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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 13 162 222 it is the complementary color RGB 242 93 33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 13 162 222. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 13 162 222 shade: RGB 18 162 217, RGB 35 180 236, RGB 52 198 255, RGB 69 216 255 and RGB 86 234 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 13 162 222. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 13 162 222 shade: RGB 13 162 222, RGB 0 144 203, RGB 0 126 184, RGB 0 108 165 and RGB 0 90 146

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 13 162 222 shade: RGB 13 162 222, RGB 13 105 222, RGB 13 49 222, RGB 33 13 222 and RGB 89 13 222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 13 162 222 shade: RGB 13 162 222, RGB 13 105 222, RGB 13 49 222 and RGB 13 13 222

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 13 162 222 shade matches the following richer shades: RGB 13 162 222

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 13 162 222 shade: RGB 13 162 222, RGB 32 154 203, RGB 51 146 184, RGB 70 138 165 and RGB 89 129 146

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 13 162 222 shade: RGB 13 222 169, RGB 13 218 222, RGB 13 163 222, RGB 13 107 222 and RGB 13 51 222

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 13 162 222 shade: RGB 8 105 144, RGB 11 133 183, RGB 13 162 222, RGB 34 182 242 and RGB 73 195 244

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 13 162 222 shade: RGB 13 162 222, RGB 114 13 222 and RGB 222 197 13

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 13 162 222 shade: RGB 13 162 222, RGB 222 13 163 and RGB 163 222 13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 13 162 222 shade: RGB 13 162 222, RGB 114 13 222, RGB 222 72 13 and RGB 121 222 13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 13 162 222 shade: RGB 13 162 222, RGB 176 13 222, RGB 222 72 13 and RGB 58 222 13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 27 / 0 / 13

HEX #0DA2DE

RGB 13 162 222

HSL 197.22, 0.89%, 0.46%

LAB 62.68, -13.42, -39.99

 

Complementary color

CMYK 0 / 62 / 86 / 5

HEX #F25D21

RGB 242 93 33

HSL 17.22, 0.89%, 0.54%

LAB 58.8, 54.77, 60.01

 

CMYK 92 / 25 / 0 / 15

HEX #12A2D9

RGB 18 162 217

HSL 196.58, 0.85%, 0.46%

LAB 62.49, -15.02, -37.51

 

CMYK 85 / 24 / 0 / 7

HEX #23B4EC

RGB 35 180 236

HSL 196.72, 0.84%, 0.53%

LAB 68.79, -17.09, -38.11

 

CMYK 80 / 22 / 0 / 0

HEX #34C6FF

RGB 52 198 255

HSL 196.85, 1%, 0.6%

LAB 75.04, -18.77, -38.63

 

CMYK 73 / 15 / 0 / 0

HEX #45D8FF

RGB 69 216 255

HSL 192.58, 1%, 0.64%

LAB 80.51, -26.14, -30.15

 

CMYK 66 / 8 / 0 / 0

HEX #56EAFF

RGB 86 234 255

HSL 187.46, 1%, 0.67%

LAB 86.03, -32.65, -21.71

 

CMYK 94 / 27 / 0 / 13

HEX #0DA2DE

RGB 13 162 222

HSL 197.22, 0.89%, 0.46%

LAB 62.68, -13.42, -39.99

 

CMYK 100 / 29 / 0 / 20

HEX #0090CB

RGB 0 144 203

HSL 197.44, 1%, 0.4%

LAB 56.35, -10.75, -39.32

 

CMYK 100 / 32 / 0 / 28

HEX #007EB8

RGB 0 126 184

HSL 198.91, 1%, 0.36%

LAB 49.96, -7.57, -38.55

 

CMYK 100 / 35 / 0 / 35

HEX #006CA5

RGB 0 108 165

HSL 200.73, 1%, 0.32%

LAB 43.42, -4.22, -37.8

 

CMYK 100 / 38 / 0 / 43

HEX #005A92

RGB 0 90 146

HSL 203.01, 1%, 0.29%

LAB 36.72, -0.67, -37.1

 

