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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 14.7 74.6 134.6 it is the complementary color RGB 240.3 180.4 120.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 14.7 74.6 134.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 14.7 74.6 134.6 shade: RGB 19.7 74.6 129.6, RGB 36.7 92.6 148.6, RGB 53.7 110.6 167.6, RGB 70.7 128.6 186.6 and RGB 87.7 146.6 205.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 14.7 74.6 134.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 14.7 74.6 134.6 shade: RGB 14.7 74.6 134.6, RGB 0 56.6 115.6, RGB 0 38.6 96.6, RGB 0 20.6 77.6 and RGB 0 2.6 58.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 14.7 74.6 134.6 shade: RGB 15 74 133, RGB 15 42 133, RGB 20 15 133, RGB 51 15 133 and RGB 83 15 133

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 14.7 74.6 134.6 shade: RGB 15 74 133, RGB 15 42 133 and RGB 15 15 133

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 14.7 74.6 134.6 shade matches the following richer shades: RGB 15 74 133 and RGB 3 74 145

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 14.7 74.6 134.6 shade: RGB 15 74 133, RGB 27 74 121, RGB 39 74 109, RGB 51 74 97 and RGB 63 74 85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 14.7 74.6 134.6 shade: RGB 15 133 129, RGB 15 106 133, RGB 15 74 133, RGB 15 42 133 and RGB 19 15 133

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 14.7 74.6 134.6 shade: RGB 7 33 59, RGB 11 53 96, RGB 15 74 133, RGB 19 95 170 and RGB 23 115 207

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 14.7 74.6 134.6 shade: RGB 14.7 74.6 134.6, RGB 98 15 133 and RGB 121 133 15

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 14.7 74.6 134.6 shade: RGB 14.7 74.6 134.6, RGB 133 15 74 and RGB 74 133 15

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 14.7 74.6 134.6 shade: RGB 14.7 74.6 134.6, RGB 98 15 133, RGB 133 74 15 and RGB 50 133 15

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 14.7 74.6 134.6 shade: RGB 14.7 74.6 134.6, RGB 133 15 133, RGB 133 74 15 and RGB 15 133 15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 45 / 0 / 47

HEX #0E4A86

RGB 14.7 74.6 134.6

HSL 210.03, 0.8%, 0.29%

LAB 31.38, 5.61, -38.65

 

Complementary color

CMYK 0 / 25 / 50 / 6

HEX #F0B478

RGB 240.3 180.4 120.4

HSL 30.03, 0.8%, 0.71%

LAB 77.73, 14.81, 38.91

 

CMYK 85 / 42 / 0 / 49

HEX #134A81

RGB 19.7 74.6 129.6

HSL 210.03, 0.74%, 0.29%

LAB 31.17, 3.98, -35.89

 

CMYK 75 / 38 / 0 / 42

HEX #245C94

RGB 36.7 92.6 148.6

HSL 210.03, 0.6%, 0.36%

LAB 38.38, 1.83, -35.98

 

CMYK 68 / 34 / 0 / 34

HEX #356EA7

RGB 53.7 110.6 167.6

HSL 210.03, 0.51%, 0.43%

LAB 45.46, 0.27, -36.05

 

CMYK 62 / 31 / 0 / 27

HEX #4680BA

RGB 70.7 128.6 186.6

HSL 210.03, 0.46%, 0.5%

LAB 52.39, -0.9, -36.1

 

CMYK 57 / 29 / 0 / 19

HEX #5792CD

RGB 87.7 146.6 205.6

HSL 210.03, 0.54%, 0.58%

LAB 59.2, -1.81, -36.17

 

CMYK 89 / 45 / 0 / 47

HEX #0E4A86

RGB 14.7 74.6 134.6

HSL 210.03, 0.8%, 0.29%

LAB 31.38, 5.61, -38.65

 

CMYK 100 / 51 / 0 / 55

HEX #003873

RGB 0 56.6 115.6

HSL 210.62, 1%, 0.23%

LAB 24.12, 8.9, -38.43

 

CMYK 100 / 60 / 0 / 62

HEX #002660

RGB 0 38.6 96.6

HSL 216.02, 1%, 0.19%

LAB 16.9, 13.57, -37.83

 

