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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 13 78 103 it is the complementary color RGB 242 177 152. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 13 78 103. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 13 78 103 shade: RGB 18 78 98, RGB 35 96 117, RGB 52 114 136, RGB 69 132 155 and RGB 86 150 174

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 13 78 103. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 13 78 103 shade: RGB 13 78 103, RGB 0 60 84, RGB 0 42 65, RGB 0 24 46 and RGB 0 6 27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 13 78 103 shade: RGB 12 78 104, RGB 12 54 104, RGB 12 29 104, RGB 20 12 104 and RGB 45 12 104

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 13 78 103 shade: RGB 12 78 104, RGB 12 54 104, RGB 12 29 104 and RGB 12 12 104

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 13 78 103 shade matches the following richer shades: RGB 12 78 104 and RGB 3 83 113

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 13 78 103 shade: RGB 12 78 104, RGB 22 74 94, RGB 31 70 85, RGB 41 66 75 and RGB 50 62 66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 13 78 103 shade: RGB 12 104 79, RGB 12 104 104, RGB 12 79 104, RGB 12 55 104 and RGB 12 31 104

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 13 78 103 shade: RGB 3 23 30, RGB 8 51 67, RGB 12 78 104, RGB 17 106 141 and RGB 21 134 177

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 13 78 103 shade: RGB 13 78 103, RGB 55 12 104 and RGB 104 92 12

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 13 78 103 shade: RGB 13 78 103, RGB 104 12 79 and RGB 79 104 12

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 13 78 103 shade: RGB 13 78 103, RGB 55 12 104, RGB 104 37 12 and RGB 61 104 12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 13 78 103 shade: RGB 13 78 103, RGB 83 12 104, RGB 104 37 12 and RGB 34 104 12

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 24 / 0 / 60

HEX #0D4E67

RGB 13 78 103

HSL 196.67, 0.78%, 0.23%

LAB 30.67, -9.69, -20.01

 

Complementary color

CMYK 0 / 27 / 37 / 5

HEX #F2B198

RGB 242 177 152

HSL 16.67, 0.78%, 0.77%

LAB 77.63, 20.53, 22.12

 

CMYK 82 / 20 / 0 / 62

HEX #124E62

RGB 18 78 98

HSL 195, 0.69%, 0.23%

LAB 30.54, -11.06, -17.03

 

CMYK 70 / 18 / 0 / 54

HEX #236075

RGB 35 96 117

HSL 195.37, 0.54%, 0.3%

LAB 37.86, -12.22, -17.59

 

CMYK 62 / 16 / 0 / 47

HEX #347288

RGB 52 114 136

HSL 195.71, 0.45%, 0.37%

LAB 45, -12.96, -18.06

 

CMYK 55 / 15 / 0 / 39

HEX #45849B

RGB 69 132 155

HSL 196.05, 0.38%, 0.44%

LAB 51.99, -13.45, -18.49

 

CMYK 51 / 14 / 0 / 32

HEX #5696AE

RGB 86 150 174

HSL 196.36, 0.35%, 0.51%

LAB 58.83, -13.78, -18.89

 

CMYK 87 / 24 / 0 / 60

HEX #0D4E67

RGB 13 78 103

HSL 196.67, 0.78%, 0.23%

LAB 30.67, -9.69, -20.01

 

CMYK 100 / 29 / 0 / 67

HEX #003C54

RGB 0 60 84

HSL 197.14, 1%, 0.16%

LAB 23.24, -7.43, -19.35

 

CMYK 100 / 35 / 0 / 75

HEX #002A41

RGB 0 42 65

HSL 201.23, 1%, 0.13%

LAB 15.68, -3.73, -18.4

 

CMYK 100 / 48 / 0 / 82

HEX #00182E

RGB 0 24 46

HSL 208.7, 1%, 0.09%

LAB 7.68, 0.47, -17.53

 

CMYK 100 / 78 / 0 / 89

HEX #00061B

RGB 0 6 27

HSL 226.67, 1%, 0.05%

LAB 1.89, 2.62, -11.9

 

