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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 13 128 105 it is the complementary color RGB 242 127 150. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 13 128 105. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 13 128 105 shade: RGB 18 128 100, RGB 35 146 119, RGB 52 164 138, RGB 69 182 157 and RGB 86 200 176

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 13 128 105. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 13 128 105 shade: RGB 13 128 105, RGB 0 110 86, RGB 0 92 67, RGB 0 74 48 and RGB 0 56 29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 13 128 105 shade: RGB 13 130 107, RGB 13 130 75, RGB 13 130 43, RGB 14 130 13 and RGB 45 130 13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 13 128 105 shade: RGB 13 130 107, RGB 13 122 130, RGB 13 90 130, RGB 13 59 130 and RGB 13 27 130

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 13 128 105 shade matches the following richer shades: RGB 13 130 107 and RGB 1 142 113

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 13 128 105 shade: RGB 13 130 107, RGB 24 118 100, RGB 36 107 93, RGB 48 95 86 and RGB 59 84 79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 13 128 105 shade: RGB 13 130 44, RGB 13 130 75, RGB 13 130 107, RGB 13 122 130 and RGB 13 91 130

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 13 128 105 shade: RGB 5 55 45, RGB 9 92 76, RGB 13 130 107, RGB 17 167 137 and RGB 20 205 168

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 13 128 105 shade: RGB 13 128 105, RGB 13 13 130 and RGB 130 60 13

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 13 128 105 shade: RGB 13 128 105, RGB 107 13 130 and RGB 130 107 13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 13 128 105 shade: RGB 13 128 105, RGB 13 13 130, RGB 130 13 36 and RGB 130 130 13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 13 128 105 shade: RGB 13 128 105, RGB 48 13 130, RGB 130 13 36 and RGB 95 130 13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 18 / 50

HEX #0D8069

RGB 13 128 105

HSL 168, 0.82%, 0.28%

LAB 47.68, -35.07, 4.24

 

Complementary color

CMYK 0 / 48 / 38 / 5

HEX #F27F96

RGB 242 127 150

HSL 348, 0.82%, 0.72%

LAB 66.72, 46.31, 7.96

 

CMYK 86 / 0 / 22 / 50

HEX #128064

RGB 18 128 100

HSL 164.73, 0.75%, 0.29%

LAB 47.61, -36.03, 7.07

 

CMYK 76 / 0 / 18 / 43

HEX #239277

RGB 35 146 119

HSL 165.41, 0.61%, 0.35%

LAB 54.29, -37.02, 5.65

 

CMYK 68 / 0 / 16 / 36

HEX #34A48A

RGB 52 164 138

HSL 166.07, 0.52%, 0.42%

LAB 60.88, -37.62, 4.4

 

CMYK 62 / 0 / 14 / 29

HEX #45B69D

RGB 69 182 157

HSL 166.73, 0.45%, 0.49%

LAB 67.39, -37.95, 3.29

 

CMYK 57 / 0 / 12 / 22

HEX #56C8B0

RGB 86 200 176

HSL 167.37, 0.51%, 0.56%

LAB 73.82, -38.13, 2.3

 

CMYK 90 / 0 / 18 / 50

HEX #0D8069

RGB 13 128 105

HSL 168, 0.82%, 0.28%

LAB 47.68, -35.07, 4.24

 

CMYK 100 / 0 / 22 / 57

HEX #006E56

RGB 0 110 86

HSL 166.91, 1%, 0.22%

LAB 40.93, -33.3, 5.86

 

CMYK 100 / 0 / 27 / 64

HEX #005C43

RGB 0 92 67

HSL 163.7, 1%, 0.18%

LAB 34.11, -30.65, 7.78

 

CMYK 100 / 0 / 35 / 71

HEX #004A30

RGB 0 74 48

HSL 158.92, 1%, 0.15%

LAB 27.05, -27.85, 9.88

 

CMYK 100 / 0 / 48 / 78

HEX #00381D

RGB 0 56 29

HSL 151.07, 1%, 0.11%

LAB 19.71, -24.82, 12.18

 

