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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 13 196 30 it is the complementary color RGB 242 59 225. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 13 196 30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 13 196 30 shade: RGB 18 196 25, RGB 35 214 44, RGB 52 232 63, RGB 69 250 82 and RGB 86 255 101

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 13 196 30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 13 196 30 shade: RGB 13 196 30, RGB 0 178 11, RGB 0 160 0, RGB 0 142 0 and RGB 0 124 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 13 196 30 shade: RGB 12 196 29, RGB 45 196 12, RGB 94 196 12, RGB 144 196 12 and RGB 193 196 12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 13 196 30 shade: RGB 12 196 29, RGB 12 196 79, RGB 12 196 128, RGB 12 196 178 and RGB 12 164 196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 13 196 30 shade matches the following richer shades: RGB 12 196 29

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 13 196 30 shade: RGB 12 196 29, RGB 29 179 43, RGB 46 162 57, RGB 63 145 70 and RGB 80 128 84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 13 196 30 shade: RGB 95 196 12, RGB 46 196 12, RGB 12 196 27, RGB 12 196 76 and RGB 12 196 126

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 13 196 30 shade: RGB 7 118 17, RGB 10 157 23, RGB 12 196 29, RGB 15 235 35 and RGB 49 241 67

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 13 196 30 shade: RGB 13 196 30, RGB 12 144 196 and RGB 196 12 70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 13 196 30 shade: RGB 13 196 30, RGB 27 12 196 and RGB 196 27 12

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 13 196 30 shade: RGB 13 196 30, RGB 12 144 196, RGB 196 12 181 and RGB 196 64 12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 13 196 30 shade: RGB 13 196 30, RGB 12 89 196, RGB 196 12 181 and RGB 196 119 12

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 85 / 23

HEX #0DC41E

RGB 13 196 30

HSL 125.57, 0.88%, 0.41%

LAB 69.23, -69.27, 63.8

 

Complementary color

CMYK 0 / 76 / 7 / 5

HEX #F23BE1

RGB 242 59 225

HSL 305.57, 0.88%, 0.59%

LAB 59.38, 83.42, -45.72

 

CMYK 91 / 0 / 87 / 23

HEX #12C419

RGB 18 196 25

HSL 122.36, 0.83%, 0.42%

LAB 69.24, -69.2, 64.92

 

CMYK 84 / 0 / 79 / 16

HEX #23D62C

RGB 35 214 44

HSL 123.02, 0.72%, 0.49%

LAB 75.22, -72.01, 65.73

 

CMYK 78 / 0 / 73 / 9

HEX #34E83F

RGB 52 232 63

HSL 123.67, 0.8%, 0.56%

LAB 81.18, -74.09, 65.64

 

CMYK 72 / 0 / 67 / 2

HEX #45FA52

RGB 69 250 82

HSL 124.31, 0.95%, 0.63%

LAB 87.12, -75.6, 65

 

CMYK 66 / 0 / 60 / 0

HEX #56FF65

RGB 86 255 101

HSL 125.33, 1%, 0.67%

LAB 89.13, -72.47, 59.66

 

CMYK 93 / 0 / 85 / 23

HEX #0DC41E

RGB 13 196 30

HSL 125.57, 0.88%, 0.41%

LAB 69.23, -69.27, 63.8

 

CMYK 100 / 0 / 94 / 30

HEX #00B20B

RGB 0 178 11

HSL 123.71, 1%, 0.35%

LAB 63.23, -65.55, 62.12

 

CMYK 100 / 0 / 100 / 37

HEX #00A000

RGB 0 160 0

HSL 120, 1%, 0.31%

LAB 57.21, -60.83, 58.71

 

CMYK 100 / 0 / 100 / 44

HEX #008E00

RGB 0 142 0

HSL 120, 1%, 0.28%

LAB 51.09, -55.74, 53.8

 

CMYK 100 / 0 / 100 / 51

HEX #007C00

RGB 0 124 0

HSL 120, 1%, 0.24%

LAB 44.82, -50.53, 48.77

 

