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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 141.5 147 121 it is the complementary color RGB 113.5 108 134. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 141.5 147 121. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 141.5 147 121 shade: RGB 146.5 147 116, RGB 163.5 165 135, RGB 180.5 183 154, RGB 197.5 201 173 and RGB 214.5 219 192

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 141.5 147 121. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 141.5 147 121 shade: RGB 141.5 147 121, RGB 124.5 129 102, RGB 107.5 111 83, RGB 90.5 93 64 and RGB 73.5 75 45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 141.5 147 121 shade: RGB 143 148 122, RGB 148 147 122, RGB 148 140 122, RGB 148 133 122 and RGB 148 125 122

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 141.5 147 121 shade: RGB 143 148 122, RGB 136 148 122, RGB 129 148 122, RGB 122 148 123 and RGB 122 148 130

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 141.5 147 121 shade matches the following richer shades: RGB 143 148 122, RGB 154 168 103, RGB 165 187 83, RGB 176 207 64 and RGB 188 226 44

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 141.5 147 121 shade: RGB 143 148 122, RGB 132 129 141, RGB 120 110 161, RGB 109 90 180 and RGB 98 71 200

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 141.5 147 121 shade: RGB 148 140 122, RGB 148 147 122, RGB 143 148 122, RGB 136 148 122 and RGB 129 148 122

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 141.5 147 121 shade: RGB 100 104 84, RGB 122 127 102, RGB 143 148 122, RGB 162 167 145 and RGB 181 185 168

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 141.5 147 121 shade: RGB 141.5 147 121, RGB 122 148 133 and RGB 143 122 148

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 141.5 147 121 shade: RGB 141.5 147 121, RGB 122 143 148 and RGB 148 122 143

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 141.5 147 121 shade: RGB 141.5 147 121, RGB 122 148 133, RGB 127 122 148 and RGB 148 122 138

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 141.5 147 121 shade: RGB 141.5 147 121, RGB 122 148 140, RGB 127 122 148 and RGB 148 122 130

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 18 / 42

HEX #8D9379

RGB 141.5 147 121

HSL 72.69, 0.11%, 0.53%

LAB 59.85, -6.76, 13.11

 

Complementary color

CMYK 15 / 19 / 0 / 47

HEX #716C86

RGB 113.5 108 134

HSL 252.69, 0.11%, 0.47%

LAB 46.96, 7.76, -13.53

 

CMYK 0 / 0 / 21 / 42

HEX #929374

RGB 146.5 147 116

HSL 60.97, 0.13%, 0.52%

LAB 60.15, -5.61, 16.4

 

CMYK 1 / 0 / 18 / 35

HEX #A3A587

RGB 163.5 165 135

HSL 63, 0.14%, 0.59%

LAB 66.9, -5.78, 15.41

 

CMYK 1 / 0 / 16 / 28

HEX #B4B79A

RGB 180.5 183 154

HSL 65.17, 0.17%, 0.66%

LAB 73.52, -5.92, 14.47

 

CMYK 2 / 0 / 14 / 21

HEX #C5C9AD

RGB 197.5 201 173

HSL 67.5, 0.21%, 0.73%

LAB 80.03, -6.06, 13.6

 

CMYK 2 / 0 / 12 / 14

HEX #D6DBC0

RGB 214.5 219 192

HSL 70, 0.27%, 0.81%

LAB 86.42, -6.17, 12.76

 

CMYK 4 / 0 / 18 / 42

HEX #8D9379

RGB 141.5 147 121

HSL 72.69, 0.11%, 0.53%

LAB 59.85, -6.76, 13.11

 

CMYK 3 / 0 / 21 / 49

HEX #7C8166

RGB 124.5 129 102

HSL 70, 0.12%, 0.45%

LAB 52.93, -6.65, 14.11

 

CMYK 3 / 0 / 25 / 56

HEX #6B6F53

RGB 107.5 111 83

HSL 67.5, 0.14%, 0.38%

LAB 45.84, -6.52, 15.19

 

CMYK 3 / 0 / 31 / 64

HEX #5A5D40

RGB 90.5 93 64

HSL 65.17, 0.18%, 0.31%

LAB 38.55, -6.34, 16.37

 

CMYK 2 / 0 / 40 / 71

HEX #494B2D

RGB 73.5 75 45

HSL 63, 0.25%, 0.24%

LAB 31.01, -6.08, 17.69

 

