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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 140.5 129 104 it is the complementary color RGB 114.5 126 151. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 140.5 129 104. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 140.5 129 104 shade: RGB 145.5 129 99, RGB 162.5 147 118, RGB 179.5 165 137, RGB 196.5 183 156 and RGB 213.5 201 175

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 140.5 129 104. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 140.5 129 104 shade: RGB 140.5 129 104, RGB 123.5 111 85, RGB 106.5 93 66, RGB 89.5 75 47 and RGB 72.5 57 28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 140.5 129 104 shade: RGB 141 129 104, RGB 141 119 104, RGB 141 109 104 and RGB 141 104 104

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 140.5 129 104 shade: RGB 141 129 104, RGB 141 139 104, RGB 133 141 104, RGB 123 141 104 and RGB 113 141 104

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 140.5 129 104 shade matches the following richer shades: RGB 141 129 104, RGB 161 137 84, RGB 180 144 64, RGB 200 151 45 and RGB 220 159 25

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 140.5 129 104 shade: RGB 141 129 104, RGB 121 122 124, RGB 101 115 144, RGB 81 107 163 and RGB 62 100 183

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 140.5 129 104 shade: RGB 141 110 104, RGB 141 119 104, RGB 141 129 104, RGB 141 139 104 and RGB 133 141 104

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 140.5 129 104 shade: RGB 93 86 69, RGB 117 107 87, RGB 141 129 104, RGB 160 149 126 and RGB 177 169 150

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 140.5 129 104 shade: RGB 140.5 129 104, RGB 108 141 104 and RGB 114 104 141

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 140.5 129 104 shade: RGB 140.5 129 104, RGB 104 141 129 and RGB 129 104 141

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 140.5 129 104 shade: RGB 140.5 129 104, RGB 108 141 104, RGB 104 116 141 and RGB 136 104 141

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 140.5 129 104 shade: RGB 140.5 129 104, RGB 104 141 111, RGB 104 116 141 and RGB 141 104 134

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 26 / 45

HEX #8C8168

RGB 140.5 129 104

HSL 41.1, 0.15%, 0.48%

LAB 54.36, 0.17, 15.15

 

Complementary color

CMYK 24 / 17 / 0 / 41

HEX #727E97

RGB 114.5 126 151

HSL 221.1, 0.15%, 0.52%

LAB 52.69, 1.56, -14.85

 

CMYK 0 / 11 / 32 / 43

HEX #918163

RGB 145.5 129 99

HSL 38.71, 0.19%, 0.48%

LAB 54.73, 1.52, 18.59

 

CMYK 0 / 10 / 27 / 36

HEX #A29376

RGB 162.5 147 118

HSL 39.1, 0.19%, 0.55%

LAB 61.58, 1.09, 17.47

 

CMYK 0 / 8 / 24 / 30

HEX #B3A589

RGB 179.5 165 137

HSL 39.53, 0.22%, 0.62%

LAB 68.28, 0.72, 16.44

 

CMYK 0 / 7 / 21 / 23

HEX #C4B79C

RGB 196.5 183 156

HSL 40, 0.26%, 0.69%

LAB 74.87, 0.4, 15.47

 

CMYK 0 / 6 / 18 / 16

HEX #D5C9AF

RGB 213.5 201 175

HSL 40.52, 0.32%, 0.76%

LAB 81.34, 0.12, 14.56

 

CMYK 0 / 8 / 26 / 45

HEX #8C8168

RGB 140.5 129 104

HSL 41.1, 0.15%, 0.48%

LAB 54.36, 0.17, 15.15

 

CMYK 0 / 10 / 31 / 52

HEX #7B6F55

RGB 123.5 111 85

HSL 40.52, 0.18%, 0.41%

LAB 47.33, 0.57, 16.28

 

CMYK 0 / 13 / 38 / 58

HEX #6A5D42

RGB 106.5 93 66

HSL 40, 0.23%, 0.34%

LAB 40.11, 1.08, 17.53

 

CMYK 0 / 16 / 47 / 65

HEX #594B2F

RGB 89.5 75 47

HSL 39.53, 0.31%, 0.27%

LAB 32.67, 1.75, 18.93

 

CMYK 0 / 21 / 61 / 72

HEX #48391C

RGB 72.5 57 28

HSL 39.1, 0.44%, 0.2%

LAB 24.97, 2.68, 20.48

 