CMYK 90 / 0 / 18 / 49

HEX #0D826B

RGB 13 130 107

HSL 168.21, 0.82%, 0.28%

LAB 48.4, -35.4, 4.1

 

CMYK 90 / 0 / 42 / 49

HEX #0D824B

RGB 13 130 75

HSL 151.79, 0.82%, 0.28%

LAB 47.7, -43.19, 21.57

 

CMYK 90 / 0 / 67 / 49

HEX #0D822B

RGB 13 130 43

HSL 135.38, 0.82%, 0.28%

LAB 47.27, -48.37, 37.63

 

CMYK 89 / 0 / 90 / 49

HEX #0E820D

RGB 14 130 13

HSL 119.49, 0.82%, 0.28%

LAB 47.09, -50.68, 48.02

 

CMYK 65 / 0 / 90 / 49

HEX #2D820D

RGB 45 130 13

HSL 103.59, 0.82%, 0.28%

LAB 47.69, -45.48, 48.78

 

CMYK 90 / 0 / 18 / 49

HEX #0D826B

RGB 13 130 107

HSL 168.21, 0.82%, 0.28%

LAB 48.4, -35.4, 4.1

 

CMYK 90 / 6 / 0 / 49

HEX #0D7A82

RGB 13 122 130

HSL 184.1, 0.82%, 0.28%

LAB 46.47, -24.45, -12.34

 

CMYK 90 / 31 / 0 / 49

HEX #0D5A82

RGB 13 90 130

HSL 200.51, 0.82%, 0.28%

LAB 36, -6.39, -28.48

 

CMYK 90 / 55 / 0 / 49

HEX #0D3B82

RGB 13 59 130

HSL 216.41, 0.82%, 0.28%

LAB 26.23, 14.36, -44.1

 

CMYK 90 / 79 / 0 / 49

HEX #0D1B82

RGB 13 27 130

HSL 232.82, 0.82%, 0.28%

LAB 17.83, 36.21, -57.87

 

CMYK 90 / 0 / 18 / 49

HEX #0D826B

RGB 13 130 107

HSL 168.21, 0.82%, 0.28%

LAB 48.4, -35.4, 4.1

 

CMYK 99 / 0 / 20 / 44

HEX #018E71

RGB 1 142 113

HSL 167.66, 0.99%, 0.28%

LAB 52.45, -39.64, 6.41

 

CMYK 90 / 0 / 18 / 49

HEX #0D826B

RGB 13 130 107

HSL 168.21, 0.82%, 0.28%

LAB 48.4, -35.4, 4.1

 

CMYK 80 / 0 / 15 / 54

HEX #187664

RGB 24 118 100

HSL 168.51, 0.66%, 0.28%

LAB 44.33, -30.86, 2.39

 

CMYK 66 / 0 / 13 / 58

HEX #246B5D

RGB 36 107 93

HSL 168.17, 0.5%, 0.28%

LAB 40.7, -25.65, 1.37

 

CMYK 49 / 0 / 9 / 63

HEX #305F56

RGB 48 95 86

HSL 168.51, 0.33%, 0.28%

LAB 36.9, -18.53, 0.18

 

CMYK 30 / 0 / 6 / 67

HEX #3B544F

RGB 59 84 79

HSL 168, 0.17%, 0.28%

LAB 33.64, -10.69, -0.14

 

CMYK 90 / 0 / 66 / 49

HEX #0D822C

RGB 13 130 44

HSL 135.9, 0.82%, 0.28%

LAB 47.28, -48.25, 37.18

 

CMYK 90 / 0 / 42 / 49

HEX #0D824B

RGB 13 130 75

HSL 151.79, 0.82%, 0.28%

LAB 47.7, -43.19, 21.57

 

CMYK 90 / 0 / 18 / 49

HEX #0D826B

RGB 13 130 107

HSL 168.21, 0.82%, 0.28%

LAB 48.4, -35.4, 4.1

 

CMYK 90 / 6 / 0 / 49

HEX #0D7A82

RGB 13 122 130

HSL 184.1, 0.82%, 0.28%

LAB 46.47, -24.45, -12.34

 

