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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 13 126.8 113.4 it is the complementary color RGB 242 128.2 141.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 13 126.8 113.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 13 126.8 113.4 shade: RGB 18 126.8 108.4, RGB 35 144.8 127.4, RGB 52 162.8 146.4, RGB 69 180.8 165.4 and RGB 86 198.8 184.4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 13 126.8 113.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 13 126.8 113.4 shade: RGB 13 126.8 113.4, RGB 0 108.8 94.4, RGB 0 90.8 75.4, RGB 0 72.8 56.4 and RGB 0 54.8 37.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 13 126.8 113.4 shade: RGB 13 125 111, RGB 13 125 81, RGB 13 125 51, RGB 13 125 21 and RGB 35 125 13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 13 126.8 113.4 shade: RGB 13 125 111, RGB 13 108 125, RGB 13 78 125, RGB 13 48 125 and RGB 13 17 125

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 13 126.8 113.4 shade matches the following richer shades: RGB 13 125 111 and RGB 2 136 120

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 13 126.8 113.4 shade: RGB 13 125 111, RGB 24 113 103, RGB 35 102 94, RGB 47 91 86 and RGB 58 80 77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 13 126.8 113.4 shade: RGB 13 125 50, RGB 13 125 80, RGB 13 125 110, RGB 13 110 125 and RGB 13 80 125

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 13 126.8 113.4 shade: RGB 5 50 45, RGB 9 87 78, RGB 13 125 111, RGB 17 162 145 and RGB 21 199 178

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 13 126.8 113.4 shade: RGB 13 126.8 113.4, RGB 21 13 125 and RGB 125 65 13

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 13 126.8 113.4 shade: RGB 13 126.8 113.4, RGB 110 13 125 and RGB 125 110 13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 13 126.8 113.4 shade: RGB 13 126.8 113.4, RGB 21 13 125, RGB 125 13 28 and RGB 117 125 13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 13 126.8 113.4 shade: RGB 13 126.8 113.4, RGB 54 13 125, RGB 125 13 28 and RGB 84 125 13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 11 / 50

HEX #0D7E71

RGB 13 126.8 113.4

HSL 172.93, 0.81%, 0.27%

LAB 47.51, -32.09, -0.95

 

Complementary color

CMYK 0 / 47 / 41 / 5

HEX #F2808D

RGB 242 128.2 141.6

HSL 352.93, 0.81%, 0.73%

LAB 66.76, 44.8, 12.76

 

CMYK 86 / 0 / 15 / 50

HEX #127E6C

RGB 18 126.8 108.4

HSL 169.85, 0.75%, 0.28%

LAB 47.43, -33.16, 1.88

 

CMYK 76 / 0 / 12 / 43

HEX #23907F

RGB 35 144.8 127.4

HSL 170.49, 0.61%, 0.35%

LAB 54.12, -34.2, 0.58

 

CMYK 68 / 0 / 10 / 36

HEX #34A292

RGB 52 162.8 146.4

HSL 171.12, 0.52%, 0.42%

LAB 60.73, -34.84, -0.55

 

CMYK 62 / 0 / 9 / 29

HEX #45B4A5

RGB 69 180.8 165.4

HSL 171.74, 0.45%, 0.49%

LAB 67.25, -35.24, -1.55

 

CMYK 57 / 0 / 7 / 22

HEX #56C6B8

RGB 86 198.8 184.4

HSL 172.34, 0.5%, 0.56%

LAB 73.68, -35.46, -2.46

 

CMYK 90 / 0 / 11 / 50

HEX #0D7E71

RGB 13 126.8 113.4

HSL 172.93, 0.81%, 0.27%

LAB 47.51, -32.09, -0.95

 

CMYK 100 / 0 / 13 / 57

HEX #006C5E

RGB 0 108.8 94.4

HSL 172.06, 1%, 0.21%

LAB 40.75, -30.3, 0.52

 

CMYK 100 / 0 / 17 / 64

HEX #005A4B

RGB 0 90.8 75.4

HSL 169.82, 1%, 0.18%

LAB 33.9, -27.65, 2.27

 

CMYK 100 / 0 / 23 / 71

HEX #004838

RGB 0 72.8 56.4

HSL 166.48, 1%, 0.14%

LAB 26.82, -24.92, 4.16

 

