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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 13 162 52 it is the complementary color RGB 242 93 203. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 13 162 52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 13 162 52 shade: RGB 18 162 47, RGB 35 180 66, RGB 52 198 85, RGB 69 216 104 and RGB 86 234 123

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 13 162 52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 13 162 52 shade: RGB 13 162 52, RGB 0 144 33, RGB 0 126 14, RGB 0 108 0 and RGB 0 90 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 13 162 52 shade: RGB 13 160 52, RGB 14 160 13, RGB 54 160 13, RGB 94 160 13 and RGB 133 160 13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 13 162 52 shade: RGB 13 160 52, RGB 13 160 91, RGB 13 160 131, RGB 13 150 160 and RGB 13 110 160

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 13 162 52 shade matches the following richer shades: RGB 13 160 52

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 13 162 52 shade: RGB 13 160 52, RGB 27 146 58, RGB 41 132 65, RGB 55 118 72 and RGB 69 104 78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 13 162 52 shade: RGB 55 160 13, RGB 15 160 13, RGB 13 160 50, RGB 13 160 89 and RGB 13 160 128

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 13 162 52 shade: RGB 7 84 27, RGB 10 122 39, RGB 13 160 52, RGB 16 199 64 and RGB 20 236 76

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 13 162 52 shade: RGB 13 162 52, RGB 13 94 160 and RGB 160 13 35

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 13 162 52 shade: RGB 13 162 52, RGB 50 13 160 and RGB 160 50 13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 13 162 52 shade: RGB 13 162 52, RGB 13 94 160, RGB 160 13 124 and RGB 160 79 13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 13 162 52 shade: RGB 13 162 52, RGB 13 50 160, RGB 160 13 124 and RGB 160 124 13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 68 / 36

HEX #0DA234

RGB 13 162 52

HSL 135.7, 0.85%, 0.34%

LAB 58.2, -57.64, 45.67

 

Complementary color

CMYK 0 / 62 / 16 / 5

HEX #F25DCB

RGB 242 93 203

HSL 315.7, 0.85%, 0.66%

LAB 62.52, 68.67, -28.39

 

CMYK 89 / 0 / 71 / 36

HEX #12A22F

RGB 18 162 47

HSL 132.08, 0.8%, 0.35%

LAB 58.2, -57.79, 47.74

 

CMYK 81 / 0 / 63 / 29

HEX #23B442

RGB 35 180 66

HSL 132.83, 0.67%, 0.42%

LAB 64.48, -59.77, 46.6

 

CMYK 74 / 0 / 57 / 22

HEX #34C655

RGB 52 198 85

HSL 133.56, 0.58%, 0.49%

LAB 70.71, -61.07, 45.23

 

CMYK 68 / 0 / 52 / 15

HEX #45D868

RGB 69 216 104

HSL 134.29, 0.65%, 0.56%

LAB 76.91, -61.89, 43.8

 

CMYK 63 / 0 / 47 / 8

HEX #56EA7B

RGB 86 234 123

HSL 135, 0.78%, 0.63%

LAB 83.05, -62.39, 42.37

 

CMYK 92 / 0 / 68 / 36

HEX #0DA234

RGB 13 162 52

HSL 135.7, 0.85%, 0.34%

LAB 58.2, -57.64, 45.67

 

CMYK 100 / 0 / 77 / 44

HEX #009021

RGB 0 144 33

HSL 133.75, 1%, 0.28%

LAB 51.9, -54.7, 46.57

 

CMYK 100 / 0 / 89 / 51

HEX #007E0E

RGB 0 126 14

HSL 126.67, 1%, 0.25%

LAB 45.57, -50.55, 46.4

 

CMYK 100 / 0 / 100 / 58

HEX #006C00

RGB 0 108 0

HSL 120, 1%, 0.21%

LAB 39.11, -45.79, 44.19

 

CMYK 100 / 0 / 100 / 65

HEX #005A00

RGB 0 90 0

HSL 120, 1%, 0.18%

LAB 32.51, -40.3, 38.9

 