CMYK 0 / 9 / 26 / 45

HEX #8D8168

RGB 141 129 104

HSL 40.54, 0.15%, 0.48%

LAB 54.41, 0.37, 15.23

RGB 141 129 104

CMYK 0 / 16 / 26 / 45

HEX #8D7768

RGB 141 119 104

HSL 24.32, 0.15%, 0.48%

LAB 51.67, 6.09, 11.42

RGB 141 119 104

CMYK 0 / 23 / 26 / 45

HEX #8D6D68

RGB 141 109 104

HSL 8.11, 0.15%, 0.48%

LAB 49.01, 11.91, 7.66

RGB 141 109 104

CMYK 0 / 9 / 26 / 45

HEX #8D8168

RGB 141 129 104

HSL 40.54, 0.15%, 0.48%

LAB 54.41, 0.37, 15.23

RGB 141 129 104

CMYK 0 / 1 / 26 / 45

HEX #8D8B68

RGB 141 139 104

HSL 56.76, 0.15%, 0.48%

LAB 57.2, -5.23, 19.04

RGB 141 139 104

CMYK 6 / 0 / 26 / 45

HEX #858D68

RGB 133 141 104

HSL 72.97, 0.15%, 0.48%

LAB 57.11, -9.55, 18.81

RGB 133 141 104

CMYK 13 / 0 / 26 / 45

HEX #7B8D68

RGB 123 141 104

HSL 89.19, 0.15%, 0.48%

LAB 56.35, -13.5, 17.65

RGB 123 141 104

CMYK 20 / 0 / 26 / 45

HEX #718D68

RGB 113 141 104

HSL 105.41, 0.15%, 0.48%

LAB 55.64, -17.31, 16.57

RGB 113 141 104

CMYK 0 / 9 / 26 / 45

HEX #8D8168

RGB 141 129 104

HSL 40.54, 0.15%, 0.48%

LAB 54.41, 0.37, 15.23

RGB 141 129 104

CMYK 0 / 15 / 48 / 37

HEX #A18954

RGB 161 137 84

HSL 41.3, 0.31%, 0.48%

LAB 58.14, 1.83, 31.68

RGB 161 137 84

CMYK 0 / 20 / 64 / 29

HEX #B49040

RGB 180 144 64

HSL 41.38, 0.48%, 0.48%

LAB 61.67, 4.58, 46.54

RGB 180 144 64

CMYK 0 / 25 / 78 / 22

HEX #C8972D

RGB 200 151 45

HSL 41.03, 0.63%, 0.48%

LAB 65.44, 8.58, 59.17

RGB 200 151 45

CMYK 0 / 28 / 89 / 14

HEX #DC9F19

RGB 220 159 25

HSL 41.23, 0.8%, 0.48%

LAB 69.53, 12.45, 69.55

RGB 220 159 25

CMYK 0 / 9 / 26 / 45

HEX #8D8168

RGB 141 129 104

HSL 40.54, 0.15%, 0.48%

LAB 54.41, 0.37, 15.23

RGB 141 129 104

CMYK 2 / 2 / 0 / 51

HEX #797A7C

RGB 121 122 124

HSL 220, 0.01%, 0.48%

LAB 51.2, 0.03, -1.23

RGB 121 122 124

CMYK 30 / 20 / 0 / 44

HEX #657390

RGB 101 115 144

HSL 220.47, 0.18%, 0.48%

LAB 48.31, 1.89, -17.5

RGB 101 115 144

CMYK 50 / 34 / 0 / 36

HEX #516BA3

RGB 81 107 163

HSL 220.98, 0.34%, 0.48%

LAB 45.51, 6.64, -33.17

RGB 81 107 163

CMYK 66 / 45 / 0 / 28

HEX #3E64B7

RGB 62 100 183

HSL 221.16, 0.49%, 0.48%

LAB 43.59, 13.89, -48

RGB 62 100 183

CMYK 0 / 22 / 26 / 45

HEX #8D6E68

RGB 141 110 104

HSL 9.73, 0.15%, 0.48%

LAB 49.27, 11.32, 8.04

 

CMYK 0 / 16 / 26 / 45

HEX #8D7768

RGB 141 119 104

HSL 24.32, 0.15%, 0.48%

LAB 51.67, 6.09, 11.42

 