CMYK 100 / 0 / 32 / 79

HEX #003625

RGB 0 54.8 37.4

HSL 160.95, 1%, 0.11%

LAB 19.43, -22.04, 6.25

 

CMYK 90 / 0 / 11 / 51

HEX #0D7D6F

RGB 13 125 111

HSL 172.5, 0.81%, 0.27%

LAB 46.84, -31.97, -0.52

 

CMYK 90 / 0 / 35 / 51

HEX #0D7D51

RGB 13 125 81

HSL 156.43, 0.81%, 0.27%

LAB 46.11, -39.93, 16.03

 

CMYK 90 / 0 / 59 / 51

HEX #0D7D33

RGB 13 125 51

HSL 140.36, 0.81%, 0.27%

LAB 45.62, -45.61, 31.87

 

CMYK 90 / 0 / 83 / 51

HEX #0D7D15

RGB 13 125 21

HSL 124.29, 0.81%, 0.27%

LAB 45.37, -48.78, 44.31

 

CMYK 72 / 0 / 90 / 51

HEX #237D0D

RGB 35 125 13

HSL 108.21, 0.81%, 0.27%

LAB 45.71, -45.95, 46.94

 

CMYK 90 / 0 / 11 / 51

HEX #0D7D6F

RGB 13 125 111

HSL 172.5, 0.81%, 0.27%

LAB 46.84, -31.97, -0.52

 

CMYK 90 / 14 / 0 / 51

HEX #0D6C7D

RGB 13 108 125

HSL 189.11, 0.81%, 0.27%

LAB 41.68, -18.78, -16.64

 

CMYK 90 / 38 / 0 / 51

HEX #0D4E7D

RGB 13 78 125

HSL 205.18, 0.81%, 0.27%

LAB 31.84, -0.78, -31.97

 

CMYK 90 / 62 / 0 / 51

HEX #0D307D

RGB 13 48 125

HSL 221.25, 0.81%, 0.27%

LAB 22.58, 20.09, -46.88

 

CMYK 90 / 86 / 0 / 51

HEX #0D117D

RGB 13 17 125

HSL 237.86, 0.81%, 0.27%

LAB 15.31, 39.93, -58.87

 

CMYK 90 / 0 / 11 / 51

HEX #0D7D6F

RGB 13 125 111

HSL 172.5, 0.81%, 0.27%

LAB 46.84, -31.97, -0.52

 

CMYK 99 / 0 / 12 / 47

HEX #028878

RGB 2 136 120

HSL 172.84, 0.97%, 0.27%

LAB 50.66, -34.98, -0.23

 

CMYK 90 / 0 / 11 / 51

HEX #0D7D6F

RGB 13 125 111

HSL 172.5, 0.81%, 0.27%

LAB 46.84, -31.97, -0.52

 

CMYK 79 / 0 / 9 / 56

HEX #187167

RGB 24 113 103

HSL 173.26, 0.65%, 0.27%

LAB 42.74, -27.59, -1.74

 

CMYK 66 / 0 / 8 / 60

HEX #23665E

RGB 35 102 94

HSL 172.84, 0.49%, 0.27%

LAB 39.02, -23.01, -1.71

 

CMYK 48 / 0 / 5 / 64

HEX #2F5B56

RGB 47 91 86

HSL 173.18, 0.32%, 0.27%

LAB 35.51, -16.61, -1.86

 

CMYK 28 / 0 / 4 / 69

HEX #3A504D

RGB 58 80 77

HSL 171.82, 0.16%, 0.27%

LAB 32.2, -9.18, -0.99

 

CMYK 90 / 0 / 60 / 51

HEX #0D7D32

RGB 13 125 50

HSL 139.82, 0.81%, 0.27%

LAB 45.61, -45.76, 32.37

 

CMYK 90 / 0 / 36 / 51

HEX #0D7D50

RGB 13 125 80

HSL 155.89, 0.81%, 0.27%

LAB 46.09, -40.16, 16.58

 

CMYK 90 / 0 / 12 / 51

HEX #0D7D6E

RGB 13 125 110

HSL 171.96, 0.81%, 0.27%

LAB 46.81, -32.27, 0.03

 

CMYK 90 / 12 / 0 / 51

HEX #0D6E7D

RGB 13 110 125

HSL 188.04, 0.81%, 0.27%

LAB 42.34, -19.86, -15.63

 

