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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 140 97 8 it is the complementary color RGB 115 158 247. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 140 97 8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 140 97 8: RGB 145 97 3, RGB 162 115 22, RGB 179 133 41, RGB 196 151 60 and RGB 213 169 79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 140 97 8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 140 97 8: RGB 140 97 8, RGB 123 79 0, RGB 106 61 0, RGB 89 43 0 and RGB 72 25 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 94 / 45

HEX #8C6108

RGB 140 97 8

HSL 40.45, 0.89%, 0.29%

LAB 44.44, 10.5, 50.04

 

Complementary color

CMYK 53 / 36 / 0 / 3

HEX #739EF7

RGB 115 158 247

HSL 220.45, 0.89%, 0.71%

LAB 65.6, 10.31, -48.94

 

CMYK 0 / 33 / 98 / 43

HEX #916103

RGB 145 97 3

HSL 39.72, 0.96%, 0.29%

LAB 45.05, 12.76, 51.98

 

CMYK 0 / 29 / 86 / 36

HEX #A27316

RGB 162 115 22

HSL 39.86, 0.76%, 0.36%

LAB 51.84, 10.71, 53.35

 

CMYK 0 / 26 / 77 / 30

HEX #B38529

RGB 179 133 41

HSL 40, 0.63%, 0.43%

LAB 58.53, 8.98, 53.36

 

CMYK 0 / 23 / 69 / 23

HEX #C4973C

RGB 196 151 60

HSL 40.15, 0.54%, 0.5%

LAB 65.12, 7.53, 52.58

 

CMYK 0 / 21 / 63 / 16

HEX #D5A94F

RGB 213 169 79

HSL 40.3, 0.61%, 0.57%

LAB 71.61, 6.31, 51.46

 

CMYK 0 / 31 / 94 / 45

HEX #8C6108

RGB 140 97 8

HSL 40.45, 0.89%, 0.29%

LAB 44.44, 10.5, 50.04

 

CMYK 0 / 36 / 100 / 52

HEX #7B4F00

RGB 123 79 0

HSL 38.54, 1%, 0.24%

LAB 37.49, 12.85, 46.34

 

CMYK 0 / 42 / 100 / 58

HEX #6A3D00

RGB 106 61 0

HSL 34.53, 1%, 0.21%

LAB 30.4, 15.51, 40.49

 

CMYK 0 / 52 / 100 / 65

HEX #592B00

RGB 89 43 0

HSL 28.99, 1%, 0.17%

LAB 23.17, 18.29, 33.08

 

CMYK 0 / 65 / 100 / 72

HEX #481900

RGB 72 25 0

HSL 20.83, 1%, 0.14%

LAB 15.87, 21.02, 23.91

 

CMYK 0 / 31 / 94 / 45

HEX #8C6108

RGB 140 97 8

HSL 40.45, 0.89%, 0.29%

LAB 44.44, 10.5, 50.04

 

CMYK 0 / 16 / 94 / 45

HEX #8B7508

RGB 139 117 8

HSL 49.92, 0.89%, 0.29%

LAB 49.77, -1.5, 54.02

 

CMYK 0 / 0 / 94 / 45

HEX #8B8B08

RGB 139 139 8

HSL 60, 0.89%, 0.29%

LAB 56.06, -13.58, 58.84

 

CMYK 16 / 0 / 94 / 45

HEX #758B08

RGB 117 139 8

HSL 70.08, 0.89%, 0.29%

LAB 54.31, -23.49, 56.72

 

CMYK 32 / 0 / 94 / 45

HEX #5F8B08

RGB 95 139 8

HSL 80.15, 0.89%, 0.29%

LAB 52.86, -32.77, 54.95

 

CMYK 0 / 31 / 94 / 45

HEX #8C6108

RGB 140 97 8

HSL 40.45, 0.89%, 0.29%

LAB 44.44, 10.5, 50.04

 

CMYK 0 / 31 / 94 / 25

HEX #BF840B

RGB 191 132 11

HSL 40.33, 0.89%, 0.4%

LAB 59.53, 14.11, 63.33

 

CMYK 0 / 31 / 94 / 5

HEX #F2A80E

RGB 242 168 14

HSL 40.53, 0.9%, 0.5%

LAB 74.13, 16.99, 76.06

 

CMYK 0 / 32 / 95 / 85

HEX #261A02

RGB 38 26 2

HSL 40, 0.9%, 0.08%

LAB 10.22, 2.74, 14.5

 

CMYK 0 / 30 / 94 / 65

HEX #593E05

RGB 89 62 5

HSL 40.71, 0.89%, 0.18%

LAB 28.33, 6.57, 35.81

 

CMYK 0 / 31 / 94 / 45

HEX #8C6108

RGB 140 97 8

HSL 40.45, 0.89%, 0.29%

LAB 44.44, 10.5, 50.04

 

CMYK 82 / 0 / 94 / 45

HEX #198B08

RGB 25 139 8

HSL 112.21, 0.89%, 0.29%

LAB 50.32, -52.39, 51.82

 

CMYK 69 / 94 / 0 / 45

HEX #2B088B

RGB 43 8 139

HSL 256.03, 0.89%, 0.29%

LAB 18.15, 49.01, -62.96

 

CMYK 0 / 31 / 94 / 45

HEX #8C6108

RGB 140 97 8

HSL 40.45, 0.89%, 0.29%

LAB 44.44, 10.5, 50.04

 

CMYK 94 / 0 / 32 / 45

HEX #088B5F

RGB 8 139 95

HSL 159.85, 0.89%, 0.29%

LAB 51.09, -42.6, 14.82

 

CMYK 32 / 94 / 0 / 45

HEX #5F088B

RGB 95 8 139

HSL 279.85, 0.89%, 0.29%

LAB 25.17, 54.31, -51.14

 

CMYK 0 / 31 / 94 / 45

HEX #8C6108

RGB 140 97 8

HSL 40.45, 0.89%, 0.29%

LAB 44.44, 10.5, 50.04

 

CMYK 82 / 0 / 94 / 45

HEX #198B08

RGB 25 139 8

HSL 112.21, 0.89%, 0.29%

LAB 50.32, -52.39, 51.82

 

CMYK 94 / 63 / 0 / 45

HEX #08348B

RGB 8 52 139

HSL 219.85, 0.89%, 0.29%

LAB 24.86, 22.82, -51.94

 

CMYK 12 / 94 / 0 / 45

HEX #7A088B

RGB 122 8 139

HSL 292.21, 0.89%, 0.29%

LAB 29.85, 58.48, -43.33

 

CMYK 0 / 31 / 94 / 45

HEX #8C6108

RGB 140 97 8

HSL 40.45, 0.89%, 0.29%

LAB 44.44, 10.5, 50.04

 

CMYK 94 / 0 / 78 / 45

HEX #088B1E

RGB 8 139 30

HSL 130.08, 0.89%, 0.29%

LAB 50.23, -52.88, 45.99

 

CMYK 94 / 63 / 0 / 45

HEX #08348B

RGB 8 52 139

HSL 219.85, 0.89%, 0.29%

LAB 24.86, 22.82, -51.94

 

CMYK 0 / 94 / 16 / 45

HEX #8B0875

RGB 139 8 117

HSL 310.08, 0.89%, 0.29%

LAB 31.69, 58.17, -26.39

 

Description

Color code: RGB 140 97 8 | qconv.com Color code: RGB 140 97 8 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 97 green and 8 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 97 8 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 94 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 94% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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