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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 13 145 226 it is the complementary color RGB 242 110 29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 13 145 226. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 13 145 226 shade: RGB 18 145 221, RGB 35 163 240, RGB 52 181 255, RGB 69 199 255 and RGB 86 217 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 13 145 226. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 13 145 226 shade: RGB 13 145 226, RGB 0 127 207, RGB 0 109 188, RGB 0 91 169 and RGB 0 73 150

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 13 145 226 shade: RGB 13 145 226, RGB 13 87 226, RGB 13 30 226, RGB 53 13 226 and RGB 111 13 226

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 13 145 226 shade: RGB 13 145 226, RGB 13 87 226, RGB 13 30 226 and RGB 13 13 226

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 13 145 226 shade matches the following richer shades: RGB 13 145 226

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 13 145 226 shade: RGB 13 145 226, RGB 32 140 207, RGB 51 136 187, RGB 71 131 168 and RGB 90 126 148

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 13 145 226 shade: RGB 13 226 190, RGB 13 205 226, RGB 13 148 226, RGB 13 91 226 and RGB 13 34 226

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 13 145 226 shade: RGB 8 95 148, RGB 10 120 187, RGB 13 145 226, RGB 38 164 242 and RGB 77 181 244

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 13 145 226 shade: RGB 13 145 226, RGB 134 13 226 and RGB 226 219 13

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 13 145 226 shade: RGB 13 145 226, RGB 226 13 148 and RGB 148 226 13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 13 145 226 shade: RGB 13 145 226, RGB 134 13 226, RGB 226 91 13 and RGB 105 226 13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 13 145 226 shade: RGB 13 145 226, RGB 198 13 226, RGB 226 91 13 and RGB 41 226 13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 36 / 0 / 11

HEX #0D91E2

RGB 13 145 226

HSL 202.82, 0.89%, 0.47%

LAB 57.87, -2.31, -49.79

 

Complementary color

CMYK 0 / 55 / 88 / 5

HEX #F26E1D

RGB 242 110 29

HSL 22.82, 0.89%, 0.53%

LAB 61.76, 46.94, 63.7

 

CMYK 92 / 34 / 0 / 13

HEX #1291DD

RGB 18 145 221

HSL 202.46, 0.85%, 0.47%

LAB 57.66, -3.99, -47.34

 

CMYK 85 / 32 / 0 / 6

HEX #23A3F0

RGB 35 163 240

HSL 202.54, 0.87%, 0.54%

LAB 64.03, -6.37, -47.76

 

CMYK 80 / 29 / 0 / 0

HEX #34B5FF

RGB 52 181 255

HSL 201.87, 1%, 0.6%

LAB 70.17, -9.71, -46.23

 

CMYK 73 / 22 / 0 / 0

HEX #45C7FF

RGB 69 199 255

HSL 198.06, 1%, 0.64%

LAB 75.66, -17.51, -37.65

 

CMYK 66 / 15 / 0 / 0

HEX #56D9FF

RGB 86 217 255

HSL 193.49, 1%, 0.67%

LAB 81.19, -24.4, -29.07

 

CMYK 94 / 36 / 0 / 11

HEX #0D91E2

RGB 13 145 226

HSL 202.82, 0.89%, 0.47%

LAB 57.87, -2.31, -49.79

 

CMYK 100 / 39 / 0 / 19

HEX #007FCF

RGB 0 127 207

HSL 203.19, 1%, 0.41%

LAB 51.48, 0.74, -49.28

 

CMYK 100 / 42 / 0 / 26

HEX #006DBC

RGB 0 109 188

HSL 205.21, 1%, 0.37%

LAB 45.04, 4.36, -48.67

 

CMYK 100 / 46 / 0 / 34

HEX #005BA9

RGB 0 91 169

HSL 207.69, 1%, 0.33%

LAB 38.46, 8.21, -48.09

 

CMYK 100 / 51 / 0 / 41

HEX #004996

RGB 0 73 150

HSL 210.8, 1%, 0.29%

LAB 31.73, 12.35, -47.53

 

