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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 13 195 87 it is the complementary color RGB 242 60 168. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 13 195 87. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 13 195 87 shade: RGB 18 195 82, RGB 35 213 101, RGB 52 231 120, RGB 69 249 139 and RGB 86 255 158

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 13 195 87. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 13 195 87 shade: RGB 13 195 87, RGB 0 177 68, RGB 0 159 49, RGB 0 141 30 and RGB 0 123 11

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 13 195 87 shade: RGB 12 196 87, RGB 12 196 37, RGB 36 196 12, RGB 86 196 12 and RGB 136 196 12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 13 195 87 shade: RGB 12 196 87, RGB 12 196 136, RGB 12 196 186, RGB 12 156 196 and RGB 12 107 196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 13 195 87 shade matches the following richer shades: RGB 12 196 87

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 13 195 87 shade: RGB 12 196 87, RGB 29 179 90, RGB 46 162 93, RGB 63 145 96 and RGB 80 128 100

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 13 195 87 shade: RGB 37 196 12, RGB 12 196 37, RGB 12 196 86, RGB 12 196 135 and RGB 12 196 184

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 13 195 87 shade: RGB 7 118 52, RGB 10 157 70, RGB 12 196 87, RGB 15 235 104 and RGB 49 241 127

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 13 195 87 shade: RGB 13 195 87, RGB 12 86 196 and RGB 196 12 12

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 13 195 87 shade: RGB 13 195 87, RGB 86 12 196 and RGB 196 86 12

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 13 195 87 shade: RGB 13 195 87, RGB 12 86 196, RGB 196 12 122 and RGB 196 122 12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 13 195 87 shade: RGB 13 195 87, RGB 12 30 196, RGB 196 12 122 and RGB 196 178 12

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 55 / 24

HEX #0DC357

RGB 13 195 87

HSL 144.4, 0.88%, 0.41%

LAB 69.33, -63.62, 42.53

 

Complementary color

CMYK 0 / 75 / 31 / 5

HEX #F23CA8

RGB 242 60 168

HSL 324.4, 0.88%, 0.59%

LAB 57.01, 75.86, -16.72

 

CMYK 91 / 0 / 58 / 24

HEX #12C352

RGB 18 195 82

HSL 141.69, 0.83%, 0.42%

LAB 69.3, -64.04, 44.86

 

CMYK 84 / 0 / 53 / 16

HEX #23D565

RGB 35 213 101

HSL 142.25, 0.72%, 0.49%

LAB 75.38, -65.86, 43.23

 

CMYK 77 / 0 / 48 / 9

HEX #34E778

RGB 52 231 120

HSL 142.79, 0.79%, 0.55%

LAB 81.42, -67.15, 41.63

 

CMYK 72 / 0 / 44 / 2

HEX #45F98B

RGB 69 249 139

HSL 143.33, 0.94%, 0.62%

LAB 87.43, -68.05, 40.09

 

CMYK 66 / 0 / 38 / 0

HEX #56FF9E

RGB 86 255 158

HSL 145.56, 1%, 0.67%

LAB 89.84, -64.32, 33.96

 

CMYK 93 / 0 / 55 / 24

HEX #0DC357

RGB 13 195 87

HSL 144.4, 0.88%, 0.41%

LAB 69.33, -63.62, 42.53

 

CMYK 100 / 0 / 62 / 31

HEX #00B144

RGB 0 177 68

HSL 143.05, 1%, 0.35%

LAB 63.23, -61.09, 44.21

 

CMYK 100 / 0 / 69 / 38

HEX #009F31

RGB 0 159 49

HSL 138.49, 1%, 0.31%

LAB 57.09, -57.75, 45.7

 

CMYK 100 / 0 / 79 / 45

HEX #008D1E

RGB 0 141 30

HSL 132.77, 1%, 0.28%

LAB 50.85, -54.03, 46.59

 

CMYK 100 / 0 / 91 / 52

HEX #007B0B

RGB 0 123 11

HSL 125.37, 1%, 0.24%

LAB 44.5, -49.79, 46.15

 

