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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 140 188 68 it is the complementary color RGB 115 67 187. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 140 188 68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 140 188 68 shade: RGB 145 188 63, RGB 162 206 82, RGB 179 224 101, RGB 196 242 120 and RGB 213 255 139

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 140 188 68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 140 188 68 shade: RGB 140 188 68, RGB 123 170 49, RGB 106 152 30, RGB 89 134 11 and RGB 72 116 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 140 188 68 shade: RGB 139 187 68, RGB 172 187 68, RGB 187 171 68, RGB 187 138 68 and RGB 187 106 68

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 140 188 68 shade: RGB 139 187 68, RGB 107 187 68, RGB 75 187 68, RGB 68 187 93 and RGB 68 187 125

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 140 188 68 shade matches the following richer shades: RGB 139 187 68, RGB 144 208 47, RGB 148 229 26 and RGB 152 249 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 140 188 68 shade: RGB 139 187 68, RGB 135 167 88, RGB 131 146 109, RGB 127 126 129 and RGB 123 105 150

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 140 188 68 shade: RGB 187 171 68, RGB 171 187 68, RGB 139 187 68, RGB 108 187 68 and RGB 76 187 68

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 140 188 68 shade: RGB 94 127 46, RGB 117 157 57, RGB 139 187 68, RGB 158 198 98 and RGB 177 209 128

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 140 188 68 shade: RGB 140 188 68, RGB 68 187 139 and RGB 187 68 187

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 140 188 68 shade: RGB 140 188 68, RGB 68 139 187 and RGB 187 68 139

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 140 188 68 shade: RGB 140 188 68, RGB 68 187 139, RGB 116 68 187 and RGB 187 68 116

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 140 188 68 shade: RGB 140 188 68, RGB 68 187 175, RGB 116 68 187 and RGB 187 68 80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 64 / 26

HEX #8CBC44

RGB 140 188 68

HSL 84, 0.47%, 0.5%

LAB 70.84, -34.49, 53.85

 

Complementary color

CMYK 39 / 64 / 0 / 27

HEX #7343BB

RGB 115 67 187

HSL 264, 0.47%, 0.5%

LAB 39.99, 46.03, -55.92

 

CMYK 23 / 0 / 66 / 26

HEX #91BC3F

RGB 145 188 63

HSL 80.64, 0.5%, 0.49%

LAB 71.11, -32.94, 56.29

 

CMYK 21 / 0 / 60 / 19

HEX #A2CE52

RGB 162 206 82

HSL 81.29, 0.56%, 0.56%

LAB 77.54, -33.25, 55.57

 

CMYK 20 / 0 / 55 / 12

HEX #B3E065

RGB 179 224 101

HSL 81.95, 0.66%, 0.64%

LAB 83.88, -33.47, 54.63

 

CMYK 19 / 0 / 50 / 5

HEX #C4F278

RGB 196 242 120

HSL 82.62, 0.82%, 0.71%

LAB 90.14, -33.61, 53.57

 

CMYK 16 / 0 / 45 / 0

HEX #D5FF8B

RGB 213 255 139

HSL 81.72, 1%, 0.77%

LAB 94.96, -31.4, 50.82

 

CMYK 26 / 0 / 64 / 26

HEX #8CBC44

RGB 140 188 68

HSL 84, 0.47%, 0.5%

LAB 70.84, -34.49, 53.85

 

CMYK 28 / 0 / 71 / 33

HEX #7BAA31

RGB 123 170 49

HSL 83.31, 0.55%, 0.43%

LAB 64.31, -34.14, 54.37

 

CMYK 30 / 0 / 80 / 40

HEX #6A981E

RGB 106 152 30

HSL 82.62, 0.67%, 0.36%

LAB 57.67, -33.6, 54.2

 

CMYK 34 / 0 / 92 / 47

HEX #59860B

RGB 89 134 11

HSL 81.95, 0.85%, 0.28%

LAB 50.92, -32.79, 52.69

 

CMYK 38 / 0 / 100 / 55

HEX #487400

RGB 72 116 0

HSL 82.76, 1%, 0.23%

LAB 44.04, -31.61, 48.99

 

CMYK 26 / 0 / 64 / 27

HEX #8BBB44

RGB 139 187 68

HSL 84.2, 0.47%, 0.5%

LAB 70.49, -34.41, 53.45

 