CMYK 88 / 25 / 0 / 59

HEX #0C4E68

RGB 12 78 104

HSL 196.96, 0.79%, 0.23%

LAB 30.7, -9.39, -20.6

 

CMYK 88 / 48 / 0 / 59

HEX #0C3668

RGB 12 54 104

HSL 212.61, 0.79%, 0.23%

LAB 22.71, 6.62, -33.25

 

CMYK 88 / 72 / 0 / 59

HEX #0C1D68

RGB 12 29 104

HSL 228.91, 0.79%, 0.23%

LAB 15.26, 24.85, -45.37

 

CMYK 81 / 88 / 0 / 59

HEX #140C68

RGB 20 12 104

HSL 245.22, 0.79%, 0.23%

LAB 12.03, 35.75, -50.69

 

CMYK 57 / 88 / 0 / 59

HEX #2D0C68

RGB 45 12 104

HSL 261.52, 0.79%, 0.23%

LAB 14.51, 38.12, -46.5

 

CMYK 88 / 25 / 0 / 59

HEX #0C4E68

RGB 12 78 104

HSL 196.96, 0.79%, 0.23%

LAB 30.7, -9.39, -20.6

 

CMYK 88 / 48 / 0 / 59

HEX #0C3668

RGB 12 54 104

HSL 212.61, 0.79%, 0.23%

LAB 22.71, 6.62, -33.25

 

CMYK 88 / 72 / 0 / 59

HEX #0C1D68

RGB 12 29 104

HSL 228.91, 0.79%, 0.23%

LAB 15.26, 24.85, -45.37

 

CMYK 88 / 88 / 0 / 59

HEX #0C0C68

RGB 12 12 104

HSL 240, 0.79%, 0.23%

LAB 11.56, 35.31, -51.5

 

CMYK 88 / 25 / 0 / 59

HEX #0C4E68

RGB 12 78 104

HSL 196.96, 0.79%, 0.23%

LAB 30.7, -9.39, -20.6

 

CMYK 97 / 27 / 0 / 56

HEX #035371

RGB 3 83 113

HSL 196.36, 0.95%, 0.23%

LAB 32.7, -9.59, -23.16

 

CMYK 88 / 25 / 0 / 59

HEX #0C4E68

RGB 12 78 104

HSL 196.96, 0.79%, 0.23%

LAB 30.7, -9.39, -20.6

 

CMYK 77 / 21 / 0 / 63

HEX #164A5E

RGB 22 74 94

HSL 196.67, 0.62%, 0.23%

LAB 29.1, -9.57, -16.7

 

CMYK 64 / 18 / 0 / 67

HEX #1F4655

RGB 31 70 85

HSL 196.67, 0.47%, 0.23%

LAB 27.65, -8.68, -13.11

 

CMYK 45 / 12 / 0 / 71

HEX #29424B

RGB 41 66 75

HSL 195.88, 0.29%, 0.23%

LAB 26.38, -6.84, -8.48

 

CMYK 24 / 6 / 0 / 74

HEX #323E42

RGB 50 62 66

HSL 195, 0.14%, 0.23%

LAB 25.31, -3.84, -4.09

 

CMYK 88 / 0 / 24 / 59

HEX #0C684F

RGB 12 104 79

HSL 163.7, 0.79%, 0.23%

LAB 38.8, -31.6, 7.08

 

CMYK 88 / 0 / 0 / 59

HEX #0C6868

RGB 12 104 104

HSL 180, 0.79%, 0.23%

LAB 39.54, -24, -7.1

 

CMYK 88 / 24 / 0 / 59

HEX #0C4F68

RGB 12 79 104

HSL 196.3, 0.79%, 0.23%

LAB 31.04, -10.01, -20.07

 

CMYK 88 / 47 / 0 / 59

HEX #0C3768

RGB 12 55 104

HSL 211.96, 0.79%, 0.23%

LAB 23.03, 5.91, -32.73

 

