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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 13 198 17 it is the complementary color RGB 242 57 238. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 13 198 17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 13 198 17 shade: RGB 18 198 12, RGB 35 216 31, RGB 52 234 50, RGB 69 252 69 and RGB 86 255 88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 13 198 17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 13 198 17 shade: RGB 13 198 17, RGB 0 180 0, RGB 0 162 0, RGB 0 144 0 and RGB 0 126 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 13 198 17 shade: RGB 13 197 17, RGB 58 197 13, RGB 108 197 13, RGB 157 197 13 and RGB 197 186 13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 13 198 17 shade: RGB 13 197 17, RGB 13 197 66, RGB 13 197 116, RGB 13 197 165 and RGB 13 178 197

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 13 198 17 shade matches the following richer shades: RGB 13 197 17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 13 198 17 shade: RGB 13 197 17, RGB 29 180 33, RGB 46 163 49, RGB 63 146 65 and RGB 80 129 81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 13 198 17 shade: RGB 108 197 13, RGB 59 197 13, RGB 13 197 16, RGB 13 197 65 and RGB 13 197 114

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 13 198 17 shade: RGB 8 119 10, RGB 10 158 13, RGB 13 197 17, RGB 15 235 20 and RGB 50 242 54

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 13 198 17 shade: RGB 13 198 17, RGB 13 157 197 and RGB 197 13 83

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 13 198 17 shade: RGB 13 198 17, RGB 16 13 197 and RGB 197 16 13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 13 198 17 shade: RGB 13 198 17, RGB 13 157 197, RGB 197 13 193 and RGB 197 52 13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 13 198 17 shade: RGB 13 198 17, RGB 13 101 197, RGB 197 13 193 and RGB 197 108 13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 91 / 22

HEX #0DC611

RGB 13 198 17

HSL 121.3, 0.88%, 0.41%

LAB 69.83, -70.31, 66.85

 

Complementary color

CMYK 0 / 76 / 2 / 5

HEX #F239EE

RGB 242 57 238

HSL 301.3, 0.88%, 0.59%

LAB 59.87, 85.85, -52.24

 

CMYK 91 / 0 / 94 / 22

HEX #12C60C

RGB 18 198 12

HSL 118.06, 0.89%, 0.41%

LAB 69.85, -70.16, 67.55

 

CMYK 84 / 0 / 86 / 15

HEX #23D81F

RGB 35 216 31

HSL 118.7, 0.75%, 0.48%

LAB 75.8, -73.24, 69.51

 

CMYK 78 / 0 / 79 / 8

HEX #34EA32

RGB 52 234 50

HSL 119.35, 0.81%, 0.56%

LAB 81.73, -75.56, 70.26

 

CMYK 73 / 0 / 73 / 1

HEX #45FC45

RGB 69 252 69

HSL 120, 0.97%, 0.63%

LAB 87.64, -77.28, 70.21

 

CMYK 66 / 0 / 65 / 0

HEX #56FF58

RGB 86 255 88

HSL 120.71, 1%, 0.67%

LAB 89.02, -73.77, 64.83

 

CMYK 93 / 0 / 91 / 22

HEX #0DC611

RGB 13 198 17

HSL 121.3, 0.88%, 0.41%

LAB 69.83, -70.31, 66.85

 

CMYK 100 / 0 / 100 / 29

HEX #00B400

RGB 0 180 0

HSL 120, 1%, 0.35%

LAB 63.87, -66.36, 64.04

 

CMYK 100 / 0 / 100 / 36

HEX #00A200

RGB 0 162 0

HSL 120, 1%, 0.32%

LAB 57.89, -61.38, 59.24

 

CMYK 100 / 0 / 100 / 44

HEX #009000

RGB 0 144 0

HSL 120, 1%, 0.28%

LAB 51.78, -56.31, 54.35

 

CMYK 100 / 0 / 100 / 51

HEX #007E00

RGB 0 126 0

HSL 120, 1%, 0.25%

LAB 45.53, -51.12, 49.34

 

