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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 13 191 181 it is the complementary color RGB 242 64 74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 13 191 181. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 13 191 181 shade: RGB 18 191 176, RGB 35 209 195, RGB 52 227 214, RGB 69 245 233 and RGB 86 255 252

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 13 191 181. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 13 191 181 shade: RGB 13 191 181, RGB 0 173 162, RGB 0 155 143, RGB 0 137 124 and RGB 0 119 105

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 13 191 181 shade: RGB 13 191 181, RGB 13 191 133, RGB 13 191 85, RGB 13 191 37 and RGB 37 191 13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 13 191 181 shade: RGB 13 191 181, RGB 13 153 191, RGB 13 105 191, RGB 13 57 191 and RGB 13 13 191

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 13 191 181 shade matches the following richer shades: RGB 13 191 181

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 13 191 181 shade: RGB 13 191 181, RGB 30 174 166, RGB 46 158 151, RGB 63 141 137 and RGB 79 125 122

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 13 191 181 shade: RGB 13 191 84, RGB 13 191 132, RGB 13 191 179, RGB 13 155 191 and RGB 13 108 191

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 13 191 181 shade: RGB 8 114 108, RGB 11 152 144, RGB 13 191 181, RGB 16 229 217 and RGB 46 240 230

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 13 191 181 shade: RGB 13 191 181, RGB 37 13 191 and RGB 191 108 13

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 13 191 181 shade: RGB 13 191 181, RGB 179 13 191 and RGB 191 179 13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 13 191 181 shade: RGB 13 191 181, RGB 37 13 191, RGB 191 13 25 and RGB 167 191 13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 13 191 181 shade: RGB 13 191 181, RGB 90 13 191, RGB 191 13 25 and RGB 114 191 13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 5 / 25

HEX #0DBFB5

RGB 13 191 181

HSL 176.63, 0.87%, 0.4%

LAB 69.95, -41.25, -6.25

 

Complementary color

CMYK 0 / 74 / 69 / 5

HEX #F2404A

RGB 242 64 74

HSL 356.63, 0.87%, 0.6%

LAB 55.11, 67.2, 36.03

 

CMYK 91 / 0 / 8 / 25

HEX #12BFB0

RGB 18 191 176

HSL 174.8, 0.83%, 0.41%

LAB 69.84, -42.48, -3.67

 

CMYK 83 / 0 / 7 / 18

HEX #23D1C3

RGB 35 209 195

HSL 175.17, 0.71%, 0.48%

LAB 76.01, -43.94, -4.88

 

CMYK 77 / 0 / 6 / 11

HEX #34E3D6

RGB 52 227 214

HSL 175.54, 0.76%, 0.55%

LAB 82.12, -45.08, -5.98

 

CMYK 72 / 0 / 5 / 4

HEX #45F5E9

RGB 69 245 233

HSL 175.91, 0.9%, 0.62%

LAB 88.19, -45.95, -6.98

 

CMYK 66 / 0 / 1 / 0

HEX #56FFFC

RGB 86 255 252

HSL 178.93, 1%, 0.67%

LAB 91.92, -43.11, -11.29

 

CMYK 93 / 0 / 5 / 25

HEX #0DBFB5

RGB 13 191 181

HSL 176.63, 0.87%, 0.4%

LAB 69.95, -41.25, -6.25

 

CMYK 100 / 0 / 6 / 32

HEX #00ADA2

RGB 0 173 162

HSL 176.18, 1%, 0.34%

LAB 63.75, -39.27, -4.93

 

CMYK 100 / 0 / 8 / 39

HEX #009B8F

RGB 0 155 143

HSL 175.35, 1%, 0.3%

LAB 57.49, -36.83, -3.46

 

CMYK 100 / 0 / 9 / 46

HEX #00897C

RGB 0 137 124

HSL 174.31, 1%, 0.27%

LAB 51.09, -34.35, -1.93

 

CMYK 100 / 0 / 12 / 53

HEX #007769

RGB 0 119 105

HSL 172.94, 1%, 0.23%

LAB 44.54, -31.81, -0.34

 

