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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 13 20.2 32.6 it is the complementary color RGB 242 234.8 222.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 13 20.2 32.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 13 20.2 32.6 shade: RGB 18 20.2 27.6, RGB 35 38.2 46.6, RGB 52 56.2 65.6, RGB 69 74.2 84.6 and RGB 86 92.2 103.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 13 20.2 32.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 13 20.2 32.6 shade: RGB 13 20.2 32.6, RGB 0 2.2 13.6 and RGB 0 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 13 20.2 32.6 shade: RGB 13 20 33, RGB 13 15 33, RGB 16 13 33, RGB 22 13 33 and RGB 27 13 33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 13 20.2 32.6 shade: RGB 13 20 33, RGB 13 15 33 and RGB 13 13 33

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 13 20.2 32.6 shade matches the following richer shades: RGB 13 20 33, RGB 9 19 37, RGB 6 18 40 and RGB 2 17 44

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 13 20.2 32.6 shade: RGB 13 20 33, RGB 17 21 29, RGB 21 22 25, RGB 24 23 22 and RGB 28 24 18

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 13 20.2 32.6 shade: RGB 13 31 33, RGB 13 26 33, RGB 13 21 33, RGB 13 15 33 and RGB 16 13 33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 13 20.2 32.6 shade: RGB 0 0 0, RGB 1 2 3, RGB 13 20 33, RGB 25 39 62 and RGB 37 57 92

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 13 20.2 32.6 shade: RGB 13 20.2 32.6, RGB 29 13 33 and RGB 29 33 13

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 13 20.2 32.6 shade: RGB 13 20.2 32.6, RGB 33 13 21 and RGB 21 33 13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 13 20.2 32.6 shade: RGB 13 20.2 32.6, RGB 29 13 33, RGB 33 25 13 and RGB 17 33 13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 13 20.2 32.6 shade: RGB 13 20.2 32.6, RGB 33 13 31, RGB 33 25 13 and RGB 13 33 15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 38 / 0 / 87

HEX #0D1420

RGB 13 20.2 32.6

HSL 217.96, 0.43%, 0.09%

LAB 6.33, 0.93, -9.54

 

Complementary color

CMYK 0 / 3 / 8 / 5

HEX #F2EADE

RGB 242 234.8 222.4

HSL 37.96, 0.43%, 0.91%

LAB 93.22, 0.33, 6.86

 

CMYK 35 / 27 / 0 / 89

HEX #12141B

RGB 18 20.2 27.6

HSL 226.25, 0.21%, 0.09%

LAB 6.49, 1.05, -5.43

 

CMYK 25 / 18 / 0 / 82

HEX #23262E

RGB 35 38.2 46.6

HSL 223.45, 0.14%, 0.16%

LAB 15.27, 0.87, -5.99

 

CMYK 21 / 14 / 0 / 74

HEX #343841

RGB 52 56.2 65.6

HSL 221.47, 0.12%, 0.23%

LAB 23.56, 0.63, -6.42

 

CMYK 18 / 12 / 0 / 67

HEX #454A54

RGB 69 74.2 84.6

HSL 220, 0.1%, 0.3%

LAB 31.44, 0.42, -6.87

 

CMYK 17 / 11 / 0 / 59

HEX #565C67

RGB 86 92.2 103.6

HSL 218.86, 0.09%, 0.37%

LAB 39, 0.23, -7.33

 

CMYK 60 / 38 / 0 / 87

HEX #0D1420

RGB 13 20.2 32.6

HSL 217.96, 0.43%, 0.09%

LAB 6.33, 0.93, -9.54

 

CMYK 100 / 84 / 0 / 95

HEX #00020D

RGB 0 2.2 13.6

HSL 230.29, 1%, 0.03%

LAB 0.71, 1.06, -4.66

 

CMYK 61 / 39 / 0 / 87

HEX #0D1421

RGB 13 20 33

HSL 219, 0.43%, 0.09%

LAB 6.28, 1.21, -9.91

 