CMYK 92 / 0 / 68 / 37

HEX #0DA034

RGB 13 160 52

HSL 135.92, 0.85%, 0.34%

LAB 57.54, -57.01, 44.94

 

CMYK 91 / 0 / 92 / 37

HEX #0EA00D

RGB 14 160 13

HSL 119.59, 0.85%, 0.34%

LAB 57.33, -59.63, 56.87

 

CMYK 66 / 0 / 92 / 37

HEX #36A00D

RGB 54 160 13

HSL 103.27, 0.85%, 0.34%

LAB 57.99, -53.85, 57.7

 

CMYK 41 / 0 / 92 / 37

HEX #5EA00D

RGB 94 160 13

HSL 86.94, 0.85%, 0.34%

LAB 59.48, -42.21, 59.54

 

CMYK 17 / 0 / 92 / 37

HEX #85A00D

RGB 133 160 13

HSL 71.02, 0.85%, 0.34%

LAB 61.79, -26.84, 62.38

 

CMYK 92 / 0 / 68 / 37

HEX #0DA034

RGB 13 160 52

HSL 135.92, 0.85%, 0.34%

LAB 57.54, -57.01, 44.94

 

CMYK 92 / 0 / 43 / 37

HEX #0DA05B

RGB 13 160 91

HSL 151.84, 0.85%, 0.34%

LAB 58.02, -51.12, 26.34

 

CMYK 92 / 0 / 18 / 37

HEX #0DA083

RGB 13 160 131

HSL 168.16, 0.85%, 0.34%

LAB 58.85, -41.84, 5.34

 

CMYK 92 / 6 / 0 / 37

HEX #0D96A0

RGB 13 150 160

HSL 184.08, 0.85%, 0.34%

LAB 56.52, -28.59, -14.6

 

CMYK 92 / 31 / 0 / 37

HEX #0D6EA0

RGB 13 110 160

HSL 200.41, 0.85%, 0.34%

LAB 43.91, -6.79, -34.08

 

CMYK 92 / 0 / 68 / 37

HEX #0DA034

RGB 13 160 52

HSL 135.92, 0.85%, 0.34%

LAB 57.54, -57.01, 44.94

 

CMYK 92 / 0 / 68 / 37

HEX #0DA034

RGB 13 160 52

HSL 135.92, 0.85%, 0.34%

LAB 57.54, -57.01, 44.94

 

CMYK 82 / 0 / 60 / 43

HEX #1B923A

RGB 27 146 58

HSL 135.63, 0.69%, 0.34%

LAB 53.05, -50.39, 37.19

 

CMYK 69 / 0 / 51 / 48

HEX #298441

RGB 41 132 65

HSL 135.82, 0.53%, 0.34%

LAB 48.71, -41.92, 28.43

 

CMYK 53 / 0 / 39 / 54

HEX #377648

RGB 55 118 72

HSL 136.19, 0.36%, 0.34%

LAB 44.57, -31.31, 19.32

 

CMYK 34 / 0 / 25 / 59

HEX #45684E

RGB 69 104 78

HSL 135.43, 0.2%, 0.34%

LAB 40.76, -18.64, 10.72

 

CMYK 66 / 0 / 92 / 37

HEX #37A00D

RGB 55 160 13

HSL 102.86, 0.85%, 0.34%

LAB 58.02, -53.63, 57.73

 

CMYK 91 / 0 / 92 / 37

HEX #0FA00D

RGB 15 160 13

HSL 119.18, 0.85%, 0.34%

LAB 57.34, -59.56, 56.88

 

CMYK 92 / 0 / 69 / 37

HEX #0DA032

RGB 13 160 50

HSL 135.1, 0.85%, 0.34%

LAB 57.52, -57.23, 45.77

 

CMYK 92 / 0 / 44 / 37

HEX #0DA059

RGB 13 160 89

HSL 151.02, 0.85%, 0.34%

LAB 57.99, -51.5, 27.36

 