CMYK 8 / 0 / 64 / 27

HEX #ACBB44

RGB 172 187 68

HSL 67.56, 0.47%, 0.5%

LAB 72.71, -21.2, 56.5

 

CMYK 0 / 9 / 64 / 27

HEX #BBAB44

RGB 187 171 68

HSL 51.93, 0.47%, 0.5%

LAB 69.55, -6.64, 53.48

 

CMYK 0 / 26 / 64 / 27

HEX #BB8A44

RGB 187 138 68

HSL 35.29, 0.47%, 0.5%

LAB 60.92, 11.22, 43.97

 

CMYK 0 / 43 / 64 / 27

HEX #BB6A44

RGB 187 106 68

HSL 19.16, 0.47%, 0.5%

LAB 53.27, 28.87, 35.06

 

CMYK 26 / 0 / 64 / 27

HEX #8BBB44

RGB 139 187 68

HSL 84.2, 0.47%, 0.5%

LAB 70.49, -34.41, 53.45

 

CMYK 43 / 0 / 64 / 27

HEX #6BBB44

RGB 107 187 68

HSL 100.34, 0.47%, 0.5%

LAB 68.81, -45.74, 51.14

 

CMYK 60 / 0 / 64 / 27

HEX #4BBB44

RGB 75 187 68

HSL 116.47, 0.47%, 0.5%

LAB 67.62, -54.75, 49.48

 

CMYK 64 / 0 / 50 / 27

HEX #44BB5D

RGB 68 187 93

HSL 132.61, 0.47%, 0.5%

LAB 67.69, -53.16, 37.8

 

CMYK 64 / 0 / 33 / 27

HEX #44BB7D

RGB 68 187 125

HSL 148.74, 0.47%, 0.5%

LAB 68.2, -47.56, 21.86

 

CMYK 26 / 0 / 64 / 27

HEX #8BBB44

RGB 139 187 68

HSL 84.2, 0.47%, 0.5%

LAB 70.49, -34.41, 53.45

 

CMYK 31 / 0 / 77 / 18

HEX #90D02F

RGB 144 208 47

HSL 83.85, 0.63%, 0.5%

LAB 76.83, -43.21, 67.59

 

CMYK 35 / 0 / 89 / 10

HEX #94E51A

RGB 148 229 26

HSL 83.94, 0.8%, 0.5%

LAB 83.13, -51.29, 78.07

 

CMYK 39 / 0 / 98 / 2

HEX #98F906

RGB 152 249 6

HSL 83.95, 0.95%, 0.5%

LAB 89.13, -58.16, 85.18

 

CMYK 26 / 0 / 64 / 27

HEX #8BBB44

RGB 139 187 68

HSL 84.2, 0.47%, 0.5%

LAB 70.49, -34.41, 53.45

 

CMYK 19 / 0 / 47 / 35

HEX #87A758

RGB 135 167 88

HSL 84.3, 0.31%, 0.5%

LAB 64.56, -24.45, 37.11

 

CMYK 10 / 0 / 25 / 43

HEX #83926D

RGB 131 146 109

HSL 84.32, 0.15%, 0.5%

LAB 58.5, -12.26, 17.87

 

CMYK 2 / 2 / 0 / 49

HEX #7F7E81

RGB 127 126 129

HSL 260, 0.01%, 0.5%

LAB 52.97, 0.98, -1.5

 

CMYK 18 / 30 / 0 / 41

HEX #7B6996

RGB 123 105 150

HSL 264, 0.18%, 0.5%

LAB 47.64, 16.61, -21.92

 

CMYK 0 / 9 / 64 / 27

HEX #BBAB44

RGB 187 171 68

HSL 51.93, 0.47%, 0.5%

LAB 69.55, -6.64, 53.48

 

CMYK 9 / 0 / 64 / 27

HEX #ABBB44

RGB 171 187 68

HSL 68.07, 0.47%, 0.5%

LAB 72.64, -21.61, 56.4

 

CMYK 26 / 0 / 64 / 27

HEX #8BBB44

RGB 139 187 68

HSL 84.2, 0.47%, 0.5%

LAB 70.49, -34.41, 53.45

 