CMYK 3 / 0 / 18 / 42

HEX #8F947A

RGB 143 148 122

HSL 71.54, 0.11%, 0.53%

LAB 60.27, -6.56, 13.16

 

CMYK 0 / 1 / 18 / 42

HEX #94937A

RGB 148 147 122

HSL 57.69, 0.11%, 0.53%

LAB 60.4, -4.07, 13.4

 

CMYK 0 / 5 / 18 / 42

HEX #948C7A

RGB 148 140 122

HSL 41.54, 0.11%, 0.53%

LAB 58.47, -0.18, 10.69

 

CMYK 0 / 10 / 18 / 42

HEX #94857A

RGB 148 133 122

HSL 25.38, 0.11%, 0.53%

LAB 56.56, 3.76, 7.99

 

CMYK 0 / 16 / 18 / 42

HEX #947D7A

RGB 148 125 122

HSL 6.92, 0.11%, 0.53%

LAB 54.42, 8.33, 4.92

 

CMYK 3 / 0 / 18 / 42

HEX #8F947A

RGB 143 148 122

HSL 71.54, 0.11%, 0.53%

LAB 60.27, -6.56, 13.16

 

CMYK 8 / 0 / 18 / 42

HEX #88947A

RGB 136 148 122

HSL 87.69, 0.11%, 0.53%

LAB 59.73, -9.25, 12.31

 

CMYK 13 / 0 / 18 / 42

HEX #81947A

RGB 129 148 122

HSL 103.85, 0.11%, 0.53%

LAB 59.21, -11.89, 11.51

 

CMYK 18 / 0 / 17 / 42

HEX #7A947B

RGB 122 148 123

HSL 122.31, 0.11%, 0.53%

LAB 58.74, -14.27, 10.21

 

CMYK 18 / 0 / 12 / 42

HEX #7A9482

RGB 122 148 130

HSL 138.46, 0.11%, 0.53%

LAB 58.91, -12.91, 6.48

 

CMYK 3 / 0 / 18 / 42

HEX #8F947A

RGB 143 148 122

HSL 71.54, 0.11%, 0.53%

LAB 60.27, -6.56, 13.16

 

CMYK 8 / 0 / 39 / 34

HEX #9AA867

RGB 154 168 103

HSL 72.92, 0.27%, 0.53%

LAB 66.41, -15.62, 31.95

 

CMYK 12 / 0 / 56 / 27

HEX #A5BB53

RGB 165 187 83

HSL 72.69, 0.43%, 0.53%

LAB 72.34, -22.9, 49.31

 

CMYK 15 / 0 / 69 / 19

HEX #B0CF40

RGB 176 207 64

HSL 73.01, 0.6%, 0.53%

LAB 78.59, -29.5, 64.24

 

CMYK 17 / 0 / 81 / 11

HEX #BCE22C

RGB 188 226 44

HSL 72.53, 0.76%, 0.53%

LAB 84.62, -34.46, 76.46

 

CMYK 3 / 0 / 18 / 42

HEX #8F947A

RGB 143 148 122

HSL 71.54, 0.11%, 0.53%

LAB 60.27, -6.56, 13.16

 

CMYK 6 / 9 / 0 / 45

HEX #84818D

RGB 132 129 141

HSL 255, 0.05%, 0.53%

LAB 54.58, 3.56, -6.06

 

CMYK 25 / 32 / 0 / 37

HEX #786EA1

RGB 120 110 161

HSL 251.76, 0.21%, 0.53%

LAB 49.15, 15.34, -26.09

 

CMYK 39 / 50 / 0 / 29

HEX #6D5AB4

RGB 109 90 180

HSL 252.67, 0.38%, 0.53%

LAB 44.03, 29.45, -45.36

 

CMYK 51 / 65 / 0 / 22

HEX #6247C8

RGB 98 71 200

HSL 252.56, 0.54%, 0.53%

LAB 40.04, 44.07, -63.52

 

CMYK 0 / 5 / 18 / 42

HEX #948C7A

RGB 148 140 122

HSL 41.54, 0.11%, 0.53%

LAB 58.47, -0.18, 10.69

 

CMYK 0 / 1 / 18 / 42

HEX #94937A

RGB 148 147 122

HSL 57.69, 0.11%, 0.53%

LAB 60.4, -4.07, 13.4

 

CMYK 3 / 0 / 18 / 42

HEX #8F947A

RGB 143 148 122

HSL 71.54, 0.11%, 0.53%

LAB 60.27, -6.56, 13.16

 