CMYK 94 / 0 / 56 / 23

HEX #0CC457

RGB 12 196 87

HSL 144.46, 0.88%, 0.41%

LAB 69.64, -63.98, 42.91

 

CMYK 94 / 0 / 81 / 23

HEX #0CC425

RGB 12 196 37

HSL 128.15, 0.88%, 0.41%

LAB 69.25, -68.95, 62.03

 

CMYK 82 / 0 / 94 / 23

HEX #24C40C

RGB 36 196 12

HSL 112.17, 0.88%, 0.41%

LAB 69.39, -68.02, 67.23

 

CMYK 56 / 0 / 94 / 23

HEX #56C40C

RGB 86 196 12

HSL 95.87, 0.88%, 0.41%

LAB 70.51, -58.45, 68.63

 

CMYK 31 / 0 / 94 / 23

HEX #88C40C

RGB 136 196 12

HSL 79.57, 0.88%, 0.41%

LAB 72.72, -42.14, 71.33

 

CMYK 94 / 0 / 56 / 23

HEX #0CC457

RGB 12 196 87

HSL 144.46, 0.88%, 0.41%

LAB 69.64, -63.98, 42.91

 

CMYK 94 / 0 / 31 / 23

HEX #0CC488

RGB 12 196 136

HSL 160.43, 0.88%, 0.41%

LAB 70.41, -54.96, 18.86

 

CMYK 94 / 0 / 5 / 23

HEX #0CC4BA

RGB 12 196 186

HSL 176.74, 0.88%, 0.41%

LAB 71.62, -42.04, -6.5

 

CMYK 94 / 20 / 0 / 23

HEX #0C9CC4

RGB 12 156 196

HSL 193.04, 0.88%, 0.41%

LAB 59.74, -19.47, -30.06

 

CMYK 94 / 45 / 0 / 23

HEX #0C6BC4

RGB 12 107 196

HSL 209.02, 0.88%, 0.41%

LAB 45.05, 9.27, -53.27

 

CMYK 94 / 0 / 56 / 23

HEX #0CC457

RGB 12 196 87

HSL 144.46, 0.88%, 0.41%

LAB 69.64, -63.98, 42.91

 

CMYK 94 / 0 / 56 / 23

HEX #0CC457

RGB 12 196 87

HSL 144.46, 0.88%, 0.41%

LAB 69.64, -63.98, 42.91

 

CMYK 84 / 0 / 50 / 30

HEX #1DB35A

RGB 29 179 90

HSL 144.4, 0.72%, 0.41%

LAB 64.35, -56.73, 34.98

 

CMYK 72 / 0 / 43 / 36

HEX #2EA25D

RGB 46 162 93

HSL 144.31, 0.56%, 0.41%

LAB 59.17, -47.8, 26.85

 

CMYK 57 / 0 / 34 / 43

HEX #3F9160

RGB 63 145 96

HSL 144.15, 0.39%, 0.41%

LAB 54.19, -36.69, 18.67

 

CMYK 38 / 0 / 22 / 50

HEX #508064

RGB 80 128 100

HSL 145, 0.23%, 0.41%

LAB 49.57, -22.88, 10.13

 

CMYK 81 / 0 / 94 / 23

HEX #25C40C

RGB 37 196 12

HSL 111.85, 0.88%, 0.41%

LAB 69.4, -67.9, 67.25

 

CMYK 94 / 0 / 81 / 23

HEX #0CC425

RGB 12 196 37

HSL 128.15, 0.88%, 0.41%

LAB 69.25, -68.95, 62.03

 

CMYK 94 / 0 / 56 / 23

HEX #0CC456

RGB 12 196 86

HSL 144.13, 0.88%, 0.41%

LAB 69.63, -64.12, 43.37

 

CMYK 94 / 0 / 31 / 23

HEX #0CC487

RGB 12 196 135

HSL 160.11, 0.88%, 0.41%

LAB 70.39, -55.19, 19.37

 

