / 44

HEX #528E1A

RGB 82 142 26

HSL 91.03, 0.69%, 0.33%

LAB 53.18, -38.37, 50.81

 

CMYK 64 / 0 / 82 / 44

HEX #338E1A

RGB 51 142 26

HSL 107.07, 0.69%, 0.33%

LAB 51.98, -47.7, 49.25

 

CMYK 0 / 25 / 82 / 44

HEX #8E6B1A

RGB 142 107 26

HSL 41.9, 0.69%, 0.33%

LAB 47.42, 6.13, 47.26

 

CMYK 0 / 27 / 92 / 39

HEX #9B710C

RGB 155 113 12

HSL 42.38, 0.86%, 0.33%

LAB 50.46, 8.38, 54.51

 

CMYK 0 / 25 / 82 / 44

HEX #8E6B1A

RGB 142 107 26

HSL 41.9, 0.69%, 0.33%

LAB 47.42, 6.13, 47.26

 

CMYK 0 / 20 / 70 / 50

HEX #806627

RGB 128 102 39

HSL 42.47, 0.53%, 0.33%

LAB 44.57, 3.09, 38.35

 

CMYK 0 / 16 / 54 / 55

HEX #726035

RGB 114 96 53

HSL 42.3, 0.37%, 0.33%

LAB 41.53, 1.2, 27.09

 

CMYK 0 / 10 / 35 / 60

HEX #655B42

RGB 101 91 66

HSL 42.86, 0.21%, 0.33%

LAB 38.97, -0.19, 15.91

 

CMYK 0 / 2 / 8 / 66

HEX #575550

RGB 87 85 80

HSL 42.86, 0.04%, 0.33%

LAB 36.18, -0.21, 3.2

 

CMYK 0 / 68 / 82 / 44

HEX #8E2D1A

RGB 142 45 26

HSL 9.83, 0.69%, 0.33%

LAB 33.35, 40.03, 33.99

 

CMYK 0 / 46 / 82 / 44

HEX #8E4C1A

RGB 142 76 26

HSL 25.86, 0.69%, 0.33%

LAB 39.57, 24.06, 40.01

 

CMYK 0 / 25 / 82 / 44

HEX #8E6B1A

RGB 142 107 26

HSL 41.9, 0.69%, 0.33%

LAB 47.42, 6.13, 47.26

 

CMYK 0 / 3 / 82 / 44

HEX #8E8A1A

RGB 142 138 26

HSL 57.93, 0.69%, 0.33%

LAB 56.09, -11.22, 54.97

 

CMYK 19 / 0 / 82 / 44

HEX #738E1A

RGB 115 142 26

HSL 73.97, 0.69%, 0.33%

LAB 55.14, -25.31, 53.32

 

CMYK 0 / 25 / 82 / 72

HEX #48360D

RGB 72 54 13

HSL 41.69, 0.69%, 0.17%

LAB 23.82, 3.21, 27.52

 

CMYK 0 / 24 / 82 / 58

HEX #6B5113

RGB 107 81 19

HSL 42.27, 0.7%, 0.25%

LAB 36.1, 4.39, 38.09

 

CMYK 0 / 25 / 82 / 44

HEX #8E6B1A

RGB 142 107 26

HSL 41.9, 0.69%, 0.33%

LAB 47.42, 6.13, 47.26

 

CMYK 0 / 24 / 82 / 31

HEX #B18620

RGB 177 134 32

HSL 42.21, 0.69%, 0.41%

LAB 58.51, 7.18, 56.55

 

CMYK 0 / 24 / 82 / 17

HEX #D3A026

RGB 211 160 38

HSL 42.31, 0.69%, 0.49%

LAB 68.85, 8.31, 65.07

 

CMYK 0 / 24 / 82 / 45

HEX #8D6B1A

RGB 141 107 26

HSL 42.26, 0.69%, 0.33%

LAB 47.3, 5.66, 47.12

 

CMYK 74 / 0 / 82 / 44

HEX #258E1A

RGB 37 142 26

HSL 114.31, 0.69%, 0.33%

LAB 51.63, -50.65, 48.8

 

CMYK 58 / 82 / 0 / 44

HEX #3C1A8E

RGB 60 26 142

HSL 257.59, 0.69%, 0.33%

LAB 22.49, 44.83, -57.6

 

CMYK 0 / 24 / 82 / 45

HEX #8D6B1A

RGB 141 107 26

HSL 42.26, 0.69%, 0.33%

LAB 47.3, 5.66, 47.12

 

CMYK 82 / 0 / 25 / 44

HEX #1A8E6B

RGB 26 142 107

HSL 161.9, 0.69%, 0.33%

LAB 52.54, -39.45, 10.02

 

CMYK 25 / 82 / 0 / 44

HEX #6B1A8E

RGB 107 26 142

HSL 281.9, 0.69%, 0.33%

LAB 28.95, 52.23, -46.77

 

CMYK 0 / 24 / 82 / 45

HEX #8D6B1A

RGB 141 107 26

HSL 42.26, 0.69%, 0.33%

LAB 47.3, 5.66, 47.12

 

CMYK 74 / 0 / 82 / 44

HEX #258E1A

RGB 37 142 26

HSL 114.31, 0.69%, 0.33%

LAB 51.63, -50.65, 48.8

 

CMYK 82 / 58 / 0 / 44

HEX #1A3C8E

RGB 26 60 142

HSL 222.41, 0.69%, 0.33%

LAB 27.86, 19.79, -48.89

 

CMYK 8 / 82 / 0 / 44

HEX #821A8E

RGB 130 26 142

HSL 293.79, 0.69%, 0.33%

LAB 32.78, 56.63, -40.39

 

CMYK 0 / 24 / 82 / 45

HEX #8D6B1A

RGB 141 107 26

HSL 42.26, 0.69%, 0.33%

LAB 47.3, 5.66, 47.12

 

CMYK 82 / 0 / 65 / 44

HEX #1A8E31

RGB 26 142 49

HSL 131.9, 0.69%, 0.33%

LAB 51.6, -50.29, 39.75

 

CMYK 82 / 58 / 0 / 44

HEX #1A3C8E

RGB 26 60 142

HSL 222.41, 0.69%, 0.33%

LAB 27.86, 19.79, -48.89

 

CMYK 0 / 82 / 17 / 44

HEX #8E1A76

RGB 142 26 118

HSL 312.41, 0.69%, 0.33%

LAB 33.56, 55.35, -24.05

 

Description

Color code: RGB 141 107 26 | qconv.com Color code: RGB 141 107 26 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 107 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 107 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 82 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 82% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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