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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 140 23 220 it is the complementary color RGB 115 232 35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 140 23 220. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 140 23 220 shade: RGB 145 23 215, RGB 162 41 234, RGB 179 59 253, RGB 196 77 255 and RGB 213 95 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 140 23 220. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 140 23 220 shade: RGB 140 23 220, RGB 123 5 201, RGB 106 0 182, RGB 89 0 163 and RGB 72 0 144

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 140 23 220 shade: RGB 141 23 221, RGB 194 23 221, RGB 221 23 195, RGB 221 23 141 and RGB 221 23 88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 140 23 220 shade: RGB 141 23 221, RGB 87 23 221, RGB 34 23 221 and RGB 23 23 221

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 140 23 220 shade matches the following richer shades: RGB 141 23 221 and RGB 144 3 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 140 23 220 shade: RGB 141 23 221, RGB 137 43 201, RGB 133 62 181, RGB 129 82 162 and RGB 126 102 142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 140 23 220 shade: RGB 33 23 221, RGB 86 23 221, RGB 138 23 221, RGB 191 23 221 and RGB 221 23 198

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 140 23 220 shade: RGB 93 15 146, RGB 117 19 184, RGB 141 23 221, RGB 160 52 233 and RGB 177 89 237

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 140 23 220 shade: RGB 140 23 220, RGB 221 23 66 and RGB 23 221 59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 140 23 220 shade: RGB 140 23 220, RGB 221 138 23 and RGB 23 221 138

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 140 23 220 shade: RGB 140 23 220, RGB 221 23 66, RGB 105 221 23 and RGB 23 221 178

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 140 23 220 shade: RGB 140 23 220, RGB 221 39 23, RGB 105 221 23 and RGB 23 205 221

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 90 / 0 / 14

HEX #8C17DC

RGB 140 23 220

HSL 275.63, 0.81%, 0.48%

LAB 40.17, 74.08, -74.63

 

Complementary color

CMYK 50 / 0 / 85 / 9

HEX #73E823

RGB 115 232 35

HSL 95.63, 0.81%, 0.52%

LAB 82.64, -62.62, 75.39

 

CMYK 33 / 89 / 0 / 16

HEX #9117D7

RGB 145 23 215

HSL 278.13, 0.81%, 0.47%

LAB 40.47, 73.7, -71.24

 

CMYK 31 / 82 / 0 / 8

HEX #A229EA

RGB 162 41 234

HSL 277.62, 0.82%, 0.54%

LAB 45.92, 75.59, -73.09

 

CMYK 29 / 77 / 0 / 1

HEX #B33BFD

RGB 179 59 253

HSL 277.11, 0.98%, 0.61%

LAB 51.61, 76.53, -74.37

 

CMYK 23 / 70 / 0 / 0

HEX #C44DFF

RGB 196 77 255

HSL 280.11, 1%, 0.65%

LAB 56.35, 73.37, -67.7

 

CMYK 16 / 63 / 0 / 0

HEX #D55FFF

RGB 213 95 255

HSL 284.25, 1%, 0.69%

LAB 61.26, 69.46, -59.69

 

CMYK 36 / 90 / 0 / 14

HEX #8C17DC

RGB 140 23 220

HSL 275.63, 0.81%, 0.48%

LAB 40.17, 74.08, -74.63

 

CMYK 39 / 98 / 0 / 21

HEX #7B05C9

RGB 123 5 201

HSL 276.12, 0.95%, 0.4%

LAB 35.08, 70.99, -72.1

 

CMYK 42 / 100 / 0 / 29

HEX #6A00B6

RGB 106 0 182

HSL 274.95, 1%, 0.36%

LAB 30.5, 66.04, -68.52

 

CMYK 45 / 100 / 0 / 36

HEX #5900A3

RGB 89 0 163

HSL 272.76, 1%, 0.32%

LAB 26.06, 60.35, -64.49

 

CMYK 50 / 100 / 0 / 44

HEX #480090

RGB 72 0 144

HSL 270, 1%, 0.28%

LAB 21.55, 54.57, -60.34

 

