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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 141.3 234.4 215 it is the complementary color RGB 113.7 20.6 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 141.3 234.4 215. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 141.3 234.4 215 shade: RGB 146.3 234.4 210, RGB 163.3 252.4 229, RGB 180.3 255 248, RGB 197.3 255 255 and RGB 214.3 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 141.3 234.4 215. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 141.3 234.4 215 shade: RGB 141.3 234.4 215, RGB 124.3 216.4 196, RGB 107.3 198.4 177, RGB 90.3 180.4 158 and RGB 73.3 162.4 139

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 141.3 234.4 215 shade: RGB 143 234 215, RGB 143 234 191, RGB 143 234 166, RGB 145 234 143 and RGB 169 234 143

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 141.3 234.4 215 shade: RGB 143 234 215, RGB 143 229 234, RGB 143 204 234, RGB 143 179 234 and RGB 143 155 234

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 141.3 234.4 215 shade matches the following richer shades: RGB 143 234 215 and RGB 132 245 222

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 141.3 234.4 215 shade: RGB 143 234 215, RGB 154 224 209, RGB 164 213 203, RGB 175 202 197 and RGB 186 192 190

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 141.3 234.4 215 shade: RGB 143 234 166, RGB 143 234 190, RGB 143 234 215, RGB 143 230 234 and RGB 143 205 234

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 141.3 234.4 215 shade: RGB 73 222 191, RGB 108 228 203, RGB 143 234 215, RGB 178 241 228 and RGB 213 247 240

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 141.3 234.4 215 shade: RGB 141.3 234.4 215, RGB 143 144 234 and RGB 234 178 143

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 141.3 234.4 215 shade: RGB 141.3 234.4 215, RGB 215 143 234 and RGB 234 215 143

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 141.3 234.4 215 shade: RGB 141.3 234.4 215, RGB 143 144 234, RGB 234 143 163 and RGB 234 233 143

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 141.3 234.4 215 shade: RGB 141.3 234.4 215, RGB 169 143 234, RGB 234 143 163 and RGB 209 234 143

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 8 / 8

HEX #8DEAD7

RGB 141.3 234.4 215

HSL 167.5, 0.69%, 0.74%

LAB 86.83, -32.13, 0.71

 

Complementary color

CMYK 0 / 82 / 65 / 55

HEX #711428

RGB 113.7 20.6 40

HSL 347.5, 0.69%, 0.26%

LAB 24.42, 40.64, 13.41

 

CMYK 38 / 0 / 10 / 8

HEX #92EAD2

RGB 146.3 234.4 210

HSL 163.38, 0.68%, 0.75%

LAB 86.93, -31.92, 3.5

 

CMYK 35 / 0 / 9 / 1

HEX #A3FCE5

RGB 163.3 252.4 229

HSL 164.24, 0.94%, 0.82%

LAB 93.17, -31.74, 2.75

 

CMYK 29 / 0 / 3 / 0

HEX #B4FFF8

RGB 180.3 255 248

HSL 174.38, 1%, 0.85%

LAB 95.18, -24.27, -4.03

 

CMYK 23 / 0 / 0 / 0

HEX #C5FFFF

RGB 197.3 255 255

HSL 180, 1%, 0.89%

LAB 96.27, -17.97, -5.93

 

CMYK 16 / 0 / 0 / 0

HEX #D6FFFF

RGB 214.3 255 255

HSL 180, 1%, 0.92%

LAB 97.26, -12.92, -4.35

 

CMYK 40 / 0 / 8 / 8

HEX #8DEAD7

RGB 141.3 234.4 215

HSL 167.5, 0.69%, 0.74%

LAB 86.83, -32.13, 0.71

 

CMYK 43 / 0 / 9 / 15

HEX #7CD8C4

RGB 124.3 216.4 196

HSL 166.71, 0.54%, 0.67%

LAB 80.52, -32.27, 1.47

 

CMYK 46 / 0 / 11 / 22

HEX #6BC6B1

RGB 107.3 198.4 177

HSL 165.91, 0.45%, 0.6%

LAB 74.12, -32.4, 2.28

 

CMYK 50 / 0 / 12 / 29

HEX #5AB49E

RGB 90.3 180.4 158

HSL 165.08, 0.38%, 0.53%

LAB 67.62, -32.49, 3.16

 

