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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 13 145 190 it is the complementary color RGB 242 110 65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 13 145 190. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 13 145 190 shade: RGB 18 145 185, RGB 35 163 204, RGB 52 181 223, RGB 69 199 242 and RGB 86 217 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 13 145 190. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 13 145 190 shade: RGB 13 145 190, RGB 0 127 171, RGB 0 109 152, RGB 0 91 133 and RGB 0 73 114

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 13 145 190 shade: RGB 13 145 190, RGB 13 97 190, RGB 13 49 190, RGB 24 13 190 and RGB 72 13 190

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 13 145 190 shade: RGB 13 145 190, RGB 13 97 190, RGB 13 49 190 and RGB 13 13 190

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 13 145 190 shade matches the following richer shades: RGB 13 145 190

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 13 145 190 shade: RGB 13 145 190, RGB 29 137 174, RGB 46 129 157, RGB 62 121 141 and RGB 79 113 124

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 13 145 190 shade: RGB 13 190 140, RGB 13 190 187, RGB 13 146 190, RGB 13 99 190 and RGB 13 51 190

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 13 145 190 shade: RGB 7 86 113, RGB 10 116 152, RGB 13 145 190, RGB 15 175 229 and RGB 46 191 240

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 13 145 190 shade: RGB 13 145 190, RGB 93 13 190 and RGB 190 164 13

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 13 145 190 shade: RGB 13 145 190, RGB 190 13 146 and RGB 146 190 13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 13 145 190 shade: RGB 13 145 190, RGB 93 13 190, RGB 190 57 13 and RGB 110 190 13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 13 145 190 shade: RGB 13 145 190, RGB 146 13 190, RGB 190 57 13 and RGB 57 190 13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 24 / 0 / 25

HEX #0D91BE

RGB 13 145 190

HSL 195.25, 0.87%, 0.4%

LAB 56.14, -15.63, -32.27

 

Complementary color

CMYK 0 / 55 / 73 / 5

HEX #F26E41

RGB 242 110 65

HSL 15.25, 0.87%, 0.6%

LAB 62.01, 48.04, 48.69

 

CMYK 90 / 22 / 0 / 27

HEX #1291B9

RGB 18 145 185

HSL 194.37, 0.82%, 0.4%

LAB 55.97, -17.19, -29.7

 

CMYK 83 / 20 / 0 / 20

HEX #23A3CC

RGB 35 163 204

HSL 194.56, 0.71%, 0.47%

LAB 62.43, -19.05, -30.36

 

CMYK 77 / 19 / 0 / 13

HEX #34B5DF

RGB 52 181 223

HSL 194.74, 0.73%, 0.54%

LAB 68.83, -20.51, -30.93

 

CMYK 71 / 18 / 0 / 5

HEX #45C7F2

RGB 69 199 242

HSL 194.91, 0.87%, 0.61%

LAB 75.15, -21.66, -31.45

 

CMYK 66 / 15 / 0 / 0

HEX #56D9FF

RGB 86 217 255

HSL 193.49, 1%, 0.67%

LAB 81.19, -24.4, -29.07

 

CMYK 93 / 24 / 0 / 25

HEX #0D91BE

RGB 13 145 190

HSL 195.25, 0.87%, 0.4%

LAB 56.14, -15.63, -32.27

 

CMYK 100 / 26 / 0 / 33

HEX #007FAB

RGB 0 127 171

HSL 195.44, 1%, 0.34%

LAB 49.64, -13.09, -31.53

 

CMYK 100 / 28 / 0 / 40

HEX #006D98

RGB 0 109 152

HSL 196.97, 1%, 0.3%

LAB 43.07, -9.95, -30.67

 

CMYK 100 / 32 / 0 / 48

HEX #005B85

RGB 0 91 133

HSL 198.95, 1%, 0.26%

LAB 36.32, -6.63, -29.83

 

CMYK 100 / 36 / 0 / 55

HEX #004972

RGB 0 73 114

HSL 201.58, 1%, 0.22%

LAB 29.36, -3.08, -29.03

 