CMYK 36 / 90 / 0 / 13

HEX #8D17DD

RGB 141 23 221

HSL 275.76, 0.81%, 0.48%

LAB 40.4, 74.4, -74.82

 

CMYK 12 / 90 / 0 / 13

HEX #C217DD

RGB 194 23 221

HSL 291.82, 0.81%, 0.48%

LAB 48.64, 81.82, -61.06

 

CMYK 0 / 90 / 12 / 13

HEX #DD17C3

RGB 221 23 195

HSL 307.88, 0.81%, 0.48%

LAB 51.75, 82.58, -40.88

 

CMYK 0 / 90 / 36 / 13

HEX #DD178D

RGB 221 23 141

HSL 324.24, 0.81%, 0.48%

LAB 49.38, 76.32, -12.63

 

CMYK 0 / 90 / 60 / 13

HEX #DD1758

RGB 221 23 88

HSL 340.3, 0.81%, 0.48%

LAB 47.87, 72.14, 17.61

 

CMYK 36 / 90 / 0 / 13

HEX #8D17DD

RGB 141 23 221

HSL 275.76, 0.81%, 0.48%

LAB 40.4, 74.4, -74.82

 

CMYK 61 / 90 / 0 / 13

HEX #5717DD

RGB 87 23 221

HSL 259.39, 0.81%, 0.48%

LAB 33.69, 69.12, -86.13

 

CMYK 85 / 90 / 0 / 13

HEX #2217DD

RGB 34 23 221

HSL 243.33, 0.81%, 0.48%

LAB 29.85, 66.56, -92.63

 

CMYK 90 / 90 / 0 / 13

HEX #1717DD

RGB 23 23 221

HSL 240, 0.81%, 0.48%

LAB 29.45, 66.32, -93.3

 

CMYK 36 / 90 / 0 / 13

HEX #8D17DD

RGB 141 23 221

HSL 275.76, 0.81%, 0.48%

LAB 40.4, 74.4, -74.82

 

CMYK 40 / 99 / 0 / 5

HEX #9003F1

RGB 144 3 241

HSL 275.55, 0.98%, 0.48%

LAB 41.76, 81.38, -83.96

 

CMYK 36 / 90 / 0 / 13

HEX #8D17DD

RGB 141 23 221

HSL 275.76, 0.81%, 0.48%

LAB 40.4, 74.4, -74.82

 

CMYK 32 / 79 / 0 / 21

HEX #892BC9

RGB 137 43 201

HSL 275.7, 0.65%, 0.48%

LAB 40.02, 64.23, -63.93

 

CMYK 27 / 66 / 0 / 29

HEX #853EB5

RGB 133 62 181

HSL 275.8, 0.49%, 0.48%

LAB 40.84, 51.06, -50.91

 

CMYK 20 / 49 / 0 / 36

HEX #8152A2

RGB 129 82 162

HSL 275.25, 0.33%, 0.48%

LAB 43.23, 34.96, -35.89

 

CMYK 11 / 28 / 0 / 44

HEX #7E668E

RGB 126 102 142

HSL 276, 0.16%, 0.48%

LAB 46.83, 17.57, -18.39

 

CMYK 85 / 90 / 0 / 13

HEX #2117DD

RGB 33 23 221

HSL 243.03, 0.81%, 0.48%

LAB 29.8, 66.53, -92.7

 

CMYK 61 / 90 / 0 / 13

HEX #5617DD

RGB 86 23 221

HSL 259.09, 0.81%, 0.48%

LAB 33.59, 69.05, -86.3

 

CMYK 38 / 90 / 0 / 13

HEX #8A17DD

RGB 138 23 221

HSL 274.85, 0.81%, 0.48%

LAB 39.98, 74.04, -75.54

 

CMYK 14 / 90 / 0 / 13

HEX #BF17DD

RGB 191 23 221

HSL 290.91, 0.81%, 0.48%

LAB 48.15, 81.36, -61.88

 