CMYK 0 / 9 / 26 / 45

HEX #8D8168

RGB 141 129 104

HSL 40.54, 0.15%, 0.48%

LAB 54.41, 0.37, 15.23

RGB 141 129 104

CMYK 0 / 1 / 26 / 45

HEX #8D8B68

RGB 141 139 104

HSL 56.76, 0.15%, 0.48%

LAB 57.2, -5.23, 19.04

RGB 141 139 104

CMYK 6 / 0 / 26 / 45

HEX #858D68

RGB 133 141 104

HSL 72.97, 0.15%, 0.48%

LAB 57.11, -9.55, 18.81

RGB 133 141 104

CMYK 0 / 8 / 26 / 64

HEX #5D5645

RGB 93 86 69

HSL 42.5, 0.15%, 0.32%

LAB 36.77, -0.25, 10.94

 

CMYK 0 / 9 / 26 / 54

HEX #756B57

RGB 117 107 87

HSL 40, 0.15%, 0.4%

LAB 45.61, 0.44, 12.65

 

CMYK 0 / 9 / 26 / 45

HEX #8D8168

RGB 141 129 104

HSL 40.54, 0.15%, 0.48%

LAB 54.41, 0.37, 15.23

RGB 141 129 104

CMYK 0 / 7 / 21 / 37

HEX #A0957E

RGB 160 149 126

HSL 40.59, 0.15%, 0.56%

LAB 62.06, 0.17, 13.62

RGB 160 149 126

CMYK 0 / 5 / 15 / 31

HEX #B1A996

RGB 177 169 150

HSL 42.22, 0.15%, 0.64%

LAB 69.42, -0.4, 10.83

RGB 177 169 150

CMYK 0 / 8 / 26 / 45

HEX #8C8168

RGB 140.5 129 104

HSL 41.1, 0.15%, 0.48%

LAB 54.36, 0.17, 15.15

 

CMYK 23 / 0 / 26 / 45

HEX #6C8D68

RGB 108 141 104

HSL 113.51, 0.15%, 0.48%

LAB 55.32, -19.16, 16.07

 

CMYK 19 / 26 / 0 / 45

HEX #72688D

RGB 114 104 141

HSL 256.22, 0.15%, 0.48%

LAB 46.18, 12.02, -18.9

 

CMYK 0 / 8 / 26 / 45

HEX #8C8168

RGB 140.5 129 104

HSL 41.1, 0.15%, 0.48%

LAB 54.36, 0.17, 15.15

 

CMYK 26 / 0 / 9 / 45

HEX #688D81

RGB 104 141 129

HSL 160.54, 0.15%, 0.48%

LAB 55.66, -15.53, 2.23

 

CMYK 9 / 26 / 0 / 45

HEX #81688D

RGB 129 104 141

HSL 280.54, 0.15%, 0.48%

LAB 47.61, 17.19, -16.58

 

CMYK 0 / 8 / 26 / 45

HEX #8C8168

RGB 140.5 129 104

HSL 41.1, 0.15%, 0.48%

LAB 54.36, 0.17, 15.15

 

CMYK 23 / 0 / 26 / 45

HEX #6C8D68

RGB 108 141 104

HSL 113.51, 0.15%, 0.48%

LAB 55.32, -19.16, 16.07

 

CMYK 26 / 18 / 0 / 45

HEX #68748D

RGB 104 116 141

HSL 220.54, 0.15%, 0.48%

LAB 48.71, 1.48, -15.11

 

CMYK 4 / 26 / 0 / 45

HEX #88688D

RGB 136 104 141

HSL 291.89, 0.15%, 0.48%

LAB 48.33, 19.66, -15.41

 

CMYK 0 / 8 / 26 / 45

HEX #8C8168

RGB 140.5 129 104

HSL 41.1, 0.15%, 0.48%

LAB 54.36, 0.17, 15.15

 

CMYK 26 / 0 / 21 / 45

HEX #688D6F

RGB 104 141 111

HSL 131.35, 0.15%, 0.48%

LAB 55.22, -19.29, 11.91

 

CMYK 26 / 18 / 0 / 45

HEX #68748D

RGB 104 116 141

HSL 220.54, 0.15%, 0.48%

LAB 48.71, 1.48, -15.11

 

CMYK 0 / 26 / 5 / 45

HEX #8D6886

RGB 141 104 134

HSL 311.35, 0.15%, 0.48%

LAB 48.62, 20.05, -10.77

 

Description

Color code: RGB 140.5 129 104 | qconv.com Color code: RGB 140.5 129 104 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140.5 red, 129 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140.5 129 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 26 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 26% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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