CMYK 94 / 0 / 85 / 23

HEX #0CC41D

RGB 12 196 29

HSL 125.54, 0.88%, 0.41%

LAB 69.22, -69.36, 64.02

 

CMYK 77 / 0 / 94 / 23

HEX #2DC40C

RGB 45 196 12

HSL 109.24, 0.88%, 0.41%

LAB 69.52, -66.87, 67.4

 

CMYK 52 / 0 / 94 / 23

HEX #5EC40C

RGB 94 196 12

HSL 93.26, 0.88%, 0.41%

LAB 70.79, -56.23, 68.97

 

CMYK 27 / 0 / 94 / 23

HEX #90C40C

RGB 144 196 12

HSL 76.96, 0.88%, 0.41%

LAB 73.18, -39.08, 71.89

 

CMYK 2 / 0 / 94 / 23

HEX #C1C40C

RGB 193 196 12

HSL 60.98, 0.88%, 0.41%

LAB 76.58, -18.84, 76.01

 

CMYK 94 / 0 / 85 / 23

HEX #0CC41D

RGB 12 196 29

HSL 125.54, 0.88%, 0.41%

LAB 69.22, -69.36, 64.02

 

CMYK 94 / 0 / 60 / 23

HEX #0CC44F

RGB 12 196 79

HSL 141.85, 0.88%, 0.41%

LAB 69.56, -65.06, 46.52

 

CMYK 94 / 0 / 35 / 23

HEX #0CC480

RGB 12 196 128

HSL 157.83, 0.88%, 0.41%

LAB 70.26, -56.7, 22.91

 

CMYK 94 / 0 / 9 / 23

HEX #0CC4B2

RGB 12 196 178

HSL 174.13, 0.88%, 0.41%

LAB 71.4, -44.32, -2.47

 

CMYK 94 / 16 / 0 / 23

HEX #0CA4C4

RGB 12 164 196

HSL 190.43, 0.88%, 0.41%

LAB 62.18, -23.65, -26.3

 

CMYK 94 / 0 / 85 / 23

HEX #0CC41D

RGB 12 196 29

HSL 125.54, 0.88%, 0.41%

LAB 69.22, -69.36, 64.02

 

CMYK 94 / 0 / 85 / 23

HEX #0CC41D

RGB 12 196 29

HSL 125.54, 0.88%, 0.41%

LAB 69.22, -69.36, 64.02

 

CMYK 84 / 0 / 76 / 30

HEX #1DB32B

RGB 29 179 43

HSL 125.6, 0.72%, 0.41%

LAB 63.9, -62.33, 55.07

 

CMYK 72 / 0 / 65 / 36

HEX #2EA239

RGB 46 162 57

HSL 125.69, 0.56%, 0.41%

LAB 58.71, -53.12, 44.19

 

CMYK 57 / 0 / 52 / 43

HEX #3F9146

RGB 63 145 70

HSL 125.12, 0.39%, 0.41%

LAB 53.76, -41.23, 32.22

 

CMYK 38 / 0 / 34 / 50

HEX #508054

RGB 80 128 84

HSL 125, 0.23%, 0.41%

LAB 49.23, -26.04, 18.89

 

CMYK 52 / 0 / 94 / 23

HEX #5FC40C

RGB 95 196 12

HSL 92.93, 0.88%, 0.41%

LAB 70.83, -55.94, 69.02

 

CMYK 77 / 0 / 94 / 23

HEX #2EC40C

RGB 46 196 12

HSL 108.91, 0.88%, 0.41%

LAB 69.53, -66.72, 67.42

 

CMYK 94 / 0 / 86 / 23

HEX #0CC41B

RGB 12 196 27

HSL 124.89, 0.88%, 0.41%

LAB 69.21, -69.45, 64.46

 

CMYK 94 / 0 / 61 / 23

HEX #0CC44C

RGB 12 196 76

HSL 140.87, 0.88%, 0.41%

LAB 69.53, -65.44, 47.84

 

