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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 13 198 105 it is the complementary color RGB 242 57 150. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 13 198 105. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 13 198 105 shade: RGB 18 198 100, RGB 35 216 119, RGB 52 234 138, RGB 69 252 157 and RGB 86 255 176

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 13 198 105. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 13 198 105 shade: RGB 13 198 105, RGB 0 180 86, RGB 0 162 67, RGB 0 144 48 and RGB 0 126 29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 13 198 105 shade: RGB 13 197 104, RGB 13 197 54, RGB 20 197 13, RGB 70 197 13 and RGB 120 197 13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 13 198 105 shade: RGB 13 197 104, RGB 13 197 154, RGB 13 190 197, RGB 13 140 197 and RGB 13 91 197

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 13 198 105 shade matches the following richer shades: RGB 13 197 104

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 13 198 105 shade: RGB 13 197 104, RGB 29 180 104, RGB 46 163 104, RGB 63 146 104 and RGB 80 129 104

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 13 198 105 shade: RGB 22 197 13, RGB 13 197 52, RGB 13 197 101, RGB 13 197 151 and RGB 13 193 197

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 13 198 105 shade: RGB 8 119 63, RGB 10 158 84, RGB 13 197 104, RGB 15 235 125 and RGB 50 242 145

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 13 198 105 shade: RGB 13 198 105, RGB 13 71 197 and RGB 197 28 13

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 13 198 105 shade: RGB 13 198 105, RGB 101 13 197 and RGB 197 101 13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 13 198 105 shade: RGB 13 198 105, RGB 13 71 197, RGB 197 13 108 and RGB 197 138 13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 13 198 105 shade: RGB 13 198 105, RGB 13 16 197, RGB 197 13 108 and RGB 197 193 13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 47 / 22

HEX #0DC669

RGB 13 198 105

HSL 149.84, 0.88%, 0.41%

LAB 70.52, -61.76, 35.17

 

Complementary color

CMYK 0 / 76 / 38 / 5

HEX #F23996

RGB 242 57 150

HSL 329.84, 0.88%, 0.59%

LAB 56.09, 74.83, -7.54

 

CMYK 91 / 0 / 49 / 22

HEX #12C664

RGB 18 198 100

HSL 147.33, 0.83%, 0.42%

LAB 70.48, -62.35, 37.63

 

CMYK 84 / 0 / 45 / 15

HEX #23D877

RGB 35 216 119

HSL 147.85, 0.72%, 0.49%

LAB 76.56, -63.99, 35.9

 

CMYK 78 / 0 / 41 / 8

HEX #34EA8A

RGB 52 234 138

HSL 148.35, 0.81%, 0.56%

LAB 82.6, -65.16, 34.27

 

CMYK 73 / 0 / 38 / 1

HEX #45FC9D

RGB 69 252 157

HSL 148.85, 0.97%, 0.63%

LAB 88.6, -65.99, 32.74

 

CMYK 66 / 0 / 31 / 0

HEX #56FFB0

RGB 86 255 176

HSL 151.95, 1%, 0.67%

LAB 90.15, -60.95, 25.33

 

CMYK 93 / 0 / 47 / 22

HEX #0DC669

RGB 13 198 105

HSL 149.84, 0.88%, 0.41%

LAB 70.52, -61.76, 35.17

 

CMYK 100 / 0 / 52 / 29

HEX #00B456

RGB 0 180 86

HSL 148.67, 1%, 0.35%

LAB 64.41, -59.48, 37.02

 

CMYK 100 / 0 / 59 / 36

HEX #00A243

RGB 0 162 67

HSL 144.81, 1%, 0.32%

LAB 58.27, -56.49, 38.91

 

CMYK 100 / 0 / 67 / 44

HEX #009030

RGB 0 144 48

HSL 140, 1%, 0.28%

LAB 52.02, -53.21, 40.6

 

CMYK 100 / 0 / 77 / 51

HEX #007E1D

RGB 0 126 29

HSL 133.81, 1%, 0.25%

LAB 45.65, -49.54, 41.77

 

