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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 13 54.8 92.4 it is the complementary color RGB 242 200.2 162.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 13 54.8 92.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 13 54.8 92.4 shade: RGB 18 54.8 87.4, RGB 35 72.8 106.4, RGB 52 90.8 125.4, RGB 69 108.8 144.4 and RGB 86 126.8 163.4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 13 54.8 92.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 13 54.8 92.4 shade: RGB 13 54.8 92.4, RGB 0 36.8 73.4, RGB 0 18.8 54.4, RGB 0 0.8 35.4 and RGB 0 0 16.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 13 54.8 92.4 shade: RGB 13 56 94, RGB 13 34 94, RGB 14 13 94, RGB 36 13 94 and RGB 58 13 94

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 13 54.8 92.4 shade: RGB 13 56 94, RGB 13 34 94 and RGB 13 13 94

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 13 54.8 92.4 shade matches the following richer shades: RGB 13 56 94 and RGB 5 56 102

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 13 54.8 92.4 shade: RGB 13 56 94, RGB 22 55 85, RGB 31 55 76, RGB 39 54 68 and RGB 48 54 59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 13 54.8 92.4 shade: RGB 13 94 88, RGB 13 78 94, RGB 13 56 94, RGB 13 35 94 and RGB 13 13 94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 13 54.8 92.4 shade: RGB 3 13 22, RGB 8 34 58, RGB 13 56 94, RGB 19 77 130 and RGB 24 99 166

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 13 54.8 92.4 shade: RGB 13 54.8 92.4, RGB 67 13 94 and RGB 88 94 13

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 13 54.8 92.4 shade: RGB 13 54.8 92.4, RGB 94 13 56 and RGB 56 94 13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 13 54.8 92.4 shade: RGB 13 54.8 92.4, RGB 67 13 94, RGB 94 51 13 and RGB 40 94 13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 13 54.8 92.4 shade: RGB 13 54.8 92.4, RGB 91 13 94, RGB 94 51 13 and RGB 16 94 13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 41 / 0 / 64

HEX #0D365C

RGB 13 54.8 92.4

HSL 208.41, 0.75%, 0.21%

LAB 22.23, 1.13, -26.46

 

Complementary color

CMYK 0 / 17 / 33 / 5

HEX #F2C8A2

RGB 242 200.2 162.6

HSL 28.41, 0.75%, 0.79%

LAB 83.39, 9.58, 24.36

 

CMYK 79 / 37 / 0 / 66

HEX #123657

RGB 18 54.8 87.4

HSL 208.18, 0.66%, 0.21%

LAB 22.08, -0.3, -23.4

 

CMYK 67 / 32 / 0 / 58

HEX #23486A

RGB 35 72.8 106.4

HSL 208.24, 0.5%, 0.28%

LAB 29.78, -1.77, -23.52

 

CMYK 59 / 28 / 0 / 51

HEX #345A7D

RGB 52 90.8 125.4

HSL 208.28, 0.41%, 0.35%

LAB 37.24, -2.72, -23.64

 

CMYK 52 / 25 / 0 / 43

HEX #456C90

RGB 69 108.8 144.4

HSL 208.33, 0.35%, 0.42%

LAB 44.5, -3.38, -23.78

 

CMYK 47 / 22 / 0 / 36

HEX #567EA3

RGB 86 126.8 163.4

HSL 208.37, 0.31%, 0.49%

LAB 51.57, -3.86, -23.94

 

CMYK 86 / 41 / 0 / 64

HEX #0D365C

RGB 13 54.8 92.4

HSL 208.41, 0.75%, 0.21%

LAB 22.23, 1.13, -26.46

 

CMYK 100 / 50 / 0 / 71

HEX #002449

RGB 0 36.8 73.4

HSL 209.92, 1%, 0.14%

LAB 14.38, 4.04, -26.26

 

CMYK 100 / 65 / 0 / 79

HEX #001236

RGB 0 18.8 54.4

HSL 219.26, 1%, 0.11%

LAB 6.59, 8.61, -25.44

 