CMYK 90 / 36 / 0 / 51

HEX #0D507D

RGB 13 80 125

HSL 204.11, 0.81%, 0.27%

LAB 32.49, -2.08, -30.95

 

CMYK 90 / 0 / 10 / 80

HEX #05322D

RGB 5 50 45

HSL 173.33, 0.82%, 0.11%

LAB 17.93, -16.09, -1.07

 

CMYK 90 / 0 / 10 / 66

HEX #09574E

RGB 9 87 78

HSL 173.08, 0.81%, 0.19%

LAB 32.75, -24.11, -1.02

 

CMYK 90 / 0 / 11 / 51

HEX #0D7D6F

RGB 13 125 111

HSL 172.5, 0.81%, 0.27%

LAB 46.84, -31.97, -0.52

 

CMYK 90 / 0 / 10 / 36

HEX #11A291

RGB 17 162 145

HSL 172.97, 0.81%, 0.35%

LAB 59.89, -38.6, -1.05

 

CMYK 89 / 0 / 11 / 22

HEX #15C7B2

RGB 21 199 178

HSL 172.92, 0.81%, 0.43%

LAB 72.38, -45.22, -1.04

 

CMYK 90 / 0 / 11 / 50

HEX #0D7E71

RGB 13 126.8 113.4

HSL 172.93, 0.81%, 0.27%

LAB 47.51, -32.09, -0.95

 

CMYK 83 / 90 / 0 / 51

HEX #150D7D

RGB 21 13 125

HSL 244.29, 0.81%, 0.27%

LAB 15.1, 42.06, -59.21

 

CMYK 0 / 48 / 90 / 51

HEX #7D410D

RGB 125 65 13

HSL 27.86, 0.81%, 0.27%

LAB 34.33, 22.35, 39.83

 

CMYK 90 / 0 / 11 / 50

HEX #0D7E71

RGB 13 126.8 113.4

HSL 172.93, 0.81%, 0.27%

LAB 47.51, -32.09, -0.95

 

CMYK 12 / 90 / 0 / 51

HEX #6E0D7D

RGB 110 13 125

HSL 291.96, 0.81%, 0.27%

LAB 26.97, 52.97, -39.3

 

CMYK 0 / 12 / 90 / 51

HEX #7D6E0D

RGB 125 110 13

HSL 51.96, 0.81%, 0.27%

LAB 46.37, -4.1, 49.66

 

CMYK 90 / 0 / 11 / 50

HEX #0D7E71

RGB 13 126.8 113.4

HSL 172.93, 0.81%, 0.27%

LAB 47.51, -32.09, -0.95

 

CMYK 83 / 90 / 0 / 51

HEX #150D7D

RGB 21 13 125

HSL 244.29, 0.81%, 0.27%

LAB 15.1, 42.06, -59.21

 

CMYK 0 / 90 / 78 / 51

HEX #7D0D1C

RGB 125 13 28

HSL 351.96, 0.81%, 0.27%

LAB 25.96, 45.44, 23.89

 

CMYK 6 / 0 / 90 / 51

HEX #757D0D

RGB 117 125 13

HSL 64.29, 0.81%, 0.27%

LAB 50.07, -16.14, 52.39

 

CMYK 90 / 0 / 11 / 50

HEX #0D7E71

RGB 13 126.8 113.4

HSL 172.93, 0.81%, 0.27%

LAB 47.51, -32.09, -0.95

 

CMYK 57 / 90 / 0 / 51

HEX #360D7D

RGB 54 13 125

HSL 261.96, 0.81%, 0.27%

LAB 18.16, 44.6, -54.06

 

CMYK 0 / 90 / 78 / 51

HEX #7D0D1C

RGB 125 13 28

HSL 351.96, 0.81%, 0.27%

LAB 25.96, 45.44, 23.89

 

CMYK 33 / 0 / 90 / 51

HEX #547D0D

RGB 84 125 13

HSL 81.96, 0.81%, 0.27%

LAB 47.73, -30.57, 49.48

 

Description

Color code: RGB 13 126.8 113.4 | qconv.com Color code: RGB 13 126.8 113.4 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 126.8 green and 113.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 126.8 113.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 11 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 11% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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