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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 13 211 26 it is the complementary color RGB 242 44 229. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 13 211 26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 13 211 26 shade: RGB 18 211 21, RGB 35 229 40, RGB 52 247 59, RGB 69 255 78 and RGB 86 255 97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 13 211 26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 13 211 26 shade: RGB 13 211 26, RGB 0 193 7, RGB 0 175 0, RGB 0 157 0 and RGB 0 139 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 13 211 26 shade: RGB 13 211 26, RGB 54 211 13, RGB 107 211 13, RGB 160 211 13 and RGB 211 208 13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 13 211 26 shade: RGB 13 211 26, RGB 13 211 80, RGB 13 211 133, RGB 13 211 186 and RGB 13 182 211

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 13 211 26 shade matches the following richer shades: RGB 13 211 26

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 13 211 26 shade: RGB 13 211 26, RGB 32 193 42, RGB 50 175 58, RGB 68 156 74 and RGB 86 138 90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 13 211 26 shade: RGB 109 211 13, RGB 56 211 13, RGB 13 211 23, RGB 13 211 76 and RGB 13 211 129

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 13 211 26 shade: RGB 9 133 17, RGB 11 172 22, RGB 13 211 26, RGB 25 240 39 and RGB 64 243 76

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 13 211 26 shade: RGB 13 211 26, RGB 13 162 211 and RGB 211 13 83

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 13 211 26 shade: RGB 13 211 26, RGB 23 13 211 and RGB 211 23 13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 13 211 26 shade: RGB 13 211 26, RGB 13 162 211, RGB 211 13 201 and RGB 211 63 13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 13 211 26 shade: RGB 13 211 26, RGB 13 102 211, RGB 211 13 201 and RGB 211 122 13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 88 / 17

HEX #0DD31A

RGB 13 211 26

HSL 123.94, 0.88%, 0.44%

LAB 74.03, -73.58, 68.9

 

Complementary color

CMYK 0 / 82 / 5 / 5

HEX #F22CE5

RGB 242 44 229

HSL 303.94, 0.88%, 0.56%

LAB 58.35, 87.56, -49.59

 

CMYK 91 / 0 / 90 / 17

HEX #12D315

RGB 18 211 21

HSL 120.93, 0.84%, 0.45%

LAB 74.04, -73.5, 69.81

 

CMYK 85 / 0 / 83 / 10

HEX #23E528

RGB 35 229 40

HSL 121.55, 0.79%, 0.52%

LAB 79.93, -76.5, 71.15

 

CMYK 79 / 0 / 76 / 3

HEX #34F73B

RGB 52 247 59

HSL 122.15, 0.92%, 0.59%

LAB 85.79, -78.78, 71.5

 

CMYK 73 / 0 / 69 / 0

HEX #45FF4E

RGB 69 255 78

HSL 122.9, 1%, 0.64%

LAB 88.61, -77.49, 68.06

 

CMYK 66 / 0 / 62 / 0

HEX #56FF61

RGB 86 255 97

HSL 123.91, 1%, 0.67%

LAB 89.09, -72.89, 61.29

 

CMYK 94 / 0 / 88 / 17

HEX #0DD31A

RGB 13 211 26

HSL 123.94, 0.88%, 0.44%

LAB 74.03, -73.58, 68.9

 

CMYK 100 / 0 / 96 / 24

HEX #00C107

RGB 0 193 7

HSL 122.18, 1%, 0.38%

LAB 68.13, -69.74, 66.66

 

CMYK 100 / 0 / 100 / 31

HEX #00AF00

RGB 0 175 0

HSL 120, 1%, 0.34%

LAB 62.22, -64.98, 62.72

 

CMYK 100 / 0 / 100 / 38

HEX #009D00

RGB 0 157 0

HSL 120, 1%, 0.31%

LAB 56.2, -59.99, 57.89

 

CMYK 100 / 0 / 100 / 45

HEX #008B00

RGB 0 139 0

HSL 120, 1%, 0.27%

LAB 50.06, -54.88, 52.97

 