CMYK 93 / 0 / 5 / 25

HEX #0DBFB5

RGB 13 191 181

HSL 176.63, 0.87%, 0.4%

LAB 69.95, -41.25, -6.25

 

CMYK 93 / 0 / 30 / 25

HEX #0DBF85

RGB 13 191 133

HSL 160.45, 0.87%, 0.4%

LAB 68.78, -53.72, 18.22

 

CMYK 93 / 0 / 55 / 25

HEX #0DBF55

RGB 13 191 85

HSL 144.27, 0.87%, 0.4%

LAB 68.02, -62.62, 41.91

 

CMYK 93 / 0 / 81 / 25

HEX #0DBF25

RGB 13 191 37

HSL 128.09, 0.87%, 0.4%

LAB 67.64, -67.48, 60.52

 

CMYK 81 / 0 / 93 / 25

HEX #25BF0D

RGB 37 191 13

HSL 111.91, 0.87%, 0.4%

LAB 67.79, -66.42, 65.78

 

CMYK 93 / 0 / 5 / 25

HEX #0DBFB5

RGB 13 191 181

HSL 176.63, 0.87%, 0.4%

LAB 69.95, -41.25, -6.25

 

CMYK 93 / 20 / 0 / 25

HEX #0D99BF

RGB 13 153 191

HSL 192.81, 0.87%, 0.4%

LAB 58.63, -19.6, -28.98

 

CMYK 93 / 45 / 0 / 25

HEX #0D69BF

RGB 13 105 191

HSL 208.99, 0.87%, 0.4%

LAB 44.16, 8.59, -51.81

 

CMYK 93 / 70 / 0 / 25

HEX #0D39BF

RGB 13 57 191

HSL 225.17, 0.87%, 0.4%

LAB 31.29, 40.09, -72.79

 

CMYK 93 / 93 / 0 / 25

HEX #0D0DBF

RGB 13 13 191

HSL 240, 0.87%, 0.4%

LAB 24.11, 60.87, -84.7

 

CMYK 93 / 0 / 5 / 25

HEX #0DBFB5

RGB 13 191 181

HSL 176.63, 0.87%, 0.4%

LAB 69.95, -41.25, -6.25

 

CMYK 93 / 0 / 5 / 25

HEX #0DBFB5

RGB 13 191 181

HSL 176.63, 0.87%, 0.4%

LAB 69.95, -41.25, -6.25

 

CMYK 83 / 0 / 5 / 32

HEX #1EAEA6

RGB 30 174 166

HSL 176.67, 0.71%, 0.4%

LAB 64.4, -37.02, -6.17

 

CMYK 71 / 0 / 4 / 38

HEX #2E9E97

RGB 46 158 151

HSL 176.25, 0.55%, 0.4%

LAB 59.22, -32.19, -5.38

 

CMYK 55 / 0 / 3 / 45

HEX #3F8D89

RGB 63 141 137

HSL 176.92, 0.38%, 0.4%

LAB 53.93, -24.85, -5.15

 

CMYK 37 / 0 / 2 / 51

HEX #4F7D7A

RGB 79 125 122

HSL 176.09, 0.23%, 0.4%

LAB 49.17, -16.41, -3.36

 

CMYK 93 / 0 / 56 / 25

HEX #0DBF54

RGB 13 191 84

HSL 143.93, 0.87%, 0.4%

LAB 68.01, -62.77, 42.38

 

CMYK 93 / 0 / 31 / 25

HEX #0DBF84

RGB 13 191 132

HSL 160.11, 0.87%, 0.4%

LAB 68.76, -53.94, 18.73

 

CMYK 93 / 0 / 6 / 25

HEX #0DBFB3

RGB 13 191 179

HSL 175.96, 0.87%, 0.4%

LAB 69.9, -41.83, -5.24

 

CMYK 93 / 19 / 0 / 25

HEX #0D9BBF

RGB 13 155 191

HSL 192.13, 0.87%, 0.4%

LAB 59.24, -20.65, -28.03

 