CMYK 100 / 98 / 0 / 86

HEX #000023

RGB 0 0.8 35.4

HSL 238.64, 1%, 0.07%

LAB 1.27, 7.53, -19.53

 

CMYK 100 / 100 / 0 / 94

HEX #000010

RGB 0 0 16.4

HSL 240, 1%, 0.03%

LAB 0.35, 2.45, -6.67

 

CMYK 86 / 40 / 0 / 63

HEX #0D385E

RGB 13 56 94

HSL 208.15, 0.76%, 0.21%

LAB 22.73, 0.98, -26.7

 

CMYK 86 / 64 / 0 / 63

HEX #0D225E

RGB 13 34 94

HSL 224.44, 0.76%, 0.21%

LAB 15.68, 17.08, -38.06

 

CMYK 85 / 86 / 0 / 63

HEX #0E0D5E

RGB 14 13 94

HSL 240.74, 0.76%, 0.21%

LAB 10.48, 31.43, -46.63

 

CMYK 62 / 86 / 0 / 63

HEX #240D5E

RGB 36 13 94

HSL 257.04, 0.76%, 0.21%

LAB 12.42, 33.58, -43.35

 

CMYK 38 / 86 / 0 / 63

HEX #3A0D5E

RGB 58 13 94

HSL 273.33, 0.76%, 0.21%

LAB 15.46, 36.97, -38.24

 

CMYK 86 / 40 / 0 / 63

HEX #0D385E

RGB 13 56 94

HSL 208.15, 0.76%, 0.21%

LAB 22.73, 0.98, -26.7

 

CMYK 86 / 64 / 0 / 63

HEX #0D225E

RGB 13 34 94

HSL 224.44, 0.76%, 0.21%

LAB 15.68, 17.08, -38.06

 

CMYK 86 / 86 / 0 / 63

HEX #0D0D5E

RGB 13 13 94

HSL 240, 0.76%, 0.21%

LAB 10.42, 31.37, -46.73

 

CMYK 86 / 40 / 0 / 63

HEX #0D385E

RGB 13 56 94

HSL 208.15, 0.76%, 0.21%

LAB 22.73, 0.98, -26.7

 

CMYK 95 / 45 / 0 / 60

HEX #053866

RGB 5 56 102

HSL 208.45, 0.91%, 0.21%

LAB 23.07, 3.7, -31.39

 

CMYK 86 / 40 / 0 / 63

HEX #0D385E

RGB 13 56 94

HSL 208.15, 0.76%, 0.21%

LAB 22.73, 0.98, -26.7

 

CMYK 74 / 35 / 0 / 67

HEX #163755

RGB 22 55 85

HSL 208.57, 0.59%, 0.21%

LAB 22.16, -0.75, -21.67

 

CMYK 59 / 28 / 0 / 70

HEX #1F374C

RGB 31 55 76

HSL 208, 0.42%, 0.21%

LAB 22.11, -2.21, -15.74

 

CMYK 43 / 21 / 0 / 73

HEX #273644

RGB 39 54 68

HSL 208.97, 0.27%, 0.21%

LAB 21.9, -1.91, -10.65

 

CMYK 19 / 8 / 0 / 77

HEX #30363B

RGB 48 54 59

HSL 207.27, 0.1%, 0.21%

LAB 22.24, -1.26, -4

 

CMYK 86 / 0 / 6 / 63

HEX #0D5E58

RGB 13 94 88

HSL 175.56, 0.76%, 0.21%

LAB 35.59, -24.05, -3.11

 

CMYK 86 / 17 / 0 / 63

HEX #0D4E5E

RGB 13 78 94

HSL 191.85, 0.76%, 0.21%

LAB 30.26, -13.17, -14.93

 

CMYK 86 / 40 / 0 / 63

HEX #0D385E

RGB 13 56 94

HSL 208.15, 0.76%, 0.21%

LAB 22.73, 0.98, -26.7

 

CMYK 86 / 63 / 0 / 63

HEX #0D235E

RGB 13 35 94

HSL 223.7, 0.76%, 0.21%

LAB 15.98, 16.34, -37.57

 