CMYK 93 / 0 / 47 / 23

HEX #0DC568

RGB 13 197 104

HSL 149.67, 0.88%, 0.41%

LAB 70.19, -61.6, 35.25

 

CMYK 93 / 0 / 73 / 23

HEX #0DC536

RGB 13 197 54

HSL 133.37, 0.88%, 0.41%

LAB 69.67, -67.97, 56.97

 

CMYK 90 / 0 / 93 / 23

HEX #14C50D

RGB 20 197 13

HSL 117.72, 0.88%, 0.41%

LAB 69.55, -69.73, 67.18

 

CMYK 64 / 0 / 93 / 23

HEX #46C50D

RGB 70 197 13

HSL 101.41, 0.88%, 0.41%

LAB 70.36, -62.64, 68.19

 

CMYK 39 / 0 / 93 / 23

HEX #78C50D

RGB 120 197 13

HSL 85.11, 0.88%, 0.41%

LAB 72.2, -48.33, 70.45

 

CMYK 93 / 0 / 47 / 23

HEX #0DC568

RGB 13 197 104

HSL 149.67, 0.88%, 0.41%

LAB 70.19, -61.6, 35.25

 

CMYK 93 / 0 / 22 / 23

HEX #0DC59A

RGB 13 197 154

HSL 165.98, 0.88%, 0.41%

LAB 71.11, -51.06, 10.15

 

CMYK 93 / 4 / 0 / 23

HEX #0DBEC5

RGB 13 190 197

HSL 182.28, 0.88%, 0.41%

LAB 70.14, -36, -14.74

 

CMYK 93 / 29 / 0 / 23

HEX #0D8CC5

RGB 13 140 197

HSL 198.59, 0.88%, 0.41%

LAB 54.94, -10.27, -38.12

 

CMYK 93 / 54 / 0 / 23

HEX #0D5BC5

RGB 13 91 197

HSL 214.57, 0.88%, 0.41%

LAB 40.57, 20.12, -61.09

 

CMYK 93 / 0 / 47 / 23

HEX #0DC568

RGB 13 197 104

HSL 149.67, 0.88%, 0.41%

LAB 70.19, -61.6, 35.25

 

CMYK 93 / 0 / 47 / 23

HEX #0DC568

RGB 13 197 104

HSL 149.67, 0.88%, 0.41%

LAB 70.19, -61.6, 35.25

 

CMYK 84 / 0 / 42 / 29

HEX #1DB468

RGB 29 180 104

HSL 149.8, 0.72%, 0.41%

LAB 64.89, -54.63, 28.44

 

CMYK 72 / 0 / 36 / 36

HEX #2EA368

RGB 46 163 104

HSL 149.74, 0.56%, 0.41%

LAB 59.68, -46.05, 21.59

 

CMYK 57 / 0 / 29 / 43

HEX #3F9268

RGB 63 146 104

HSL 149.64, 0.4%, 0.41%

LAB 54.67, -35.46, 14.83

 

CMYK 38 / 0 / 19 / 49

HEX #508168

RGB 80 129 104

HSL 149.39, 0.23%, 0.41%

LAB 49.98, -22.53, 8.38

 

CMYK 89 / 0 / 93 / 23

HEX #16C50D

RGB 22 197 13

HSL 117.07, 0.88%, 0.41%

LAB 69.56, -69.59, 67.2

 

CMYK 93 / 0 / 74 / 23

HEX #0DC534

RGB 13 197 52

HSL 132.72, 0.88%, 0.41%

LAB 69.66, -68.14, 57.67

 

CMYK 93 / 0 / 49 / 23

HEX #0DC565

RGB 13 197 101

HSL 148.7, 0.88%, 0.41%

LAB 70.15, -62.1, 36.7

 

CMYK 93 / 0 / 23 / 23

HEX #0DC597

RGB 13 197 151

HSL 165, 0.88%, 0.41%

LAB 71.04, -51.79, 11.68

 