CMYK 93 / 43 / 0 / 25

HEX #0D6CBF

RGB 13 108 191

HSL 207.98, 0.87%, 0.4%

LAB 45.04, 6.68, -50.4

 

CMYK 93 / 0 / 5 / 55

HEX #08726C

RGB 8 114 108

HSL 176.6, 0.87%, 0.24%

LAB 43.02, -27.98, -4.36

 

CMYK 93 / 0 / 5 / 40

HEX #0B9890

RGB 11 152 144

HSL 176.6, 0.87%, 0.32%

LAB 56.63, -34.68, -5.3

 

CMYK 93 / 0 / 5 / 25

HEX #0DBFB5

RGB 13 191 181

HSL 176.63, 0.87%, 0.4%

LAB 69.95, -41.25, -6.25

 

CMYK 93 / 0 / 5 / 10

HEX #10E5D9

RGB 16 229 217

HSL 176.62, 0.87%, 0.48%

LAB 82.46, -47.37, -7.1

 

CMYK 81 / 0 / 4 / 6

HEX #2EF0E6

RGB 46 240 230

HSL 176.91, 0.87%, 0.56%

LAB 86.31, -46.83, -8.22

 

CMYK 93 / 0 / 5 / 25

HEX #0DBFB5

RGB 13 191 181

HSL 176.63, 0.87%, 0.4%

LAB 69.95, -41.25, -6.25

 

CMYK 81 / 93 / 0 / 25

HEX #250DBF

RGB 37 13 191

HSL 248.09, 0.87%, 0.4%

LAB 25.08, 61.38, -83.06

 

CMYK 0 / 43 / 93 / 25

HEX #BF6C0D

RGB 191 108 13

HSL 32.02, 0.87%, 0.4%

LAB 53.85, 27.3, 58.86

 

CMYK 93 / 0 / 5 / 25

HEX #0DBFB5

RGB 13 191 181

HSL 176.63, 0.87%, 0.4%

LAB 69.95, -41.25, -6.25

 

CMYK 6 / 93 / 0 / 25

HEX #B30DBF

RGB 179 13 191

HSL 295.96, 0.87%, 0.4%

LAB 43.7, 75.9, -51.82

 

CMYK 0 / 6 / 93 / 25

HEX #BFB30D

RGB 191 179 13

HSL 55.96, 0.87%, 0.4%

LAB 71.79, -11.1, 72.16

 

CMYK 93 / 0 / 5 / 25

HEX #0DBFB5

RGB 13 191 181

HSL 176.63, 0.87%, 0.4%

LAB 69.95, -41.25, -6.25

 

CMYK 81 / 93 / 0 / 25

HEX #250DBF

RGB 37 13 191

HSL 248.09, 0.87%, 0.4%

LAB 25.08, 61.38, -83.06

 

CMYK 0 / 93 / 87 / 25

HEX #BF0D19

RGB 191 13 25

HSL 355.96, 0.87%, 0.4%

LAB 40.3, 63.4, 44.5

 

CMYK 13 / 0 / 93 / 25

HEX #A7BF0D

RGB 167 191 13

HSL 68.09, 0.87%, 0.4%

LAB 73.22, -27.44, 72.44

 

CMYK 93 / 0 / 5 / 25

HEX #0DBFB5

RGB 13 191 181

HSL 176.63, 0.87%, 0.4%

LAB 69.95, -41.25, -6.25

 

CMYK 53 / 93 / 0 / 25

HEX #5A0DBF

RGB 90 13 191

HSL 265.96, 0.87%, 0.4%

LAB 29.97, 64.43, -74.8

 

CMYK 0 / 93 / 87 / 25

HEX #BF0D19

RGB 191 13 25

HSL 355.96, 0.87%, 0.4%

LAB 40.3, 63.4, 44.5

 

CMYK 40 / 0 / 93 / 25

HEX #72BF0D

RGB 114 191 13

HSL 85.96, 0.87%, 0.4%

LAB 70.08, -47.97, 68.62

 

Description

Color code: RGB 13 191 181 | qconv.com Color code: RGB 13 191 181 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 191 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 191 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 5 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 5% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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