CMYK 0 / 90 / 10 / 13

HEX #DD17C6

RGB 221 23 198

HSL 306.97, 0.81%, 0.48%

LAB 51.91, 82.98, -42.37

 

CMYK 36 / 90 / 0 / 43

HEX #5D0F92

RGB 93 15 146

HSL 275.73, 0.81%, 0.32%

LAB 25.99, 54.04, -54.16

 

CMYK 36 / 90 / 0 / 28

HEX #7513B8

RGB 117 19 184

HSL 275.64, 0.81%, 0.4%

LAB 33.37, 64.55, -64.93

 

CMYK 36 / 90 / 0 / 13

HEX #8D17DD

RGB 141 23 221

HSL 275.76, 0.81%, 0.48%

LAB 40.4, 74.4, -74.82

 

CMYK 31 / 78 / 0 / 9

HEX #A034E9

RGB 160 52 233

HSL 275.8, 0.8%, 0.56%

LAB 46.73, 71.68, -71.21

 

CMYK 25 / 62 / 0 / 7

HEX #B159ED

RGB 177 89 237

HSL 275.68, 0.8%, 0.64%

LAB 54.66, 60.46, -60.52

 

CMYK 36 / 90 / 0 / 14

HEX #8C17DC

RGB 140 23 220

HSL 275.63, 0.81%, 0.48%

LAB 40.17, 74.08, -74.63

 

CMYK 0 / 90 / 70 / 13

HEX #DD1742

RGB 221 23 66

HSL 346.97, 0.81%, 0.48%

LAB 47.47, 71.01, 30.56

 

CMYK 90 / 0 / 73 / 13

HEX #17DD3B

RGB 23 221 59

HSL 130.91, 0.81%, 0.48%

LAB 77.41, -73.93, 63.09

 

CMYK 36 / 90 / 0 / 14

HEX #8C17DC

RGB 140 23 220

HSL 275.63, 0.81%, 0.48%

LAB 40.17, 74.08, -74.63

 

CMYK 0 / 38 / 90 / 13

HEX #DD8A17

RGB 221 138 23

HSL 34.85, 0.81%, 0.48%

LAB 64.65, 24.1, 66.31

 

CMYK 90 / 0 / 38 / 13

HEX #17DD8A

RGB 23 221 138

HSL 154.85, 0.81%, 0.48%

LAB 78.3, -63.06, 28.53

 

CMYK 36 / 90 / 0 / 14

HEX #8C17DC

RGB 140 23 220

HSL 275.63, 0.81%, 0.48%

LAB 40.17, 74.08, -74.63

 

CMYK 0 / 90 / 70 / 13

HEX #DD1742

RGB 221 23 66

HSL 346.97, 0.81%, 0.48%

LAB 47.47, 71.01, 30.56

 

CMYK 52 / 0 / 90 / 13

HEX #69DD17

RGB 105 221 23

HSL 95.15, 0.81%, 0.48%

LAB 78.91, -61.87, 74.3

 

CMYK 90 / 0 / 19 / 13

HEX #17DDB2

RGB 23 221 178

HSL 166.97, 0.81%, 0.48%

LAB 79.1, -54.14, 8.7

 

CMYK 36 / 90 / 0 / 14

HEX #8C17DC

RGB 140 23 220

HSL 275.63, 0.81%, 0.48%

LAB 40.17, 74.08, -74.63

 

CMYK 0 / 82 / 90 / 13

HEX #DD2717

RGB 221 39 23

HSL 4.85, 0.81%, 0.48%

LAB 48.11, 66.7, 54.07

 

CMYK 52 / 0 / 90 / 13

HEX #69DD17

RGB 105 221 23

HSL 95.15, 0.81%, 0.48%

LAB 78.91, -61.87, 74.3

 

CMYK 90 / 7 / 0 / 13

HEX #17CDDD

RGB 23 205 221

HSL 184.85, 0.81%, 0.48%

LAB 75.49, -35.18, -19.68

 

Description

Color code: RGB 140 23 220 | qconv.com Color code: RGB 140 23 220 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 23 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 23 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 90 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 90% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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