CMYK 94 / 27 / 0 / 13

HEX #0DA2DE

RGB 13 162 222

HSL 197.22, 0.89%, 0.46%

LAB 62.68, -13.42, -39.99

 

CMYK 94 / 53 / 0 / 13

HEX #0D69DE

RGB 13 105 222

HSL 213.59, 0.89%, 0.46%

LAB 46.26, 20.89, -66.18

 

CMYK 94 / 78 / 0 / 13

HEX #0D31DE

RGB 13 49 222

HSL 229.67, 0.89%, 0.46%

LAB 33.04, 55.47, -87.9

 

CMYK 85 / 94 / 0 / 13

HEX #210DDE

RGB 33 13 222

HSL 245.74, 0.89%, 0.46%

LAB 29.12, 69.3, -94.41

 

CMYK 60 / 94 / 0 / 13

HEX #590DDE

RGB 89 13 222

HSL 261.82, 0.89%, 0.46%

LAB 33.32, 71.59, -87.31

 

CMYK 94 / 27 / 0 / 13

HEX #0DA2DE

RGB 13 162 222

HSL 197.22, 0.89%, 0.46%

LAB 62.68, -13.42, -39.99

 

CMYK 94 / 53 / 0 / 13

HEX #0D69DE

RGB 13 105 222

HSL 213.59, 0.89%, 0.46%

LAB 46.26, 20.89, -66.18

 

CMYK 94 / 78 / 0 / 13

HEX #0D31DE

RGB 13 49 222

HSL 229.67, 0.89%, 0.46%

LAB 33.04, 55.47, -87.9

 

CMYK 94 / 94 / 0 / 13

HEX #0D0DDE

RGB 13 13 222

HSL 240, 0.89%, 0.46%

LAB 28.5, 69.01, -95.46

 

CMYK 94 / 27 / 0 / 13

HEX #0DA2DE

RGB 13 162 222

HSL 197.22, 0.89%, 0.46%

LAB 62.68, -13.42, -39.99

 

CMYK 94 / 27 / 0 / 13

HEX #0DA2DE

RGB 13 162 222

HSL 197.22, 0.89%, 0.46%

LAB 62.68, -13.42, -39.99

 

CMYK 84 / 24 / 0 / 20

HEX #209ACB

RGB 32 154 203

HSL 197.19, 0.73%, 0.46%

LAB 59.64, -14.79, -34.13

 

CMYK 72 / 21 / 0 / 28

HEX #3392B8

RGB 51 146 184

HSL 197.14, 0.57%, 0.46%

LAB 56.8, -14.96, -27.79

 

CMYK 58 / 16 / 0 / 35

HEX #468AA5

RGB 70 138 165

HSL 197.05, 0.4%, 0.46%

LAB 54.23, -13.46, -20.84

 

CMYK 39 / 12 / 0 / 43

HEX #598192

RGB 89 129 146

HSL 197.89, 0.24%, 0.46%

LAB 51.72, -9.33, -13.57

 

CMYK 94 / 0 / 24 / 13

HEX #0DDEA9

RGB 13 222 169

HSL 164.78, 0.89%, 0.46%

LAB 79.15, -57.13, 13.52

 

CMYK 94 / 2 / 0 / 13

HEX #0DDADE

RGB 13 218 222

HSL 181.15, 0.89%, 0.46%

LAB 79.33, -41.2, -14.44

 

CMYK 94 / 27 / 0 / 13

HEX #0DA3DE

RGB 13 163 222

HSL 196.94, 0.89%, 0.46%

LAB 62.97, -13.97, -39.53

 

CMYK 94 / 52 / 0 / 13

HEX #0D6BDE

RGB 13 107 222

HSL 213.01, 0.89%, 0.46%

LAB 46.81, 19.6, -65.29

 

CMYK 94 / 77 / 0 / 13

HEX #0D33DE

RGB 13 51 222

HSL 229.09, 0.89%, 0.46%

LAB 33.41, 54.41, -87.29

 