CMYK 55 / 0 / 14 / 36

HEX #49A28B

RGB 73.3 162.4 139

HSL 164.24, 0.38%, 0.46%

LAB 61.02, -32.52, 4.12

 

CMYK 39 / 0 / 8 / 8

HEX #8FEAD7

RGB 143 234 215

HSL 167.47, 0.68%, 0.74%

LAB 86.8, -31.5, 0.66

 

CMYK 39 / 0 / 18 / 8

HEX #8FEABF

RGB 143 234 191

HSL 151.65, 0.68%, 0.74%

LAB 86.23, -36.6, 12.42

 

CMYK 39 / 0 / 29 / 8

HEX #8FEAA6

RGB 143 234 166

HSL 135.16, 0.68%, 0.74%

LAB 85.72, -41.31, 24.69

 

CMYK 38 / 0 / 39 / 8

HEX #91EA8F

RGB 145 234 143

HSL 118.68, 0.68%, 0.74%

LAB 85.43, -44.46, 35.99

 

CMYK 28 / 0 / 39 / 8

HEX #A9EA8F

RGB 169 234 143

HSL 102.86, 0.68%, 0.74%

LAB 86.63, -36.77, 37.79

 

CMYK 39 / 0 / 8 / 8

HEX #8FEAD7

RGB 143 234 215

HSL 167.47, 0.68%, 0.74%

LAB 86.8, -31.5, 0.66

 

CMYK 39 / 2 / 0 / 8

HEX #8FE5EA

RGB 143 229 234

HSL 183.3, 0.68%, 0.74%

LAB 85.92, -24.67, -10.63

 

CMYK 39 / 13 / 0 / 8

HEX #8FCCEA

RGB 143 204 234

HSL 199.78, 0.68%, 0.74%

LAB 79.02, -12.04, -21

 

CMYK 39 / 24 / 0 / 8

HEX #8FB3EA

RGB 143 179 234

HSL 216.26, 0.68%, 0.74%

LAB 72.24, 1.39, -31.37

 

CMYK 39 / 34 / 0 / 8

HEX #8F9BEA

RGB 143 155 234

HSL 232.09, 0.68%, 0.74%

LAB 65.92, 14.91, -41.19

 

CMYK 39 / 0 / 8 / 8

HEX #8FEAD7

RGB 143 234 215

HSL 167.47, 0.68%, 0.74%

LAB 86.8, -31.5, 0.66

 

CMYK 46 / 0 / 9 / 4

HEX #84F5DE

RGB 132 245 222

HSL 167.79, 0.85%, 0.74%

LAB 89.62, -37.71, 1.06

 

CMYK 39 / 0 / 8 / 8

HEX #8FEAD7

RGB 143 234 215

HSL 167.47, 0.68%, 0.74%

LAB 86.8, -31.5, 0.66

 

CMYK 31 / 0 / 7 / 12

HEX #9AE0D1

RGB 154 224 209

HSL 167.14, 0.53%, 0.74%

LAB 84.37, -25.04, 0.35

 

CMYK 23 / 0 / 5 / 16

HEX #A4D5CB

RGB 164 213 203

HSL 167.76, 0.37%, 0.74%

LAB 81.73, -17.92, -0.27

 

CMYK 13 / 0 / 2 / 21

HEX #AFCAC5

RGB 175 202 197

HSL 168.89, 0.2%, 0.74%

LAB 79.26, -10.03, -0.57

 

CMYK 3 / 0 / 1 / 25

HEX #BAC0BE

RGB 186 192 190

HSL 160, 0.05%, 0.74%

LAB 77.19, -2.44, 0.27

 

CMYK 39 / 0 / 29 / 8

HEX #8FEAA6

RGB 143 234 166

HSL 135.16, 0.68%, 0.74%

LAB 85.72, -41.31, 24.69

 

CMYK 39 / 0 / 19 / 8

HEX #8FEABE

RGB 143 234 190

HSL 150.99, 0.68%, 0.74%

LAB 86.21, -36.8, 12.91

 

CMYK 39 / 0 / 8 / 8

HEX #8FEAD7

RGB 143 234 215

HSL 167.47, 0.68%, 0.74%

LAB 86.8, -31.5, 0.66

 

CMYK 39 / 2 / 0 / 8

HEX #8FE6EA

RGB 143 230 234

HSL 182.64, 0.68%, 0.74%

LAB 86.19, -25.16, -10.22

 

