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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 140 56.6 0.6 it is the complementary color RGB 115 198.4 254.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 140 56.6 0.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 140 56.6 0.6 shade: RGB 145 56.6 0, RGB 162 74.6 14.6, RGB 179 92.6 33.6, RGB 196 110.6 52.6 and RGB 213 128.6 71.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 140 56.6 0.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 140 56.6 0.6 shade: RGB 140 56.6 0.6, RGB 123 38.6 0, RGB 106 20.6 0, RGB 89 2.6 0 and RGB 72 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 140 56.6 0.6 shade: RGB 142 57 1, RGB 142 19 1 and RGB 142 1 1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 140 56.6 0.6 shade: RGB 142 57 1, RGB 142 96 1, RGB 142 134 1, RGB 112 142 1 and RGB 74 142 1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 140 56.6 0.6 shade matches the following richer shades: RGB 142 57 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 140 56.6 0.6 shade: RGB 142 57 1, RGB 131 60 12, RGB 119 62 24, RGB 107 64 35 and RGB 96 67 47

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 140 56.6 0.6 shade: RGB 142 1 20, RGB 142 20 1, RGB 142 57 1, RGB 142 95 1 and RGB 142 133 1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 140 56.6 0.6 shade: RGB 60 24 0, RGB 101 41 1, RGB 142 57 1, RGB 183 74 1 and RGB 224 91 1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 140 56.6 0.6 shade: RGB 140 56.6 0.6, RGB 57 142 1 and RGB 1 1 142

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 140 56.6 0.6 shade: RGB 140 56.6 0.6, RGB 1 142 57 and RGB 57 1 142

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 140 56.6 0.6 shade: RGB 140 56.6 0.6, RGB 57 142 1, RGB 1 86 142 and RGB 86 1 142

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 140 56.6 0.6 shade: RGB 140 56.6 0.6, RGB 15 142 1, RGB 1 86 142 and RGB 128 1 142

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 100 / 45

HEX #8C3800

RGB 140 56.6 0.6

HSL 24.1, 0.99%, 0.28%

LAB 34.93, 33.12, 45.86

 

Complementary color

CMYK 55 / 22 / 0 / 0

HEX #73C6FE

RGB 115 198.4 254.4

HSL 204.1, 0.99%, 0.72%

LAB 76.92, -9.92, -35.25

 

CMYK 0 / 61 / 100 / 43

HEX #913800

RGB 145 56.6 0

HSL 23.42, 1%, 0.28%

LAB 35.8, 35.12, 47.05

 

CMYK 0 / 54 / 91 / 36

HEX #A24A0E

RGB 162 74.6 14.6

HSL 24.42, 0.83%, 0.35%

LAB 42.3, 33.02, 48.04

 

CMYK 0 / 48 / 81 / 30

HEX #B35C21

RGB 179 92.6 33.6

HSL 24.35, 0.68%, 0.42%

LAB 48.83, 31.02, 47.27

 

CMYK 0 / 44 / 73 / 23

HEX #C46E34

RGB 196 110.6 52.6

HSL 24.27, 0.58%, 0.49%

LAB 55.35, 29.21, 45.74

 

CMYK 0 / 40 / 66 / 16

HEX #D58047

RGB 213 128.6 71.6

HSL 24.19, 0.63%, 0.56%

LAB 61.83, 27.61, 44.03

 

CMYK 0 / 60 / 100 / 45

HEX #8C3800

RGB 140 56.6 0.6

HSL 24.1, 0.99%, 0.28%

LAB 34.93, 33.12, 45.86

 

CMYK 0 / 69 / 100 / 52

HEX #7B2600

RGB 123 38.6 0

HSL 18.83, 1%, 0.24%

LAB 28.47, 35.19, 40.23

 

CMYK 0 / 81 / 100 / 58

HEX #6A1400

RGB 106 20.6 0

HSL 11.66, 1%, 0.21%

LAB 22.25, 36.44, 33.14

 