CMYK 88 / 70 / 0 / 59

HEX #0C1F68

RGB 12 31 104

HSL 227.61, 0.79%, 0.23%

LAB 15.79, 23.43, -44.5

 

CMYK 90 / 23 / 0 / 88

HEX #03171E

RGB 3 23 30

HSL 195.56, 0.82%, 0.06%

LAB 6.56, -4.57, -7.26

 

CMYK 88 / 24 / 0 / 74

HEX #083343

RGB 8 51 67

HSL 196.27, 0.79%, 0.15%

LAB 19.33, -7.71, -14.06

 

CMYK 88 / 25 / 0 / 59

HEX #0C4E68

RGB 12 78 104

HSL 196.96, 0.79%, 0.23%

LAB 30.7, -9.39, -20.6

 

CMYK 88 / 25 / 0 / 45

HEX #116A8D

RGB 17 106 141

HSL 196.94, 0.78%, 0.31%

LAB 41.77, -11.45, -26.12

 

CMYK 88 / 24 / 0 / 31

HEX #1586B1

RGB 21 134 177

HSL 196.54, 0.79%, 0.39%

LAB 52.27, -13.82, -30.88

 

CMYK 87 / 24 / 0 / 60

HEX #0D4E67

RGB 13 78 103

HSL 196.67, 0.78%, 0.23%

LAB 30.67, -9.69, -20.01

 

CMYK 47 / 88 / 0 / 59

HEX #370C68

RGB 55 12 104

HSL 268.04, 0.79%, 0.23%

LAB 15.87, 39.46, -44.22

 

CMYK 0 / 12 / 88 / 59

HEX #685C0C

RGB 104 92 12

HSL 52.17, 0.79%, 0.23%

LAB 38.94, -3.94, 42.92

 

CMYK 87 / 24 / 0 / 60

HEX #0D4E67

RGB 13 78 103

HSL 196.67, 0.78%, 0.23%

LAB 30.67, -9.69, -20.01

 

CMYK 0 / 88 / 24 / 59

HEX #680C4F

RGB 104 12 79

HSL 316.3, 0.79%, 0.23%

LAB 22.9, 44.4, -15.79

 

CMYK 24 / 0 / 88 / 59

HEX #4F680C

RGB 79 104 12

HSL 76.3, 0.79%, 0.23%

LAB 40.56, -22.47, 43.45

 

CMYK 87 / 24 / 0 / 60

HEX #0D4E67

RGB 13 78 103

HSL 196.67, 0.78%, 0.23%

LAB 30.67, -9.69, -20.01

 

CMYK 47 / 88 / 0 / 59

HEX #370C68

RGB 55 12 104

HSL 268.04, 0.79%, 0.23%

LAB 15.87, 39.46, -44.22

 

CMYK 0 / 64 / 88 / 59

HEX #68250C

RGB 104 37 12

HSL 16.3, 0.79%, 0.23%

LAB 24.62, 28.73, 30.47

 

CMYK 41 / 0 / 88 / 59

HEX #3D680C

RGB 61 104 12

HSL 88.04, 0.79%, 0.23%

LAB 39.44, -29.99, 42.05

 

CMYK 87 / 24 / 0 / 60

HEX #0D4E67

RGB 13 78 103

HSL 196.67, 0.78%, 0.23%

LAB 30.67, -9.69, -20.01

 

CMYK 20 / 88 / 0 / 59

HEX #530C68

RGB 83 12 104

HSL 286.3, 0.79%, 0.23%

LAB 20.45, 44.15, -36.57

 

CMYK 0 / 64 / 88 / 59

HEX #68250C

RGB 104 37 12

HSL 16.3, 0.79%, 0.23%

LAB 24.62, 28.73, 30.47

 

CMYK 67 / 0 / 88 / 59

HEX #22680C

RGB 34 104 12

HSL 105.65, 0.79%, 0.23%

LAB 38.32, -38.69, 40.62

 

Description

Color code: RGB 13 78 103 | qconv.com Color code: RGB 13 78 103 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 78 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 78 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, 24 magenta, none yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 24% 0% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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