CMYK 94 / 36 / 0 / 11

HEX #0D91E2

RGB 13 145 226

HSL 202.82, 0.89%, 0.47%

LAB 57.87, -2.31, -49.79

 

CMYK 94 / 62 / 0 / 11

HEX #0D57E2

RGB 13 87 226

HSL 219.15, 0.89%, 0.47%

LAB 41.83, 34.09, -75.68

 

CMYK 94 / 87 / 0 / 11

HEX #0D1EE2

RGB 13 30 226

HSL 235.21, 0.89%, 0.47%

LAB 30.65, 65.2, -94.17

 

CMYK 77 / 94 / 0 / 11

HEX #350DE2

RGB 53 13 226

HSL 251.27, 0.89%, 0.47%

LAB 30.73, 70.82, -94.01

 

CMYK 51 / 94 / 0 / 11

HEX #6F0DE2

RGB 111 13 226

HSL 267.61, 0.89%, 0.47%

LAB 36.29, 74.12, -84.61

 

CMYK 94 / 36 / 0 / 11

HEX #0D91E2

RGB 13 145 226

HSL 202.82, 0.89%, 0.47%

LAB 57.87, -2.31, -49.79

 

CMYK 94 / 62 / 0 / 11

HEX #0D57E2

RGB 13 87 226

HSL 219.15, 0.89%, 0.47%

LAB 41.83, 34.09, -75.68

 

CMYK 94 / 87 / 0 / 11

HEX #0D1EE2

RGB 13 30 226

HSL 235.21, 0.89%, 0.47%

LAB 30.65, 65.2, -94.17

 

CMYK 94 / 94 / 0 / 11

HEX #0D0DE2

RGB 13 13 226

HSL 240, 0.89%, 0.47%

LAB 29.07, 70.04, -96.82

 

CMYK 94 / 36 / 0 / 11

HEX #0D91E2

RGB 13 145 226

HSL 202.82, 0.89%, 0.47%

LAB 57.87, -2.31, -49.79

 

CMYK 94 / 36 / 0 / 11

HEX #0D91E2

RGB 13 145 226

HSL 202.82, 0.89%, 0.47%

LAB 57.87, -2.31, -49.79

 

CMYK 85 / 32 / 0 / 19

HEX #208CCF

RGB 32 140 207

HSL 202.97, 0.73%, 0.47%

LAB 55.65, -5.45, -42.64

 

CMYK 73 / 27 / 0 / 27

HEX #3388BB

RGB 51 136 187

HSL 202.5, 0.57%, 0.47%

LAB 53.92, -8.32, -33.99

 

CMYK 58 / 22 / 0 / 34

HEX #4783A8

RGB 71 131 168

HSL 202.89, 0.41%, 0.47%

LAB 52.29, -8.36, -25.56

 

CMYK 39 / 15 / 0 / 42

HEX #5A7E94

RGB 90 126 148

HSL 202.76, 0.24%, 0.47%

LAB 50.96, -6.78, -15.89

 

CMYK 94 / 0 / 16 / 11

HEX #0DE2BE

RGB 13 226 190

HSL 169.86, 0.89%, 0.47%

LAB 80.85, -53.5, 4.84

 

CMYK 94 / 9 / 0 / 11

HEX #0DCDE2

RGB 13 205 226

HSL 185.92, 0.89%, 0.47%

LAB 75.6, -33.99, -22.22

 

CMYK 94 / 35 / 0 / 11

HEX #0D94E2

RGB 13 148 226

HSL 201.97, 0.89%, 0.47%

LAB 58.75, -4.05, -48.4

 

CMYK 94 / 60 / 0 / 11

HEX #0D5BE2

RGB 13 91 226

HSL 218.03, 0.89%, 0.47%

LAB 42.85, 31.5, -74.01

 

CMYK 94 / 85 / 0 / 11

HEX #0D22E2

RGB 13 34 226

HSL 234.08, 0.89%, 0.47%

LAB 31.16, 63.67, -93.32

 