CMYK 93 / 0 / 91 / 23

HEX #0DC511

RGB 13 197 17

HSL 121.3, 0.88%, 0.41%

LAB 69.51, -70.04, 66.57

 

CMYK 71 / 0 / 93 / 23

HEX #3AC50D

RGB 58 197 13

HSL 105.33, 0.88%, 0.41%

LAB 70.08, -65.04, 67.84

 

CMYK 45 / 0 / 93 / 23

HEX #6CC50D

RGB 108 197 13

HSL 89.02, 0.88%, 0.41%

LAB 71.66, -52.33, 69.78

 

CMYK 20 / 0 / 93 / 23

HEX #9DC50D

RGB 157 197 13

HSL 73.04, 0.88%, 0.41%

LAB 74.27, -34.37, 72.98

 

CMYK 0 / 6 / 93 / 23

HEX #C5BA0D

RGB 197 186 13

HSL 56.41, 0.88%, 0.41%

LAB 74.2, -12.06, 74.22

 

CMYK 93 / 0 / 91 / 23

HEX #0DC511

RGB 13 197 17

HSL 121.3, 0.88%, 0.41%

LAB 69.51, -70.04, 66.57

 

CMYK 93 / 0 / 66 / 23

HEX #0DC542

RGB 13 197 66

HSL 137.28, 0.88%, 0.41%

LAB 69.76, -66.84, 52.4

 

CMYK 93 / 0 / 41 / 23

HEX #0DC574

RGB 13 197 116

HSL 153.59, 0.88%, 0.41%

LAB 70.37, -59.43, 29.35

 

CMYK 93 / 0 / 16 / 23

HEX #0DC5A5

RGB 13 197 165

HSL 169.57, 0.88%, 0.41%

LAB 71.37, -48.24, 4.57

 

CMYK 93 / 10 / 0 / 23

HEX #0DB2C5

RGB 13 178 197

HSL 186.2, 0.88%, 0.41%

LAB 66.49, -30.29, -20.26

 

CMYK 93 / 0 / 91 / 23

HEX #0DC511

RGB 13 197 17

HSL 121.3, 0.88%, 0.41%

LAB 69.51, -70.04, 66.57

 

CMYK 93 / 0 / 91 / 23

HEX #0DC511

RGB 13 197 17

HSL 121.3, 0.88%, 0.41%

LAB 69.51, -70.04, 66.57

 

CMYK 84 / 0 / 82 / 29

HEX #1DB421

RGB 29 180 33

HSL 121.59, 0.72%, 0.41%

LAB 64.17, -63.29, 58.45

 

CMYK 72 / 0 / 70 / 36

HEX #2EA331

RGB 46 163 49

HSL 121.54, 0.56%, 0.41%

LAB 58.97, -54.29, 47.87

 

CMYK 57 / 0 / 55 / 43

HEX #3F9241

RGB 63 146 65

HSL 121.45, 0.4%, 0.41%

LAB 54.02, -42.35, 35.1

 

CMYK 38 / 0 / 37 / 49

HEX #508151

RGB 80 129 81

HSL 121.22, 0.23%, 0.41%

LAB 49.5, -27.07, 20.94

 

CMYK 45 / 0 / 93 / 23

HEX #6CC50D

RGB 108 197 13

HSL 89.02, 0.88%, 0.41%

LAB 71.66, -52.33, 69.78

 

CMYK 70 / 0 / 93 / 23

HEX #3BC50D

RGB 59 197 13

HSL 105, 0.88%, 0.41%

LAB 70.1, -64.86, 67.86

 

CMYK 93 / 0 / 92 / 23

HEX #0DC510

RGB 13 197 16

HSL 120.98, 0.88%, 0.41%

LAB 69.51, -70.06, 66.72

 

CMYK 93 / 0 / 67 / 23

HEX #0DC541

RGB 13 197 65

HSL 136.96, 0.88%, 0.41%

LAB 69.75, -66.94, 52.8

 