CMYK 94 / 0 / 6 / 23

HEX #0CC4B8

RGB 12 196 184

HSL 176.09, 0.88%, 0.41%

LAB 71.57, -42.62, -5.5

 

CMYK 94 / 0 / 56 / 54

HEX #077634

RGB 7 118 52

HSL 144.32, 0.89%, 0.25%

LAB 43.14, -43.48, 28.36

 

CMYK 94 / 0 / 55 / 38

HEX #0A9D46

RGB 10 157 70

HSL 144.49, 0.88%, 0.33%

LAB 56.7, -53.88, 35.58

 

CMYK 94 / 0 / 56 / 23

HEX #0CC457

RGB 12 196 87

HSL 144.46, 0.88%, 0.41%

LAB 69.64, -63.98, 42.91

 

CMYK 94 / 0 / 56 / 8

HEX #0FEB68

RGB 15 235 104

HSL 144.27, 0.88%, 0.49%

LAB 82.12, -73.63, 49.94

 

CMYK 80 / 0 / 47 / 5

HEX #31F17F

RGB 49 241 127

HSL 144.38, 0.87%, 0.57%

LAB 84.53, -69.73, 42.16

 

CMYK 93 / 0 / 55 / 24

HEX #0DC357

RGB 13 195 87

HSL 144.4, 0.88%, 0.41%

LAB 69.33, -63.62, 42.53

 

CMYK 94 / 56 / 0 / 23

HEX #0C56C4

RGB 12 86 196

HSL 215.87, 0.88%, 0.41%

LAB 39.1, 22.99, -62.9

 

CMYK 0 / 94 / 94 / 23

HEX #C40C0C

RGB 196 12 12

HSL 0, 0.88%, 0.41%

LAB 41.26, 64.62, 51.22

 

CMYK 93 / 0 / 55 / 24

HEX #0DC357

RGB 13 195 87

HSL 144.4, 0.88%, 0.41%

LAB 69.33, -63.62, 42.53

 

CMYK 56 / 94 / 0 / 23

HEX #560CC4

RGB 86 12 196

HSL 264.13, 0.88%, 0.41%

LAB 29.98, 65.46, -77.75

 

CMYK 0 / 56 / 94 / 23

HEX #C4560C

RGB 196 86 12

HSL 24.13, 0.88%, 0.41%

LAB 50, 40.76, 56.76

 

CMYK 93 / 0 / 55 / 24

HEX #0DC357

RGB 13 195 87

HSL 144.4, 0.88%, 0.41%

LAB 69.33, -63.62, 42.53

 

CMYK 94 / 56 / 0 / 23

HEX #0C56C4

RGB 12 86 196

HSL 215.87, 0.88%, 0.41%

LAB 39.1, 22.99, -62.9

 

CMYK 0 / 94 / 38 / 23

HEX #C40C7A

RGB 196 12 122

HSL 324.13, 0.88%, 0.41%

LAB 43.37, 70.38, -10.59

 

CMYK 0 / 38 / 94 / 23

HEX #C47A0C

RGB 196 122 12

HSL 35.87, 0.88%, 0.41%

LAB 57.73, 21.82, 62.14

 

CMYK 93 / 0 / 55 / 24

HEX #0DC357

RGB 13 195 87

HSL 144.4, 0.88%, 0.41%

LAB 69.33, -63.62, 42.53

 

CMYK 94 / 85 / 0 / 23

HEX #0C1EC4

RGB 12 30 196

HSL 234.13, 0.88%, 0.41%

LAB 26.71, 56.41, -83.32

 

CMYK 0 / 94 / 38 / 23

HEX #C40C7A

RGB 196 12 122

HSL 324.13, 0.88%, 0.41%

LAB 43.37, 70.38, -10.59

 

CMYK 0 / 9 / 94 / 23

HEX #C4B20C

RGB 196 178 12

HSL 54.13, 0.88%, 0.41%

LAB 71.96, -8.39, 72.62

 

Description

Color code: RGB 13 195 87 | qconv.com Color code: RGB 13 195 87 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 195 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 195 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 55 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 55% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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