CMYK 100 / 73 / 0 / 70

HEX #00144D

RGB 0 20.6 77.6

HSL 224.07, 1%, 0.15%

LAB 9.53, 18.68, -37.06

 

CMYK 100 / 96 / 0 / 77

HEX #00023A

RGB 0 2.6 58.6

HSL 237.34, 1%, 0.11%

LAB 3.32, 18.74, -33.78

 

CMYK 89 / 44 / 0 / 48

HEX #0F4A85

RGB 15 74 133

HSL 210, 0.8%, 0.29%

LAB 31.1, 5.37, -38.12

 

CMYK 89 / 68 / 0 / 48

HEX #0F2A85

RGB 15 42 133

HSL 226.27, 0.8%, 0.29%

LAB 21.77, 27.74, -53.27

 

CMYK 85 / 89 / 0 / 48

HEX #140F85

RGB 20 15 133

HSL 242.54, 0.8%, 0.29%

LAB 16.42, 43.67, -62.1

 

CMYK 62 / 89 / 0 / 48

HEX #330F85

RGB 51 15 133

HSL 258.31, 0.8%, 0.29%

LAB 18.97, 45.79, -57.81

 

CMYK 38 / 89 / 0 / 48

HEX #530F85

RGB 83 15 133

HSL 274.58, 0.8%, 0.29%

LAB 23.25, 49.68, -50.6

 

CMYK 89 / 44 / 0 / 48

HEX #0F4A85

RGB 15 74 133

HSL 210, 0.8%, 0.29%

LAB 31.1, 5.37, -38.12

 

CMYK 89 / 68 / 0 / 48

HEX #0F2A85

RGB 15 42 133

HSL 226.27, 0.8%, 0.29%

LAB 21.77, 27.74, -53.27

 

CMYK 89 / 89 / 0 / 48

HEX #0F0F85

RGB 15 15 133

HSL 240, 0.8%, 0.29%

LAB 16.19, 43.49, -62.5

 

CMYK 89 / 44 / 0 / 48

HEX #0F4A85

RGB 15 74 133

HSL 210, 0.8%, 0.29%

LAB 31.1, 5.37, -38.12

 

CMYK 98 / 49 / 0 / 43

HEX #034A91

RGB 3 74 145

HSL 210, 0.96%, 0.29%

LAB 31.72, 9.7, -44.5

 

CMYK 89 / 44 / 0 / 48

HEX #0F4A85

RGB 15 74 133

HSL 210, 0.8%, 0.29%

LAB 31.1, 5.37, -38.12

 

CMYK 78 / 39 / 0 / 53

HEX #1B4A79

RGB 27 74 121

HSL 210, 0.64%, 0.29%

LAB 30.67, 1.76, -31.32

 

CMYK 64 / 32 / 0 / 57

HEX #274A6D

RGB 39 74 109

HSL 210, 0.47%, 0.29%

LAB 30.48, -0.75, -24.05

 

CMYK 47 / 24 / 0 / 62

HEX #334A61

RGB 51 74 97

HSL 210, 0.31%, 0.29%

LAB 30.56, -1.9, -16.26

 

CMYK 26 / 13 / 0 / 67

HEX #3F4A55

RGB 63 74 85

HSL 210, 0.15%, 0.29%

LAB 30.9, -1.56, -7.98

 

CMYK 89 / 0 / 3 / 48

HEX #0F8581

RGB 15 133 129

HSL 177.97, 0.8%, 0.29%

LAB 50.05, -30.12, -6.38

 

CMYK 89 / 20 / 0 / 48

HEX #0F6A85

RGB 15 106 133

HSL 193.73, 0.8%, 0.29%

LAB 41.38, -14.6, -21.92

 

CMYK 89 / 44 / 0 / 48

HEX #0F4A85

RGB 15 74 133

HSL 210, 0.8%, 0.29%

LAB 31.1, 5.37, -38.12

 

CMYK 89 / 68 / 0 / 48

HEX #0F2A85

RGB 15 42 133

HSL 226.27, 0.8%, 0.29%

LAB 21.77, 27.74, -53.27

 