CMYK 92 / 0 / 20 / 37

HEX #0DA080

RGB 13 160 128

HSL 166.94, 0.85%, 0.34%

LAB 58.78, -42.64, 6.92

 

CMYK 92 / 0 / 68 / 67

HEX #07541B

RGB 7 84 27

HSL 135.58, 0.85%, 0.18%

LAB 30.56, -35.03, 26.61

 

CMYK 92 / 0 / 68 / 52

HEX #0A7A27

RGB 10 122 39

HSL 135.54, 0.85%, 0.26%

LAB 44.42, -46.44, 36.31

 

CMYK 92 / 0 / 68 / 37

HEX #0DA034

RGB 13 160 52

HSL 135.92, 0.85%, 0.34%

LAB 57.54, -57.01, 44.94

 

CMYK 92 / 0 / 68 / 22

HEX #10C740

RGB 16 199 64

HSL 135.74, 0.85%, 0.42%

LAB 70.4, -67.49, 53.91

 

CMYK 92 / 0 / 68 / 7

HEX #14EC4C

RGB 20 236 76

HSL 135.56, 0.85%, 0.5%

LAB 82.2, -76.92, 61.86

 

CMYK 92 / 0 / 68 / 36

HEX #0DA234

RGB 13 162 52

HSL 135.7, 0.85%, 0.34%

LAB 58.2, -57.64, 45.67

 

CMYK 92 / 41 / 0 / 37

HEX #0D5EA0

RGB 13 94 160

HSL 206.94, 0.85%, 0.34%

LAB 38.95, 3.17, -41.94

 

CMYK 0 / 92 / 78 / 37

HEX #A00D23

RGB 160 13 35

HSL 351.02, 0.85%, 0.34%

LAB 33.74, 55.48, 30.28

 

CMYK 92 / 0 / 68 / 36

HEX #0DA234

RGB 13 162 52

HSL 135.7, 0.85%, 0.34%

LAB 58.2, -57.64, 45.67

 

CMYK 69 / 92 / 0 / 37

HEX #320DA0

RGB 50 13 160

HSL 255.1, 0.85%, 0.34%

LAB 21.96, 53.71, -69.6

 

CMYK 0 / 69 / 92 / 37

HEX #A0320D

RGB 160 50 13

HSL 15.1, 0.85%, 0.34%

LAB 37.45, 44.01, 44.85

 

CMYK 92 / 0 / 68 / 36

HEX #0DA234

RGB 13 162 52

HSL 135.7, 0.85%, 0.34%

LAB 58.2, -57.64, 45.67

 

CMYK 92 / 41 / 0 / 37

HEX #0D5EA0

RGB 13 94 160

HSL 206.94, 0.85%, 0.34%

LAB 38.95, 3.17, -41.94

 

CMYK 0 / 92 / 23 / 37

HEX #A00D7C

RGB 160 13 124

HSL 314.69, 0.85%, 0.34%

LAB 36.4, 62.75, -23.13

 

CMYK 0 / 51 / 92 / 37

HEX #A04F0D

RGB 160 79 13

HSL 26.94, 0.85%, 0.34%

LAB 42.91, 29.82, 48.85

 

CMYK 92 / 0 / 68 / 36

HEX #0DA234

RGB 13 162 52

HSL 135.7, 0.85%, 0.34%

LAB 58.2, -57.64, 45.67

 

CMYK 92 / 69 / 0 / 37

HEX #0D32A0

RGB 13 50 160

HSL 224.9, 0.85%, 0.34%

LAB 26.46, 32.87, -62.21

 

CMYK 0 / 92 / 23 / 37

HEX #A00D7C

RGB 160 13 124

HSL 314.69, 0.85%, 0.34%

LAB 36.4, 62.75, -23.13

 

CMYK 0 / 23 / 92 / 37

HEX #A07C0D

RGB 160 124 13

HSL 45.31, 0.85%, 0.34%

LAB 53.94, 4.49, 57.22

 

Description

Color code: RGB 13 162 52 | qconv.com Color code: RGB 13 162 52 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 162 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 162 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 68 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 68% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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