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Color name
RGB 140 99 207

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 140 99 207 it is the complementary color RGB 115 156 48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 140 99 207. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 140 99 207 shade: RGB 145 99 202, RGB 162 117 221, RGB 179 135 240, RGB 196 153 255 and RGB 213 171 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 140 99 207. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 140 99 207 shade: RGB 140 99 207, RGB 123 81 188, RGB 106 63 169, RGB 89 45 150 and RGB 72 27 131

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 140 99 207 shade: RGB 140 99 207, RGB 169 99 207, RGB 198 99 207, RGB 207 99 187 and RGB 207 99 158

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 140 99 207 shade: RGB 140 99 207, RGB 111 99 207 and RGB 99 99 207

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 140 99 207 shade matches the following richer shades: RGB 140 99 207, RGB 136 82 224 and RGB 132 66 240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 140 99 207 shade: RGB 140 99 207, RGB 144 115 191, RGB 148 132 174, RGB 152 148 158 and RGB 156 165 141

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 140 99 207 shade: RGB 99 117 207, RGB 110 99 207, RGB 139 99 207, RGB 167 99 207 and RGB 196 99 207

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 140 99 207 shade: RGB 97 53 171, RGB 117 67 197, RGB 140 99 207, RGB 163 131 217 and RGB 187 162 226

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 140 99 207 shade: RGB 140 99 207, RGB 207 99 146 and RGB 103 207 99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 140 99 207 shade: RGB 140 99 207, RGB 207 139 99 and RGB 99 207 139

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 140 99 207 shade: RGB 140 99 207, RGB 207 99 146, RGB 167 207 99 and RGB 99 207 160

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 140 99 207 shade: RGB 140 99 207, RGB 207 99 113, RGB 167 207 99 and RGB 99 207 193

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 52 / 0 / 19

HEX #8C63CF

RGB 140 99 207

HSL 262.78, 0.53%, 0.6%

LAB 50.69, 39.34, -50.16

 

Complementary color

CMYK 26 / 0 / 69 / 39

HEX #739C30

RGB 115 156 48

HSL 82.78, 0.53%, 0.4%

LAB 59.56, -30.82, 49.76

 

CMYK 28 / 51 / 0 / 21

HEX #9163CA

RGB 145 99 202

HSL 266.8, 0.49%, 0.59%

LAB 50.93, 39.38, -46.89

 

CMYK 27 / 47 / 0 / 13

HEX #A275DD

RGB 162 117 221

HSL 265.96, 0.6%, 0.66%

LAB 57.68, 38.44, -46.84

 

CMYK 25 / 44 / 0 / 6

HEX #B387F0

RGB 179 135 240

HSL 265.14, 0.78%, 0.74%

LAB 64.32, 37.56, -46.8

 

CMYK 23 / 40 / 0 / 0

HEX #C499FF

RGB 196 153 255

HSL 265.29, 1%, 0.8%

LAB 70.69, 35.81, -44.88

 

CMYK 16 / 33 / 0 / 0

HEX #D5ABFF

RGB 213 171 255

HSL 270, 1%, 0.84%

LAB 76.37, 30.9, -35.91

 

CMYK 32 / 52 / 0 / 19

HEX #8C63CF

RGB 140 99 207

HSL 262.78, 0.53%, 0.6%

LAB 50.69, 39.34, -50.16

 

CMYK 35 / 57 / 0 / 26

HEX #7B51BC

RGB 123 81 188

HSL 263.55, 0.44%, 0.53%

LAB 43.84, 40.4, -50.26

 

CMYK 37 / 63 / 0 / 34

HEX #6A3FA9

RGB 106 63 169

HSL 264.34, 0.46%, 0.45%

LAB 36.9, 41.48, -50.32

 

CMYK 41 / 70 / 0 / 41

HEX #592D96

RGB 89 45 150

HSL 265.14, 0.54%, 0.38%

LAB 29.92, 42.47, -50.24

 

CMYK 45 / 79 / 0 / 49

HEX #481B83

RGB 72 27 131

HSL 265.96, 0.66%, 0.31%

LAB 23, 43.08, -49.81

 