CMYK 39 / 12 / 0 / 8

HEX #8FCDEA

RGB 143 205 234

HSL 199.12, 0.68%, 0.74%

LAB 79.3, -12.56, -20.58

 

CMYK 67 / 0 / 14 / 13

HEX #49DEBF

RGB 73 222 191

HSL 167.52, 0.69%, 0.58%

LAB 80.42, -46.36, 3.78

 

CMYK 53 / 0 / 11 / 11

HEX #6CE4CB

RGB 108 228 203

HSL 167.5, 0.69%, 0.66%

LAB 83.44, -39.75, 1.92

 

CMYK 39 / 0 / 8 / 8

HEX #8FEAD7

RGB 143 234 215

HSL 167.47, 0.68%, 0.74%

LAB 86.8, -31.5, 0.66

 

CMYK 26 / 0 / 5 / 5

HEX #B2F1E4

RGB 178 241 228

HSL 167.62, 0.69%, 0.82%

LAB 90.77, -22.38, -0.13

 

CMYK 14 / 0 / 3 / 3

HEX #D5F7F0

RGB 213 247 240

HSL 167.65, 0.68%, 0.9%

LAB 94.72, -12.29, -0.34

 

CMYK 40 / 0 / 8 / 8

HEX #8DEAD7

RGB 141.3 234.4 215

HSL 167.5, 0.69%, 0.74%

LAB 86.83, -32.13, 0.71

 

CMYK 39 / 38 / 0 / 8

HEX #8F90EA

RGB 143 144 234

HSL 239.34, 0.68%, 0.74%

LAB 63.12, 21.25, -45.6

 

CMYK 0 / 24 / 39 / 8

HEX #EAB28F

RGB 234 178 143

HSL 23.08, 0.68%, 0.74%

LAB 76.87, 15.87, 25.77

 

CMYK 40 / 0 / 8 / 8

HEX #8DEAD7

RGB 141.3 234.4 215

HSL 167.5, 0.69%, 0.74%

LAB 86.83, -32.13, 0.71

 

CMYK 8 / 39 / 0 / 8

HEX #D78FEA

RGB 215 143 234

HSL 287.47, 0.68%, 0.74%

LAB 69.49, 42.26, -35.14

 

CMYK 0 / 8 / 39 / 8

HEX #EAD78F

RGB 234 215 143

HSL 47.47, 0.68%, 0.74%

LAB 86.04, -3.46, 37.9

 

CMYK 40 / 0 / 8 / 8

HEX #8DEAD7

RGB 141.3 234.4 215

HSL 167.5, 0.69%, 0.74%

LAB 86.83, -32.13, 0.71

 

CMYK 39 / 38 / 0 / 8

HEX #8F90EA

RGB 143 144 234

HSL 239.34, 0.68%, 0.74%

LAB 63.12, 21.25, -45.6

 

CMYK 0 / 39 / 30 / 8

HEX #EA8FA3

RGB 234 143 163

HSL 346.81, 0.68%, 0.74%

LAB 69.31, 36.88, 4.24

 

CMYK 0 / 0 / 39 / 8

HEX #EAE98F

RGB 234 233 143

HSL 59.34, 0.68%, 0.74%

LAB 90.67, -12.52, 43.83

 

CMYK 40 / 0 / 8 / 8

HEX #8DEAD7

RGB 141.3 234.4 215

HSL 167.5, 0.69%, 0.74%

LAB 86.83, -32.13, 0.71

 

CMYK 28 / 39 / 0 / 8

HEX #A98FEA

RGB 169 143 234

HSL 257.14, 0.68%, 0.74%

LAB 64.98, 28.85, -42.53

 

CMYK 0 / 39 / 30 / 8

HEX #EA8FA3

RGB 234 143 163

HSL 346.81, 0.68%, 0.74%

LAB 69.31, 36.88, 4.24

 

CMYK 11 / 0 / 39 / 8

HEX #D1EA8F

RGB 209 234 143

HSL 76.48, 0.68%, 0.74%

LAB 89.1, -22.51, 41.46

 

Description

Color code: RGB 141.3 234.4 215 | qconv.com Color code: RGB 141.3 234.4 215 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141.3 red, 234.4 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141.3 234.4 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 8 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 8% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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