CMYK 61 / 55 / 0 / 87

HEX #0D0F21

RGB 13 15 33

HSL 234, 0.43%, 0.09%

LAB 4.85, 4.13, -12.1

 

CMYK 52 / 61 / 0 / 87

HEX #100D21

RGB 16 13 33

HSL 249, 0.43%, 0.09%

LAB 4.59, 6.12, -12.49

 

CMYK 33 / 61 / 0 / 87

HEX #160D21

RGB 22 13 33

HSL 267, 0.43%, 0.09%

LAB 5.13, 8.57, -11.6

 

CMYK 18 / 61 / 0 / 87

HEX #1B0D21

RGB 27 13 33

HSL 282, 0.43%, 0.09%

LAB 5.7, 11.09, -10.69

 

CMYK 61 / 39 / 0 / 87

HEX #0D1421

RGB 13 20 33

HSL 219, 0.43%, 0.09%

LAB 6.28, 1.21, -9.91

 

CMYK 61 / 55 / 0 / 87

HEX #0D0F21

RGB 13 15 33

HSL 234, 0.43%, 0.09%

LAB 4.85, 4.13, -12.1

 

CMYK 61 / 61 / 0 / 87

HEX #0D0D21

RGB 13 13 33

HSL 240, 0.43%, 0.09%

LAB 4.36, 5.13, -12.85

 

CMYK 61 / 39 / 0 / 87

HEX #0D1421

RGB 13 20 33

HSL 219, 0.43%, 0.09%

LAB 6.28, 1.21, -9.91

 

CMYK 76 / 49 / 0 / 85

HEX #091325

RGB 9 19 37

HSL 218.57, 0.61%, 0.09%

LAB 5.94, 2.24, -13.51

 

CMYK 85 / 55 / 0 / 84

HEX #061228

RGB 6 18 40

HSL 218.82, 0.74%, 0.09%

LAB 5.64, 3.31, -16.26

 

CMYK 95 / 61 / 0 / 83

HEX #02112C

RGB 2 17 44

HSL 218.57, 0.91%, 0.09%

LAB 5.38, 4.67, -19.69

 

CMYK 61 / 39 / 0 / 87

HEX #0D1421

RGB 13 20 33

HSL 219, 0.43%, 0.09%

LAB 6.28, 1.21, -9.91

 

CMYK 41 / 28 / 0 / 89

HEX #11151D

RGB 17 21 29

HSL 220, 0.26%, 0.09%

LAB 6.72, 0.56, -6.16

 

CMYK 16 / 12 / 0 / 90

HEX #151619

RGB 21 22 25

HSL 225, 0.09%, 0.09%

LAB 7.26, 0.33, -2.26

 

CMYK 0 / 4 / 8 / 91

HEX #181716

RGB 24 23 22

HSL 30, 0.04%, 0.09%

LAB 7.81, 0.24, 0.85

 

CMYK 0 / 14 / 36 / 89

HEX #1C1812

RGB 28 24 18

HSL 36, 0.22%, 0.09%

LAB 8.51, 0.69, 4.58

 

CMYK 61 / 6 / 0 / 87

HEX #0D1F21

RGB 13 31 33

HSL 186, 0.43%, 0.09%

LAB 10.37, -6.72, -3.68

 

CMYK 61 / 21 / 0 / 87

HEX #0D1A21

RGB 13 26 33

HSL 201, 0.43%, 0.09%

LAB 8.43, -3.16, -6.62

 

CMYK 61 / 36 / 0 / 87

HEX #0D1521

RGB 13 21 33

HSL 216, 0.43%, 0.09%

LAB 6.61, 0.54, -9.41

 

CMYK 61 / 55 / 0 / 87

HEX #0D0F21

RGB 13 15 33

HSL 234, 0.43%, 0.09%

LAB 4.85, 4.13, -12.1

 

CMYK 52 / 61 / 0 / 87

HEX #100D21

RGB 16 13 33

HSL 249, 0.43%, 0.09%

LAB 4.59, 6.12, -12.49

 