CMYK 86 / 89 / 0 / 48

HEX #130F85

RGB 19 15 133

HSL 242.03, 0.8%, 0.29%

LAB 16.37, 43.63, -62.19

 

CMYK 88 / 44 / 0 / 77

HEX #07213B

RGB 7 33 59

HSL 210, 0.79%, 0.13%

LAB 12.28, 1.28, -19.58

 

CMYK 89 / 45 / 0 / 62

HEX #0B3560

RGB 11 53 96

HSL 210.35, 0.79%, 0.21%

LAB 21.81, 3.74, -29.49

 

CMYK 89 / 44 / 0 / 48

HEX #0F4A85

RGB 15 74 133

HSL 210, 0.8%, 0.29%

LAB 31.1, 5.37, -38.12

 

CMYK 89 / 44 / 0 / 33

HEX #135FAA

RGB 19 95 170

HSL 209.8, 0.8%, 0.37%

LAB 39.96, 6.94, -46.26

 

CMYK 89 / 44 / 0 / 19

HEX #1773CF

RGB 23 115 207

HSL 210, 0.8%, 0.45%

LAB 48.2, 9.07, -54.52

 

CMYK 89 / 45 / 0 / 47

HEX #0E4A86

RGB 14.7 74.6 134.6

HSL 210.03, 0.8%, 0.29%

LAB 31.38, 5.61, -38.65

 

CMYK 26 / 89 / 0 / 48

HEX #620F85

RGB 98 15 133

HSL 282.2, 0.8%, 0.29%

LAB 25.66, 52, -46.57

 

CMYK 9 / 0 / 89 / 48

HEX #79850F

RGB 121 133 15

HSL 66.1, 0.8%, 0.29%

LAB 52.81, -18.48, 54.34

 

CMYK 89 / 45 / 0 / 47

HEX #0E4A86

RGB 14.7 74.6 134.6

HSL 210.03, 0.8%, 0.29%

LAB 31.38, 5.61, -38.65

 

CMYK 0 / 89 / 44 / 48

HEX #850F4A

RGB 133 15 74

HSL 330, 0.8%, 0.29%

LAB 28.96, 50.45, -2.67

 

CMYK 44 / 0 / 89 / 48

HEX #4A850F

RGB 74 133 15

HSL 90, 0.8%, 0.29%

LAB 49.82, -37.85, 50.61

 

CMYK 89 / 45 / 0 / 47

HEX #0E4A86

RGB 14.7 74.6 134.6

HSL 210.03, 0.8%, 0.29%

LAB 31.38, 5.61, -38.65

 

CMYK 26 / 89 / 0 / 48

HEX #620F85

RGB 98 15 133

HSL 282.2, 0.8%, 0.29%

LAB 25.66, 52, -46.57

 

CMYK 0 / 44 / 89 / 48

HEX #854A0F

RGB 133 74 15

HSL 30, 0.8%, 0.29%

LAB 37.7, 20.82, 42.37

 

CMYK 62 / 0 / 89 / 48

HEX #32850F

RGB 50 133 15

HSL 102.2, 0.8%, 0.29%

LAB 48.87, -45.23, 49.41

 

CMYK 89 / 45 / 0 / 47

HEX #0E4A86

RGB 14.7 74.6 134.6

HSL 210.03, 0.8%, 0.29%

LAB 31.38, 5.61, -38.65

 

CMYK 0 / 89 / 0 / 48

HEX #850F85

RGB 133 15 133

HSL 300, 0.8%, 0.29%

LAB 31.86, 58.27, -36.26

 

CMYK 0 / 44 / 89 / 48

HEX #854A0F

RGB 133 74 15

HSL 30, 0.8%, 0.29%

LAB 37.7, 20.82, 42.37

 

CMYK 89 / 0 / 89 / 48

HEX #0F850F

RGB 15 133 15

HSL 120, 0.8%, 0.29%

LAB 48.15, -51.42, 48.5

 

Description

Color code: RGB 14.7 74.6 134.6 | qconv.com Color code: RGB 14.7 74.6 134.6 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14.7 red, 74.6 green and 134.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14.7 74.6 134.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, 45 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 45% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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