CMYK 0 / 97 / 100 / 65

HEX #590200

RGB 89 2.6 0

HSL 1.75, 1%, 0.17%

LAB 16.41, 36.36, 25.39

 

CMYK 0 / 100 / 100 / 72

HEX #480000

RGB 72 0 0

HSL 0, 1%, 0.14%

LAB 11.81, 32.18, 18.57

 

CMYK 0 / 60 / 99 / 44

HEX #8E3901

RGB 142 57 1

HSL 23.83, 0.99%, 0.28%

LAB 35.36, 33.73, 46.13

 

CMYK 0 / 87 / 99 / 44

HEX #8E1301

RGB 142 19 1

HSL 7.66, 0.99%, 0.28%

LAB 29.96, 48.44, 42.66

 

CMYK 0 / 99 / 99 / 44

HEX #8E0101

RGB 142 1 1

HSL 0, 0.99%, 0.28%

LAB 28.84, 51.66, 41.79

 

CMYK 0 / 60 / 99 / 44

HEX #8E3901

RGB 142 57 1

HSL 23.83, 0.99%, 0.28%

LAB 35.36, 33.73, 46.13

 

CMYK 0 / 32 / 99 / 44

HEX #8E6001

RGB 142 96 1

HSL 40.43, 0.99%, 0.28%

LAB 44.4, 11.89, 51.86

 

CMYK 0 / 6 / 99 / 44

HEX #8E8601

RGB 142 134 1

HSL 56.6, 0.99%, 0.28%

LAB 54.87, -9.64, 59.25

 

CMYK 21 / 0 / 99 / 44

HEX #708E01

RGB 112 142 1

HSL 72.77, 0.99%, 0.28%

LAB 54.86, -27.29, 58.18

 

CMYK 48 / 0 / 99 / 44

HEX #4A8E01

RGB 74 142 1

HSL 88.94, 0.99%, 0.28%

LAB 52.73, -41.98, 55.62

 

CMYK 0 / 60 / 99 / 44

HEX #8E3901

RGB 142 57 1

HSL 23.83, 0.99%, 0.28%

LAB 35.36, 33.73, 46.13

 

CMYK 0 / 60 / 99 / 44

HEX #8E3901

RGB 142 57 1

HSL 23.83, 0.99%, 0.28%

LAB 35.36, 33.73, 46.13

 

CMYK 0 / 54 / 91 / 49

HEX #833C0C

RGB 131 60 12

HSL 24.2, 0.83%, 0.28%

LAB 34.16, 27.78, 40.46

 

CMYK 0 / 48 / 80 / 53

HEX #773E18

RGB 119 62 24

HSL 24, 0.66%, 0.28%

LAB 32.77, 21.77, 33.16

 

CMYK 0 / 40 / 67 / 58

HEX #6B4023

RGB 107 64 35

HSL 24.17, 0.51%, 0.28%

LAB 31.61, 15.72, 25.3

 

CMYK 0 / 30 / 51 / 62

HEX #60432F

RGB 96 67 47

HSL 24.49, 0.34%, 0.28%

LAB 31.13, 9.82, 17.08

 

CMYK 0 / 99 / 86 / 44

HEX #8E0114

RGB 142 1 20

HSL 351.91, 0.99%, 0.28%

LAB 28.96, 52, 33.13

 

CMYK 0 / 86 / 99 / 44

HEX #8E1401

RGB 142 20 1

HSL 8.09, 0.99%, 0.28%

LAB 30.04, 48.2, 42.73

 

CMYK 0 / 60 / 99 / 44

HEX #8E3901

RGB 142 57 1

HSL 23.83, 0.99%, 0.28%

LAB 35.36, 33.73, 46.13

 

CMYK 0 / 33 / 99 / 44

HEX #8E5F01

RGB 142 95 1

HSL 40, 0.99%, 0.28%

LAB 44.14, 12.48, 51.68

 

CMYK 0 / 6 / 99 / 44

HEX #8E8501

RGB 142 133 1

HSL 56.17, 0.99%, 0.28%

LAB 54.58, -9.1, 59.04

 