CMYK 95 / 36 / 0 / 42

HEX #085F94

RGB 8 95 148

HSL 202.71, 0.9%, 0.31%

LAB 38.51, -2.59, -35.46

 

CMYK 95 / 36 / 0 / 27

HEX #0A78BB

RGB 10 120 187

HSL 202.71, 0.9%, 0.39%

LAB 48.37, -2.46, -42.78

 

CMYK 94 / 36 / 0 / 11

HEX #0D91E2

RGB 13 145 226

HSL 202.82, 0.89%, 0.47%

LAB 57.87, -2.31, -49.79

 

CMYK 84 / 32 / 0 / 5

HEX #26A4F2

RGB 38 164 242

HSL 202.94, 0.89%, 0.55%

LAB 64.46, -6, -48.17

 

CMYK 68 / 26 / 0 / 4

HEX #4DB5F4

RGB 77 181 244

HSL 202.63, 0.88%, 0.63%

LAB 70.29, -10.45, -40.06

 

CMYK 94 / 36 / 0 / 11

HEX #0D91E2

RGB 13 145 226

HSL 202.82, 0.89%, 0.47%

LAB 57.87, -2.31, -49.79

 

CMYK 41 / 94 / 0 / 11

HEX #860DE2

RGB 134 13 226

HSL 274.08, 0.89%, 0.47%

LAB 39.32, 76.26, -79.5

 

CMYK 0 / 3 / 94 / 11

HEX #E2DB0D

RGB 226 219 13

HSL 58.03, 0.89%, 0.47%

LAB 85.43, -16.14, 83.77

 

CMYK 94 / 36 / 0 / 11

HEX #0D91E2

RGB 13 145 226

HSL 202.82, 0.89%, 0.47%

LAB 57.87, -2.31, -49.79

 

CMYK 0 / 94 / 35 / 11

HEX #E20D94

RGB 226 13 148

HSL 321.97, 0.89%, 0.47%

LAB 50.21, 79.21, -15.5

 

CMYK 35 / 0 / 94 / 11

HEX #94E20D

RGB 148 226 13

HSL 81.97, 0.89%, 0.47%

LAB 82.23, -50.32, 79.06

 

CMYK 94 / 36 / 0 / 11

HEX #0D91E2

RGB 13 145 226

HSL 202.82, 0.89%, 0.47%

LAB 57.87, -2.31, -49.79

 

CMYK 41 / 94 / 0 / 11

HEX #860DE2

RGB 134 13 226

HSL 274.08, 0.89%, 0.47%

LAB 39.32, 76.26, -79.5

 

CMYK 0 / 60 / 94 / 11

HEX #E25B0D

RGB 226 91 13

HSL 21.97, 0.89%, 0.47%

LAB 55.77, 49.65, 62.68

 

CMYK 54 / 0 / 94 / 11

HEX #69E20D

RGB 105 226 13

HSL 94.08, 0.89%, 0.47%

LAB 80.42, -63.84, 76.85

 

CMYK 94 / 36 / 0 / 11

HEX #0D91E2

RGB 13 145 226

HSL 202.82, 0.89%, 0.47%

LAB 57.87, -2.31, -49.79

 

CMYK 12 / 94 / 0 / 11

HEX #C60DE2

RGB 198 13 226

HSL 292.11, 0.89%, 0.47%

LAB 49.23, 84.43, -62.91

 

CMYK 0 / 60 / 94 / 11

HEX #E25B0D

RGB 226 91 13

HSL 21.97, 0.89%, 0.47%

LAB 55.77, 49.65, 62.68

 

CMYK 82 / 0 / 94 / 11

HEX #29E20D

RGB 41 226 13

HSL 112.11, 0.89%, 0.47%

LAB 78.98, -75.98, 75.08

 

Description

Color code: RGB 13 145 226 | qconv.com Color code: RGB 13 145 226 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 145 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 145 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, 36 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 36% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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