CMYK 94 / 0 / 88 / 17

HEX #0DD31A

RGB 13 211 26

HSL 123.94, 0.88%, 0.44%

LAB 74.03, -73.58, 68.9

 

CMYK 74 / 0 / 94 / 17

HEX #36D30D

RGB 54 211 13

HSL 107.58, 0.88%, 0.44%

LAB 74.45, -69.97, 71.42

 

CMYK 49 / 0 / 94 / 17

HEX #6BD30D

RGB 107 211 13

HSL 91.52, 0.88%, 0.44%

LAB 75.91, -57.91, 73.22

 

CMYK 24 / 0 / 94 / 17

HEX #A0D30D

RGB 160 211 13

HSL 75.45, 0.88%, 0.44%

LAB 78.51, -39.49, 76.4

 

CMYK 0 / 1 / 94 / 17

HEX #D3D00D

RGB 211 208 13

HSL 59.09, 0.88%, 0.44%

LAB 81.29, -17.08, 80.11

 

CMYK 94 / 0 / 88 / 17

HEX #0DD31A

RGB 13 211 26

HSL 123.94, 0.88%, 0.44%

LAB 74.03, -73.58, 68.9

 

CMYK 94 / 0 / 62 / 17

HEX #0DD350

RGB 13 211 80

HSL 140.3, 0.88%, 0.44%

LAB 74.35, -69.48, 51.58

 

CMYK 94 / 0 / 37 / 17

HEX #0DD385

RGB 13 211 133

HSL 156.36, 0.88%, 0.44%

LAB 75.06, -61.01, 26.76

 

CMYK 94 / 0 / 12 / 17

HEX #0DD3BA

RGB 13 211 186

HSL 172.42, 0.88%, 0.44%

LAB 76.2, -48.43, 0.23

 

CMYK 94 / 14 / 0 / 17

HEX #0DB6D3

RGB 13 182 211

HSL 188.79, 0.88%, 0.44%

LAB 68.2, -27.68, -25.36

 

CMYK 94 / 0 / 88 / 17

HEX #0DD31A

RGB 13 211 26

HSL 123.94, 0.88%, 0.44%

LAB 74.03, -73.58, 68.9

 

CMYK 94 / 0 / 88 / 17

HEX #0DD31A

RGB 13 211 26

HSL 123.94, 0.88%, 0.44%

LAB 74.03, -73.58, 68.9

 

CMYK 83 / 0 / 78 / 24

HEX #20C12A

RGB 32 193 42

HSL 123.73, 0.72%, 0.44%

LAB 68.47, -66.29, 59.88

 

CMYK 71 / 0 / 67 / 31

HEX #32AF3A

RGB 50 175 58

HSL 123.84, 0.56%, 0.44%

LAB 63.05, -56.77, 48.55

 

CMYK 56 / 0 / 53 / 39

HEX #449C4A

RGB 68 156 74

HSL 124.09, 0.39%, 0.44%

LAB 57.56, -43.85, 34.87

 

CMYK 38 / 0 / 35 / 46

HEX #568A5A

RGB 86 138 90

HSL 124.62, 0.23%, 0.44%

LAB 52.83, -27.87, 20.38

 

CMYK 48 / 0 / 94 / 17

HEX #6DD30D

RGB 109 211 13

HSL 90.91, 0.88%, 0.44%

LAB 75.99, -57.31, 73.32

 

CMYK 73 / 0 / 94 / 17

HEX #38D30D

RGB 56 211 13

HSL 106.97, 0.88%, 0.44%

LAB 74.48, -69.66, 71.46

 

CMYK 94 / 0 / 89 / 17

HEX #0DD317

RGB 13 211 23

HSL 123.03, 0.88%, 0.44%

LAB 74.02, -73.69, 69.44

 

CMYK 94 / 0 / 64 / 17

HEX #0DD34C

RGB 13 211 76

HSL 139.09, 0.88%, 0.44%

LAB 74.31, -69.94, 53.25

 