CMYK 0 / 60 / 100 / 76

HEX #3C1800

RGB 60 24 0

HSL 24, 1%, 0.12%

LAB 13.31, 15.92, 20.15

 

CMYK 0 / 59 / 99 / 60

HEX #652901

RGB 101 41 1

HSL 24, 0.98%, 0.2%

LAB 24.81, 24.99, 34.99

 

CMYK 0 / 60 / 99 / 44

HEX #8E3901

RGB 142 57 1

HSL 23.83, 0.99%, 0.28%

LAB 35.36, 33.73, 46.13

 

CMYK 0 / 60 / 99 / 28

HEX #B74A01

RGB 183 74 1

HSL 24.07, 0.99%, 0.36%

LAB 45.59, 41.44, 55.63

 

CMYK 0 / 59 / 100 / 12

HEX #E05B01

RGB 224 91 1

HSL 24.22, 0.99%, 0.44%

LAB 55.41, 48.81, 64.7

 

CMYK 0 / 60 / 100 / 45

HEX #8C3800

RGB 140 56.6 0.6

HSL 24.1, 0.99%, 0.28%

LAB 34.93, 33.12, 45.86

 

CMYK 60 / 0 / 99 / 44

HEX #398E01

RGB 57 142 1

HSL 96.17, 0.99%, 0.28%

LAB 52.08, -47.13, 54.83

 

CMYK 99 / 99 / 0 / 44

HEX #01018E

RGB 1 1 142

HSL 240, 0.99%, 0.28%

LAB 15.39, 50.87, -69.51

 

CMYK 0 / 60 / 100 / 45

HEX #8C3800

RGB 140 56.6 0.6

HSL 24.1, 0.99%, 0.28%

LAB 34.93, 33.12, 45.86

 

CMYK 99 / 0 / 60 / 44

HEX #018E39

RGB 1 142 57

HSL 143.83, 0.99%, 0.28%

LAB 51.44, -51.34, 35.72

 

CMYK 60 / 99 / 0 / 44

HEX #39018E

RGB 57 1 142

HSL 263.83, 0.99%, 0.28%

LAB 19.41, 52.68, -62.7

 

CMYK 0 / 60 / 100 / 45

HEX #8C3800

RGB 140 56.6 0.6

HSL 24.1, 0.99%, 0.28%

LAB 34.93, 33.12, 45.86

 

CMYK 60 / 0 / 99 / 44

HEX #398E01

RGB 57 142 1

HSL 96.17, 0.99%, 0.28%

LAB 52.08, -47.13, 54.83

 

CMYK 99 / 39 / 0 / 44

HEX #01568E

RGB 1 86 142

HSL 203.83, 0.99%, 0.28%

LAB 35.23, 0.31, -37.04

 

CMYK 39 / 99 / 0 / 44

HEX #56018E

RGB 86 1 142

HSL 276.17, 0.99%, 0.28%

LAB 23.52, 55.28, -55.78

 

CMYK 0 / 60 / 100 / 45

HEX #8C3800

RGB 140 56.6 0.6

HSL 24.1, 0.99%, 0.28%

LAB 34.93, 33.12, 45.86

 

CMYK 89 / 0 / 99 / 44

HEX #0F8E01

RGB 15 142 1

HSL 114.04, 0.99%, 0.28%

LAB 51.21, -54.64, 53.76

 

CMYK 99 / 39 / 0 / 44

HEX #01568E

RGB 1 86 142

HSL 203.83, 0.99%, 0.28%

LAB 35.23, 0.31, -37.04

 

CMYK 10 / 99 / 0 / 44

HEX #80018E

RGB 128 1 142

HSL 294.04, 0.99%, 0.28%

LAB 30.79, 61.07, -43.61

 

Description

Color code: RGB 140 56.6 0.6 | qconv.com Color code: RGB 140 56.6 0.6 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 56.6 green and 0.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 56.6 0.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 100 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 100% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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