CMYK 8 / 0 / 18 / 42

HEX #88947A

RGB 136 148 122

HSL 87.69, 0.11%, 0.53%

LAB 59.73, -9.25, 12.31

 

CMYK 13 / 0 / 18 / 42

HEX #81947A

RGB 129 148 122

HSL 103.85, 0.11%, 0.53%

LAB 59.21, -11.89, 11.51

 

CMYK 4 / 0 / 19 / 59

HEX #646854

RGB 100 104 84

HSL 72, 0.11%, 0.37%

LAB 43.14, -5.43, 10.77

 

CMYK 4 / 0 / 20 / 50

HEX #7A7F66

RGB 122 127 102

HSL 72, 0.11%, 0.45%

LAB 52.15, -6.53, 12.99

 

CMYK 3 / 0 / 18 / 42

HEX #8F947A

RGB 143 148 122

HSL 71.54, 0.11%, 0.53%

LAB 60.27, -6.56, 13.16

 

CMYK 3 / 0 / 13 / 35

HEX #A2A791

RGB 162 167 145

HSL 73.64, 0.11%, 0.61%

LAB 67.55, -5.78, 10.78

 

CMYK 2 / 0 / 9 / 27

HEX #B5B9A8

RGB 181 185 168

HSL 74.12, 0.11%, 0.69%

LAB 74.41, -4.47, 8.14

 

CMYK 4 / 0 / 18 / 42

HEX #8D9379

RGB 141.5 147 121

HSL 72.69, 0.11%, 0.53%

LAB 59.85, -6.76, 13.11

 

CMYK 18 / 0 / 10 / 42

HEX #7A9485

RGB 122 148 133

HSL 145.38, 0.11%, 0.53%

LAB 58.98, -12.31, 4.89

 

CMYK 3 / 18 / 0 / 42

HEX #8F7A94

RGB 143 122 148

HSL 288.46, 0.11%, 0.53%

LAB 53.92, 13.04, -11.02

 

CMYK 4 / 0 / 18 / 42

HEX #8D9379

RGB 141.5 147 121

HSL 72.69, 0.11%, 0.53%

LAB 59.85, -6.76, 13.11

 

CMYK 18 / 3 / 0 / 42

HEX #7A8F94

RGB 122 143 148

HSL 191.54, 0.11%, 0.53%

LAB 57.96, -6.35, -5.17

 

CMYK 0 / 18 / 3 / 42

HEX #947A8F

RGB 148 122 143

HSL 311.54, 0.11%, 0.53%

LAB 54.24, 13.86, -7.58

 

CMYK 4 / 0 / 18 / 42

HEX #8D9379

RGB 141.5 147 121

HSL 72.69, 0.11%, 0.53%

LAB 59.85, -6.76, 13.11

 

CMYK 18 / 0 / 10 / 42

HEX #7A9485

RGB 122 148 133

HSL 145.38, 0.11%, 0.53%

LAB 58.98, -12.31, 4.89

 

CMYK 14 / 18 / 0 / 42

HEX #7F7A94

RGB 127 122 148

HSL 251.54, 0.11%, 0.53%

LAB 52.47, 7.4, -13.34

 

CMYK 0 / 18 / 7 / 42

HEX #947A8A

RGB 148 122 138

HSL 323.08, 0.11%, 0.53%

LAB 54.08, 12.9, -4.9

 

CMYK 4 / 0 / 18 / 42

HEX #8D9379

RGB 141.5 147 121

HSL 72.69, 0.11%, 0.53%

LAB 59.85, -6.76, 13.11

 

CMYK 18 / 0 / 5 / 42

HEX #7A948C

RGB 122 148 140

HSL 161.54, 0.11%, 0.53%

LAB 59.17, -10.86, 1.17

 

CMYK 14 / 18 / 0 / 42

HEX #7F7A94

RGB 127 122 148

HSL 251.54, 0.11%, 0.53%

LAB 52.47, 7.4, -13.34

 

CMYK 0 / 18 / 12 / 42

HEX #947A82

RGB 148 122 130

HSL 341.54, 0.11%, 0.53%

LAB 53.84, 11.44, -0.58

 

Description

Color code: RGB 141.5 147 121 | qconv.com Color code: RGB 141.5 147 121 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141.5 red, 147 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141.5 147 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 18 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 18% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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