CMYK 90 / 30 / 0 / 49

HEX #0D5B82

RGB 13 91 130

HSL 200, 0.82%, 0.28%

LAB 36.33, -7.01, -27.97

 

CMYK 91 / 0 / 18 / 78

HEX #05372D

RGB 5 55 45

HSL 168, 0.83%, 0.12%

LAB 19.86, -18.81, 1.74

 

CMYK 90 / 0 / 17 / 64

HEX #095C4C

RGB 9 92 76

HSL 168.43, 0.82%, 0.2%

LAB 34.47, -27.18, 2.72

 

CMYK 90 / 0 / 18 / 49

HEX #0D826B

RGB 13 130 107

HSL 168.21, 0.82%, 0.28%

LAB 48.4, -35.4, 4.1

 

CMYK 90 / 0 / 18 / 35

HEX #11A789

RGB 17 167 137

HSL 168, 0.82%, 0.36%

LAB 61.28, -42.98, 5.46

 

CMYK 90 / 0 / 18 / 20

HEX #14CDA8

RGB 20 205 168

HSL 168, 0.82%, 0.44%

LAB 73.96, -50.42, 6.67

 

CMYK 90 / 0 / 18 / 50

HEX #0D8069

RGB 13 128 105

HSL 168, 0.82%, 0.28%

LAB 47.68, -35.07, 4.24

 

CMYK 90 / 90 / 0 / 49

HEX #0D0D82

RGB 13 13 130

HSL 240, 0.82%, 0.28%

LAB 15.41, 43.32, -61.9

 

CMYK 0 / 54 / 90 / 49

HEX #823C0D

RGB 130 60 13

HSL 24.1, 0.82%, 0.28%

LAB 34, 27.38, 39.89

 

CMYK 90 / 0 / 18 / 50

HEX #0D8069

RGB 13 128 105

HSL 168, 0.82%, 0.28%

LAB 47.68, -35.07, 4.24

 

CMYK 18 / 90 / 0 / 49

HEX #6B0D82

RGB 107 13 130

HSL 288.21, 0.82%, 0.28%

LAB 26.81, 53.38, -42.75

 

CMYK 0 / 18 / 90 / 49

HEX #826B0D

RGB 130 107 13

HSL 48.21, 0.82%, 0.28%

LAB 46.03, 0.02, 49.61

 

CMYK 90 / 0 / 18 / 50

HEX #0D8069

RGB 13 128 105

HSL 168, 0.82%, 0.28%

LAB 47.68, -35.07, 4.24

 

CMYK 90 / 90 / 0 / 49

HEX #0D0D82

RGB 13 13 130

HSL 240, 0.82%, 0.28%

LAB 15.41, 43.32, -61.9

 

CMYK 0 / 90 / 72 / 49

HEX #820D24

RGB 130 13 36

HSL 348.21, 0.82%, 0.28%

LAB 27.19, 47.24, 20.36

 

CMYK 0 / 0 / 90 / 49

HEX #82820D

RGB 130 130 13

HSL 60, 0.82%, 0.28%

LAB 52.66, -12.82, 54.95

 

CMYK 90 / 0 / 18 / 50

HEX #0D8069

RGB 13 128 105

HSL 168, 0.82%, 0.28%

LAB 47.68, -35.07, 4.24

 

CMYK 63 / 90 / 0 / 49

HEX #300D82

RGB 48 13 130

HSL 257.95, 0.82%, 0.28%

LAB 18.04, 45.38, -57.45

 

CMYK 0 / 90 / 72 / 49

HEX #820D24

RGB 130 13 36

HSL 348.21, 0.82%, 0.28%

LAB 27.19, 47.24, 20.36

 

CMYK 27 / 0 / 90 / 49

HEX #5F820D

RGB 95 130 13

HSL 77.95, 0.82%, 0.28%

LAB 50.01, -28.41, 51.68

 

Description

Color code: RGB 13 128 105 | qconv.com Color code: RGB 13 128 105 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 128 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 128 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 18 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 18% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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