CMYK 42 / 0 / 64 / 27

HEX #6CBB44

RGB 108 187 68

HSL 99.83, 0.47%, 0.5%

LAB 68.86, -45.41, 51.2

 

CMYK 59 / 0 / 64 / 27

HEX #4CBB44

RGB 76 187 68

HSL 115.97, 0.47%, 0.5%

LAB 67.65, -54.51, 49.52

 

CMYK 26 / 0 / 64 / 50

HEX #5E7F2E

RGB 94 127 46

HSL 84.44, 0.47%, 0.34%

LAB 49.2, -25.42, 39.19

 

CMYK 25 / 0 / 64 / 38

HEX #759D39

RGB 117 157 57

HSL 84, 0.47%, 0.42%

LAB 60.06, -29.8, 46.5

 

CMYK 26 / 0 / 64 / 27

HEX #8BBB44

RGB 139 187 68

HSL 84.2, 0.47%, 0.5%

LAB 70.49, -34.41, 53.45

 

CMYK 20 / 0 / 51 / 22

HEX #9EC662

RGB 158 198 98

HSL 84, 0.47%, 0.58%

LAB 75.16, -29.52, 45.42

 

CMYK 15 / 0 / 39 / 18

HEX #B1D180

RGB 177 209 128

HSL 83.7, 0.47%, 0.66%

LAB 79.9, -24.17, 36.72

 

CMYK 26 / 0 / 64 / 26

HEX #8CBC44

RGB 140 188 68

HSL 84, 0.47%, 0.5%

LAB 70.84, -34.49, 53.85

 

CMYK 64 / 0 / 26 / 27

HEX #44BB8B

RGB 68 187 139

HSL 155.8, 0.47%, 0.5%

LAB 68.49, -44.6, 14.7

 

CMYK 0 / 64 / 0 / 27

HEX #BB44BB

RGB 187 68 187

HSL 300, 0.47%, 0.5%

LAB 49.84, 62.32, -39.62

 

CMYK 26 / 0 / 64 / 26

HEX #8CBC44

RGB 140 188 68

HSL 84, 0.47%, 0.5%

LAB 70.84, -34.49, 53.85

 

CMYK 64 / 26 / 0 / 27

HEX #448BBB

RGB 68 139 187

HSL 204.2, 0.47%, 0.5%

LAB 55.36, -7.32, -31.7

 

CMYK 0 / 64 / 26 / 27

HEX #BB448B

RGB 187 68 139

HSL 324.2, 0.47%, 0.5%

LAB 47.7, 54.99, -14.54

 

CMYK 26 / 0 / 64 / 26

HEX #8CBC44

RGB 140 188 68

HSL 84, 0.47%, 0.5%

LAB 70.84, -34.49, 53.85

 

CMYK 64 / 0 / 26 / 27

HEX #44BB8B

RGB 68 187 139

HSL 155.8, 0.47%, 0.5%

LAB 68.49, -44.6, 14.7

 

CMYK 38 / 64 / 0 / 27

HEX #7444BB

RGB 116 68 187

HSL 264.2, 0.47%, 0.5%

LAB 40.3, 45.71, -55.41

 

CMYK 0 / 64 / 38 / 27

HEX #BB4474

RGB 187 68 116

HSL 335.8, 0.47%, 0.5%

LAB 46.92, 52.16, -1.78

 

CMYK 26 / 0 / 64 / 26

HEX #8CBC44

RGB 140 188 68

HSL 84, 0.47%, 0.5%

LAB 70.84, -34.49, 53.85

 

CMYK 64 / 0 / 6 / 27

HEX #44BBAF

RGB 68 187 175

HSL 173.95, 0.47%, 0.5%

LAB 69.37, -35.72, -3.72

 

CMYK 38 / 64 / 0 / 27

HEX #7444BB

RGB 116 68 187

HSL 264.2, 0.47%, 0.5%

LAB 40.3, 45.71, -55.41

 

CMYK 0 / 64 / 57 / 27

HEX #BB4450

RGB 187 68 80

HSL 353.95, 0.47%, 0.5%

LAB 46.01, 48.77, 18.93

 

Description

Color code: RGB 140 188 68 | qconv.com Color code: RGB 140 188 68 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 188 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 188 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 64 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 64% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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