CMYK 93 / 0 / 42 / 23

HEX #0DC572

RGB 13 197 114

HSL 152.93, 0.88%, 0.41%

LAB 70.34, -59.81, 30.34

 

CMYK 93 / 0 / 92 / 53

HEX #08770A

RGB 8 119 10

HSL 121.08, 0.87%, 0.25%

LAB 43.16, -47.94, 45.22

 

CMYK 94 / 0 / 92 / 38

HEX #0A9E0D

RGB 10 158 13

HSL 121.22, 0.88%, 0.33%

LAB 56.63, -59.31, 56.26

 

CMYK 93 / 0 / 91 / 23

HEX #0DC511

RGB 13 197 17

HSL 121.3, 0.88%, 0.41%

LAB 69.51, -70.04, 66.57

 

CMYK 94 / 0 / 91 / 8

HEX #0FEB14

RGB 15 235 20

HSL 121.36, 0.88%, 0.49%

LAB 81.6, -80.15, 76.34

 

CMYK 79 / 0 / 78 / 5

HEX #32F236

RGB 50 242 54

HSL 121.25, 0.88%, 0.57%

LAB 84.2, -77.89, 71.45

 

CMYK 93 / 0 / 91 / 22

HEX #0DC611

RGB 13 198 17

HSL 121.3, 0.88%, 0.41%

LAB 69.83, -70.31, 66.85

 

CMYK 93 / 20 / 0 / 23

HEX #0D9DC5

RGB 13 157 197

HSL 193.04, 0.88%, 0.41%

LAB 60.1, -19.61, -30.08

 

CMYK 0 / 93 / 58 / 23

HEX #C50D53

RGB 197 13 83

HSL 337.17, 0.88%, 0.41%

LAB 42.43, 67.34, 12.52

 

CMYK 93 / 0 / 91 / 22

HEX #0DC611

RGB 13 198 17

HSL 121.3, 0.88%, 0.41%

LAB 69.83, -70.31, 66.85

 

CMYK 92 / 93 / 0 / 23

HEX #100DC5

RGB 16 13 197

HSL 240.98, 0.88%, 0.41%

LAB 25.04, 62.51, -86.69

 

CMYK 0 / 92 / 93 / 23

HEX #C5100D

RGB 197 16 13

HSL 0.98, 0.88%, 0.41%

LAB 41.64, 64.4, 51.21

 

CMYK 93 / 0 / 91 / 22

HEX #0DC611

RGB 13 198 17

HSL 121.3, 0.88%, 0.41%

LAB 69.83, -70.31, 66.85

 

CMYK 93 / 20 / 0 / 23

HEX #0D9DC5

RGB 13 157 197

HSL 193.04, 0.88%, 0.41%

LAB 60.1, -19.61, -30.08

 

CMYK 0 / 93 / 2 / 23

HEX #C50DC1

RGB 197 13 193

HSL 301.3, 0.88%, 0.41%

LAB 46.99, 79.2, -47.55

 

CMYK 0 / 74 / 93 / 23

HEX #C5340D

RGB 197 52 13

HSL 12.72, 0.88%, 0.41%

LAB 44.74, 55.65, 53.13

 

CMYK 93 / 0 / 91 / 22

HEX #0DC611

RGB 13 198 17

HSL 121.3, 0.88%, 0.41%

LAB 69.83, -70.31, 66.85

 

CMYK 93 / 49 / 0 / 23

HEX #0D65C5

RGB 13 101 197

HSL 211.3, 0.88%, 0.41%

LAB 43.4, 13.57, -56.52

 

CMYK 0 / 93 / 2 / 23

HEX #C50DC1

RGB 197 13 193

HSL 301.3, 0.88%, 0.41%

LAB 46.99, 79.2, -47.55

 

CMYK 0 / 45 / 93 / 23

HEX #C56C0D

RGB 197 108 13

HSL 30.98, 0.88%, 0.41%

LAB 54.68, 29.84, 59.84

 

Description

Color code: RGB 13 198 17 | qconv.com Color code: RGB 13 198 17 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 198 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 198 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 91 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 91% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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