CMYK 93 / 2 / 0 / 23

HEX #0DC1C5

RGB 13 193 197

HSL 181.3, 0.88%, 0.41%

LAB 71.05, -37.39, -13.37

 

CMYK 93 / 0 / 47 / 53

HEX #08773F

RGB 8 119 63

HSL 149.73, 0.87%, 0.25%

LAB 43.66, -41.8, 23.02

 

CMYK 94 / 0 / 47 / 38

HEX #0A9E54

RGB 10 158 84

HSL 150, 0.88%, 0.33%

LAB 57.23, -51.89, 29.03

 

CMYK 93 / 0 / 47 / 23

HEX #0DC568

RGB 13 197 104

HSL 149.67, 0.88%, 0.41%

LAB 70.19, -61.6, 35.25

 

CMYK 94 / 0 / 47 / 8

HEX #0FEB7D

RGB 15 235 125

HSL 150, 0.88%, 0.49%

LAB 82.38, -70.48, 40.34

 

CMYK 79 / 0 / 40 / 5

HEX #32F291

RGB 50 242 145

HSL 149.69, 0.88%, 0.57%

LAB 85.11, -66.91, 34.07

 

CMYK 93 / 0 / 47 / 22

HEX #0DC669

RGB 13 198 105

HSL 149.84, 0.88%, 0.41%

LAB 70.52, -61.76, 35.17

 

CMYK 93 / 64 / 0 / 23

HEX #0D47C5

RGB 13 71 197

HSL 221.09, 0.88%, 0.41%

LAB 35.25, 33.35, -69.78

 

CMYK 0 / 86 / 93 / 23

HEX #C51C0D

RGB 197 28 13

HSL 4.89, 0.88%, 0.41%

LAB 42.35, 62.36, 51.64

 

CMYK 93 / 0 / 47 / 22

HEX #0DC669

RGB 13 198 105

HSL 149.84, 0.88%, 0.41%

LAB 70.52, -61.76, 35.17

 

CMYK 49 / 93 / 0 / 23

HEX #650DC5

RGB 101 13 197

HSL 268.7, 0.88%, 0.41%

LAB 32, 66.79, -74.93

 

CMYK 0 / 49 / 93 / 23

HEX #C5650D

RGB 197 101 13

HSL 28.7, 0.88%, 0.41%

LAB 53.18, 33.54, 58.78

 

CMYK 93 / 0 / 47 / 22

HEX #0DC669

RGB 13 198 105

HSL 149.84, 0.88%, 0.41%

LAB 70.52, -61.76, 35.17

 

CMYK 93 / 64 / 0 / 23

HEX #0D47C5

RGB 13 71 197

HSL 221.09, 0.88%, 0.41%

LAB 35.25, 33.35, -69.78

 

CMYK 0 / 93 / 45 / 23

HEX #C50D6C

RGB 197 13 108

HSL 329.02, 0.88%, 0.41%

LAB 43.12, 69.22, -2.22

 

CMYK 0 / 30 / 93 / 23

HEX #C58A0D

RGB 197 138 13

HSL 40.76, 0.88%, 0.41%

LAB 61.72, 13.51, 64.9

 

CMYK 93 / 0 / 47 / 22

HEX #0DC669

RGB 13 198 105

HSL 149.84, 0.88%, 0.41%

LAB 70.52, -61.76, 35.17

 

CMYK 93 / 92 / 0 / 23

HEX #0D10C5

RGB 13 16 197

HSL 239.02, 0.88%, 0.41%

LAB 25.22, 61.7, -86.39

 

CMYK 0 / 93 / 45 / 23

HEX #C50D6C

RGB 197 13 108

HSL 329.02, 0.88%, 0.41%

LAB 43.12, 69.22, -2.22

 

CMYK 0 / 2 / 93 / 23

HEX #C5C10D

RGB 197 193 13

HSL 58.7, 0.88%, 0.41%

LAB 76.09, -15.61, 75.66

 

Description

Color code: RGB 13 198 105 | qconv.com Color code: RGB 13 198 105 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 198 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 198 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 47 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 47% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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