CMYK 94 / 0 / 39 / 17

HEX #0DD381

RGB 13 211 129

HSL 155.15, 0.88%, 0.44%

LAB 74.99, -61.8, 28.73

 

CMYK 93 / 0 / 87 / 48

HEX #098511

RGB 9 133 17

HSL 123.87, 0.87%, 0.28%

LAB 48.1, -51.81, 47.95

 

CMYK 94 / 0 / 87 / 33

HEX #0BAC16

RGB 11 172 22

HSL 124.1, 0.88%, 0.36%

LAB 61.34, -62.94, 58.58

 

CMYK 94 / 0 / 88 / 17

HEX #0DD31A

RGB 13 211 26

HSL 123.94, 0.88%, 0.44%

LAB 74.03, -73.58, 68.9

 

CMYK 90 / 0 / 84 / 6

HEX #19F027

RGB 25 240 39

HSL 123.91, 0.88%, 0.52%

LAB 83.27, -80.32, 74.38

 

CMYK 74 / 0 / 69 / 5

HEX #40F34C

RGB 64 243 76

HSL 124.02, 0.88%, 0.6%

LAB 84.85, -74.72, 64.83

 

CMYK 94 / 0 / 88 / 17

HEX #0DD31A

RGB 13 211 26

HSL 123.94, 0.88%, 0.44%

LAB 74.03, -73.58, 68.9

 

CMYK 94 / 23 / 0 / 17

HEX #0DA2D3

RGB 13 162 211

HSL 194.85, 0.88%, 0.44%

LAB 62.19, -17.35, -34.64

 

CMYK 0 / 94 / 61 / 17

HEX #D30D53

RGB 211 13 83

HSL 338.79, 0.88%, 0.44%

LAB 45.31, 70.68, 16.91

 

CMYK 94 / 0 / 88 / 17

HEX #0DD31A

RGB 13 211 26

HSL 123.94, 0.88%, 0.44%

LAB 74.03, -73.58, 68.9

 

CMYK 89 / 94 / 0 / 17

HEX #170DD3

RGB 23 13 211

HSL 243.03, 0.88%, 0.44%

LAB 27.22, 66.29, -91.23

 

CMYK 0 / 89 / 94 / 17

HEX #D3170D

RGB 211 23 13

HSL 3.03, 0.88%, 0.44%

LAB 44.93, 67.04, 54.65

 

CMYK 94 / 0 / 88 / 17

HEX #0DD31A

RGB 13 211 26

HSL 123.94, 0.88%, 0.44%

LAB 74.03, -73.58, 68.9

 

CMYK 94 / 23 / 0 / 17

HEX #0DA2D3

RGB 13 162 211

HSL 194.85, 0.88%, 0.44%

LAB 62.19, -17.35, -34.64

 

CMYK 0 / 94 / 5 / 17

HEX #D30DC9

RGB 211 13 201

HSL 303.03, 0.88%, 0.44%

LAB 49.92, 82.74, -47.36

 

CMYK 0 / 70 / 94 / 17

HEX #D33F0D

RGB 211 63 13

HSL 15.15, 0.88%, 0.44%

LAB 48.8, 56.18, 56.99

 

CMYK 94 / 0 / 88 / 17

HEX #0DD31A

RGB 13 211 26

HSL 123.94, 0.88%, 0.44%

LAB 74.03, -73.58, 68.9

 

CMYK 94 / 52 / 0 / 17

HEX #0D66D3

RGB 13 102 211

HSL 213.03, 0.88%, 0.44%

LAB 44.65, 18.49, -62.54

 

CMYK 0 / 94 / 5 / 17

HEX #D30DC9

RGB 211 13 201

HSL 303.03, 0.88%, 0.44%

LAB 49.92, 82.74, -47.36

 

CMYK 0 / 42 / 94 / 17

HEX #D37A0D

RGB 211 122 13

HSL 33.03, 0.88%, 0.44%

LAB 59.7, 28.26, 64.26

 

Description

Color code: RGB 13 211 26 | qconv.com Color code: RGB 13 211 26 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 211 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 211 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 88 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 88% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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