CMYK 67 / 33 / 0 / 99

HEX #010203

RGB 1 2 3

HSL 210, 0.5%, 0.01%

LAB 0.51, -0.12, -0.47

 

CMYK 61 / 39 / 0 / 87

HEX #0D1421

RGB 13 20 33

HSL 219, 0.43%, 0.09%

LAB 6.28, 1.21, -9.91

 

CMYK 60 / 37 / 0 / 76

HEX #19273E

RGB 25 39 62

HSL 217.3, 0.43%, 0.17%

LAB 15.52, 2.1, -16.51

 

CMYK 60 / 38 / 0 / 64

HEX #25395C

RGB 37 57 92

HSL 218.18, 0.43%, 0.25%

LAB 23.97, 3.87, -23.36

 

CMYK 60 / 38 / 0 / 87

HEX #0D1420

RGB 13 20.2 32.6

HSL 217.96, 0.43%, 0.09%

LAB 6.33, 0.93, -9.54

 

CMYK 12 / 61 / 0 / 87

HEX #1D0D21

RGB 29 13 33

HSL 288, 0.43%, 0.09%

LAB 5.95, 12.14, -10.28

 

CMYK 12 / 0 / 61 / 87

HEX #1D210D

RGB 29 33 13

HSL 72, 0.43%, 0.09%

LAB 11.81, -5.98, 11.96

 

CMYK 60 / 38 / 0 / 87

HEX #0D1420

RGB 13 20.2 32.6

HSL 217.96, 0.43%, 0.09%

LAB 6.33, 0.93, -9.54

 

CMYK 0 / 61 / 36 / 87

HEX #210D15

RGB 33 13 21

HSL 336, 0.43%, 0.09%

LAB 6.01, 11.16, -0.94

 

CMYK 36 / 0 / 61 / 87

HEX #15210D

RGB 21 33 13

HSL 96, 0.43%, 0.09%

LAB 11.11, -10.06, 10.88

 

CMYK 60 / 38 / 0 / 87

HEX #0D1420

RGB 13 20.2 32.6

HSL 217.96, 0.43%, 0.09%

LAB 6.33, 0.93, -9.54

 

CMYK 12 / 61 / 0 / 87

HEX #1D0D21

RGB 29 13 33

HSL 288, 0.43%, 0.09%

LAB 5.95, 12.14, -10.28

 

CMYK 0 / 24 / 61 / 87

HEX #21190D

RGB 33 25 13

HSL 36, 0.43%, 0.09%

LAB 9.38, 1.86, 8.63

 

CMYK 48 / 0 / 61 / 87

HEX #11210D

RGB 17 33 13

HSL 108, 0.43%, 0.09%

LAB 10.82, -11.91, 10.44

 

CMYK 60 / 38 / 0 / 87

HEX #0D1420

RGB 13 20.2 32.6

HSL 217.96, 0.43%, 0.09%

LAB 6.33, 0.93, -9.54

 

CMYK 0 / 61 / 6 / 87

HEX #210D1F

RGB 33 13 31

HSL 306, 0.43%, 0.09%

LAB 6.41, 13.62, -7.98

 

CMYK 0 / 24 / 61 / 87

HEX #21190D

RGB 33 25 13

HSL 36, 0.43%, 0.09%

LAB 9.38, 1.86, 8.63

 

CMYK 61 / 0 / 55 / 87

HEX #0D210F

RGB 13 33 15

HSL 126, 0.43%, 0.09%

LAB 10.61, -13.14, 9.1

 

Description

Color code: RGB 13 20.2 32.6 | qconv.com Color code: RGB 13 20.2 32.6 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 20.2 green and 32.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 20.2 32.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 38 magenta, none yellow and 87 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 38% 0% 87% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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HEX to HKS®

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RAL® to HEX

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RAL® to HKS®

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RAL® to PANTONE®

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RAL® to Sherwin Williams®

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convert from HKS®-number (HKS 00) to RGB red green blue

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