CMYK 94 / 0 / 36 / 23

HEX #0CC47E

RGB 12 196 126

HSL 157.17, 0.88%, 0.41%

LAB 70.22, -57.12, 23.92

 

CMYK 94 / 0 / 86 / 54

HEX #077611

RGB 7 118 17

HSL 125.41, 0.89%, 0.25%

LAB 42.83, -47.36, 43.13

 

CMYK 94 / 0 / 85 / 38

HEX #0A9D17

RGB 10 157 23

HSL 125.31, 0.88%, 0.33%

LAB 56.33, -58.6, 53.86

 

CMYK 94 / 0 / 85 / 23

HEX #0CC41D

RGB 12 196 29

HSL 125.54, 0.88%, 0.41%

LAB 69.22, -69.36, 64.02

 

CMYK 94 / 0 / 85 / 8

HEX #0FEB23

RGB 15 235 35

HSL 125.45, 0.88%, 0.49%

LAB 81.64, -79.65, 73.78

 

CMYK 80 / 0 / 72 / 5

HEX #31F143

RGB 49 241 67

HSL 125.63, 0.87%, 0.57%

LAB 83.95, -76.81, 67.05

 

CMYK 93 / 0 / 85 / 23

HEX #0DC41E

RGB 13 196 30

HSL 125.57, 0.88%, 0.41%

LAB 69.23, -69.27, 63.8

 

CMYK 94 / 27 / 0 / 23

HEX #0C90C4

RGB 12 144 196

HSL 196.96, 0.88%, 0.41%

LAB 56.1, -12.93, -35.74

 

CMYK 0 / 94 / 64 / 23

HEX #C40C46

RGB 196 12 70

HSL 341.09, 0.88%, 0.41%

LAB 41.91, 66.43, 19.99

 

CMYK 93 / 0 / 85 / 23

HEX #0DC41E

RGB 13 196 30

HSL 125.57, 0.88%, 0.41%

LAB 69.23, -69.27, 63.8

 

CMYK 86 / 94 / 0 / 23

HEX #1B0CC4

RGB 27 12 196

HSL 244.89, 0.88%, 0.41%

LAB 25.2, 62.67, -85.82

 

CMYK 0 / 86 / 94 / 23

HEX #C41B0C

RGB 196 27 12

HSL 4.89, 0.88%, 0.41%

LAB 42.07, 62.28, 51.7

 

CMYK 93 / 0 / 85 / 23

HEX #0DC41E

RGB 13 196 30

HSL 125.57, 0.88%, 0.41%

LAB 69.23, -69.27, 63.8

 

CMYK 94 / 27 / 0 / 23

HEX #0C90C4

RGB 12 144 196

HSL 196.96, 0.88%, 0.41%

LAB 56.1, -12.93, -35.74

 

CMYK 0 / 94 / 8 / 23

HEX #C40CB5

RGB 196 12 181

HSL 304.89, 0.88%, 0.41%

LAB 46.09, 77.42, -41.96

 

CMYK 0 / 67 / 94 / 23

HEX #C4400C

RGB 196 64 12

HSL 16.96, 0.88%, 0.41%

LAB 46.22, 50.75, 54.27

 

CMYK 93 / 0 / 85 / 23

HEX #0DC41E

RGB 13 196 30

HSL 125.57, 0.88%, 0.41%

LAB 69.23, -69.27, 63.8

 

CMYK 94 / 55 / 0 / 23

HEX #0C59C4

RGB 12 89 196

HSL 214.89, 0.88%, 0.41%

LAB 39.93, 21.01, -61.55

 

CMYK 0 / 94 / 8 / 23

HEX #C40CB5

RGB 196 12 181

HSL 304.89, 0.88%, 0.41%

LAB 46.09, 77.42, -41.96

 

CMYK 0 / 39 / 94 / 23

HEX #C4770C

RGB 196 119 12

HSL 34.89, 0.88%, 0.41%

LAB 57.03, 23.46, 61.64

 

Description

Color code: RGB 13 196 30 | qconv.com Color code: RGB 13 196 30 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 196 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 196 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 85 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 85% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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