CMYK 93 / 24 / 0 / 25

HEX #0D91BE

RGB 13 145 190

HSL 195.25, 0.87%, 0.4%

LAB 56.14, -15.63, -32.27

 

CMYK 93 / 49 / 0 / 25

HEX #0D61BE

RGB 13 97 190

HSL 211.53, 0.87%, 0.4%

LAB 41.77, 13.37, -55.08

 

CMYK 93 / 74 / 0 / 25

HEX #0D31BE

RGB 13 49 190

HSL 227.8, 0.87%, 0.4%

LAB 29.41, 44.62, -75.3

 

CMYK 87 / 93 / 0 / 25

HEX #180DBE

RGB 24 13 190

HSL 243.73, 0.87%, 0.4%

LAB 24.32, 60.78, -83.75

 

CMYK 62 / 93 / 0 / 25

HEX #480DBE

RGB 72 13 190

HSL 260, 0.87%, 0.4%

LAB 27.8, 62.81, -77.87

 

CMYK 93 / 24 / 0 / 25

HEX #0D91BE

RGB 13 145 190

HSL 195.25, 0.87%, 0.4%

LAB 56.14, -15.63, -32.27

 

CMYK 93 / 49 / 0 / 25

HEX #0D61BE

RGB 13 97 190

HSL 211.53, 0.87%, 0.4%

LAB 41.77, 13.37, -55.08

 

CMYK 93 / 74 / 0 / 25

HEX #0D31BE

RGB 13 49 190

HSL 227.8, 0.87%, 0.4%

LAB 29.41, 44.62, -75.3

 

CMYK 93 / 93 / 0 / 25

HEX #0D0DBE

RGB 13 13 190

HSL 240, 0.87%, 0.4%

LAB 23.97, 60.6, -84.35

 

CMYK 93 / 24 / 0 / 25

HEX #0D91BE

RGB 13 145 190

HSL 195.25, 0.87%, 0.4%

LAB 56.14, -15.63, -32.27

 

CMYK 93 / 24 / 0 / 25

HEX #0D91BE

RGB 13 145 190

HSL 195.25, 0.87%, 0.4%

LAB 56.14, -15.63, -32.27

 

CMYK 83 / 21 / 0 / 32

HEX #1D89AE

RGB 29 137 174

HSL 195.31, 0.71%, 0.4%

LAB 53.18, -15.95, -27.73

 

CMYK 71 / 18 / 0 / 38

HEX #2E819D

RGB 46 129 157

HSL 195.14, 0.55%, 0.4%

LAB 50.35, -15.43, -22.23

 

CMYK 56 / 14 / 0 / 45

HEX #3E798D

RGB 62 121 141

HSL 195.19, 0.39%, 0.4%

LAB 47.78, -13.19, -16.74

 

CMYK 36 / 9 / 0 / 51

HEX #4F717C

RGB 79 113 124

HSL 194.67, 0.22%, 0.4%

LAB 45.54, -9.17, -9.96

 

CMYK 93 / 0 / 26 / 25

HEX #0DBE8C

RGB 13 190 140

HSL 163.05, 0.87%, 0.4%

LAB 68.61, -51.72, 14.21

 

CMYK 93 / 0 / 2 / 25

HEX #0DBEBB

RGB 13 190 187

HSL 178.98, 0.87%, 0.4%

LAB 69.82, -39.04, -9.73

 

CMYK 93 / 23 / 0 / 25

HEX #0D92BE

RGB 13 146 190

HSL 194.92, 0.87%, 0.4%

LAB 56.45, -16.18, -31.8

 

CMYK 93 / 48 / 0 / 25

HEX #0D63BE

RGB 13 99 190

HSL 210.85, 0.87%, 0.4%

LAB 42.35, 12.06, -54.15

 

CMYK 93 / 73 / 0 / 25

HEX #0D33BE

RGB 13 51 190

HSL 227.12, 0.87%, 0.4%

LAB 29.84, 43.42, -74.59

 