CMYK 32 / 52 / 0 / 19

HEX #8C63CF

RGB 140 99 207

HSL 262.78, 0.53%, 0.6%

LAB 50.69, 39.34, -50.16

 

CMYK 18 / 52 / 0 / 19

HEX #A963CF

RGB 169 99 207

HSL 278.89, 0.53%, 0.6%

LAB 53.88, 46.93, -44.89

 

CMYK 4 / 52 / 0 / 19

HEX #C663CF

RGB 198 99 207

HSL 295, 0.53%, 0.6%

LAB 57.5, 54.79, -38.95

 

CMYK 0 / 52 / 10 / 19

HEX #CF63BB

RGB 207 99 187

HSL 311.11, 0.53%, 0.6%

LAB 57.82, 53.85, -26.94

 

CMYK 0 / 52 / 24 / 19

HEX #CF639E

RGB 207 99 158

HSL 327.22, 0.53%, 0.6%

LAB 56.74, 49.45, -11.84

 

CMYK 32 / 52 / 0 / 19

HEX #8C63CF

RGB 140 99 207

HSL 262.78, 0.53%, 0.6%

LAB 50.69, 39.34, -50.16

 

CMYK 46 / 52 / 0 / 19

HEX #6F63CF

RGB 111 99 207

HSL 246.67, 0.53%, 0.6%

LAB 48.02, 32.35, -54.59

 

CMYK 52 / 52 / 0 / 19

HEX #6363CF

RGB 99 99 207

HSL 240, 0.53%, 0.6%

LAB 47.08, 29.75, -56.15

 

CMYK 32 / 52 / 0 / 19

HEX #8C63CF

RGB 140 99 207

HSL 262.78, 0.53%, 0.6%

LAB 50.69, 39.34, -50.16

 

CMYK 39 / 63 / 0 / 12

HEX #8852E0

RGB 136 82 224

HSL 262.82, 0.7%, 0.6%

LAB 47.82, 52.08, -64.48

 

CMYK 45 / 73 / 0 / 6

HEX #8442F0

RGB 132 66 240

HSL 262.76, 0.85%, 0.6%

LAB 45.76, 63.25, -76.88

 

CMYK 32 / 52 / 0 / 19

HEX #8C63CF

RGB 140 99 207

HSL 262.78, 0.53%, 0.6%

LAB 50.69, 39.34, -50.16

 

CMYK 25 / 40 / 0 / 25

HEX #9073BF

RGB 144 115 191

HSL 262.89, 0.37%, 0.6%

LAB 53.98, 27.21, -35.78

 

CMYK 15 / 24 / 0 / 32

HEX #9484AE

RGB 148 132 174

HSL 262.86, 0.21%, 0.6%

LAB 57.9, 14.58, -19.95

 

CMYK 4 / 6 / 0 / 38

HEX #98949E

RGB 152 148 158

HSL 264, 0.05%, 0.6%

LAB 61.93, 3.42, -4.74

 

CMYK 5 / 0 / 15 / 35

HEX #9CA58D

RGB 156 165 141

HSL 82.5, 0.12%, 0.6%

LAB 66.44, -7.63, 11.37

 

CMYK 52 / 43 / 0 / 19

HEX #6375CF

RGB 99 117 207

HSL 230, 0.53%, 0.6%

LAB 51.7, 18.72, -48.75

 

CMYK 47 / 52 / 0 / 19

HEX #6E63CF

RGB 110 99 207

HSL 246.11, 0.53%, 0.6%

LAB 47.94, 32.13, -54.73

 

CMYK 33 / 52 / 0 / 19

HEX #8B63CF

RGB 139 99 207

HSL 262.22, 0.53%, 0.6%

LAB 50.59, 39.09, -50.33

 

CMYK 19 / 52 / 0 / 19

HEX #A763CF

RGB 167 99 207

HSL 277.78, 0.53%, 0.6%

LAB 53.65, 46.4, -45.28

 