CMYK 94 / 27 / 0 / 44

HEX #086990

RGB 8 105 144

HSL 197.21, 0.89%, 0.3%

LAB 41.48, -10.27, -28.37

 

CMYK 94 / 27 / 0 / 28

HEX #0B85B7

RGB 11 133 183

HSL 197.44, 0.89%, 0.38%

LAB 52.14, -11.57, -34.54

 

CMYK 94 / 27 / 0 / 13

HEX #0DA2DE

RGB 13 162 222

HSL 197.22, 0.89%, 0.46%

LAB 62.68, -13.42, -39.99

 

CMYK 86 / 25 / 0 / 5

HEX #22B6F2

RGB 34 182 242

HSL 197.31, 0.89%, 0.54%

LAB 69.62, -16.15, -40.09

 

CMYK 70 / 20 / 0 / 4

HEX #49C3F4

RGB 73 195 244

HSL 197.19, 0.89%, 0.62%

LAB 74.18, -18.44, -34.03

 

CMYK 94 / 27 / 0 / 13

HEX #0DA2DE

RGB 13 162 222

HSL 197.22, 0.89%, 0.46%

LAB 62.68, -13.42, -39.99

 

CMYK 49 / 94 / 0 / 13

HEX #720DDE

RGB 114 13 222

HSL 269, 0.89%, 0.46%

LAB 36.25, 73.5, -82.36

 

CMYK 0 / 11 / 94 / 13

HEX #DEC50D

RGB 222 197 13

HSL 52.82, 0.89%, 0.46%

LAB 79.32, -6.81, 79.05

 

CMYK 94 / 27 / 0 / 13

HEX #0DA2DE

RGB 13 162 222

HSL 197.22, 0.89%, 0.46%

LAB 62.68, -13.42, -39.99

 

CMYK 0 / 94 / 27 / 13

HEX #DE0DA3

RGB 222 13 163

HSL 316.94, 0.89%, 0.46%

LAB 50.05, 79.98, -24.76

 

CMYK 27 / 0 / 94 / 13

HEX #A3DE0D

RGB 163 222 13

HSL 76.94, 0.89%, 0.46%

LAB 81.87, -43.15, 79.12

 

CMYK 94 / 27 / 0 / 13

HEX #0DA2DE

RGB 13 162 222

HSL 197.22, 0.89%, 0.46%

LAB 62.68, -13.42, -39.99

 

CMYK 49 / 94 / 0 / 13

HEX #720DDE

RGB 114 13 222

HSL 269, 0.89%, 0.46%

LAB 36.25, 73.5, -82.36

 

CMYK 0 / 68 / 94 / 13

HEX #DE480D

RGB 222 72 13

HSL 16.94, 0.89%, 0.46%

LAB 52.06, 56.35, 60

 

CMYK 45 / 0 / 94 / 13

HEX #79DE0D

RGB 121 222 13

HSL 89, 0.89%, 0.46%

LAB 79.8, -57.74, 76.6

 

CMYK 94 / 27 / 0 / 13

HEX #0DA2DE

RGB 13 162 222

HSL 197.22, 0.89%, 0.46%

LAB 62.68, -13.42, -39.99

 

CMYK 21 / 94 / 0 / 13

HEX #B00DDE

RGB 176 13 222

HSL 286.79, 0.89%, 0.46%

LAB 45.35, 80.6, -67.1

 

CMYK 0 / 68 / 94 / 13

HEX #DE480D

RGB 222 72 13

HSL 16.94, 0.89%, 0.46%

LAB 52.06, 56.35, 60

 

CMYK 74 / 0 / 94 / 13

HEX #3ADE0D

RGB 58 222 13

HSL 107.08, 0.89%, 0.46%

LAB 77.98, -72.62, 74.36

 

Description

Color code: RGB 13 162 222 | qconv.com Color code: RGB 13 162 222 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 162 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 162 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, 27 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 27% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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