CMYK 86 / 86 / 0 / 63

HEX #0D0D5E

RGB 13 13 94

HSL 240, 0.76%, 0.21%

LAB 10.42, 31.37, -46.73

 

CMYK 86 / 41 / 0 / 91

HEX #030D16

RGB 3 13 22

HSL 208.42, 0.76%, 0.05%

LAB 3.3, -0.85, -5.93

 

CMYK 86 / 41 / 0 / 77

HEX #08223A

RGB 8 34 58

HSL 208.8, 0.76%, 0.13%

LAB 12.62, 0.26, -18.33

 

CMYK 86 / 40 / 0 / 63

HEX #0D385E

RGB 13 56 94

HSL 208.15, 0.76%, 0.21%

LAB 22.73, 0.98, -26.7

 

CMYK 85 / 41 / 0 / 49

HEX #134D82

RGB 19 77 130

HSL 208.65, 0.74%, 0.29%

LAB 31.94, 2.47, -34.91

 

CMYK 86 / 40 / 0 / 35

HEX #1863A6

RGB 24 99 166

HSL 208.31, 0.75%, 0.37%

LAB 41.01, 3.14, -42.21

 

CMYK 86 / 41 / 0 / 64

HEX #0D365C

RGB 13 54.8 92.4

HSL 208.41, 0.75%, 0.21%

LAB 22.23, 1.13, -26.46

 

CMYK 29 / 86 / 0 / 63

HEX #430D5E

RGB 67 13 94

HSL 280, 0.76%, 0.21%

LAB 16.94, 38.63, -35.78

 

CMYK 6 / 0 / 86 / 63

HEX #585E0D

RGB 88 94 13

HSL 64.44, 0.76%, 0.21%

LAB 38.04, -12.89, 41.25

 

CMYK 86 / 41 / 0 / 64

HEX #0D365C

RGB 13 54.8 92.4

HSL 208.41, 0.75%, 0.21%

LAB 22.23, 1.13, -26.46

 

CMYK 0 / 86 / 40 / 63

HEX #5E0D38

RGB 94 13 56

HSL 328.15, 0.76%, 0.21%

LAB 19.85, 38.54, -4.79

 

CMYK 40 / 0 / 86 / 63

HEX #385E0D

RGB 56 94 13

HSL 88.15, 0.76%, 0.21%

LAB 35.74, -27.25, 38.33

 

CMYK 86 / 41 / 0 / 64

HEX #0D365C

RGB 13 54.8 92.4

HSL 208.41, 0.75%, 0.21%

LAB 22.23, 1.13, -26.46

 

CMYK 29 / 86 / 0 / 63

HEX #430D5E

RGB 67 13 94

HSL 280, 0.76%, 0.21%

LAB 16.94, 38.63, -35.78

 

CMYK 0 / 46 / 86 / 63

HEX #5E330D

RGB 94 51 13

HSL 28.15, 0.76%, 0.21%

LAB 26.09, 16.25, 30.78

 

CMYK 57 / 0 / 86 / 63

HEX #285E0D

RGB 40 94 13

HSL 100, 0.76%, 0.21%

LAB 34.97, -32.99, 37.34

 

CMYK 86 / 41 / 0 / 64

HEX #0D365C

RGB 13 54.8 92.4

HSL 208.41, 0.75%, 0.21%

LAB 22.23, 1.13, -26.46

 

CMYK 3 / 86 / 0 / 63

HEX #5B0D5E

RGB 91 13 94

HSL 297.78, 0.76%, 0.21%

LAB 21.28, 43.54, -28.55

 

CMYK 0 / 46 / 86 / 63

HEX #5E330D

RGB 94 51 13

HSL 28.15, 0.76%, 0.21%

LAB 26.09, 16.25, 30.78

 

CMYK 83 / 0 / 86 / 63

HEX #105E0D

RGB 16 94 13

HSL 117.78, 0.76%, 0.21%

LAB 34.28, -38.72, 36.45

 

Description

Color code: RGB 13 54.8 92.4 | qconv.com Color code: RGB 13 54.8 92.4 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 54.8 green and 92.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 54.8 92.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, 41 magenta, none yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 41% 0% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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