CMYK 94 / 24 / 0 / 56

HEX #075671

RGB 7 86 113

HSL 195.28, 0.88%, 0.24%

LAB 33.76, -11.11, -21.5

 

CMYK 93 / 24 / 0 / 40

HEX #0A7498

RGB 10 116 152

HSL 195.21, 0.88%, 0.32%

LAB 45.39, -13.51, -27.03

 

CMYK 93 / 24 / 0 / 25

HEX #0D91BE

RGB 13 145 190

HSL 195.25, 0.87%, 0.4%

LAB 56.14, -15.63, -32.27

 

CMYK 93 / 24 / 0 / 10

HEX #0FAFE5

RGB 15 175 229

HSL 195.14, 0.88%, 0.48%

LAB 66.84, -17.88, -37.34

 

CMYK 81 / 20 / 0 / 6

HEX #2EBFF0

RGB 46 191 240

HSL 195.15, 0.87%, 0.56%

LAB 72.32, -20.65, -34.79

 

CMYK 93 / 24 / 0 / 25

HEX #0D91BE

RGB 13 145 190

HSL 195.25, 0.87%, 0.4%

LAB 56.14, -15.63, -32.27

 

CMYK 51 / 93 / 0 / 25

HEX #5D0DBE

RGB 93 13 190

HSL 267.12, 0.87%, 0.4%

LAB 30.24, 64.46, -73.76

 

CMYK 0 / 14 / 93 / 25

HEX #BEA40D

RGB 190 164 13

HSL 51.19, 0.87%, 0.4%

LAB 67.67, -3.69, 69

 

CMYK 93 / 24 / 0 / 25

HEX #0D91BE

RGB 13 145 190

HSL 195.25, 0.87%, 0.4%

LAB 56.14, -15.63, -32.27

 

CMYK 0 / 93 / 23 / 25

HEX #BE0D92

RGB 190 13 146

HSL 314.92, 0.87%, 0.4%

LAB 43.23, 71.63, -25.61

 

CMYK 23 / 0 / 93 / 25

HEX #92BE0D

RGB 146 190 13

HSL 74.92, 0.87%, 0.4%

LAB 71.53, -35.58, 70.51

 

CMYK 93 / 24 / 0 / 25

HEX #0D91BE

RGB 13 145 190

HSL 195.25, 0.87%, 0.4%

LAB 56.14, -15.63, -32.27

 

CMYK 51 / 93 / 0 / 25

HEX #5D0DBE

RGB 93 13 190

HSL 267.12, 0.87%, 0.4%

LAB 30.24, 64.46, -73.76

 

CMYK 0 / 70 / 93 / 25

HEX #BE390D

RGB 190 57 13

HSL 14.92, 0.87%, 0.4%

LAB 44.09, 51.52, 52.06

 

CMYK 42 / 0 / 93 / 25

HEX #6EBE0D

RGB 110 190 13

HSL 87.12, 0.87%, 0.4%

LAB 69.59, -48.93, 68.14

 

CMYK 93 / 24 / 0 / 25

HEX #0D91BE

RGB 13 145 190

HSL 195.25, 0.87%, 0.4%

LAB 56.14, -15.63, -32.27

 

CMYK 23 / 93 / 0 / 25

HEX #920DBE

RGB 146 13 190

HSL 285.08, 0.87%, 0.4%

LAB 38.05, 70.69, -60.64

 

CMYK 0 / 70 / 93 / 25

HEX #BE390D

RGB 190 57 13

HSL 14.92, 0.87%, 0.4%

LAB 44.09, 51.52, 52.06

 

CMYK 70 / 0 / 93 / 25

HEX #39BE0D

RGB 57 190 13

HSL 105.08, 0.87%, 0.4%

LAB 67.82, -63.03, 65.95

 

Description

Color code: RGB 13 145 190 | qconv.com Color code: RGB 13 145 190 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 145 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 145 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, 24 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 24% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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