CMYK 5 / 52 / 0 / 19

HEX #C463CF

RGB 196 99 207

HSL 293.89, 0.53%, 0.6%

LAB 57.24, 54.25, -39.38

 

CMYK 43 / 69 / 0 / 33

HEX #6135AB

RGB 97 53 171

HSL 262.37, 0.53%, 0.44%

LAB 34.04, 45.53, -56.2

 

CMYK 41 / 66 / 0 / 23

HEX #7543C5

RGB 117 67 197

HSL 263.08, 0.53%, 0.52%

LAB 40.94, 49.07, -60.22

 

CMYK 32 / 52 / 0 / 19

HEX #8C63CF

RGB 140 99 207

HSL 262.78, 0.53%, 0.6%

LAB 50.69, 39.34, -50.16

 

CMYK 25 / 40 / 0 / 15

HEX #A383D9

RGB 163 131 217

HSL 262.33, 0.53%, 0.68%

LAB 60.81, 29.84, -39.66

 

CMYK 17 / 28 / 0 / 11

HEX #BBA2E2

RGB 187 162 226

HSL 263.44, 0.52%, 0.76%

LAB 70.8, 21.65, -28.96

 

CMYK 32 / 52 / 0 / 19

HEX #8C63CF

RGB 140 99 207

HSL 262.78, 0.53%, 0.6%

LAB 50.69, 39.34, -50.16

 

CMYK 0 / 52 / 29 / 19

HEX #CF6392

RGB 207 99 146

HSL 333.89, 0.53%, 0.6%

LAB 56.35, 47.82, -5.42

 

CMYK 50 / 0 / 52 / 19

HEX #67CF63

RGB 103 207 99

HSL 117.78, 0.53%, 0.6%

LAB 75.08, -51.57, 44.19

 

CMYK 32 / 52 / 0 / 19

HEX #8C63CF

RGB 140 99 207

HSL 262.78, 0.53%, 0.6%

LAB 50.69, 39.34, -50.16

 

CMYK 0 / 33 / 52 / 19

HEX #CF8B63

RGB 207 139 99

HSL 22.22, 0.53%, 0.6%

LAB 63.86, 21.56, 31.84

 

CMYK 52 / 0 / 33 / 19

HEX #63CF8B

RGB 99 207 139

HSL 142.22, 0.53%, 0.6%

LAB 75.54, -46.3, 24.55

 

CMYK 32 / 52 / 0 / 19

HEX #8C63CF

RGB 140 99 207

HSL 262.78, 0.53%, 0.6%

LAB 50.69, 39.34, -50.16

 

CMYK 0 / 52 / 29 / 19

HEX #CF6392

RGB 207 99 146

HSL 333.89, 0.53%, 0.6%

LAB 56.35, 47.82, -5.42

 

CMYK 19 / 0 / 52 / 19

HEX #A7CF63

RGB 167 207 99

HSL 82.22, 0.53%, 0.6%

LAB 78.31, -30.26, 48.83

 

CMYK 52 / 0 / 23 / 19

HEX #63CFA0

RGB 99 207 160

HSL 153.89, 0.53%, 0.6%

LAB 75.96, -42.11, 14.01

 

CMYK 32 / 52 / 0 / 19

HEX #8C63CF

RGB 140 99 207

HSL 262.78, 0.53%, 0.6%

LAB 50.69, 39.34, -50.16

 

CMYK 0 / 52 / 45 / 19

HEX #CF6371

RGB 207 99 113

HSL 352.22, 0.53%, 0.6%

LAB 55.46, 44.01, 12.66

 

CMYK 19 / 0 / 52 / 19

HEX #A7CF63

RGB 167 207 99

HSL 82.22, 0.53%, 0.6%

LAB 78.31, -30.26, 48.83

 

CMYK 52 / 0 / 7 / 19

HEX #63CFC1

RGB 99 207 193

HSL 172.22, 0.53%, 0.6%

LAB 76.76, -34.46, -2.54

 

Description

Color code: RGB 140 99 207 | qconv.com Color code: RGB 140 99 207 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 99 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 99 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 52 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 52% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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